Collections

The Sophie Toclanny Photograph Collection consists of 25 postcards (including 15 real photo postcards and 10 color printed cards) and 2 photographic prints, most of which were sent by Chiricahua Apache woman Sophie Toclanny to a white American family living in Pennsylvania in the early twentieth century.

The Sophie Toclanny Photograph Collection consists of 25 postcards (including 15 real photo postcards and 10 color printed cards) and 2 photographic prints, the majority of which were sent by Chiricahua Apache woman Sophie Toclanny to a white American family living in Pennsylvania in the early twentieth century.

The collection contains postcards and photographs sent by Sophie to the family of George K. (1870-1937) and Susan E. Geiser (1871-1939) living at 731 Moss St., Reading, Pennsylvania. It is unclear how Sophie came to know the Geiser family; it is possible that she made their acquaintance through either of her first two husbands, both of whom graduated from the Carlisle Indian Industrial School in Carlisle, Pennsylvania. Her messages to the Geiser family indicate that she had a close, ongoing relationship with them. Sophie inquires about Geiser family members including their son William “Bill” G. Geiser (1891-1924), refers to gifts she is sending them such as a traditional Apache cradleboard, and expresses dismay that they are not writing her as often as she would like. One undated real photo postcard bears an image originally taken by Edward Bates of an unidentified Comanche woman carrying a child in a cradleboard; Sophie's message states that “They [the Comanche] dress all to gather [sic] different from the way we dress. I am sending you one of my self in Indian dress too.” In another undated real photo postcard showing another Bates photo captioned “Apache Babe and Cradle”, Sophie writes that she is “sending you a cradle like the Apache make for their babies. On this card a real one. This was taken out in their hay camp. I am so sorry that I was so long in sending it. But hope you will like it.” A number of postcards show wear or damage on the corners, suggesting that they were likely kept in an album for some period of time.

Sophie identifies herself and other family members in several of the real photo postcards. In one photograph showing six people posing on rocks near a dam waterfall on the Mescalero Reservation, Sophie identifies herself as the individual at left “sitting down by my little sister.” The young girl in this photograph is likely Sophie’s younger sister Edith, while the “married sister” standing at right is likely Emma. Both Edith and Emma appear in multiple photographs. Unidentified individuals in the family photos include an uncle, a cousin, the husband of said cousin, and a white woman who apparently married another one of Sophie’s uncles.

Other items of particular interest include postcards with images of Apache camps in Oklahoma and New Mexico; the Apache mission at Fort Sill; the funeral of Comanche chief Quanah Parker; portraits of Indian families (including a group portrait of a Sac & Fox family by W. H. Martin), mothers, and women; and portraits of famous Native American chiefs including Sitting Bull, Geronimo, Eagle Feather, and Red Cloud. The Red Cloud postcard bears the message “From a friend you have forgotten. But she never will forget you. Ft Sill Friend.”, while the Geronimo postcard reads “I received the pretty card to-day. I was glad to get it. So in return I thought I will send you one of Geronimo. I guess you all heard of him. What ever became of William. How is little girl now. From Sophie.” The postcards bearing images of Red Cloud, Eagle Feather, and Sitting Bull are all based on reproductions of original paintings by L. Peterson that were photographed and copyrighted by H. H. Tammen in the early twentieth century. Other color printed postcards include images of Pueblo Indians selling pottery, a Pueblo Indian infant, an Indian camp scene at the 101 Ranch in Bliss, Oklahoma, and an illustrated scene of an Indian woman going over a waterfall in a canoe titled “Red Man’s Fact.”

One color printed postcard bearing a portrait of Mohawk chief Bright Canoe was produced in the 1960s and thus could not have been included by Sophie.

Several real photo postcards include photographs taken by Edward Bates (1858-1941). Based in Lawton, Oklahoma, Bates took numerous portraits of Native Americans living at nearby Fort Sill. Bates is known to have produced at least one portrait of Edith Toclanny, and it is possible that he photographed other members of the Toclanny family.

Professor of entomology at the University of Michigan. Personal and professional papers of Hubbell and his wife Grace Griffin Hubbell; also collected genealogical and family papers relating to the Hubbell and Hussey families (Grace Griffin Hubbell's mother was Lenora Hussey Griffin); Hussey family series includes papers of John Milton and Mary C. Hussey and their children and relate to John M. Hussey's Civil War service, Ohio agriculture and Grange activities and family life and customs; Hubbell family series includes papers of Clarence W. and Winifred Waters Hubbell relating in part to his work as engineer in the Philippines, 1907-1913; and collected Hubbell family photos and albums, including views of Benzonia, Michigan family farm and relating to C. W. Hubbell's service as engineer in the Philippine Islands, 1909-1911; also personal photograph series, including various residences of Hubbell, his scientific field trips to Tennessee, Florida, and the Philippines, and postcard views of Michigan communities.

The Theodore Huntington Hubbell papers form a disparate collection that documents not only his professional career as an entomologist and curator, but also sheds light on the late nineteenth and early twentieth-century Hubbell and Hussey families. The far-reaching scope of these papers derives from Theodore H. and Grace Griffin Hubbell's diligent collecting of family papers and photographs. The bulk of the early materials are Hussey family papers consisting of the personal papers of Grace's mother, Lenora Hussey Griffin, and her mother's nuclear family. This family consisted of Lenora's parents, John Milton and Mary C. Hussey, and her siblings, William J., Edgar P., Arthur, and Alice, and their spouses.

The Theodore H. Hubbell papers should be viewed as a subset of a larger universe of collections which include the Hussey family and Hubbell family collections here at the Bentley Historical Library and the John Milton Hussey letters and diary at the University of Michigan's William Clements Library. The strengths of this collection are diverse, ranging from a rich run of Civil War correspondence between John Milton and Mary C. Hussey, to Lenora Hussey Griffin's letters to her family about her education at Stanford, to Theodore Hubbell and J. Speed Rogers correspondence with various entomologists regarding field work and collecting. The collection will be of use to researchers interested in nineteenth-century agriculture, the Grange in Ohio, family life and customs, Joseph B. Steere's expedition to the Philippine Islands, and visual images of turn of the century Michigan and the University of Michigan. The collection is weak on documenting Theodore Hubbell's work as a teacher and curator of the Museum of Zoology; these records are retained by the museum for use in administering their collections.

The Theodore H. Hubbell papers span the years 1833-1988, with the bulk of materials covering the years 1852-1970; they are organized into five series: Genealogy, Hussey Family, Hubbell Family, Personal, and Professional. The first three series reflect Theodore and Grace Griffin Hubbell's efforts as genealogist/archivist for their respective families. The Personal series primarily deals with the private lives of Theodore and Grace Hubbell, but it also contains some materials linked to the first three series in the correspondence with Lenora Hussey Griffin. The materials in the first four series were rearranged during the course of processing to facilitate access to the Hussey and Hubbell family papers. The last series consists of Theodore Hubbell's professional correspondence (including letters to his cousin Roland F. Hussey) and project related materials; this series retains its original order.