Collections : [University of Michigan Bentley Historical Library]

Professor of mechanical engineering at the University of Michigan, First Lieutenant 301st Field Artillery during World War I; Visual and other materials of Allen Sherzer and members of the Sherzer family, including film footage of University of Michigan campus ca. 1928.

The Allen Sherzer collection consists of visual and other materials of Allen Sherzer and members of the Sherzer family. Include is a photograph, 1880s, of the Delta Upsilon fraternity that included William H. Sherzer and a photograph, 1940s, of a University of Michigan reunion group. From his World War I service, there are French and German language posters, a scrapbook of clippings and postcards, and negatives, 1917-1918, taken during his World War I service with the 301st Field Artillery, at Fort Niagara, N.Y., Camp Devens, Mass., and in France. Of special interest is a motion picture, ca. 1928-1930, depicting University of Michigan student activities and Ann Arbor scenes.

In 2009, a preservation tape, DVD use copy and master and streaming digital files were made of the motion picture.

Allie Fayz is a former board member of the Islamic Center of America. The collection documents the Islamic Center of America's history, administrative services, and community activities and consists primarily of correspondence, by-laws and amendments, board minutes, committee notes, donation pledges, membership lists, photographs, newspaper clippings, and financial statements and reports.

The Allie Fayz papers are organized into two series: Islamic Center of America and Other Papers. The collection consists primarily of correspondence, by-laws and amendments, board minutes, committee notes, donation pledges, membership lists, photographs, newspaper clippings, and financial statements and reports.

The American Citizens for Justice, (or the Asian American Center for Justice), is a Detroit-based Asian American civil rights group founded in reaction to the fatal beating of Vincent Chin, a Chinese-American man. The ACJ later evolved into an organization advocating for the rights of Asian-Americans in general. Records consist of meeting minutes, financial reports, correspondence, publications and grants, Vincent Chin related information, legal case files, health project files, as well as topical files and audiovisual material.

The American Citizens for Justice record group details the administrative functions as well as the activities and goals of the organization. Records consist of meeting minutes, financial reports, correspondence, publications and grants, Vincent Chin related information, legal case files, health project files, as well as topical files.

Researchers should be aware that there is significant overlap between the Roland Hwang Files and the other series in this collection, and so should consult all appropriate groupings as needed.

Formerly the Anti-Saloon League of America. Correspondence, reports, minutes, legal files, speeches by temperance leaders, bills relating to the prohibition question; papers (1934-1956) concerning National Temperance and Prohibition Council; pamphlets relating to temperance; and photographs.

The records are primarily of the Office of General Counsel and Legislative Superintendent of the Anti-Saloon League of America (1883-1933). Additionally, there are later materials (1934-1969) of the organization following the repeal of the prohibition amendment. The record group consists of seven feet of correspondence, reports, speeches and legal files.

Corporation administering the summer juried art fair in Ann Arbor, Michigan. The art fair is the oldest of three fairs that comprise the annual Ann Arbor art fairs. Minutes, bylaws, financials, and other materials relating to the administration of the art fair; also press materials, artists' evaluations, scrapbooks documenting development and history of the fair, and photographs and slides of the fair and the work of the artists.

The records of the Ann Arbor Street Art Fair document the origins and development of the art fair from a small fair designed to promote business on South University avenue to one of the nation's premier, juried street art fairs. The documentation includes administrative records, correspondence, photographs, scrapbooks, posters, flyers and promotional material. The record group is divided into three series: Board and Committee Records, Other Materials, and Visual Materials.

Hillsdale, Michigan, Singer Sewing Machine Company representative in central China, 1911-1917; wife, Elsa F. Armstrong of Northfield, Minnesota, Evangelical Lutheran missionary in China, 1911-1917. Correspondence between Arthur and Elsa Armstrong, Elsa Armstrong's family, and other missionaries, concerning life in China; also photographs and Arthur and Elsa Armstrong's reminiscences of China.

Approximately fifty per cent of the collection consists of visual materials, primarily photographs, although there are some striking posters from the period of the Chinese revolution, 1911-1912. The photographs concern such subjects as Chinese urban life, mission activities, daily life in China, and Arthur Armstrong's work with the Singer Sewing Machine Company. The Armstrong collection also contains a large number of stereoptic card views of China, the St. Louis World's Fair, Port Arthur, the Philippine Islands, and Japan. These were probably sample cards that Armstrong sold in connection with his work with the Underwood & Underwood Company.

Interdisciplinary, area studies center at the University of Michigan. Publications include brochures and pamphlets, calendars, catalogs of center publications, flyers, newsletters, posters, press releases, bulletins and course catalogs, lectures, manuals, programs, and reports. Also contains bulletin from summer session. There are also programs which describe the U.S.- Japan Automotive Industry Conference. Also includes a monograph from the Series Michigan Papers in Japanese Studies

The Publications series (.5 linear foot) consists of two subseries: Unit Publications and Sub-Unit Publications.

The Unit Publications series contains brochures, bulletins and course catalogs, calendars, catalogs of publications, flyers announcing lectures and mini-courses, lectures, manuals, posters describing the noon lecture series, press releases featuring Japanese film festivals, programs from the U.S.--Japan Automotive Industry Conference, and reports. The Center for Japanese Studies publishes a monograph series entitled the Michigan Papers in Japanese Studies. The Bentley Historical Library holds only one volume in this series-- Is There Enough Business To Go Around?: Overcapacity In The Auto Industry, number 16. It will be found under the heading "Monographs".

This subseries also includes a newsletter entitled Newsletter. The fall issue of this publication is published in both English and Japanese. The Bentley Historical Library holds a complete run of this publication from 1990 to the present. Prior to this publication the Center for Japanese Studies issued a newsletter, entitled CCS-CJS News, with the Center for Chinese Studies. This title was published from 1983 to 1989 at varying intervals. They also published the CCS-CJS News Update from 1986 to 1988. This was generally a monthly newsletter describing the various activities of the centers. For these newsletters and other publications about the Asian and East Asian Studies Programs the researcher should consult: the record group University of Michigan. Center for Chinese Studies. Publications.

There is also one issue of the newsletter entitled CJS Alumni News. This publication was published in 1981.

The Sub-Unit Publications subseries includes publications regarding the fiftieth anniversary celebration and the Summer Session.

Aviator, civilian personnel officer with the U.S. Air Force; chronological and topical files, audio-visual materials, and clippings and scrapbooks.

The Chauncey Spencer collection is an accumulation of personal materials - correspondence, scrapbooks, photographs, sound and video recordings - relating to his lifelong interest in aviation, his career with the military, and the career of his mother, poetess Anne Spencer.

Includes bibliographies, pamphlets, bulletins and college catalogs, histories, manuals such as Drugs and Pharmacy, newsletters such as the College of Pharmacy Newsletter, posters, proceedings and programs. Also contains publications from the Pharmacy Advancement Program such as Interactions and InterUMactions, as well as alumni directories and student publications such as Capsules, Equilibrium, The Hash Sheet, Pharmacy Newsletter, and Pharmacy Paper.

The College of Pharmacy Publications (2.6 linear feet in four boxes) are divided into four series: Unit Publications, Sub-Unit Publications, Topical Publications, and Student Publications. Some publications (or their successors) may no longer be available in print but are available on the school's website.

Program Director at the Ark, Ann Arbor, Michigan music club. The collection includes the Ark's financial records and select correspondence, printed materials such as concert calendars, flyers, and posters, sound recordings, photographs of Ark performances, informal snapshots and publicity photos of performers.

The Dave Siglin papers date from 1968-2008 and primarily document Siglin's management role at the Ark, an Ann Arbor music club. The papers have been arranged into four series: Administrative Records; Printed Materials; Photographs; Sound Recordings.

The Department of Ecology and Evolutionary Biology was founded in 2001 when the Department of Biology split into two separate departments, the Department of Molecular, Cellular, and Developmental Biology and the Department of Ecology and Evolutionary Biology. The collection spans from 1998-2009 with the bulk of the material being from 2001-2009. The collection contains correspondence, administrative information, documents from the transitional team, and publications.

Administrative files (correspondence, records of various teams, etc.) and department publications.

Papers of Dewey Ames, a resident of the Metro Detroit Area who participated and organized athletic events, organizations, including the Gay Games. The collection is divided into two series Personal Records, and Other Materials.

The collection largely documents Dewey Ames involvement in the Gay Games throughout the 1980's and 1990's. The emphasis of these sporting events was to help the LGBTQ+ community establish a global unity and strengthen their identity. The Papers of Dewey Ames are arranged into two series, Personal Records, and Other Materials.

University of Michigan student organization founded to promote interest in jazz through concert and lecture series. Audio-tapes of lectures, photographs, posters, announcements of concerts, newsletters, grant files, and scattered correspondence.

The Eclipse Jazz records include photographs, sound records of the various lectures and concerts, posters and flyer notices of concerts, and miscellaneous administrative materials, such as grant applications, correspondence, and newsletters of their activities.

Lithographer, professor of art at the University of Michigan. Exhibition catalogs, publications containing reproductions of his work, pricelists, miscellaneous correspondence and clippings; and photographs.

The Weddige papers consist of various materials documenting his personal and professional life. Included are exhibition catalogs and reproductions of Weddige's work appearing on greeting cards and other publications. There are also many photographs of Weddige at work in his studio, at exhibitions, and with friends and family. The bulk of the documents relates to the period of 1985 to 1999. A small portion of the collection dates from his childhood and high school years.

A polio survivor, Taratsas worked on behalf of people with disabilities and contributed to many advocacy organizations, particularly the National Association for the Physically Handicapped, the Physically Impaired Association of Michigan, and the Ann Arbor Center for Independent Living. Biographical/personal materials includes interview, correspondence, and photographs; files relating to her organizational affiliations; subject files pertaining to her advocacy work; and collected scrapbooks of photographs and memorabilia of polio survivors at University Hospital of the University of Michigan, 1951-1964.

The Euline McCorkle Taratsas Papers document her active role in the disability rights movement, on a local, regional and national level. The papers are organized into three series: Biographical/Personal, Advocacy for People with Disabilities, and Scrapbooks and Collected Materials.

Physician involved with peace organizations, notably Physicians for Social Responsibility, an organization opposed to nuclear weapons testing and the construction of nuclear power plants. Files relating to activities with the Physicians for Social Responsibility - Detroit, and with the Episcopal Peace Fellowship.

The Felix J. Rogers papers document Rogers' activities in local peace movements from the 1980s until 2005. The collection has been divided into four series of material which document aspects of Rogers' personal life and the three peace organizations with which Rogers was most closely associated: Physicians for Social Responsibility-Detroit, the Episcopal Peace Fellowship, and the Cranbrook Peace Foundation.

Michigan-born lawyer, judge, politician and diplomat, served as Detroit Recorder's Court Judge, Mayor of Detroit, Governor General of the Philippines, Governor of Michigan, U. S. Attorney General and U.S. Supreme Court Justice. Papers include extensive correspondence, subject files, Supreme court case files, scrapbooks, photographs, newsreels and audio recordings, and other material.

The Frank Murphy Collection documents in detail the life and career of one of Michigan's most distinguished public servants. Through correspondence, subject files, scrapbooks, visual materials, and other documentation, the collection traces Murphy's life from his years as Detroit judge, later Mayor, to his service in the Philippines, his tenure as governor, his stint as U.S. Attorney General, and culminating in his final years as U.S. Supreme Court Justice.

The Frank Murphy Collection consists of eight series: Correspondence, Other Papers, Supreme Court Case Files, Speech File, Speech Material, Miscellaneous, Visual Material, and Newsclippings/Scrapbooks.

Posters and broadsides concerning competition between freshman and sophomore classes at the University of Michigan

The collections consists of 37 poster (21 freshman class and 16 sophomore class) ranging in date from the sophomore class of 1886 to the sophomore class of 1944. The posters are listed by class year--the year a freshman class would graduate. Thus the class of 1910 poster marks the Black Friday event of the Fall of 1906.

The Gargoyle, a University of Michigan humor magazine, was first published in 1909. The collection includes correspondence, ephemera, photographs, reminiscences from Gargoyle staff members, and some original artwork.

The collection includes various materials and papers from former staff members, primarily from John Dobbertin, Jr. Gargoyle editor from 1962-1964. Dobbertin organized many reunions and served as a clearing house for Gargoyle ephemera. Materials include correspondence, ephemera, photographs, reminiscences from Gargoyle staff members, printed material, and original artwork.

The collection has been divided into two series: Manuscript Materials and Printed Materials.

University of Michigan group established in 1946 devoted to production of Gilbert and Sullivan operettas. Records include production files with programs, photographs, reviews and newspaper clippings, and scattered production notes and memoranda; topical files relating to the Society, its friends organization, and its publication; slides of productions; Society newsletter, "Gasbag"; posters; phonorecords, tapes, and videos of productions.

The records of UMGASS have been divided into ten series: Slides, Topical Files, Production Files, Posters, Memorabilia Volumes, Magnetic Tape Recordings, Sound Recordings, Audiotapes, Videotapes, and Scrapbooks. Because materials on one production can include photographs, scrapbooks, recordings, or slides- all of which live within different boxes of the collection -- a directory has been compiled in the Production Files series. The directory lists the year and title of the UMGASS production for which the library has materials and a lettered key exists that denotes the physical existence and location of materials within the collection.

Founder of the University of Michigan Gilbert and Sullivan Society. Sound recordings (tape and disc) of productions, videocassettes, scrapbooks, slides, and posters.

The Gloria Bennish collection consists of materials collected relating to the Gilbert and Sullivan Society. This includes photographic slides of productions, posters, sound tapes and sound discs of productions, and scrapbooks containing programs and photographs.

Berkley, Michigan insurance executive, poet and composer, and active alumnus of the University of Michigan; contain papers relating to activities of the class of 1911, to his involvement in the University of Michigan Club of Detroit, and to his interest in Michigan football, especially the career of coach Fielding H. Yost; also scrapbooks, and manuscripts of poetry and song lyrics.

The papers of J. Fred Lawton contain material relating to activities of the class of 1911, to his involvement in the University of Michigan Club of Detroit, and to his interest in Michigan football, especially the career of coach Fielding H. Yost; also scrapbooks, and manuscripts of poetry and song lyrics. The collection has been arranged into the following series: Correspondence; Poetry, musical compositions, and other writings; University of Michigan Class of 1911; University of Michigan Club of Detroit; Topical files; Photographs; Scrapbooks; and Sound Recordings.

Hugh "Jeep" Holland was the founder of the A-Square Record label in Ann Arbor in 1967, and consequently became an integral part of the southeast Michigan music scene in the late 1960s and early 1970s. The collection documents, in papers, photographs and sound recordings, Jeep's personal life, interests, and career.

The Jeep Holland papers date from his youth in the late 1940s up to his death in 1998, and document his personal life, his education, and his career, particularly the record label and production company he founded, A-Square Records. The collection is comprised of the following series: Administrative, Artist Files, Personal Files, Realia, Sound Recordings, and Visual.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

William L. Clements Library staff member, collector of posters; event posters and announcements flyers advertising University of Michigan and Ann Arbor and other Michigan community events and activities.

The posters in the John Harriman Collection have been arranged first by size and then either by date or by broad category: University of Michigan events and Ann Arbor and other Michigan community events. The sizes of the poster and event flyers fall into three ranges. Within each, there are of course variations. The smallest range is mainly 8 1/2"x11" (with a few measuring 8 1/2"x14"); the medium size is a combination of 11"x17" and 17"x22"; the largest size of poster measures more than 21"x25".

The largest portion of the collection consists of posters and flyers advertising University of Michigan events, activities, courses, lectures, groups, and elections that took place on the campus of the university, involved groups from the university, or were sponsored by the university. Some of the more common poster topics include: student elections, student music groups, fraternity/sorority activities, campus classes and lectures, and theatrical or musical performances on campus. A smaller accumulation of posters and flyers advertises events, activities, groups, and elections that taking place in the state of Michigan, largely Ann Arbor.

Owner and operator of the Shaman Drum Bookshop, a noted independent bookstore in Ann Arbor, Mich. that gained national recognition and regularly hosted leading contemporary American writers from 1981 until its closure in 2009. Collection includes business records, articles about the bookselling industry, press coverage, photographs, printed broadsides, catalogs, store newsletters and posters documenting events at the Shaman Drum. Also contains records of Pohrt's other business affiliations and involvement in local cultural initiatives such as the Ann Arbor Street Art Fair and the Ann Arbor Book Festival.

The Karl Pohrt papers consist of materials relating to Pohrt's personal life, education, teaching, business ventures, and involvement in professional associations and community initiatives. Photographs, personal writings, signed broadsides, and correspondence document Pohrt's contact and friendships with writers and academics. In addition, the Pohrt papers include press articles and documentation from meetings providing a view into the effects of online retail on the bookselling industry.

Posters.

Research materials used by Laurie Palazzolo in writing of her book Horn Man: the Polish-American Musician in Twentieth-Century Detroit (Detroit, Mich.: American-Polish Music Society, 2003). The collection sheds light on the history of 20th century Polish-American musical landscape of greater Detroit.

The collection documents the history and repertoire of Polish folk music bands in the greater Detroit area as well as professional careers of musicians. The records date primarily from the 1940's until 1980s. Materials dated 1990s-2000s are primarily transcripts of interviews taken by Gomulka Palazzolo. Records include correspondence, business contracts, performance schedules and programs, sheet music, scanned copies of photographs, copies of Keynote magazine, biographical information and interviews of musicians, performance advertisements, and recordings. The records are arranged into five series as follows: Research files, Detroit Federation of Musicians, Sheet music, Sound recordings, and Visual materials.

University of Michigan alumnus (M.P.H., 1977) and associate professor of epidemiology (1977-1988) who, as a medical officer for the World Health Organization (WHO), helped eradicate smallpox, primarily from India. Includes WHO Global Smallpox Eradication Programme correspondence, reports, photographic material, publications, and posters; and collected publications.

The Lawrence Brilliant papers documents efforts to eradicate smallpox, primarily the joint World Health Organization (WHO) and Government of India smallpox eradication campaign of 1973-1975. Material is dated from approximately 1882-2022 (majority of material found within 1972-1979) and includes correspondence, various kinds of reports and publications, photograph albums and a scrapbook, posters, and microfilm.

Researchers should note that this collection contains images of individuals, including children, suffering from smallpox.

Posters, programs, and flyers advertising events of the ONCE Festival, collected by Makepeace Uho Tsao.

The collection consists of two folders of color and black and white posters, flyers, advertisements, programs, mailing cards, etc., announcing events of the ONCE Festival performances and activities. The items are arranged in chronological order, except for two extra-large items separately located in a second folder.

Author and political consultant from Charlotte, Michigan who wrote a book on the Milo Radulovich Case; records include interviews, correspondence, newspaper clippings, Radulovich military records, research notes, and documentation relating to the writing and publication of To Strike at a King: The Turning Point in the McCarthy Witch-Hunt.

The collection consists of six series: Milo Radulovich Research materials, Writing and Publicity, Later Milo Radulovich materials, Other articles, Video materials, Sound materials, and Posters. The collection's strength lies in Ranville's interviews with Milo, his sister, and other's involved in Radulovich's Air Force Security Hearing, as well as in the other accumulated research materials.

Michigan Peaceworks (MPW) was an Ann Arbor based grassroots organization dedicated to peace, social justice, and human rights that was founded in 2001 following the September 11th attacks. The collection includes material related to their public events and outreach activities in Ann Arbor. These events and activities are well represented in posters, fliers, and photographs.

The Michigan Peaceworks Collection (4.5 linear feet) is largely composed of visual material in the form of photographs, flyers, and posters, related to events and rallies sponsored by Michigan Peaceworks and offers strong documentation of the peace community in Michigan in the decade following the September 11th attacks. The collection has been arranged in the following series: Administrative Files, Events and Activities, Publications and Outreach, Topical Files, Digital Materials, and Visual Material.

Michigan Theater Foundation was formed in 1979 when it purchased the Michigan Theater in Ann Arbor, Mich., a historic landmark built in 1928 and restored by the fundraising efforts of the Foundation. The record group comprises administrative records, including files of the Executive Director, Board of Trustees and administrative committees; grant proposals, materials related to fundraising, theater restoration, renovation, and membership campaigns; descriptions of programs, series, and individual events taken place at the theater; publicity photographs, audio- and video (VHS) recordings, and outsize posters and calendars of events.

The records date to the period of the Michigan Theater Foundation's intensive fundraising campaign to preserve the Michigan Theater and the first 15 years of its life after the theater reopened its doors in 1986.

Publications and other printed material produced by the University of Michigan Museum of Art and its sub-units including annual reports, newsletters, brochures, press releases, posters, ephemera and, most notably, exhibition catalogs.

The University of Michigan Museum of Art Publications (12.4 linear feet) include annual reports, brochures, bulletins, calendars, catalogs of museum holdings, directories, exhibition catalogs, newsletters, and press releases. These publications are divided into three series: Unit Publications, Exhibition Publications, and Sub-Unit Publications. The bulk of the publications document the exhibits mounted by the Museum of Art and those developed by other museums that were exhibited at the museum. The Docent Program, Friends of the University of Michigan Museum of Art, and the Museum Practice Program are also documented in the Museum of Art Publications.

Peter Sparling is Professor of Dance at the University of Michigan School of Music. Well known as both performer and choreographer, he has danced with Martha Graham and Jose Limon. Papers consist of materials relating to Sparling's dance training, performance, and teaching including background materials; choreography notes and sketches; correspondence; clippings and publicity from dance companies with whom he was associated; programs and reviews; photographs, video and film of performances; and posters.

The Peter Sparling Papers include materials relating to Sparling's dance training, performance, and teaching. The papers are divided into eight series: Background Materials, Choreography, Correspondence, Dance Companies, Programs, Reviews, Photographs, Performance, Audition, and Rehearsal Videos, and Posters.

Includes miscellaneous newsletters, bulletins, programs, brochures, articles, calendars, histories, sound recordings, video recordings, and posters produced by or for the University of Michigan School of Music, Theatre & Dance.

The School of Music, Theatre & Dance Publications (8 linear feet, 57.3 GB, 1 oversize boxes, and 1 archived website) contains newsletters, bulletins, programs, sound recordings, video recordings, and other materials produced by the School of Music, Theatre & Dance.

Music, theatre, and dance education unit of the University of Michigan. Also represented in this collection are its predecessor organizations, the Ann Arbor School of Music and the University School of Music, and its departments. Includes records of students and instructors, correspondence, topical files, and materials related to student and faculty performance groups. Archived versions of the School's websites provide additional documentation of academic programs, research, events, people, and policies.

The School of Music, Theatre, & Dance (University of Michigan) records document music education in Ann Arbor and the University of Michigan and student and faculty musical production beginning in 1885. The records include student ledgers listing names, tuition, and instructors; correspondence and clippings, 1924-1953, concerning the University Band, including correspondence of William D. Revelli; files relating to musical programs, particularly the Michigan Singers' Spring Tour, the Union Opera, and Musket productions; minutes of the executive committee and faculty; and digitized audio and video recordings of performances, including performances at the Interlochen Center for the Arts, by the Michigan Youth Ensembles, and other groups associated with the School of Music, Theatre & Dance. Also included are files associated the Department of Dance and Department of Theatre and Drama.

1. Topical Files -- Boxes 1-5, 25-30, 35-41, online
2. Student Ledgers -- Volumes 1-7
3. Dean's Files -- Boxes 6-8, 30-31
4. Faculty Records -- Boxes 9-24
5. Donor Files -- Box 31
6. Executive Committee -- Boxes 32, 34
7. Department of Dance -- Boxes 44-46, online
8. Department of Theatre and Dance -- Box 33
9. Archived Website -- online
10. Audio recordings (original audiotapes and digital recordings) -- Boxes 42-43, online
11. Video recordings -- online

Private society affiliated with the University of Michigan, sponsors music, opera, theatrical and other performances. Contains brochures or pamphlets, flyers and other publicity publications. The two volume history One Hundred Years of Great Performances, 1879-1979 is included in addition to the newsletter UMS Notes. Also contains programs of various performances sponsored by the University Musical Society.

The UMS Publications, 1874-2010 (13 linear feet) were received from the University Musical Society staff in periodic transfers. Additional publications, collected by the Graduate Library, have been interfiled to fill gaps in the series. Publications is composed of two series: Unit Publications and Sub-Unit Publications.

The Unit Publications series contains printed material published specifically by the University Musical Society. These publications are defined as being widely distributed and may be published at regular intervals. They are arranged by genre of the publication.

The University of Michigan Hillel records cover the student organization's contribution to Jewish campus life. The collection consists primarily of calendar of events, newsletters, some correspondence, newspaper clippings, board minutes, brochures, programs, and posters.

The records of the University of Michigan Hillel cover the period between 1935 and 2008. The collection consists primarily of calendar of events, newsletters, some correspondence, newspaper clippings, board minutes, brochures, programs, and posters. The collection contains the following series: Administrative/Background, Scrapbooks, Press/Publications, and Events.

Various posters advertising theatrical and musical productions put on by the University of Michigan School of Music, Theatre & Dance and related units ranging from 1936 to the present. Includes posters from the Department of Speech (before the School of Music had a separate theatre department). Dance Company, Department of Music, Department of Musical Theater, Department of Theater and Drama, and the Opera Theater program.

The University Productions posters collection contains posters largely created by University Productions which handles music, dance, voice, and theatre productions for the University of Michigan School of Music, Theatre & Dance. The poster collection is arranged in eight series: Collage Concerts, Dance Company, Department of Music, Department of Musical Theater, Department of Speech, Department of Theater and Drama, Opera Theater and Oversize Files.

Publications of the office of Vice Provost for Academic and Multicultural Affairs include annual reports, bibliographies, handbooks and manuals, newsletters entitled Beyond Diversity and the OMA Update, reports, and surveys. Also includes brochures, flyers, and proposals from the King/Chavez/Parks Educational Initiative.

Publications of the office of Vice Provost for Academic and Multicultural Affairs include annual reports, bibliographies, handbooks and manuals, newsletters entitled Beyond Diversity and the OMA Update, reports, and surveys. Also includes brochures, flyers, and proposals from the King/Chavez/Parks Educational Initiative. The Publications are divided into three series: Unit Publications and Sub-Unit Publications.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

Support group founded at the University of Michigan to aid minority women employed as office and professional staff members in combating racial and sexist stereotypes and in providing counsel on matters of career planning, job hunting, and development of communication skills. Records include newsletters, brochures, and webpages of the Task Force, and programs and publicity for its Annual Career Conferences.

The Women of Color Task Force Publications include directories, newsletters, programs, brochures, and announcements, annual reports, clippings, posters, press releases, and programs of the Women of Color Career Conference. The publications are organized into two series: Unit Publications and Sub-Unit Publications.