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Michigan State Police officer, later mayor of Mackinac Island, Michigan, and owner of the Iroquois Hotel on Mackinac Island. Scattered correspondence and miscellanea; largely photographs, prints, and slides, some of which had been collected by S. Alicia Poole, of views of Mackinac Island, the Straits of Mackinac, and Great Lakes ships and passenger ferries; also personal photographs relating in part to his association with Michigan governor G. Mennen Williams and his Michigan State Police activities.

The McIntire collection consists largely of photographs, slides, postcards, and prints of views of Mackinac Island and the straits of Mackinac. Many of the images are of Great Lakes ships and Straits of Mackinac ferries. As some of these images are labeled "Poole" and because S. Alicia Poole owned the Iroquois before McIntire, it is probable that some of these images at one time belonged to Poole. The researcher should note that the library has a separate S. Alicia Poole collection and should consult both collections for information about Mackinac Island.

A small part of the collection (approximately 1.5 linear inches) consists of manuscript materials detailing McIntire's career. Of interest are correspondence and reports illustrative of some of the problems that a Mackinac Island mayor confronted.

C.A. Erickson was a resident of Nathan, Michigan. Consists of two photographic postcards: one of the classroom in the East Daggett (Michigan) school and the other of Michigan governor Fred Warner in a crowd in Stephenson, Michigan (1908).

The C. A. Erickson photograph collection consists of two photographic postcards: one of the classroom in the East Daggett (Michigan) school and the other of Michigan governor Fred Warner in a crowd in Stephenson, Michigan (1908).

Physician of Ann Arbor, Michigan. Teed family portrait album, ca. 1890; color slides of U.S. military base, airplanes, people, and activities in the Mariana Islands during World War II, especially on the Island of Tinian; and scrapbook documenting Teed's military service.

The Reed collection consists mainly of colored slides taken during his service in the Pacific Theatre during World War II. The slides are of different sites, though many of them are of Tinian, especially military facilities, battle damage, recreational interludes, and groups of individual. There is also a scrapbook from the period of his wartime service.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

A carte de visite and postcard are loose in the front of the album. The carte de visite of an unidentified man photographed in Pottstown, Pennsylvania. The postcard depicts the Basilica of Sainte-Anne-de-Beaupré, Quebec.

The first few pages of photographs depict Mount Gretna, Pennsylvania and show the Pennsylvania National Guard’s encampment, a river (possibly the Susquehanna River), and three men identified as Captain Arthur C. Colahan, Lieutenant Edward Hoopes, and Lieutenant William P. Wattles. Only the first two pages include captions.

The next series of photos likely show the Pennsylvania National Guard's encampment near El Paso, Texas, which they occupied until early 1917. These photos show border patrol, artillery training, drills, supply wagon trains, a polo team, game of baseball, a dust devil, reconnaissance aircraft, cavalry maneuvers, and a cavalry charge.

Interspersed throughout are photographs of civilian and family life. These images include a woman and newborn child, likely the unidentified compiler's wife and child. Some of these photos show picnics, a bullfight, racehorse track, a ranch, and scenic landscapes. Many show small towns and vernacular architecture, specifically mission style which was common to the area. Of particular note is a parade with a large sign, "We're from El Paso Tex/ Berlin or Bust."

The remaining portion of the album contains images of Texas, showing scenes at a park, the Capitol Building, and more family photos. Other identifiable locations include the Alamo, Kern Place, Hotel Sheldon (El Paso, Texas), and Elephant Butte Dam and Reservoir.

This is a collection of printed materials and photographs collected by Mary Hunt in preparation for writing Hunts' Guides, a series of Michigan travel books.

This collection contains printed materials and photographs collected by Mary Hunt in preparation for writing the Hunts' Guides series of Michigan travel books. The collection is divided into two series:Printed Materials and Photographs.

The Afghanistan Archaeological Remains Photograph collection contains photographs, postcards, drawings, and pages of text for an exhibition about Dr. Richard Edward’s Bamiyan photographs of 1968. Most photographs depict archaeological remains from the Begram and Hadda regions of Afghanistan, along with photographs of artifacts from the Kabul Museum. The objects represented in these photographs include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels, made from materials such as glass, stucco, ivory, bronze, schist, and limestone. The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

The Afghanistan Archaeological Remains Photograph collection is composed of approximately 1250 photographs, depicting Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. The photographs were largely taken by Dr. Suresh Vasant while other photographers included Dr. Richard Edrwards, Dr. Walter Spink, Dr. John M. Rosenfield, and Horst P. Schastok. Dr. Richard Edwards took his photographs of Bamiyan in 1968, while the others were likely taken by Dr. Suresh Vasant in 1971. There are approximately 64 photographs and 23 postcards from other institutions. Archaeological remains from the Hadda and Begram regions of Afghanistan comprise the majority of the collection, although there are many photographs of the Bamiyan (approx. 119 photographs) and Fauladi (25 photographs) regions, and of objects from the regions Mundigak (approx. 34 photographs), Fondukistan (approx. 23 photographs) and Surkh Kotal (approx. 38 photographs). The photographs highlight objects made of stucco, terracotta, glass, ivory, stone, and schist, and include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels. General views of archaeological sites such as Bamiyan and Fauladi are also depicted in the photographs.The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.

This collection contains around 150 incoming letters that Miriam Kline of New York City received from men serving in the United States Armed Forces throughout World War II. They described their experiences and exercises at army training camps and other military bases within the United States.

This collection contains around 150 incoming letters that Miriam Kline of New York City received from men serving in the United States Armed Forces throughout World War II. They described their experiences and exercises at army training camps and other military bases within the United States. She also wrote 2 letters and sent 2 Christmas cards to soldiers.

Sergeant Walter C. Jessel and Private David W. Hoefer wrote most of the earlier letters between July 1941 and June 1942. Jessel, a friend, shared his experiences in the army both before and shortly after the Pearl Harbor attacks, and Hoefer often wrote Miriam about his life in the army and about his affection for her, though he wrote less frequently after she declined his romantic advances in mid-June 1942. Throughout the war, Kline continued to receive letters from Jessel, Hoefer, and 14 other servicemen, primarily from bases in the United States. They described many aspects of everyday life in the army, army air forces, and coast guard.

Enclosures include 3 photographs of Walter C. Jessel in uniform, newspaper clippings, and humorous cartoons. Jessel drew a picture of his transport train in his letter postmarked October 13, 1941. Later items include letters that Miriam wrote to Jessel and to Lieutenant R. H. Davis in 1945, as well as Christmas cards she sent to Davis and to Allan Isakson.

Professor of English in the College of Engineering at University of Michigan, and student of songs and folklore of the Great Lakes. Correspondence, 1931-1956, bibliographic notecards on Great Lakes and Michigan folklore, unpublished manuscript entitled, "The Great Lakes", recordings of Great Lakes folk music, transcribed lyrics for the folksongs, notes, books and newspaper clippings on topics relating to folklore and history of the Great Lakes; and photographs.

The Ivan Walton collection documents Professor Walton's persistent efforts over a period of several decades to gather and preserve the cultural heritage of the Great Lakes, and to make its existence and significance known to his colleagues and the general public.

The collection is organized into eleven major series: Correspondence; Michigan Folklore Society; Field notes and logs; Student class notes; Research materials; Research notes (paper slips); 3x5 card files; Walton manuscripts; Transcripts; Photographs; and Sound recordings. In addition, Box 1 contains the Introductory series that includes the 1979 finding aid to the collection, prepared by Wil Rollman and Cheryl Baker under the auspices of the Michigan Sea Grant Program. Researchers should be advised that the 1979 finding aid contains some inacuracies.

This collection is made up of letters that Evelyn and Jan Thompson wrote to their parents in Brookline, Massachusetts, from 1930-1936. The bulk of the correspondence consists of Evelyn's letters about her education in Paris, France, and at Bryn Mawr College, and about her life and editorial work in Washington, D.C. Evelyn's sister Jan wrote 4 illustrated letters from Bermuda in the fall of 1935.

This collection is made up of letters that Evelyn and Jan Thompson wrote to their family in Brookline, Massachusetts, from 1930-1936. Evelyn's letters comprise the bulk of the collection. From September 1930-July 1931, she described her travels in England, Belgium, and the Netherlands, and discussed her life in Paris, France, where she attended school. Evelyn also wrote about her experiences at Bryn Mawr College in Bryn Mawr, Pennsylvania, from November 1931-May 1935, and about her daily life in Washington, D.C., from November 1935-May 1936. While in Pennsylvania and Washington, D.C., Evelyn shared news of her studies, her social activities, and her work for the United States Department of Agriculture. She mentioned her intent to marry David Riesman, and some of her later correspondence contains brief references to politics, communism, and current events. Evelyn also wrote while traveling in New England and Arizona; her letter of July 8, 1935, encloses several small snapshot photographs of buildings in Rouen, France.

Jan Thompson wrote 4 letters while visiting Bermuda in the fall of 1935. She described many aspects of her travels, including a meal featuring "strange slabs of meat. hippopotamus or elephant probably" (September 20, [1935]). Her letters include ink sketches of bathers on beaches, Bermuda scenery, horse-drawn carriages, and a woman attempting to remove a large spider from a window curtain. Additional correspondence from Jan to her parents is scattered throughout the collection. The Thompson letters include postcards, official correspondence from Bryn Mawr officials, and telegrams.

This collection is made up of diaries, correspondence, documents, scrapbooks, photo albums, negatives, yearbooks, awards, artifacts, and regalia of career U.S. Navy officer David Nash. Much of the content relates to Lieutenant Nash's naval career and his time as a prisoner of war in the Pacific during World War II.

This collection is made up of diaries, correspondence, documents, scrapbooks, photo albums, negatives, yearbooks, awards, artifacts, and regalia of career U.S. Navy officer David Nash. Much of the content relates to Lieutenant Nash's naval career and his time as a prisoner of war in the Pacific during World War II.

The Diaries include two volumes (380 pages) by David Nash, detailing his experiences as a prisoner of war for over three and a half years during World War II. These are illustrated copies made after the war from original diaries and notes (one of his shipmates buried the first portion of the original diary in a 5-gallon tin can on Luzon in order to recover it later). Lieut. Nash's almost daily entries reveal his activities, health, mentality and moods, plus information on the activity around him and any rumors or gossip. Most entries conclude with a note to his "darlings," his wife Honoria and daughter Julie. Detailed illustrations of the prison camps and ships appear throughout the diaries. Nash also included relevant drawings in the margins (guards, a shower, turkey dinner, himself reading, playing cards, etc.).

The first diary is an alphabet-sectioned ledger with 300 lined pages, covering December 1, 1941, to May 29, 1944. It also contains lists of USS Mindanao personnel and occupants of Barrack #9 Camp. The diary opens with two watercolor maps of the China Sea entitled "Cruise of U.S.S. Mindanao, 1941" and "Corregidor and Vicinity, 1942." David Nash described his time on Mindanao, stationed at Corregidor during its surrender and capture by the Japanese forces, and as a prisoner of war at Bilibid Prison, Cabanatuan, USAFFE Camp 91st Division, a second time at Bilibid Prison, and the Davao Penal Colony.

The second diary has 80 lined pages and spans October 13, 1944, to October 10, 1944. This volume continues Nash's account of life as a prisoner of war. He described his experiences on the hell ship Oryoku Maru, at Hoten Camp in Mukden, Manchuria, and during the camp's liberation on August 19, 1945.

The Naval Documents, Correspondence and Articles series contains letters, reports, newspaper clippings, personal notes, awards, an illustration, and ephemera relating to David Nash's naval career and POWs in general; the bulk of which ranges between 1934 and 2005. A portion of the documents in this series relate to the family of a fellow naval officer named Heisinger.

• USS Hornet files: Nash's correspondence requesting aircraft reports, aircraft action reports from the Hornet's carrier air group 11 bombing the hell ships Nash was held on, and Hornet Club ephemera, 1944-1945, 1972-2000.
• Prisoner of War files: Nash's postwar correspondence with a fellow POW, who wrote on the band and entertainers at one of Nash's camps. Other papers include reports on how to survive as a prisoner of war, healthcare for survivors, articles relating to prisoners of war, pamphlets on American Japanese internment camps and the misuse of the term 'internment,' and Nash's personal notes, 1972-2008.
• Heisinger files: Correspondence between the Heisinger family and David Nash, printed materials relating to World War II, official Navy photographs, and personal photographs.
• Awards and Commendations: Awards given to David Nash by the Navy and the President of the United States and correspondence upon his retirement from the Navy.
• Illustration of USS Mindanao
• Map of a Western Pacific Cruise and a pin-up.

The Scrapbooks series consists of two scrapbooks.

• [Personal Moments, 1928-1948]. This scrapbook tracks David and Honoria's life from high school until 1948. Much of it focuses on David Nash's career and his time as a prisoner of war. It contains photographs, newspaper clippings, letters, awards, telegrams, and ephemera, with captions or notes on most pages. Of particular note are letters and telegrams to Honoria Nash from the Navy informing her on her husband's status as missing and later as prisoner of war.
• "Scrapbook, Hong Kong 1939-Dec. 1964." This scrapbook primarily traces David Nash's naval career through photographs, newspaper clippings, invitations, and ephemera from 1939 to 1964. It includes a few references to his wife Honoria's volunteer work and his daughter Julie's engagement.

The Photographs series contains four photo albums and many negatives.

Subseries: Photo Albums

• "Aug. 1939 to 1941 En Route and at Hong Kong." This album consists of personal photographs from David and Honoria's honeymoon in the Grand Canyon in 1939, their travels to Hong Kong by way of San Francisco and Honolulu, life in Hong Kong up until the evacuation of dependents in 1940 and his assignment on USS Mindanao in 1941. Other locations photographed include Kowloon, Shameen, Canton, and New Territories. Each page is captioned with a date and/or description. Also included in this album is an envelope with duplicates and a telegram to David Nash's father informing him that his son's name was on a list of personnel at Camp Hoten in Mukden, Manchuria.
• [Navy Photos, 1952-1960]. This album contains 40 photographs from 1952 to 1960, highlighting various events in David Nash's career, changes in command, reunions, an inspection trip, and naval ceremonies. It also includes individual and group portraits with fellow officers and staff. Some photographs include descriptions and dates.
• [Navy Photos, 1960-1961, 1966]. This album is comprised of U.S. Navy photographs, largely from the period of David Nash's Naval Intelligence posting. Additional images include aerial photographs, Navy ships, two postcards from 1966, a Navy certificate, and an envelope containing miscellaneous negatives and photographs. Many of the photographs include notes with names and descriptions.
• "Navy 1959-1965." This album consists of personal photographs from David Nash's Navy assignments. The three primary groupings include "Corregidor & Ft. Hughes 1959," "Comdesron 5 Deployment 1960," and "District Intelligence Officer 1961-65." Locations featured are Thailand (including Bangkok), Singapore, Saigon, Philippine Islands, Hong Kong, and California. Most photographs include notes on locations and names.

Subseries: Negatives. This subseries contains negatives from photographs of wide-ranging dates and topics, all related to David Nash's personal life and career.

The Yearbooks series contains four Lucky Bag United States Naval Academy yearbooks from 1932, 1933, 1934, and a 50 Year Rendezvous USNA-1935 anniversary yearbook.

The Artifacts and Regalia series contains objects from David Nash's career including his desk name plate, two plaques, a naval uniform belt, a bronze star, dog tags, and various other uniform accessories (ribbons, medals, pins, buttons, etc.).