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This collection consists of letters, postcards, and photographs related to Private Arthur E. Welch of the United States Army, who served with the 1st Regiment, Company L, in and around Nogales, Arizona, between July and October 1916. Welch discussed everyday life along the United States-Mexico border, his work in a military ice house, and developments in the region's military conflicts.

This collection consists of 100 letters, 2 postcards, and several photographs related to Private Arthur E. Welch of the United States Army, who served with the 1st Regiment, Company L, in and around Nogales, Arizona, between July and October 1916. Welch wrote his first 2 letters to his mother, Mrs. M. J. Welch of Willimantic, Connecticut, while in training at Niantic, Connecticut, about his life in camp. His next 5 letters recount his journey to Nogales, Arizona, and describe the scenery in Ohio, Kansas, Oklahoma, Texas, and New Mexico.

The bulk of the collection consists of Welch's daily letters to his mother from July 4, 1916-October 2, 1916, about his experiences while stationed in Nogales, Arizona. He reported news of recent military developments, commented on his accommodations in camp, and discussed several aspects of his life in the army, including his training, his work in an ice house, and his attendance at Catholic religious services. He also described the area and discussed a lengthy march his unit made to Fort Huachuca, Arizona, where he remained for much of August. Welch occasionally mentioned relations with the Mexicans and their independence celebrations on September 16, as well as the actions of Pancho Villa. One of his friends, Ed Ryan, wrote a letter to Mrs. Welch about his experiences after being wounded in the arm; he also mentioned Arthur's work in the ice house (September 21, 1916). By early October 1916, Welch began to anticipate his return to the East Coast. Two photographic postcards depict Arthur E. Welch in uniform and in a pair of overalls.

The non-correspondence items are 1 photograph of a group of soldiers, as well as 3 scrapbook pages containing 31 photographs of Nogales, Arizona, and United States soldiers in uniform and at leisure.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

This volume contains D. Coffin's daily account of the first leg of a sea voyage from New York City to California, covering the progress of the clipper ship Grecian between New York and Cape Horn in early 1852. The journal also includes drawings of scenery made during the voyage, newspaper clippings, penmanship exercises, and children's sketches.

This volume contains a 20-page daily account of the first leg of D. Coffin's voyage from New York City to California, covering the progress of the clipper ship Grecian between New York and Cape Horn in early 1852. The journal also includes 18 coastal profiles drawn in pencil during the voyage. A newspaper clipping at the beginning of the volume concerns the clipper ship Grecian's arrival in San Francisco. It provides names of passengers, names of three people who died during the voyage, a list of goods shipped onboard, and names of consignees.

The journal begins on February 19, 1852. The following day, Coffin arrived in New York, where he purchased a ticket for the ship Grecian, which set sail on March 2. In his first entry, he detailed the ship's specifications, including its size and number of passengers. He kept a daily record of weather and events onboard and frequently mentioned his negative opinion of "immoral" passengers who enjoyed alcohol and gambling. Several of the entries concern medical problems, such as the death of passenger John Morrison from smallpox on March 12, the author's own bout with side and bowel pain, and several other cases of smallpox reported by the ship's doctor on March 21. Though many passengers suffered from illness, they were allowed to go onshore after the ship's arrival at Rio de Janeiro on April 12. Coffin wrote lengthy descriptions of the fort and the city, including its geographical surroundings and a visit by the emperor. On April 15, he reported on local markets and made brief observations about slaves. The Grecian departed Rio de Janeiro on April 19 and Coffin's continued to make daily entries until April 24.

Newspaper clippings, penmanship exercises, and children's sketches make up the rest of the volume. The first 42 pages have pasted-in newspaper clippings of proverbs, humorous anecdotes, informational articles, news articles, and poetry. The creator pasted the clippings over earlier, mostly inaccessible pen writing. Some of the clippings relate to farming, housekeeping, nature, and recent gold discoveries. Two of the articles are a report on a lecture given by Lucy Stone on women's rights, and a brief feature on an "Emancipation Movement in Virginia."

Penmanship exercises and notes (two dated 1862 & 1888), signatures, and children's sketches (three associated with Edna Jane Coffin) are scattered throughout the volume. A pencil sketch of a three-masted sailing ship was signed by Mathew Doyle.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. It includes photographs and illustrations of the mission and its missionaries, accompanied by captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life.

The David A. Day scrapbook was assembled shortly after Rev. Day's death in 1897 to commemorate one of the most renowned American missionaries in West Africa. The thirty-four silver print photographs are supplemented by half-tone illustrations of the mission and its missionaries (excised from an unidentified publication), and are accompanied by hand-written and typed captions providing background on the activities of the mission, the way of life of its inhabitants, and biographical notes on some converts. Laid into the front cover is a seven-page typed memoir of Day's life. Based upon writing inside the front cover, the scrapbook appears to have been assembled at or for the mission within a few years after Day's death.

Although the creator of the scrapbook is unidentified, the book remains a valuable record of the Lutheran missionary enterprise in Liberia and missionary responses to the inhabitants of that country. The series of images and captions seem equally concerned with religious "progress" (Christianization) and the material improvement of native lives as gauged by their adoption of western dress, methods of production, and attitudes toward work. Singled out for special note are a seven year old girl from "one of the tribes 100 miles north of the mission" who took pride in her dress and ability to use a broom, and a particularly devoted convert, Henry Stewart, and the author of the scrapbook included several views of particularly well-dressed groups of converts assembled and posed in orderly fashion. Along with views of the tidy mission complex itself, there is a secondary emphasis on the unconverted, with illustrations of their method of travel (by hammock), "half-civilized" natives at a saw mill, and semi-nude men standing by the river, awaiting a canoe. The typed captions offer a somewhat more extended, but still relatively brief commentary on native (Grebo) life and their lack of western attitudes and advantages.

Due to the highly brittle paper and exceptionally delicate nature of the scrapbook, researchers are requested to consult with the curatorial staff before beginning their research.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

An investigation of the Greene household allowed witnesses to piece together the progression of events on November 5, 1865. As Eunice was reading, Benjamin approached her from behind and cut her neck with a razor. She was able to call for help after Benjamin fled and to name him as the perpetrator, but her wounds were too severe to overcome. After a brief search, two men found Benjamin inside of a locked room, lying next to the same razor used to kill Eunice. Despite having cut his own wrists and neck in a suicide attempt, he was able to be stabilized and survived.

The loss of Eunice and Benjamin's eldest daughter, Harriet North Day (1831-1864), was consistently cited as the reason for the sharp decline in Benjamin's mental and physical health. The family physician, Dr. Beresford, held Benjamin's "singular and peculiar delusions with regard to his domestic affairs" (p. 2) as evidence of his mental instability. Often centered around Eunice, or supposed financial burdens, the validity of those claims was challenged by what Dr. Beresford and other witnesses observed prior to the homicide (p. 7, 11, 12, 14).

Before the murder, Benjamin repeatedly denied help from his family and friends, blocking at least one attempt by physicians to inform Eunice (p. 4) of his mental state. His nephew, William D. Wyatt (1828-1884), tried several times to intervene and help his uncle—both at his own behest and at Eunice's—but ultimately failed. William did not deem it safe to be alone with Benjamin, and testified that during one visit, Eunice told him that her husband was "a crazy man" and "had been a deranged man for years" (p. 11).

The scrapbook does not include the final ruling of the court, but the following is a quotation from an article [not present] containing the verdict, published in the Hartford Courant on March 14, 1866:

"The finding that Mr. Greene was insane at the time he killed his wife, will undoubtedly render his will, which was made in July last, and which was referred to in the testimony offered during his examination, of no account. In this will he bequeathed all his property to Robert E. Day, his son-in-law, and Mr. Day's little daughter. His action, in this respect, would seem to show that he labored under the delusion claimed that his whole family, with the exception of Mrs. Day, was leagued against him. After her death he said he had lost his best friend, and from that time forward declined in health rapidly."

The Haiti collection contains approximately 132 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.

The Haiti collection contains approximately 130 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, visual material, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.

• Bonneau et Avril DS, Journal des travaux..., September 1780. La Grande Plaine, [St. Domingue]. Beginning with a list of enslaved persons by profession/type of labor or other details (six women, for example, are indicated as free per the will of M. Baugé). The journal follows, indicating plantation events and the distribution of enslaved workers at different labor or at the hospital. With content related to mill work, sugar production, placing persons in irons, and more.
• Lory, Plombard & Co. ALS to Mr. Guillaumier; November 6, 1783. Cap. News of his brother, finances, and matters relating to enslaved persons (including their health).
• [Jean-Baptiste] Arnaudeau ALS to Madame Veuve Fleuriau, January 26, 1788; Bellevue, [Saint Domingue]. To his aunt, offering condolences on the death of her husband. Recommends buying the Fortin land as it is good for cultivating sugar cane. Purchase of enslaved persons for a good price (10 men and 2 women). Production of sugar and land on the Fleuriau plantation.
• Legal document from 1790 relating to the complicated distribution of Pierre Douault's estate, including the coffee plantation he owned in Saint Domingue.
• Delaire, Painparay & La Maiguere ALS to M. Peyrac, 1791 December 24; Nantes, [France]. 2 pages. Has received news from Port-au-Prince about the ratification of the treaty between "les Blancs & les Gens de couleur." Comments on how the gens de couleur have dictated the law, which is harsh against whites, but upholding it supports peace and protects property holders.
• [Pierre-César-Charles, marquis de] Sercey Partially Printed DS to "l'enseigne St. Prix," 1793 September 1; [New York, New York], 1 page. In French. Written near the New York harbor aboard theÉole . Orders from Commander of the Leeward Islands, "Le Commandant de la Station des Iles de L'Amérique Sous Le Vent," to embark on the frigate Surveillante to continue the ship's service. On illustrated letterhead with a decorative header; the portion featuring three fleurs-de-lis is inked out. N.B. Sercey commanded a fleet of ships carrying colonists fleeing from St. Domingue during the Haitian Revolution to New York and then on to France.
• British officer L. Dichter letter, describing Haiti as the "Devil's own Country"; July 4, 1796.
• An autographed letter by Toussaint L'Ouverture, written on his personal stationery; [1796].
• Citoyen Dodge Gorham and Dodge Gorham et Compagnie partially printed certificates (2) and manuscript document (1) pertinent to the shipment of goods, including beef, on the ship Zéphir (Zephyr) September 12, 1797. Le Cap.
• A deposition providing a firsthand account of revolutionary activity in 1793; October 25, 1799.
• Lovise Munroe manuscript protest, 14 Fructidor [September 1, 1800]; Môle Saint-Nicolas, Saint Domingue. 6 pages. Official notary copy of the protest of Lovise Munroe, captain of the Schooner Two Brothers of Boston, which sailed out of Philadelphia bound with goods consigned to merchant John Lewis at Cap Français. Was forced into the port at Môle Saint-Nicolas, "having been Contraried by the Winds & Weather." General Hyacinthe Moïse ordered that Munroe would "be so good to land All the Articles Useful to the State, such as, Tar, Pitch, Gun-Powder, Muskets, Swords, Pistols, Lead, Bunting, Tin and Flints, these articles will be deposited in the Arsenal in the Manner Order'd and Citn. [Mansey] Colin charged with the sale of the Surplus of the Cargo, will take the Arrangements he shall think most suitable with General Moyse, for the reimbursement of these Articles and the best of his Interest." After the goods were sold, Lewis claimed that he did not receive any compensation for the long sojourn in Môle Saint-Nicolas, but instead needed money to pay for flour, cloth, and cordage for the vessel's use.
• Robert McTaggart letter to Philadelphia merchants [John Reed, Standish Forde, and Samuel Israel]; January 18, 1804. Cap Français. Respecting trade issues, stagnant markets, spoiled produce, government restrictions on coffee purchases. Reference to ships at harbor and difficulties with French privateers.
• Letter to Martin[-Pierre] Foache, April 6, 1804. Au Cap. Describes persecution of white residents preceding the massacre ordered by Jean-Jacques Dessalines.
• A ca. 1815 legal summary of a case regarding the difficulties of collecting bills in post-revolutionary Saint Domingue. References the inability of the French merchant Reveliere to establish a trading house in Saint Domingue around 1802, which forced him to sell his cargo with a military contractor, but payment was later suspended by a governmental decree. Notes the impact on third-party bearers of the bills.
• B[elfast] Burton [draft letters?] to [Richard Allen?], [1825]; Semana, Haiti. 2 pages. Two letters on opposite sides of a single sheet. Discussion of issues with Pierre Joseph Marie Granville (Jonathas Granville), governance, authority, "there is nothing equal to truth & honesty and industry..." Politics, meddling of Alexander, support but apprehensions regarding President Jean-Pierre Boyer, and the campaign to promote African American immigration to the Republic of Haiti.
• Eugène-Léopold-François Pesnel DS petition to Faustin Soulouque, [1856?]; Cherbourg, [France]. 14 pages. Petition by Pesnel, requesting Empereur Soulouque to grant compensation to Marie Jeanne Pesnel, his mother, for property and proceeds lost as a result of the Haitian Revolution. Marie's father Thomas de Launay owned dwellings north of Cap Français and in Borgne. He had lived in Saint Domingue for 45 years before his death in 1781. The properties, including a cafeterie, had an annual profit of around 300,000 francs. The capital was 6,000,000 francs, which would have increased considerably in the hands of merchant de Launay and his descendants. Pesnel's request include a lengthy affirmation of his Republican sentiments, love of freedom, and dislike of slavery. The last page of the petition includes a transcription of a baptismal record of Marie Jeanne de Launay.

Other items are two photographs, a copy of L'Écho de la Timbrologie that traces the history of Haiti (January 31, 1954), a Carte de l'Isle de Saint Domingue ([1759], housed in the Map Division), a 1788 postmark from "Cap Haitien," and a newletter about French colonial postmarks.

Victor Advielle compiled the scrapbook, entitled Notes sur Haiti, in Paris in 1895. In addition to newspaper clippings, speeches, correspondence, and government documents, the volume has a piece of music entitled "Les paroles sont de Mr. de la Soriniere danjou, Et la Musique de Mr. Boran de St. Domingue." The scrapbook pertains to Haiti's 19th-century history. The section entitled "Ma Correspondence avec Légitime" contains personal correspondence between Victor Advielle and François Denys Légitime, who later became president of Haiti (1888-1889). The material within the scrapbook is in French.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

This collection consists of condolence letters, newspaper scrapbooks, a letter book, a published memorial volume, and a photograph album related to John M. Francis of Troy, New York, and to his son Charles. The letters, which are addressed to Charles Francis, express sympathy following his father's death in June 1897; the memorial volume contains biographical sketches and published tributes to John M. Francis; and the newspaper scrapbooks chronicle John M. Francis's travels around Europe and the world between 1869 and 1876.

This collection (1 linear foot) consists of condolence letters, newspaper scrapbooks, a letter book, and a published memorial volume related to John M. Francis of Troy, New York, and to his son Charles.

The Condolence Letters series contains 211 items addressed to Charles S. Francis between June 5, 1897, and January 18, 1898. One letter from Hallie M. Brown concerns her regret about missing an opportunity to visit, and the remaining correspondence is made up of letters expressing the authors' condolences after the death of John M. Francis on June 18, 1897. Writers included Charles Francis's friends and family members and John Francis's personal and professional acquaintances. Many writers reminisced about their relationships with John M. Francis and shared stories about their experiences at the Troy Daily Times.

The Letter Book, Scrapbooks, and Published Memorial series (6 volumes) pertains to John M. Francis's travels around the United States, Europe, and Asia in the 1870s and to Charles S. Francis's career and business affairs. Four scrapbooks contain newspaper clippings of letters that John M. Francis sent to the Troy Daily Times while traveling abroad. Each contains lengthy descriptions of local people, customs, politics, architecture, geography, and history, and some also have accounts of transoceanic and transcontinental travel.

• Western Europe, June 12, 1869-October 15, 1869, including England, Wales, Ireland, Scotland, the Netherlands, Belgium, Germany, Switzerland, and France (21 letters; 38 pages)
• Western and Southern Europe, July 18, 1871-December 28, 1871 (published August 2, 1871-January 3, 1872), including England, Wales, France, Belgium, Germany, Austria-Hungary (now the Czech Republic and Austria), Italy, and Greece (20 letters; 28 pages)
• Around the world, July 5, 1875-June 6, 1876, including the western United States, Japan, China, Ceylon (now Sri Lanka), India, Egypt, Greece, Italy, and France (2 volumes containing duplicate clippings, 115 pages and 71 pages)

The letter book (282 pages), which belonged to Charles S. Francis, has retained copies of his outgoing correspondence from October 25, 1897-July 29, 1901. The letters pertain to personal and business affairs, such as Francis's editorial work for the Troy Daily Times and land he owned in Mississippi. Several newspaper clippings relate to Francis's appointment as envoy extraordinary and minister plenipotentiary to Greece, Romania, and "Servia."

The published memorial (125 pages), entitled In Memoriam: John M. Francis, March 6, 1823-June 18, 1897, contains an engraved portrait, a brief biographical sketch, reminiscences, essays, poetry, and reprinted newspaper obituaries commemorating the life and death of John M. Francis.

The Photograph Album (ca. 1905?) contains 14 images of a new automobile, family members, and pets (possibly in New York state); and 144 vacation photographs showing landscapes, buildings, and persons in Europe. The photos are not labeled or identified, but appear to show Switzerland or Austrian lake districts, as well as urban environments. The photographer captured many of these images with a panoramic camera.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British army's 25th Regiment of Foot known as The King's Own Borderers. The images are cartes de visite, with some larger albumen prints and tintypes interspersed. The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album appears to have evolved over time in several different stages.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British Army's 25th Regiment of Foot known as The King's Own Borderers. The images are largely cartes de visite, with albumen prints and tintypes interspersed. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The album appears to have had at least three different stages of construction. The first as a traditional 1860s carte de visite photograph album kept by its namesake G. Ormond Stoney (hereafter referred to as Ormond) comprised of photographs of family members interspersed with related newspaper clippings.

The album appears to have been revised with significant additions in the 1870s-1880s, including more photographs of family members as well as commercial photographic prints. The majority of those represented were army officers, with Anglican priests and politicians; many being contemporaries and associates of Ormond's father, George Butler Stoney (1819-1899). Clipped autographs of many are included beneath the photos and appear to be from correspondence to George Butler Stoney.

Various clues to point to Ormond Stoney's sister Jane (Janie) Stoney Smith as a contributor to the album. Not only is she frequently represented in the album, but the album has several pictures of her husband Arthur Smith and his family--many more so than any other family that married into the Stoney family. Arthur and Janie married on September 19, 1867--the same date on the autograph posted under Arthur's picture. Arthur died in 1870 leaving Janie a pregnant widow with a young son, Herbert (see p.24 for his portrait), and an even younger daughter, Ethel Maud. Newspaper clippings around the portrait of Arthur on p.13 mention his death as well as the birth of Herbert and Ethel, though not of Florence, the youngest daughter. Although Jane's two daughters are not represented in the album, on page 44 it appears that at one point a photograph of both of her daughters was extant.

While Jane's younger sister Wilhelmina married Colin McKenzie Smith, another son of William Smith, she did not do so until 1889. The focus on Janie's husband Arthur and their children, suggests Jane rather than Wilhelmina as a significant contributor to the album.

George Ormond's wife Meylia has not been identified in the album and may not be present, however, her father, Sinclair Laing is represented. Laing appears to have been a correspondent with George Butler Stoney.

At some later date, likely in the late 19th century, decorative gold painted borders were added, along with chromolithograph stickers, known as "scraps." These include a series illustrating Robinson Crusoe. Unlike the earlier additions which point to Janie Smith, these later additions might have been the work of a child playing with what would have been a 30 year old album. The gold paint overlapping earlier items (see p. 28 for example) suggests a later date, as do the "scraps" made popular after 1880. The seemingly random nature of the placement of the "scraps" is quite the opposite of the carefully placed and planned addition probably done by Janie Smith.

Of the children represented in the album, three of them would be killed in World War One: Thomas Ramsay Stoney (1882-1918), George Butler Stoney (1877-1915), and Herbert Stoney Smith (1868-1915).

• Two group portraits of young men in military uniform, presumably with George Ormond present in both photographs (p.2, and back inside cover).
• A portrait of a dog that if viewed from another angle appears to be an individual with a disfigured face (p.7).
• A commercial carte de visite of a Zulu warrior identified as King Cetewayo (likely incorrect, the chief of the Matabele) (p.41).
• A portrait of Napoleon, Prince Imperial, in his military uniform ca. 1879 before he died in the service of the British Army during the Anglo-Zulu War (p.40).
• A print of Rosturk Castle in County Mayo, Ireland (p.47).
• A retouched portrait of a dog posed with a military hat, cane and pipe. (p.23).
• An 1873 program for an "evening reading" of two different farces, "Little Toddlekins," and "The Dead Shot," done to raise money for Mrs. Palmer, the retiring battalion nurse (p.53). On the outside of the program is a print of Portland House, a manor owned by members of the Stoney family.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."