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Mayor of Charlevoix, Michigan, editor and publisher of the Charlevoix Courier 1890-1920, secretary of the state lodge of the Knights of Pythias. Includes correspondence and miscellaneous papers relating to the Knights of Pythias; and Civil War reminiscences and letters of his father, Carlos Hampton, surgeon with the Michigan 4th Infantry; and his mother's account of her Civil War experiences in Hunt County, Texas.

The Will Hampton papers consist of correspondence, poetry, speeches, and historical reminiscences of Will Hampton as well as poetry and reminiscences of his mother Cornelia C. Hampton and correspondence of his father Carlos D. Hampton relating to his service in the Civil War. The collection is arranged in three series: Cornelia C. Hampton, Carlos D. Hampton and Will E. Hampton.

The Sylvanus Wheat papers contain the incoming and outgoing correspondence of Wheat, a soldier in the 144th New York Volunteer Infantry Regiment; the papers shed light on his Civil War service in 1862-1863, as well as on the activities of the Wheat family.

The Sylvanus A. and Rachel Wheat papers consist of 125 letters, covering 1848-1880, as well as an undated religious tract. The bulk of the collection is correspondence between members of the Wheat family during Sylvanus' service with the 144th New York Infantry, documenting Wheat's movements and observations on his duties and camp life, as well as the home-front experiences of his wife and siblings. Of the 60 letters written by Sylvanus during his military service in the Civil War, he addressed 48 to his wife, Rachel, and 11 to his sisters. Sylvanus was the recipient of a total of 58 letters: 30 from Rachel, 16 from his sisters, 6 from his brothers, and 4 from various cousins.

Just two items in the collection predate the Civil War, and both contain poems lamenting the death of Althea Loveland, the sister of Rachel (Loveland) Wheat. These items are dated September 21, 1848, and July 26, 1849. Sylvanus Wheat wrote the latter letter, in which he confessed that Althea "was if possible more lamented by me than any other person."

The letters documenting the war begin in mid-October 1862, and open with Wheat's travel to Washington, D.C., and his discussion of Confederate General J.E.B. Stuart's raid on Chambersburg, Pennsylvania, in which he noted that rebels had taken the city and "murdered some" (October 13, 1862). Wheat soon moved to Camp Bliss in Arlington County, Virginia, where he stayed until February 1863, and from there, he frequently wrote home about camp life, duties, politics, health, the destruction caused by war, and other observations. He sometimes described picket duty, which he performed when he was healthy. On December 9, 1862, in a letter to his wife Rachel, he described several days of this duty in the snow and noted that "the officers could not see our fire which is forbidden by army regulations, although we had a rousing big one.” He also complained of the heavy load of supplies that they carried (December 14, 1862), and described the bivouac shelter that they built (December 22, 1862) while on picket near the camp. Another frequent theme in the letters is the destruction caused by war. On October 24, 1863, Wheat wrote to a sister about the "gloom" of "splendid mansions," abandoned and left in ruins near Camp Bliss. On December 9, 1862, he described the buildings and fields stripped and ruined by "rapacious soldiers," and noted that "distrust and hatred are visable on the countenance of all the inhabitants."

Wheat sometimes requested that his family send him tools, so he could improve his living conditions, and in several letters he gave accounts of his efforts to make his surroundings more comfortable. On November 25, 1862, he described elevating his tent by three feet with poles, allowing him and his tent-mates to walk around in it without stooping. On January 3, 1863, he requested that family members send him an axe, calling the ones provided by the Army "miserable soft things." In return, they requested small souvenirs from the war, such as pinecones and acorns, which they found highly desirable and crafted into ornaments and baskets (December 18, 1862). On December 27, 1862, Cordelia Wheat asked that Sylvanus send her a few small rocks or stones from the "sacred soil of Virginia."

In February of 1863, Sylvanus Wheat described leaving Camp Bliss for Camp California, which was located slightly west of Alexandria, Virginia. He noted the large number of "convenient articles" that had to be left behind, such as kettles, cans, cupboards, and a stove and washtub, but remarked that they had made two black walnut bedsteads (February 18, 1863). There, he suffered increasing health problems related to his lungs and throat. By April, Sylvanus Wheat wrote from the U.S. General Hospital in Fairfax, Virginia, shortly before receiving a discharge. On April 1, 1863, he described a night during which he and other patients tried to soothe the sickest among them; he also gave an account of an extensive examination, which involved both medical and personal questions (April 3, 1863). In his final letter before leaving for home, he expressed fears that he would die upon release from the hospital (April 5, 1863).

Several letters refer to the Dakota War, which Sylvanus' brother James and sister-in-law Almira reported on from Lenora, Minnesota. On February 5, 1863, James wrote that he expected the "Indians will make a fuss next Spring in Minnesota. The militia here is organizing and getting ready to do something if necessary." Almira also wrote, expressing worry that James would be drafted to protect settlers from the Dakota (October 24, 1863). A few post-Civil War letters provide news on the children and farming activities of Sylvanus and Rachel Wheat and their children.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, Uriah Lee's discharge papers, and a photograph.

The Uriah Lee family collection (39 items) contains 32 letters, 3 diaries, and 4 additional items (1850-1912) related to Lyman Uriah Lee of Foxcroft, Maine. Uriah Lee wrote 27 letters to his family while serving in the Union Army during the Civil War, his brother Leonard wrote 3 letters while serving with the Union Army at Fort Sumter, and family members exchanged 2 additional letters. Also included are 3 diaries that Elizabeth M. Lee kept between 1851 and 1878, a poem, and Uriah Lee's discharge papers.

The Correspondence series (32 items) contains 27 letters that Uriah Lee wrote to his family while serving in North Carolina, Virginia, and Washington, D. C. Lee provided details about his daily life as a soldier, and discussed soldiers' attitudes toward officers, food, and clothing; encounters with former slaves; the weather; and political issues. He also mentioned specific battles, and his letter of May 18, 1863, includes a hand-drawn map of his company's route from New Berne, North Carolina, to Washington, D. C. Leonard Lee wrote 3 letters during his Civil War military service, and discussed similar topics. In his postwar letters, Uriah Lee offered advice to his younger siblings and discussed family affairs. Anne Lee wrote a letter to Lyman Lee in which she recounted the events surrounding the death of a man named Edward, and Chauncey received an unsigned letter about his wife Eva's visit to the writer.

Elizabeth Lee kept 3 Diaries between July 1851 and November 1878, concerning her thoughts and activities as a wife and mother. Among other topics, she discussed housework, the weather, her family, social engagements, and religion. Most of her entries are brief lines about the weather and the housework she was able to finish, with details of church meetings provided every few days.

The Documents, Poetry, and Miscellaneous series is comprised of 5 items. Fanny Hosier wrote Uriah Lee a poem that reflected positively on Southern rights and secession. Uriah Lee's military discharge papers from 1863 and 1865 are also included. A piece of ephemera illustrates 4 badges of the Grand Army of the Republic.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

This notebook was kept by Julia J. Bolton while a student at La Grange Female College, La Grange, Georgia. It includes seven short essays on moral philosophy, meditations, and poetry, and sentiments and poems from other students.

Julia J. Bolton's 124-page notebook begins with seven essays she wrote on eleven pages. The essays are titled: Wills, Charity, Dueling, Moral Sense, Promises, Virtue, and Slavery and include Julia's thoughts on each subject. Following that are three lists of books and two pages devoted to chemistry definitions. Most of the notebook is taken up with 56 poems written to Julia by various students, including Julia's cousin Mary E. Montgomery. These poems are mainly focused on friendship and are signed and dated, almost all from June 1852, however two are dated 1853, and one each from 1854 and 1855. Under some of the poems are notes written by Julia at a later time such as "deceased." Mixed in with the poems are Julia's meditations on love, life, womanhood, religion, reading, writers, and fishing, as well as her poetry and quotations. Two small pencil sketches are in the book, one of a bunch of grapes, and one of a heart and arrow.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances in the early 1860s. Emily Bellair was from Detroit.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances throughout the early 1860s. She received the book, whose decorative cover bears the title "Wreaths of Friendship," from W. E. Gentle, who inscribed a two-page letter proclaiming the pair's friendship. Family members also contributed autographs and poetry, including several poems dedicated specifically to Emily that explored themes of friendship and parting. Her brother, Albert F. R. Arndt, wrote a poem from Cairo, Illinois, after he had "gone off to the seat of War." (March 16, 1862). The final page contains a copy of "Auld Lang Syne," as well as several shorter poems that are darker in mood than the other verses.

• "Escape of Carrara"
• "Wreaths of Friendship," depicting a ship in a stormy sea
• "The Bird Trap"
• "The Bride"
• "Kishna"
• Unlabeled: A scene with a tree-lined pond

The Edwin Wright letters are 28 letters written between Jan. 14, 1862, and July 14, 1865, by Edwin Wright, a soldier in the 9th N.Y. Cavalry. The letters were written from various places in Virginia and Washington, D.C., and describe life as a Union solder. Also included are short poems written by Loanda Lake, composed on the letter's envelopes, and one small photograph of Wright.

This collection consists of 28 letters written between Jan. 14, 1862, and July 14, 1865, by Edwin Wright, a soldier in the 9th N.Y. Cavalry. Twenty-six of the letters were to Loanda A. Lake in Charlotte, N.Y., and Hammonton, N.J. Two letters and a photograph (carte-de-viste) were sent to Miss Lotte Carle in Leon, N.Y. The letters were written from Washington, D.C., and various places in Virginia (Arlington Heights, Sperryville, Stafford Court House, Culpepper, Point City, Shepherdstown, White House Landing, and Winchester). Two of the letters have illustrated letterheads. One has the Capitol Building with the caption: "THE HOUSE THAT UNCLE SAM BUILT" (in brown ink). The accompanying envelope (in blue ink) depicts a mounted soldier with the U.S. flag flying in front of a camp (Jan. 14, 1862). The second letterhead (in black ink) depicts the Capitol Building (Oct. 8, 1863).

The early letters describe daily life (lining up at the "Colorline", caring for their horses), living conditions (acquiring a stove, the arrival of "Sibley Tents"), listening to brass band music, and food (drinking coffee that was available 3 times a day, but tea only once a week; cutting down a "bee tree" to get honey). He talks of the dullness of camp life leading to desertions (March 4, 1862), and he much prefers scouting to standing picket duty or carrying dispatches, which often result in his separation from his regiment when they go into battle. He describes the forbidden fraternization of Union and Rebel pickets. "... we would meet them halfway between the lines and exchange papers and have a chat, etc. and after a while shake hands and each return to his post" (July 22, 1864). He writes of bitter winters in Virginia, with half of their horses dying in February 1863, and men suffering from frozen feet in January 1865. He describes his regiment forming a line to stop a stampede of fleeing Union soldiers on the road to Centerville (Sept. 10, 1862), and capturing a recently made flag from one of A.P. Hill’s North Carolina units. "...on it was printed all the battles in which they had participated. The latest date was the battle of Cold Harbor" (Aug. 6, 1864). He writes of being "brushed" on his left side and forefinger by a twelve pound shell (July 18, 1864) and in an August 23, 1864, letter tells of his disobeying an order to withdraw so that he could stay at the side of a dying friend and bury him. Brief mention is made of the execution of a member of his regiment (March 3, 1864).

Worth noting are the 14 very short poems that Loanda Lake jotted on the envelopes of Edwin Wright’s letters. As was customary, Loanda often wrote the date that she answered his letters on the envelopes. Below that notation, she sometimes wrote very short poems about the weather.

"And snow upon the ground

But every body seems alive

And so keeps tramping around"

The longest poem is six lines (March 20, 1865). The shortest one is a single word, "Wind", below a whimsical double loop, representing the wind (March 3, 1864). In addition to Loanda’s short poems, a single longer poem that Edwin sent to her is included: a parody of "The Lord’s Prayer" -- "Our Father who art in Washington Uncle Abraham be thy name... give us this day our daily rations of Crackers and Pork and forgive our Short Comings as we forgive our Quarter Masters...".

This collection also includes 1 carte-de-visite of Wright.

This collection consists of a copy of Woodworth's last will and testament, 1895; privately printed copy of pamphlet of his "Poems" (1900), and letter written upon his return to Grayling, 1901.

This composition book was kept by 8–10-year-old Mildred Wood and Mary Wood while living in Illinois and Missouri. The volumes include copied song lyrics and poems, and pencil and crayon drawings. A number of pressed flowers and leaves are laid into the volume.

This composition book was kept by 8–10-year-old Mildred Wood and Mary Wood while living in Illinois and Missouri. The volumes include copied song lyrics and poems, and pencil and crayon drawings. A number of pressed flowers and leaves are laid into the volume.

The song lyrics and poems focus on themes relating to nature, love, and friendship, and include titles such as "Missouri School Song," "The Yellow Rose of Texas," and "Illinois." The drawings feature flowers, houses, and a portrait of Henry Wadsworth Longfellow. One outdoor scene shows two girls playing in front of a house, labelled "Living on the farm." Two pencil and crayon drawings done on tracing paper are laid into the volume: one of a ladies' boot with the name "Hamilton Brown shoe Co." on it, and another of a valentine with Cupid holding a bow and arrow.

Several entries are suggestive of schoolwork, such as sentence diagrams, a list of courts, a passage about U.S. history, a list of teachers in the Venice Public School and the average grades in their classes, and a list of the "Names of the Teachers I have had at Differ[e]nt Schools." Another passage is titled "The Japanese Fan."

Later entries were written in a different hand and consist mostly of quotations and proverbs. The word "Graduate" is printed on the cover of the volume.

Winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes, a creative writing scholarship program at the University of Michigan. The manuscripts, dated 1931-2019, are bound in volumes according to the corresponding competition category, and accompanied by an author index.

1931-2019 winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes competition (also known as the Hopwood Awards). The manuscripts are bound in volumes according to the competition category for each year (e.g., "Undergraduate Short Fiction," "Drama," "Summer Awards," etc.) The collection is accompanied by an author card index. Cards within the index are arranged in alphabetical order by last name and include information about the manuscript title, competition category, competition year, the number of the volume that contains the manuscript, and the awarded prize amount.