Search

This collection consists one bound volume including both financial receipts and sketches. The first part the volume contains 38 pages of receipts of payments from John Sunnocks to various people he had transacted business with in the late 18th century. The rest of the volume contains sketches circa 1880, attributed to Newbold Hough Trotter, an American artist known for his work illustrating natural landscapes and animals.

This single bound volume includes both financial receipts and sketches. The first part the volume contains 38 pages of receipts of payments from John Sunnocks to various people he transacted business with in late 18th century Philadelphia. The next approximately 150 pages contain sketches attributed to Newbold Hough Trotter, an American artist known for his work illustrating natural landscapes and animals. The second half of the volume is unused.

It is likely Newbold came into possession of the book through his wife, Ann Trotter. Ann's great-grandfather, William Dawson, was named executor of John Sunnock's estate at the time of his death in 1793. This is noted in some of the last receipts in the volume.

The receipts date from June 20, 1792 to January 31, 1801 and are written by the individual receiving the payment or by John Sunnocks, or someone on behalf of John Sunnocks, and signed by the individual receiving payment. The currency shifts between pounds and dollars, and some receipts are exchanges of said currencies. The receipts vary in specificity. Many relate to his business as a trunk maker, for goods and services such as animal skins, lumber, and freight. Other expenses shown are taxes, rent, and military fines. Some of the more recurring businesses and individuals found in these receipts are as follows: Moses Levy (attorney), John Field & Son (merchants), Andrew Tybout (merchant), Roberts & Twamley (ironmongers), Abbot & Barnes (curriers), David Moffat (sea captain), Daniel Drinker (merchant), and William Watson (sea captain).

The sketches are in pencil and undated. They mostly depict animals, including many images of lions. Other drawings/scenes include profile portraits of men and women, a man hunting, a ship at sea, and a man presenting artwork. A few drawings appear to have been done by a child.

The James Wilson ledger is a volume of approximately 660 pages, made up of accounts for individuals and corporations, mostly in Hunterdon County, New Jersey, between 1794 and 1816. The collection also includes about 50 small items, mostly receipts relating to Wilson's business, that were originally enclosed in the ledger.

Wilson divided the ledger into three sections, for which he hand-numbered the pages. In the third section, beginning around 1802, he not only listed the names of his customers, but also frequently recorded their residences or occupations. Women tended to be identified as "daughter of," "wife of," or "widow of" a male relative.

Wilson's customers occupied a spectrum of social statuses. Many of the patrons were listed as farmers or artisans, but the ledger also includes accounts for professionals and gentleman as well as newly freed African Americans, household servants, and apprentices. Most of these customers seemed to reside in the towns of Lebanon, Bethlehem, and Kingwood, in Hunterdon County, New Jersey, but Wilson also traded with merchants from Trenton and Philadelphia.

In the earliest entries, dating from 1794, Wilson seems to have traded mostly in wines and spirits, including whisky, spruce beer, port, sherry, rum, cider, and claret. Most of his early customers paid in cash or "bottles returned." Further in the ledger, Wilson's sales broaden to include household goods (chiefly tea, coffee, and sugar), fabric, and clothing. In return, he received services and goods, as well as cash.

This collection also consists of approximately 50 small items, mostly receipts, at one time enclosed in the ledger. Items of note include 2 contracts, dated 1807, for schoolmaster James Hill, an undated note addressed to "Mrs. Wilson" from Theodosia Coxe about household goods, and some basic sketches in the front and end papers of the ledger. An index of the approximately 100 accounts listed under women's names may be found in the control file.

This diary recounts the World War I experiences of Joseph Eve, who served in Battery F of the 101st Field Artillery Regiment during the final months of the war. Eve described his experiences at training sites in the United States, as well as while traveling through France during the months immediately following the war.

This 34-page diary, titled "My Diary while in the Army," recounts Joseph Eve's experiences with Battery F of the Battery F of the 101st Field Artillery Regiment during the final months of World War I. The volume, a running narrative, covers the entirety of Eve's military experiences, beginning with his departure from Salt Lake City on September 2, 1918, and concluding with his return on April 25, 1919. Eve first traveled to Camp Lewis, Washington, where he was formally inducted into the Army, and transferred to Fort Stevens, Oregon, on September 26. While in training, he reported frequent drilling, discussed some of his equipment, and reflected on his cross-country travels. He kept a list of major cities he traveled through both on his way to Oregon and between Oregon and Camp Merritt, New Jersey, where he embarked for Europe on the President Grant around October 28. After writing about the trip, during which a torpedo hit the President Grant's sister ship, the President Lincoln, Eve described the celebrations in France on Armistice Day, when he first arrived in the country.

The remainder of the diary concerns his movements throughout France in the following months. Eve often expressed his displeasure with the accommodations at French camps, and occasionally mentioned performing training exercises with trench mortars. At one camp, he saw a group of German prisoners of war; at another, he encountered veterans who laughed at his unit's prospects of becoming an occupation force. He also visited Paris and described the soldiers and ordnance around Metz, France, before returning to the United States onboard the Mongolia in April 1919. Eve's diary ends with his arrival in Salt Lake City on April 25, one day after his discharge from the Army at Fort Russell, Wyoming.

The final pages of the volume contain additional material, including 2 pages of financial accounts, a list of food items, and a 4-page list of cities Eve traveled through on his way from Shirley, Massachusetts, to Granger, Wyoming. Two pages contain rough sketches of the insignia of 42 infantry divisions of the United States Army, arranged in a grid according to divisional numbers. A ticket for the Paris Métropolitain and a contract between Joseph Bannister and Joseph Eve, granting Eve a lease on Bannister's farm in Grace, Idaho (October 1, 1916), are laid into the volume between the front cover and first page.

The Joshua Benjamin journal contains notes and navigational logs on the various crews and voyages of the Brigantine Sarah, Brigantine Young Henry, Ship Lufilania, Brigantine Dolphin, Sloop Tryall, Brigantine Sea Flower, Sloop Experiment, Sloop Endeavor, Sloop Abigail, Brigantine Willam & Mary, Brigantine Union, Ship Samuell, Ship John and Cranwell, and the Ship Welcome, all sailing between 1713 and 1734.

The journal has 303 total pages, including the small pages bound together with the volume. Of these, approximately 258 are devoted to ships' logs. The book contains 60 pencil and ink coastal profiles.

The Joshua Benjamin journal contains notes on the various crews of the Brigantine Sarah and Brigantine Young Henry, as well as navigational logs and notes for various voyages of these ships as well as for the Ship Lufilania, Brigantine Dolphin, Sloop Tryall, Brigantine Sea Flower, Sloop Experiment, Sloop Endeavor, Sloop Abigail, Brigantine Willam & Mary, Brigantine Union, ship Samuell, Ship John and Cranwell, and the Ship Welcome, between 1713-1734. These voyages typically begin or end in Boston, bringing cargo to and from various ports along the Eastern Seaboard, Caribbean, and London.

The volume opens with the following inscription:

Joshua Benjamin Book[:] taken on board the Hardie Brilhae a french Ship of About 400 Tuns 32 guns Mounted x175 men in the year 1710[.] I then belonging to Her Majesty Queen Anne[']s Service in Her Ship the Kent of 70 Guns x 440 men[.]

However, none of the book's entries document the voyages of these ships. The first few pages consist of charts for the crew of the Brigantine Sarah and Young Henry with notes on crew names and positions, their wages, and time served on the ship for that voyage. After these entries is a description of a religious service at the Cathedral of San Salvador in Oviedo, Spain, accompanied by an inventory of holy relics housed there (page 9). The inventory claims 21 relics from various saints and religious figures, including one of the 30 pieces of silver received by Judas, 8 thorns from the crown Jesus wore at his crucifixion, and clothes worn by Jesus.

The next set of entries consists of the logs of the various voyages of Benjamin. He keeps track of the ships'; daily longitude and latitude positions, records the day's wind, weather, and sea conditions, and makes brief notes of daily events (setting off, docking, repairs, meeting other ships and sailors, exchanging goods, etc.). In general, the descriptions provide general information on the experiences of eighteenth-century seamen and speak to the ways in which they handled challenges at sea.

Occasionally, Benjamin describes encounters with other ships, which indicate that the crew felt keenly that the waters were dangerous. For example, on December 27, 1733, he mentions that they spotted two sails giving chase. "We feeling they were Enemies prepared to receive them by fitting the vessels for close fight" (p.141). The ships passed without incident. In one of the longer entries of the journal, Benjamin describes the unfortunate fate of the Brigantine Sarah, which on November 1, 1730, struck a rock that severely damaged the ship five leagues from Bermuda. Eventually, all crew abandoned ship and took refuge on a nearby Island. They were rescued by a passing sloop within 4 days and taken to South Carolina.

Many of the entries include rough pencil sketches of coastal profiles, indicating the basic vertical outline of approaching land. In addition to these profiles is a pen drawing of several fish (p.26) and a map of Martha's Vineyard (p.47). This hand-drawn and well labeled map of Martha's Vineyard is one of the earliest known charts of this passage.

See the "Detailed Box and Folder Listing" section for a complete document summary with voyage and illustration listed with their corresponding page numbers.

Founded in 1975 in Ann Arbor, Michigan, Kadushin Associates is an architectural firm specializing in affordable housing, mixed use developments, sustainable and community design, historic rehabilitation and renovation, and expansion and renovation projects, particularly in Detroit, Michigan, and its environs. Material is dated from 1951-2011 (bulk 1990-2011) and includes large architectural drawings, correspondence, development plans, photographic material, and project manuals.

The Kadushin Associates records document the firm's projects, especially those related to affordable housing, sustainable community design, and historic rehabilitation and renovation. The materials in this collection include large architectural drawings—such as elevation, framing, floor, section, and site drawings—as well as correspondence, development plans, photographic material, and project manuals. The "Project Files" series also includes material produced by the Urban Collaborative, the predecessor of Kadushin Associates.

Researchers should note that many of the geographically designated files in the "Project Files" series have a "collected material" file that consists of collected / reference material that, while not explicitly produced by Kadushin Associates or associated with the firm's projects, are related to the associated city, township, or county file. These files are typically found at the end of each file or, if they are oversized, within separate boxes.

Researchers interested in specific projects should consult materials in both series.

The Kidder Randolph Breese logbook covers Breese's daily activities as an aide to Commodore George W. Storer onboard the United States Frigate Brandywine along the eastern coast of South America between November 20, 1847, and October 18, 1850. The logbook, written primarily from various South American ports, records salutes given and received, the arrivals and departures of other ships, and visits by international naval personnel and other dignitaries.

The Kidder Randolph Breese logbook covers Breese's daily activities as an aide to Commodore Jacob J. Storer onboard the United States Frigate Brandywine along the eastern coast of South America between November 20, 1847, and October 18, 1850. The logbook, written primarily from various South American ports, records salutes given and received, the arrivals and departures of other ships, and visits by international naval personnel and other dignitaries.

During its South American travels, the Brandywine laid anchor in Rio de Janeiro, Brazil; Buenos Aires, Argentina; Montevideo, Uruguay; and Pernambuco, Brazil. In these ports, the Brandywine regularly gave and received salutes from foreign ships, often for a related leader's birthday or other important national event: the Brazilian royal family frequently received salutes, and the Brandywine joined British ships in celebrating the anniversary of Queen Victoria's ascension to the throne (June 19-20, 1848). Breese also recorded the many visits Commodore Storer made to foreign ships, as well as those of visiting dignitaries to the Brandywine. Officials from Brazil, Uruguay, Argentina, and from British, French, and Spanish vessels boarded the ship. Breese carefully noted the position of various international flags hoisted during salutes and visits, and the logbook provides insight into contemporary naval protocol. Following the journal entries, which conclude on October 18, 1850, are an illustrated essay on numerical naval light signaling (3 pages), colored illustrations of various naval flags (3 pages), and a pen sketch of a rocky shore. An undated enclosed document contains a "List of sails made for U. S. Frigate U. States," including the type of sail and the number of yards of fabric used in its construction.

The Lars Gustaf Sellstedt family collection is made up of correspondence, poetry, ephemera, and other materials related to Sellstedt and his descendants, particularly his daughter Eva and her husband, Frank H. Potter. The papers pertain to Sellstedt's religious beliefs, his travels in the Caribbean, his interest in fine art, and his influence and legacy in Buffalo, New York. Other items pertain to Frank Potter's life in Berlin, Germany, in the mid-1880s and to the genealogy of the Younglove family.

The Lars Gustaf Sellstedt family collection (0.75 linear feet) is made up of correspondence, poetry, ephemera, and other material related to Sellstedt and his descendants, particularly his daughter Eva and her husband, Frank H. Potter. The papers pertain to Sellstedt's religious beliefs, his travels in the Caribbean, his interest in fine art, and his influence and legacy in Buffalo, New York. Other items pertain to Frank Potter's life in Berlin, Germany, in the mid-1880s and to the genealogy of the Younglove family.

The Correspondence series (109 items) contains letters related to the Sellstedt, Potter, and Younglove families. In the mid-1840s, Sellstedt exchanged letters with his future wife, Louise Lovejoy; some of his other early correspondence concerns religion, art, and travel to the Caribbean in late 1848 and early 1849. In the early 20th century, he received letters from acquaintances and admirers about his books From Forecastle to Academy and Art in Buffalo.

Many items from the late 19th century pertain to Sellstedt's daughter Eva and her husband, Frank Hamilton Potter, including a series of letters that Potter wrote to his parents about his life in Berlin, Germany, in the mid-1880s. Frank and Eva Potter's son, Lars Sellstedt Potter, occasionally wrote to his mother as a child. The series also contains mid-19th century letters between William K. Scott and his cousin Moses C. Younglove, mid-20th century letters about an art exhibit commemorating Lars G. Sellstedt, and an undated letter from "Santa Claus" to a group of children. The series includes 2 print narratives by Samuel Younglove, entitled "Battle of Oriskany" and "The Battle of Bennington" (June 12, 1897).

The Writings series (113 items) contains 23 essays and 90 poems. Longer essays pertain to "Architecture and Sculpture" (58 pages) and to the history of art in Buffalo, New York (2 items, 99 pages and 47 pages); at least one of the essays about Buffalo was incorporated into Sellstedt's book Art in Buffalo. Other items pertain to the politician James Osborn Putnam, an acquaintance of Sellstedt's. The poetry (90 items), much of which was written by Sellstedt, concerns love, friendship, nature, and religious subjects; at least one poem is a friend's tribute to Sellstedt. The series includes 8 published items, housed together.

The Watercolors and Sketches (5 items), attributed to various persons, depict infant children, a Roman soldier, a woman, and a home. The Photographs (19 items), comprised of card photographs and photographic prints, mostly show members of the Sellstedt family, including Lars G. Sellstedt, Caroline Scott Sellstedt, and Eva Thorén Sellstedt. The pictures are studio portraits, outdoor portraits, and snapshots taken during a fishing trip. The series contains 3 copies of a memorial poem dedicated to William Scott Sellstedt ("Willie"), each illustrated with a photograph of him.

The Albright-Knox Art Gallery Exhibit Materials (around 20 unique items) include documents, promotional materials, and captions, which are related to an exhibit and reception held in honor of Lars Sellstedt in September 1972.

Newspaper Clippings (66 items) pertain to the life of Lars G. Sellstedt, including retrospectives about his life and obituaries. Some clippings concern the Albright-Knox Gallery's 1972 Sellstedt exhibit.

The Invitations, Cards, Documents, and Realia series (11 items) includes printed and manuscript invitations, a calling card, an embroidered piece of fabric, and a stock certificate for the Buffalo Cremation Company.

The Genealogy series (9 items) contains histories of the Younglove family, written by and addressed to Moses Younglove, as well as items related to the Gay family and to the life of Lars G. Sellstedt.

This collection is made up of 27 letters that Leroy Stecker wrote to his family while serving in the United States Navy during World War II. Stecker, a seaman first class, was based at Norfolk, Virginia, and served onboard the Oceanographer in the Pacific Theater.

This collection is made up of 27 letters that Leroy Stecker wrote to his family while serving in the United States Navy during World War II. Stecker, a seaman first class, was based at Norfolk, Virginia, and served onboard the Oceanographer in the Pacific Theater. Stecker addressed his letters to his mother and stepfather in Torrance, California, and to a woman named Joan who lived with them, from July 12, 1942, to September 8, 1943. He was stationed in Norfolk, Virginia, until late August, when he joined the crew of the Oceanographer, which served in the Aleutian Islands, Hawaii, and the South Pacific during the war. Stecker wrote primarily about his everyday life and discussed his meals, hobbies, and acquaintances. In Norfolk, he met a woman whose husband had gone to war, and he later discussed a relationship with a married woman, reporting her intention of getting a divorce. Stecker frequently responded to news of acquaintances from home and on one occasion offered advice for a man named "Bus," who considered joining the navy. A pencil drawing of a man in profile is enclosed in Stecker's letter of February 2, 1943.

This volume contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. Essay topics include examinations of specific cases, information on various ailments, notes on surgical operations, and descriptions of medicines.

This volume (162 pages) contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. The first 99 pages consist of medical notes and essays written during Carson's final year studying medicine at the University of Pennsylvania, including reports on medical cases, information on ailments and medicines, and notes concerning surgical operations. Essays on ailments and medicines (pages 100-159) focus on symptoms and relief, and include several based on particular types of medicines, such as diuretics and expectorants. Other essays examine the effects of the medicines on the body. The volume also contains medicinal recipes (pp. 160-161). Several doctors are mentioned, including H. S. Patterson, Joseph Carson, G[eorge] B. Wood, and Henry H. Smith. The medical content dates from March 15, 1849, to January 1850, and covers most of the volume's odd-numbered pages, with additional content appearing on some even-numbered pages, including several rough sketches of generic human figures that appear on the inside of both covers and throughout the book, and a series of indexes of miscellaneous words. Some additional items are signatures for residents of several towns in New York, a poem entitled "Buccaneer Bride" (p. 42), recipes for breakfast rolls and doughnuts (pp. 46, 48), household accounts for decorative items, and drafts of letters. Of the letters, one is signed by Grace Burton of Millport, New York. Addie A. McCurdy, also of Millport, New York, occasionally signed her name on some of the even-numbered pages.

The Marguerite Cret manuscript is a romance-adventure novella, written in French, containing watercolors and pencil illustrations.

Marguerite Cret's novella has an engaging, rapidly moving plot line, filled with adventure and a minor dose of romance. The story is enhanced by the inclusion of a series of pencil and watercolor sketches, some of which were never quite completed. Each chapter includes at least one major, full page water color. Its authorship is established tentatively on the basis of an inscription on page 2, "affectueusement á Noël Cortês, Marguerite Cret, 1888."