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This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

The Bank of the United States Signature book for the New York branch, compiled from 1834-1836, holds signatures of the bank's customers from New York and elsewhere. The book contains company and personal names, which reflect the diversity of the population – Dutch, German, Italian, Spanish, French, and English. A few women signed the book.

The Bank of the United States Signature book, compiled from 1834-1836, holds signatures of the bank's customers from New York and elsewhere. The first page is dated July 21, 1834, but internal evidence indicates later dates in 1835 and 1836. The volume contains company and personal autographs, both directly entered into the volume and pasted in on small fragments of paper. The names, reflect the diversity of the population in New York -- Dutch, German, Italian, Spanish, French, and English. A few women signed the book. Many entries include places of residence (e.g. Missouri, Florida, Charleston, Philadelphia) or additional signatures of related individuals or companies.

This collection contains material related to Daniel Decatur Emmett and the song "Dixie," which he published in 1860. The collection has 4 autograph items by Emmett, an additional letter, a photograph, and a first edition music score.

This collection contains material related to Daniel Decatur Emmett and the song "Dixie," which he published in 1860. The collection has 4 autograph items by Emmett, as well as an additional letter, a signed photograph of Daniel Emmett, and a first edition music score of "Dixie" (1860). Two items concern the debate about the song's authorship. The collection also includes an undated holograph manuscript of Emmett's song "Old Dan Tucker." See the Detailed Box and Folder Listing for more information.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Acquaintances in Kansas wrote additional entries in the 1880s. Thirty-two photographs of signatories are pasted or tipped into the volume, along with other materials like a fabric swatch with a hair clipping attached, embellished paper, and a pressed leaf.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Some entries include notations written in another hand, primarily indicating if someone was a teacher. Acquaintances in Kansas contributed additional entries in the 1880s.

Many persons signing the album added elements to their entries, such as poems, proverbs, comments, and drawings. Twenty-seven photographs of women were pasted into the volume alongside their signatures, with an additional five photographs enclosed in a letter written by Mrs. E. A. Husey to Mrs. F. W. Frost in 1893 (concerning classmates from the State Normal School). The volume includes various other materials tipped or pasted in, such as a fabric swatch with an attached hair clipping, embellished paper, and a pressed leaf.

Edith A. Moore Frost first inscribed the volume on December 25, 1860, indicating this "Forget Me Not Album," which features engraved illustrations of women, may have been given to her as a Christmas gift. She later wrote, beneath a photograph of herself, "Edith A. Frost. Class of 1868. Mass. State Normal School. Framingham Mass. Pictures of graduating Class 1868."

The Edwin F. Belden friendship album contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Photographs are also included.

The Edwin F. Belden friendship album (25cm x 18cm, 141 pages) contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Included are 112 salted paper and 3 albumen photographic portraits. The album has a hard cover with Belden's name and a decorative border stamped in gold on the front. Plates on the inside of the front and back covers feature a patriotic eagle and banner with the slogan "The Federal Union it must be preserved" and of a building used as "Republican Head Quarters" in 1860.

The first 37 pages contain signatures from members of the New York State Assembly, where Belden was a messenger in the early 1850s. Some politicians accompanied their signatures with brief personal message for Belden, often including well wishes and advice. Many signers recorded the name of the district they represented, and most dated their contributions April 16, and 17, 1851. This section of the album is followed by other autographs that Belden solicited in the mid-1850s, as well as an endorsement from his employers Lemuel Jenkins and C. Ten Broeck (November 22, 1852, p. 41).

The remaining contents, dated 1860-1866, are comprised of small photographic portraits, brief biographical notes, inscriptions, autographs, and newspaper clippings related to a variety of individuals, including many men who served in the Civil War. One page of individual full-length portraits represents members of the Albany Zouave Cadets with military equipment and musical instruments. Belden labeled most of the photographs and often included notes about the subjects' dates of death. Several entries include copied correspondence, inscriptions and autographs, and obituaries or other news articles. Contributors included former New York Governors Washington Hunt and John A. King; General William Tecumseh Sherman; and Samuel Streeter, a former delegate representing Albany at The Colored Men's Convention of 1840 (also pictured, October 30, 1860, p. 63). A letter from William F. Russell, a former member of the state legislature, is laid into the volume after the autographs (April 19, 1886).

This collection is made up of correspondence, diaries, documents, ephemera, and other items related to Hilon A. Parker and other members of the Parker family. The papers reflect Hilon A. Parker's life in Plessis, New York; his service in the 10th New York Heavy Artillery Regiment during the Civil War; and his postwar work as a railroad engineer and administrator.

This collection (3 linear feet) is made up of correspondence, diaries, documents, ephemera, and other items related to Hilon A. Parker and other members of the Parker family. Materials pertain to Hilon A. Parker's life in Plessis, New York; his service in the 10th New York Heavy Artillery Regiment during the Civil War; and his postwar work as a railroad engineer and administrator.

The correspondence (464 items) consists mainly of personal letters written and received by Hilon A. Parker between the 1860s and early 1910s. During the Civil War, Hilon A. Parker and his brother Harvey exchanged letters and wrote to their parents about service in the Union Army. Hilon served in the 10th New York Artillery Regiment. Thirza Parker, Hilon and Harvey's sister, provided news from Plessis, New York, while her brothers were away. Much of the correspondence from the late 1860s consists of letters between Hilon A. Parker and Mary Cunningham, his future wife. Hilon described the scenery and his work for railroad companies in Iowa, and Mary wrote about her life in Copenhagen, New York. After their marriage, most of the correspondence is comprised of incoming letters to Hilon A. Parker from personal and professional acquaintances. Parker received many condolence letters following Mary's death in early 1892. Later items include content related to Native American schools and to Parker's career in the railroad industry. A few late items sent to Hilon's daughter Florence in 1911 and 1912 concern his estate.

A group of 36 pencil and colored drawings and 32 letters relate to students at the Rainy Mountain Boarding School on the Kiowa-Comanche-Apache reservation in western Oklahoma. Kiowa schoolchildren gave the drawings as thank you notes to Hilon Parker, general manager of the Rock Island Railway, for a train ride he arranged for them in 1899. The children's ledger drawings show teepees, traditional Native American costume, and animals such as horses and buffalo. The children sent 13 letters to Hilon A. Parker on May 5, 1899. The Kiowa correspondence and drawings are accompanied by a group of 19 letters by grade school children in Chicago, Illinois, to Florence Parker Luckenbill, Hilon A. Parker's daughter, around 1925. The Chicago children commented on the Kiowa drawings and letters.

The Hilon A. Parker diaries (31 items) form a continuous run from 1860 to 1911, with the exception of the years 1896 and 1903. His brief daily entries concern life in Plessis, New York, in the early 1860s; service in the 10th New York Heavy Artillery Regiment during the Civil War; and work for the Chicago, Rock Island & Pacific Railway Company. Lucinda Parker, Hilon's mother, kept 6 diaries covering the period from 1858-1865, excepting 1862. She commented on her daily activities and social life in Plessis, New York.

Hilon A. Parker made entries in a commonplace book from February 1863-August 1863 and in April 1866. The first section of the volume contains poems and brief essays composed at Fort Meigs in Washington, D.C. Many of the entries refer to military life and to the war. The later pages of the volume include diagrams of cannons, mathematics and physics notes, and definitions of military terms. Items glued into this section of the volume include a small paper flag and many clipped autographs.

The collection's military documents (39 items) include orders, passes, commissions, and other documents related to Hilon A. Parker's service in the 10th New York Artillery Regiment during the Civil War; one item pertains to his pension. Undated materials include a casualty list and a blank voucher form.

Nine account books belonging to Hilon's father Alpheus Parker span the years from 1853-1878. Some of the volumes pertain to Parker's accounts with specific banks. Hilon Parker's business papers contain 35 accounts, receipts, and other items related to his personal finances and to his work for the railroad industry; one item concerns his voter registration (October 19, 1888). Most of the later material, including contracts and other agreements, regard business agreements between railroad companies. Some of the accounts are written on stationery of the Chicago, Rock Island & Pacific Railway Company.

Mary Cunningham's Hungerford Collegiate Institute papers (40 items) include essays, poetry, report cards, and newspaper clippings related to Cunningham's studies at the institute in the mid-1860s. The papers include a manuscript magazine called The Nonpareil, edited by Mary Cunningham (Vol. 5, No. 8: November 18, 1863).

Approximately 80 speeches, addresses, and essays written by Hilon A. Parker pertain to the Civil War, the Republican Party, and Illinois politics. Parker also composed speeches and essays about the life of Abraham Lincoln and about Native Americans.

The Hilon A. Parker family papers include 8 photographs: an ambrotype image of several members of the Parker family posing outside of the Parker & Fairman storefront in Plessis, New York, and portraits of Derrinda Parker Tanner (tintype), Isaac L. Hitchcock (daguerreotype), Lucinda and Thirza Parker (daguerreotype), two unidentified women (ambrotypes), Hilon A. and Harvey M. Parker in military uniform (card photograph), and Hilon A. Parker as a grown man (photographic print).

A scrapbook contains newspaper clippings, ephemera, and other items related to the life of Hilon A. Parker. Many articles concern Civil War veterans' groups (the Englewood Union Veteran Club and the Grand Army of the Republic) and other topics related to the war, such as an article regarding a reunion of the 10th New York Heavy Artillery Regiment, the fate of John Brown's wife and sons, memorial poems, and a map of entrenchments around Petersburg, Virginia. Other groups of clippings concern Illinois politics, liquor laws, the railroad industry, and the life of Hilon A. Parker.

The papers include newspaper clippings (21 items), biographical notes and writings (18 items), a hand-sewn US flag made by Thirza Parker for Hilon Parker while he served in the Civil War, a silhouette made in Denver, Colorado, in 1903, and other items.

This collection contains correspondence, speeches, ephemera, and photographs related to James Naismith, the inventor of basketball. Naismith's incoming correspondence includes letters about the history of basketball in locations across Canada and the United States, and his typed speech notes primarily concern the relationship between athletics, morality, and religion.

This collection contains correspondence, speeches, ephemera, and photographs related to James Naismith, the inventor of basketball. Naismith's incoming correspondence includes letters about the history of basketball in locations across Canada and the United States, and his typed speech notes primarily concern the relationship between athletics, morality, and religion.

The Correspondence series contains 44 letters, including 27 Naismith received about the history of basketball and the implementation of basketball programs. Between 1917 and 1939, Naismith collected responses to his inquiries about basketball from Canada, Uruguay, and universities within the United States. These letters often reported the dates of the first recorded local basketball games, and some described early equipment and rules. A letter from Edmonton, Alberta (October 15, 1929) concerned the development of women's basketball, and one from Osage City High School stated that theirs was the first high school in Kansas to have a basketball team (March 22, 1932). Some correspondents inquired about Naismith's experiences with the game, shared their own experiences, or discussed rule changes.

Letters written after Naismith's death are commemorative, including one signed by members of the Wheelchair Bulldozers, written on stationery bearing the team's logo (November 6, 1948). Additionally, Raymond Kaighn, the last surviving member of Naismith's first basketball team, wrote 8 letters to Kenneth Crouch between April 16, 1958, and July 28, 1962, reminiscing about his experiences and extolling Naismith's contribution to the world of sports. The collection also holds four letters Naismith wrote, providing his thoughts on the center jump ball rule (January 7, 1930), requesting information on Canadian basketball (with two responses, December 15, 1930), describing the game around the time of its invention in 1891 (February 4, 1939), and addressing his wife about personal matters (undated).

The Speech Notes and Essays series contains 7 typed speeches delivered by Naismith, with his manuscript annotations. The speeches pertain to the historical and contemporary relationship between athletic activities, morality, and religion, such as the role of athletic and physical education in moral and ethical development. Naismith lamented the commercialization of basketball and discussed the effects of the radio on the presidential election of 1928 (October 1928). One undated essay relates to sexual immorality among soldiers in the United States military.

Photographs and Ephemera include one photograph each of James Naismith and Raymond Kaighn, a souvenir program, a magazine article, and an invitation.

An inventory of items in the final two series appears in the Detailed Box and Folder listing below.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. The volume includes engraved illustrations, several entries that feature artistic elements, and miscellaneous tipped in materials.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. Additional visual materials include a negative image of a leaf made by splattering ink, a watercolor painting of flowers, and a calligraphic rendering of Laura Earl's name. Places linked to writers include states such as Wisconsin, Iowa, Minnesota, Colorado, Missouri, New York, Illinois, Ohio, Kansas, Nebraska, Massachusetts, and Oklahoma. Later entries refer to Laura by her married name, Laura E. Nethers.

Laura L. Earl pasted or tipped in various materials to the volume, including printed poems, calling cards, newspaper clippings, leaves, a scrap of fabric, an advertising blotter, a printed set of four images with Biblical passages, a notice for Mrs. D. E. Denman's funeral services in 1928, and Laura (Earl) Nethers' newspaper obituary from 1932. One calling card is from Laura L. Earl, and includes a photograph of her affixed to it. One clipped newspaper or magazine image shows two white men seated at a table with an African American man serving beverages.

"Pensez A Moi" is printed on the front cover. "Laura L. Earl" is stamped on the front flyleaf, as well as a pencil inscription, "1860. A Christmas Gift from my father, Covington, Ky."

• Modesty and Vanity
• Pensez A Moi
• The Departure
• Fatal Signal
• The Balsille. Eng'd for this Work
• Little Rogues in Trouble

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

This album contains autograph manuscripts and signatures of famous American politicians, military figures, authors, artists, actors, and religious figures, begun by Boston resident "Mrs. Russell" in 1859. A small number of contributors wrote directly into the volume, which also includes pasted-in letters, documents, poetry, excerpts, and signatures.

This album (145 pages) contains autograph manuscripts and signatures of famous American politicians, military figures, authors, artists, actors, and religious figures, begun by Boston resident "Mrs. Russell" in 1859. The first few pages include notes and signatures written directly into the volume, mostly dated at Boston in 1859. The majority of the album consists of pasted-in letters, poems, fragments, and standalone signatures written as early as 1759 and as late as 1920; 3 items from 1912, 1917, and 1920 are addressed to James C. McCabe of Bay City, Michigan. The correspondence refers to politics and current events, the memory of George Washington, and other subjects. One letter from Maria Mitchell to "My Dear Emily" assured the recipient that she had consulted the stars for auspicious signs (p. 100). The contributions from John Quincy Adams and James Madison are unsigned handwriting samples. The album includes a financial document signed by Jenny Lind regarding the distribution of proceeds from a charity performance (p. 6). A small number of materials are accompanied by clippings containing biographical information about the contributors. A complete index is available in the Manuscripts Division.