Collections

The Grand Ledge, Michigan photograph collection includes photographs of retail establishments and a view showing Looking Glass Bridge.

The Class Albums collection consists of photograph albums compiled by University of Michigan students. The albums include individual and group portraits of class members, faculty portraits, and views of university buildings, the campus, and Ann Arbor scenes.

The albums are arranged under series which are listed here chronologically by volume. Arrangement of photographs within volumes often begins with portraits faculty and administrators followed student portraits. Some volumes also include photos of campus buildings and other individuals. The portraits in each section are sometimes arranged alphabetically, but frequently there is no apparent order. Photos in most volumes have been given sequential identifying numbers. In the contents list below, the portraits are generally listed in alphabetical order with the identifying number in square brackets.

Group and individual portraits of the University of Michigan medical students, Delta Kappa Epsilon fraternity members, and staff.

Group portraits of the medical classes of 1875 and 1876; individual portraits of the law class of 1875; group portraits of Delta Kappa Epsilon fraternity members and of Chronicle staff; and individual portraits of University of Michigan janitors.

The Reed City, Michigan, photograph collection includes photos of storefronts, street scenes (including a Registration Day Parade, 1917), a clothing store interior, and a logging scene.

The collection consists of photographs of Judson Collins Memorial Church, Unadilla, Michigan, including photos of a memorial plaque to Judson D. Collins, first Methodist missionary to China.

Photographer from Comins, Michigan. Consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.

The collection consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.

Nineteen undated 2.12 x 3 photographs, mounted on cardboard, taken during the Philippine American War, 1899-1902. Images include American troops, battlefield scenes, and picturesque views.

The Civilian Conservation Corps (CCC), signed into law by President Franklin D. Roosevelt in 1933, was a federal unemployment relief program designed to put single young men to work during the Great Depression. The CCC employed over 2.5 million men between 1933 and 1942, including 250,000 African Americans, who served in segregated companies. This collection is comprised of 60 photographs, 48 photographic negatives, and digitized images of CCC African American enrollees assigned to work in Michigan companies, including Company 670, Camp Bitely, Company 2695, Camp Free Soil, and and Camp Wahalla.

The collection is comprised of images of the Civilian Conservation Corps African American enrollees from 1933 to 1939. Materials were received by the Bentley in 2016 and in 2018.

The 2016 acquisition includes portrait-style photographs of predominantly unidentified men, assigned to work in Michigan company/camps including Company 670, Camp Bitely, project F-22 and Company 2695, Camp Free Soil, most likely, project F-7.

The title of each photograph was taken from the photograph's inscription, when applicable. All photographs titled "unidentified" had no identifying information, but may have been labeled with a date. After the photographs were digitized and became available online, some of the people depicted on the photographs have been identified by the public.

In 2018, Ray Lyons Jr. donated additional materials that were collected by his father, Ray Lyons Sr., a former member of the CCC. Mr. Lyons Jr. donated additional 30 photographs, 48 negative images, and a small number of clippings to the collection. The images depict African American members of the CCC at a number of locations, including Camp Bitely, Camp Free Soil, and Camp Walhalla. The pictures also document CCC projects such as the building of a Fire Lookout Tower, the clearing of fields and woods, and the construction of a stump fence.

The collection includes street scenes and private dwellings.

The collection consists of group portraits of Freemasons from Grand Rapids and Jackson, Michigan.