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Zoologist, college professor, president of University of Michigan, 1929-1951. Professional files relating to his career with the University Museum and as a professor of zoology, and presidential files containing correspondence, reports, speeches, and other University materials, including budget and legislative files, material relating to changes in University administration, his relationship with faculty, students and alumni, and photographs.

The Alexander Ruthven papers consists of two series of records. The first is the papers of Ruthven as president of the University of Michigan, 1929 to 1951. The second, and smaller, series is the files maintained by Ruthven as a zoologist with the University Museum and as professor of zoology. This latter series dates largely from 1908 to 1929 but also includes collected earlier files from the 1870s.

Newspaperman, editor of the Ann Arbor News. Correspondence, reports, photographs, and other materials largely concerning his newspaper career with Booth Newspapers, Inc.

The Stace collection has been arranged into the following series: Correspondence; Ann Arbor News and Booth Newspapers; Topical files; and Other materials. The collection documents his career as a newspaperman with Booth Newspapers and the Ann Arbor News.

University of Michigan professor of Greek; Assistant to the President; papers include correspondence, writings, pencil sketches and photographs, topical files.

The papers of Frank Egleston Robbins consist of materials from his work as the assistant to the university president, and his other activities within the university. The series are: Correspondence, Miscellaneous, Writings, Visual Materials and Assistant to the President Topical Files.

The Inter-Cooperative Council at Ann Arbor is an organization established to coordinate the activities of cooperative houses founded and operated by University of Michigan students. Their records are comprised of minutes, office files, and newsletters, as well as organization-level topices and related research. The collection also contains records of student cooperative, the Socialist House.

The records of the ICC at Ann Arbor cover the years 1932 to 2012 and are divided into ten series: Minutes, Office Files, Printed Materials, Events and Programs, Organizational Topical Files, Correspondence Files, Collected Research Materials, House Records, External Organizations, and Audio-Visual Materials.

Researchers should note that because of the differences between ICC office organizational systems and the individual processing archivists working on the collection, topics and materials might be found in multiple series.

Negatives of photos of University of Michigan campus buildings and student activities; some of the photos were published in the Michiganensian.

Negatives made by J. Stuart Gildart as art editor of the Michiganensian. Includes campus views, buildings and student activities, particularly in publications. Gildart was later photographer for the Caro, Michigan Advertiser.

The Martha Cook Building (MCB) opened in the fall of 1915 as the second all-women's dormitory on the University of Michigan campus. It was a gift of Mr. William Wilson Cook, a lawyer-philanthropist from New York City who was born and raised in Hillsdale, Michigan. The Martha Cook Building records are dated from circa 1913-2016 and include blueprints; chronological files; clippings; correspondence; financial records; minutes, particularly of both the MCB's Board of Governors and House Board; publications; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

The Martha Cook Building records (circa 1913-2016) document the activities of those involved with the Martha Cook Building and include blueprints; chronological files; clippings; correspondence; financial records; minutes; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

Significant people and groups featured in this collection include William. W. Cook; various House Directors, such as Sarah Rowe, G.J. Diekema, Olive Chernow, Josette Allen, and Rosalie Moore; the building's Board of Governors and House Board; and Martha Cook Building students and alumnae. Other notable topics include the construction, furnishing and remodeling of the Martha Cook Building; various scholarships; and activities, such as various anniversary events and the Messiah Dinner.

University of Michigan student organization formed to build and manage a student union, sponsors a variety of social and service programs and activities, includes records of building and financial committees and various activity/organization files including the University Mimes and the Union Opera (later renamed MUSKET) and scrapbooks and photographs of Union activities.

The records of the Michigan Union measure 21 linear feet and 13 oversize volumes. The records date from 1890 to 1983, although there are some collected photographs dating as early as 1884. The collection has been divided into six series: Central Files, Activity/Organization Files, General Files, Photographs, Songs, and Board of Representatives.

Ten series of negatives, slides and copy prints documenting all aspects of University of Michigan life and activities, includes prints used in the University Record.

The News and Information Services Photographs document many aspects of university and community life, particularly activities of the administration, faculty, departments, and students beginning in 1946 and continuing into the early 1980s. Photographs were, for the most part, made by the staff of the News Service (later Information Services and now News and Information Services) for use with university press releases, or upon request of individuals with the university, or for outside media with special interests in university personnel or activities.

The record group presently consists of 10 series (A-J).

The series are comprised primarily of black and white negatives and contact sheets, although Series E includes six linear feet and one oversize box of prints, most of which are 8" x 10" black and white images, and Series H includes color transparencies. There are also prints in Series I, Series J, slides in Series E and I, and a 16 mm film in Series I. Color negatives become more frequent in the late 1980s.

The original order and file headings created by News and Information Services have been retained wherever possible. Thus, the several lettered series reflect various organizational schemes used in the past.

A student at the University of Michigan, College of Literature, Science, and the Arts (Class of 1943). Includes a World War II era scrapbook containing event programs, photographs, publications, various dance, identification, membership, report, and registration cards, reserve officer training ephemera, and other materials reflecting on U-M student life and activities. The collection also contains several loose World War II era U-M student publications, and college football programs.

Schwartz' unbound World War II era leather scrapbook has a silver embossed image of a WWII aircraft on the front cover. It contains University of Michigan dance, identification, registration, and report cards, as well as organizational membership cards to the Michigan Union and the B'nai B'rith Hillel Foundation. The scrapbook also contains commencement exercise and event programs including one from the University Musical Society advertising a solo performance by Marian Anderson; invitation(s) to join the Zeta Beta Tau fraternity (ZBT) and to attend their functions, as well as tickets, schedules, and programs pertaining to U-M football games. Of particular note are ZBT ephemera including a grey wool cap (possibly from Cap Night festivities) and a ZBT house key. Also to note are items pertaining to Schwartz's time spent in the Reserve Officer Training Corps (ROTC), such as his 1942 training certificate, and ROTC insignia. In addition to these items is an August 1, 1943 WWII Food Rations Chart with point values for meat, fish, dairy, and fat; a page of humorous air raid instructions; and news clippings and newspapers, mostly focusing on WWII related events.

The scrapbook also contains issues of publications including The Michigan Daily, The East Wind, the Garg, The Baby Gargoyle, The Phi-Losopher , The Foo-Losopher of 1941, Phi Junior, and a ZBT newsletter that served as a substitute publication for The Phi-Losopher during the war. Other publications to note include Controversy: A Quarterly of Ethical, Philosophical, and Religious Opinion, and a Michiganetiquette handbook on how to conduct oneself socially on campus.

Included within the scrapbook are photographs of student organization groups such as the Student Religious Association (SRA) (each photograph includes an image of an African American member), Zeta Beta Tau fraternity brothers, various formal dances, and Angell Hall. The collection also contains several loose World War II era Michigan Daily newspapers;Garg magazines; and two football programs: Michigan vs. Ohio State andMichigan vs. Northwestern.

European correspondent for Time and Fortune magazines, 1945-1985. Letters to his parents concerning in part his student life at the University of Michigan in the 1940s, his war-time experiences as a naval officer in the Pacific theatre during World War II, and his career as a journalist in Europe from the late 1940s to the mid-1970s; student writings; dispatches written for Time and Fortune; and photographs.

The Robert Ball papers are roughly divided into two subgroups according to the focus of material, personal or professional. Within this framework, the personal papers are arranged in series by type then by chronological order. The professional papers are arrayed in strict chronological order regardless of type, except for the cassette tapes which stand as a distinct series. Ball's organization of the materials in binders both necessitated and facilitated strict adherence to chronology in ordering the professional papers. The researcher should note that the division of materials into personal and professional groups can not be absolute given the dual nature of reportorial writing. Such writing is both personal and professional. Some blurring of the categories is evident, especially for the years 1948 to 1951 when Ball's nascent career did not permit rigid distinctions to be drawn in the materials.