Collections : [University of Michigan William L. Clements Library]

The Abbott family papers consist primarily of the correspondence of Bessie Abbott, an aspiring singer and stage performer, written to her family during the early 20th century.

The Abbott family papers consist primarily of the correspondence of aspiring vocalist Bessie Abbott, written to her parents and other family members in the early 20th century.

The Correspondence series makes up the bulk of the collection, and covers the years 1881-1922. The earliest letters in the collection originated from a variety of Abbott family members and acquaintances. Of particular interest is an item describing Bessie and Stanley's time in a tent city in Coronado, Mexico (June 19, 1907). After 1912, Bessie was the primary correspondent, and in her letters she discussed aspects her life during her late 20s. In the personal, richly detailed letters from 1912-1914, Bessie described her time in Brooklyn, New York, where she studied with a vocal coach. In 1913, she took a vacation to Washington, D. C. for the Wilson inauguration, and, while there, injured her hand and, as a result, initiated an unsuccessful insurance dispute. After her return to California in 1914, Bessie wrote more frequently about her health and, after a subsequent move to Hawaii, her continued professional success. Following her stint in Hawaii, Bessie's correspondence focused more heavily on business interests, and, in a late series of letters written in the early 1920s, she wrote about her travels throughout southeast Asia, including visits to the Philippines and to Saigon.

Other correspondents represented in the collection include Will Abbott, Bessie's brother; Stanley Howland, Bessie's husband; and Tracy and Linnie Abbott, Bessie's parents.

• A photograph of an unidentified man, taken by Eduard Glaubach in Greifswald, Germany, on March 10, 1880
• A Christmas card, signed by Billy Warren
• A program from a music recital in Honolulu, Hawaii

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

The Russell A. Alger family papers contain personal and professional correspondence of Alger, who served as governor of Michigan (1885-1887), United States Secretary of War (1897-1899), and United States Senator (1902-1907). The collection also includes military correspondence related to the Spanish-American War, materials from a distant branch of the Alger family in Ohio and Missouri, and letters related to United States Representative Bruce Alger's experiences in the Army Air Corps during the Second World War.

The Russell A. Alger papers contain personal and professional correspondence of Russell Alger, who served as governor of Michigan (1885-1887), United States secretary of war (1897-1899), and United States senator (1902-1907). The collection also includes military correspondence related to the Spanish-American War, materials from a distant branch of the Alger family, and letters related to United States Representative Bruce Alger's experiences in the Army Air Corps during the Second World War.

The Russell A. Alger materials series contains three subseries: Correspondence, Documents, and Scrapbooks. The Russell A. Alger Correspondence subseries is made up of 5 sub-subseries.

The Russell A. Alger incoming correspondence sub-subseries (1842-1919; bulk 1863-1865 and 1885-1907) contains 1.5 linear feet of letters, documents, and other items received by Russell Alger during his lifetime, with a particular focus on his military service in the Civil War, his political activities as a leading Republican Party member in Michigan, and his service and legacy as secretary of war under William McKinley during the Spanish-American War. The earliest letters in the collection are official correspondence from military leaders about the 5th Michigan Cavalry's service from 1862-1865. Several post-war letters concern Russell Alger's reputation, which opponents called into question during his rise to political prominence.

Items from the 1880s and early 1890s include many written by the era's leading Republicans, such as Mark Hanna, James G. Blaine, and Benjamin Harrison, who wrote a series of approximately 20 letters about Russell Alger's presidential campaigns in 1888 and 1892. Much of the later correspondence relates to Alger's service as secretary of war during the Spanish-American War, with letters from military personnel and political figures including J. Pierpont Morgan, Nelson A. Miles, William R. Shafter, Leonard Wood, Theodore Roosevelt, and William McKinley. Roosevelt wrote several letters to Alger during his own military service and during his presidency, regarding various political appointments. Two letters illustrate Roosevelt's hopes that Alger will support the reinstatement of the annual army-navy football match (August 17, 1897) and canal-building efforts in Panama (June 18, 1906). Much of William McKinley's correspondence (61 items) respects Alger's service as secretary of war, and includes the president's official acceptance of Alger's resignation from the cabinet (July 20, 1899). Much of Alger's incoming post-war correspondence pertains to efforts to secure his reputation following the Spanish-American War and to his published book on the conflict.

The Russell A. Alger outgoing correspondence sub-subseries contains items written by Russell A. Alger, including a small amount of Civil War-era correspondence and a larger number of letters written during his later political career. The bulk of the series, written from 1884-1907, represents Alger's tenure as governor of Michigan (1884-1887) and as secretary of war (1897-1899). Of interest is a letter of April 13, 1898, regarding the sinking of the Maine in Havana Harbor and the declaration of war against Spain. Other topics in Alger's letters include a shipment of reindeer from Norway (March 21, 1899), affairs in Alaska, the Panama Canal, and political endorsements for both local and national positions.

The items regarding the tour of officers & soldiers in the election of 1896, & the endorsement of Russell A. Alger as a member of President McKinley's Cabinet sub-subseries contains correspondence about Russell A. Alger and William McKinley's tour throughout Michigan during the presidential campaign of 1896, and about Alger's other efforts in the campaign. Of note is a letter from Senator Jacob H. Gallinger, who wrote to William McKinley, "I express the hope that you may invite General Alger into your official family. He will make a model Secretary of War, and will be a strong and reliable man in the Cabinet" (January 23, 1896).

The Letters and Telegrams from General Miles sub-subseries contains 564 once-bound pages of chronologically ordered copies of official military correspondence exchanged during the Spanish-American War. Army generals Nelson A. Miles and William R. Shafter are the most prominent correspondents in the subseries. They provided updates on the Cuban theater of the war. The series spans the entire calendar year of 1898.

The Russell A. Alger semi-official letters, semi-official orders, and telegrams sub-subseries contains 28 bound volumes of carbon copies dating from Alger's service as secretary of war. The series contains 20 volumes of semi-official letters (March 9, 1897-July 24, 1899), 2 volumes of semi-official orders (June 4, 1898-August 1, 1899), 5 volumes of telegrams (July 9, 1897-August 1, 1899), and one volume of letters relating to the GAR (October 1, 1889-November 28, 1894).

The collection also includes 9 volumes of typed transcripts, including incoming and outgoing correspondence as well as documents and materials related to Alger's military service.

The Russell A. Alger documents subseries contains four sub-subseries.

The Russell A. Alger Civil War service documents sub-subseries includes original and manuscript copies of documents related to Alger's Civil War service record and actions during the conflict. The subseries also contains two postwar documents. One of two postwar documents is a list of Civil War battles in which Alger participated.

The Testimony of General Alger Before the War Investigation Committee is a typed copy of Russell A. Alger's testimony regarding the hygiene of American soldiers and camps during the summer of 1898, given before the Dodge Commission later that year. The testimony includes manuscript annotations.

The Gervasio Unson proclamation and affidavits sub-subseries contains the original Spanish text and a translated English copy of Provisional Secretary Gervasio Unson's proclamation and accusations regarding the treatment of guerillas in the Philippines and the general conduct of American officials in the islands. Several documents appended to the proclamation lend factual support to the various allegations.

The Correspondence and documents regarding Florida, Puerto Rico, and Cuba sub-subseries is made up of the following items: correspondence describing rail systems in Florida in the early 20th century; a report on the island of Puerto Rico made on March 14, 1898; letters related to military supplies during the Spanish-American War; several letters regarding the publication of Washington the Soldier by General Henry B. Carrington, including a printed copy of the book's preface; the typescript of an interview given by Russell A. Alger to Henry Campbell of the Milwaukee Journal, March 24, 1900; a booklet on regulations for import/export officers; and a printed copy of the Cuban census of 1900.

• Alger's campaign for the Republican presidential nomination, April-June 1888
• Alger's campaign for the Republican presidential nomination, February-April 1892
• "Presented to General Russell A. Alger by the Citizens of Detroit upon his return to his home. August Second, 1899," July-August 1899
• "Politics: Detroit Newspapers," regarding Alger's campaign for Michigan's vacant Senate seat, August 1902-May 1903
• "Politics: State Papers," pertaining to Alger's campaign for Michigan's vacant Senate seat, August 1902-May 1903
• "In Memoriam Hon. Russell A. Alger," January 1907

The Alger family materials series contains eight subseries.

The Alger family correspondence subseries is divided into the seven sub-subseries: David Bruce Alger correspondence, Bruce Alger correspondence, Clare Fleeman Alger correspondence, Oberlin college correspondence and documents, Richard Edwin ("Eddy") Alger correspondence, Albert W. Alger correspondence, and Miscellaneous Alger family correspondence.

The David Bruce Alger correspondence contains numerous letters from Alger to his parents, Richard Edward Alger and Esther D. Reynolds, about David's time at Oberlin College in the early 20th century; the birth and early childhood of his son, Bruce Reynolds Alger; and about St. Louis, Missouri, in the 1920s, including descriptions of "plucky boy" and celebrated pilot Charles Lindbergh. Incoming correspondence consists of Civil War-era receipts; documents and letters of David Baker Alger; a letter from Russell A. Alger, Jr., to a sibling; a letter from an American soldier serving in France in 1917; several letters from David Bruce Alger's father written in 1943; and a 1975 letter regarding recent physical problems.

David Bruce Alger's Oberlin College correspondence and documents consist of items associated with Oberlin College in the 1910s, including ephemera. Of interest are a program from an Oberlin Glee Club concert (1912), three copies of a pamphlet for the "Eezy Cheezers," and an 1882 promotional thermometer.

The Bruce Alger correspondence consists primarily of Bruce Reynolds Alger's letters to his parents, written during his time in the Army Air Corps in the Second World War. Bruce wrote about his training at Kerry Field, Texas, and in California. In a number of letters from 1945, he described the end of the war as he experienced it in the Pacific theater. The sub-subseries also includes the annotated text of a 1937 chemistry examination from Princeton University, reports of Alger's academic progress at Princeton, and a newspaper article about his football career.

The Clare Fleeman Alger correspondence is made up of correspondence and documents related to David Bruce Alger's wife, Clare Fleeman Alger. In letters to her parents and to other friends and family, Clare described her life as a newlywed and, later, as a new mother. Miscellaneous items in this series include several religious tracts, drafts of poetry and essays, and documents regarding Bruce Reynolds Alger's academic progress at Princeton.

The Richard Edwin ("Eddy") Alger correspondence contains incoming letters, 1885-1921, written by family members to "Eddy" or "Cousin Ed." The group also includes a typed collection of several of his short poems.

In the Albert W. Alger correspondence are a number of letters written to various family members by Albert W. Alger.

The Additional Alger family correspondence, documents, and printed items consists of seven Civil War-era documents by various Alger family members, items related to the St. Louis Writers' Guild, invitations to various weddings and graduation ceremonies, a marriage certificate for Melvin C. Bowman and Mary H. Parcell, and a commemorative stamp from Lundy Island. Of note are two pages of a Civil War-era letter by John H. Houghes, who described a military engagement and the burial of a fallen soldier in the surrounding mountains. The group also contains books, pamphlets, and newspapers. Books include the Student's Reference Work Question Manual and Russell A. Alger's copy of Roswell Smith'sEnglish Grammar on the Productive System . The pamphlets are promotional material for a 1904 World's Fair exhibit, issues of various periodicals belonging to Clare Fleeman Alger (many of which contain her writing), and a copy ofAn Outline History of Richfield Township, 1809-1959 . Other items are newsletters from 1916 and 1921, with contributions by Clare Fleeman Alger; a printed map of the Alger Park neighborhood in Dallas, Texas; a newspaper clipping from the St. Louis Post-Dispatch; a program from a piano recital; and scripts for two radio-based language-learning programs (French and German).

The collection includes 40 volumes of Alger family diaries. Six volumes include a book kept by David Bruce Alger and five volumes belonging to Esther Reynolds Alger, written between 1878 and 1881. Among other materials are an early item likely composed by Richard Edwin Alger (1891), a "Note Book for Sunday School Teachers and Workers" probably kept by Esther Reynolds Alger in the late 19th century, and an Esther Reynolds Alger diary from 1900.

The remainder of the series contains material, spanning 1905-1973, that belonged to David Bruce Alger. His early diaries include a "Foxy Grandpa" notebook (1905) and a series of annual daily journals written from 1910 to 1919. Two five-year diaries chronicle 1920-1924 and 1926-1930, followed by single and two-year volumes kept between 1931 and 1937. An uninterrupted series of five-year volumes covers 1938-1975, although his entries taper off around 1973. David Bruce Alger kept his diaries regularly, composing a few lines about the weather and his activities on a near-daily basis.

The Clare Fleeman Alger manuscript submission records are a series of index cards. They are filed alphabetically by poem or essay title. Each record contains the name of a work, the publication to which the manuscript was submitted, and the date. The records pertain to works written in 1917 and from 1931 to 1943. Occasional rejection letters and drafts are interfiled within the subseries.

The Receipts subseries consists of 9 items dating to the 19th century.

In the Documents subseries are manuscript copies of correspondence regarding Alger's Civil War service, made and authorized by the War Department at a later date. The subseries also includes two typed copies of Lieutenant Philip H. Sheridan's "Account of the Battle of Booneville," and two copies of a "Statement of the Military History of Russell A. Alger."

The Photographs subseries contains four photographs. One is a portrait of Russell A. Alger's wife, Annette Henry Alger, labeled "Aunt Nettie."

The Newspapers and clippings subseries contains a small number of short articles, dating primarily in the 1930s. The clippings relate to various members of the Alger family; for example, one item pertains to the death of Russell A. Alger's son, Frederick Moulton Alger, in 1934. The subseries also includes three full size Kansas City, Missouri, newspapers from 1883, 1897, and [1898].

The William H. Anderson Family Papers are made up of 177 letters, one manuscript map, 28 printed items, two photographs, and other materials of this Londonderry, New Hampshire, and Lowell, Massachusetts family. William Anderson wrote around 150 letters to his family and friends while at primary school in Londonderry, New Hampshire; Pembroke Academy in Pembroke, New Hampshire; Phillips Academy in Andover, Massachusetts; Kimball Union Academy in Meriden, New Hampshire; and Yale College in New Haven, Connecticut. Anderson's correspondence includes 12 descriptive letters home from the Sligo cotton plantation near Natchez, Mississippi, where he worked as a teacher from 1859 to 1860, with content on plantation life, the enslaved workers, cotton processing, and educational matters. The remainder of the collection is William Anderson's post-Civil War letters, written while a lawyer in Lowell, and letters of Anderson's aunts Annis Nesmith Davidson and Anna B. Davidson Anderson Holmes from Londonderry and Wyoming County, New York.

The William H. Anderson Family Papers are made up of 177 letters, one manuscript map, 27 printed items, two photographs, and other materials of this Londonderry, New Hampshire, and Lowell, Massachusetts family.

The Correspondence Series. William Anderson wrote around 150 letters to his family and friends while at primary school in Londonderry, New Hampshire (5 letters, 1849-1850); Pembroke Academy at Pembroke, New Hampshire (15 letters, 1852-1853); Phillips Academy at Andover, Massachusetts (3 letters, 1853); Kimball Union Academy at Meriden, New Hampshire (19 letters, 1854-1855); and Yale College at New Haven, Connecticut (60 letters). The letters from Londonderry, Pembroke, Andover, and Meriden are filled with details about his curricula, course work, school uniforms, teachers, boarding houses, school uniforms, secret societies, local politics and political events (Whig and Democratic; he ran into Franklin Pierce on October 25, 1852), updates on friends and family, visits to nearby towns, and more. Anderson helped offset the cost of his education by taking on various farm jobs. Detailed letters to his parents, brother, and friend Mary A. Hine from Yale College similarly include content on curricula, course work, professors, societies, examinations, graduation, finances, and other aspects of being a student in higher education.

Upon graduation from Yale, he began work at the Sligo Plantation near Natchez, Mississippi, where he taught a school comprised of students from Sligo and the nearby Retirement Plantation, from 1859 to 1860. During this time, he wrote 12 letters home to his parents and to his future wife Mary A. Hine. He arrived at Bennett's Retirement Plantation in early September 1859, and shortly thereafter settled in at David P. Williams' Sligo Plantation. He described his relative isolation, loneliness, teaching and wages, corporal punishment, thoughts on slavery and the enslaved men and women on the plantation, games he played with his scholars, travel between the Sligo and Retirement plantations, and leisure activities such as hunting and horseback riding. In late December 1859, he provided a lengthy description of a (largely) steamboat trip to New Orleans with his students for Christmas.

Anderson noted that no poor white people lived between Sligo and Natchez; he was uncomfortable with the aristocratic lifestyle of white people living in the south, and expressed this view on multiple occasions in his correspondence (see especially September 30, [1859]). Although his father appears on list of members of the American Anti-Slavery Society, William H. Anderson did not write with disgust at slavery, but rather used racist epithets, accepted the "servants" who assisted him in various ways, and wrote unmoved about abuse doled out to children (see especially June 9, 1860). In one instance, he wrote about enslaved women who gathered near to the house in the evenings before supper to sing and dance (October 25, 1859). One of the highly detailed letters in the collection is William H. Anderson's description of the use of the cotton gin on the Sligo Plantation, which includes remarks on its history, its functioning, the various jobs performed by enslaved laborers, and the rooms in which the jobs took place. He included calls made by enslaved workers between floors of the "gin house" and the roles of elderly men and women in the grueling labor ([October 1859]). In 1860, Anderson planned to take a summer break in Tennessee and then teach another year, but on the death of his oldest scholar Susie (14 years old) by diphtheria, Williams decided against having a school the next year (July 4, 1860).

The remaining letters by William H. Anderson, dated 1861-1887, contain scattered information on family matters, such as visits and health. He wrote little of his law practice or his life in Lowell, Massachusetts. Anderson's correspondence includes a variety of printed letterheads and one inset map: a rough floorplan of the Brother's Society Hall (January 14, 1856); the printed letterhead "INGENIUM LABORE PERFECTUM" "YALE" of Sigma Delta (ca. August/September 1856 and July 10, 1858); a partially printed letter sheet beginning "IN order to secure the regular attendance...", respecting Anderson's discipline (July 20, 1857); and the printed letterhead "STEVENS & ANDERSON, Attorneys and Counsellors at Law" Lowell, Massachusetts (August 16 and September 27, 1872).

The collection includes around 25 letters by William Anderson's aunts Annis Nesmith Davidson (1801-1877) and Anna B. Davidson Anderson Holmes (1798-1875). Anna wrote alternately to her sister Jane Davidson Anderson and her sister-in-law Annis Davidson, from Londonderry, New Hampshire; Pike, New York; and Genesee Falls, New York, between 1828 and 1874. Her letters pertain largely to domestic life, boarders, troubles keeping hired girls (including Irish girls) to help with housework, news of family births, marriages, and deaths, local ministers, and her children's schooling. The few letters by Annis Davidson from Pike and Genesee Falls, New York, regard family updates and visiting.

The collection's Map, Receipt, and Photographs include a partially printed receipt for William Anderson's tuition and fees for the term ending April 14, 1857. The pencil map identifies particular buildings in New Haven, Connecticut, around where College, Temple, Church, Orange, and State streets intersect with Chapel and Crown streets. The photographs are cartes-de-visite of William Henry Anderson and "Annis Davidson Anderson Holmes" [most likely Anna B. Davidson Anderson Holmes].

The Printed Items are made up of materials largely pertaining to William Anderson's time at Yale College. These include:

• BROTHERS IN UNITY. Prize Debate in the Class of 1859, January 12, 1856. William H. Anderson listed as a participant.
• JUNIOR EXHIBITION. Class of 1859, April 6, 1858, invitation to Mary Hine, with William H. Anderson listed as a speaker.
• JUNIOR EXHIBITION. YALE COLLEGE, April 6, 1858 (E. Hayes, printer), program.
• INITIATION, June 11, 1858, program, with manuscript annotations identifying an oration delivered by W. H. Anderson.
• James Robinson & Co. (Boston, Mass.) printed letter requesting information about academies, [1858].
• FIFTY-NINE. 'Oυ δοκέιν αλλ' είναι. Presentation Songs, June 15, 1859 (Morehouse & Taylor, printers).
• YALE COLLEGE. PRESENTATION OF THE CLASS OF 1859, June 15, 1859 (Morehouse & Taylor, steam printers).
• "Esto Perpetua." '62. Pow-wow OF THE CLASS OF '62, June 15, 1859 (Morehouse & Taylor, printers).
• '59. OWLS FROM THE NORTH!, July 17, 1859, flier/advertisement.
• DE FOREST ORATIONS, June 17, 1859, flier.
• CATALOGUE OF THE OFFICERS AND STUDENTS IN YALE COLLEGE . . . 1859-60. New Haven: E. Hayes, 1859.
• JUNIOR EXHIBITION, April 3, 1860, order of exercises. New Haven: E. Hayes, 1860.
• '61's INITIATION OF '62, pink heavy-stock card with a printed image of two anthropomorphic donkeys boxing.
• CLASS CIRCULAR, March 20, 1862, seeking feedback from 1859 graduates in anticipation of their triennial meeting.
• Class '63 Day, June 19, 1863, heavy-stock card invitation.
• SONGS FOR THE THIRD ANNUAL SUPPER OF THE Yale Alumni Association, January 27, 1868.
• "INGENIUM LABORE PERFECTUM" Sigma Delta symbol of a wreath surrounding a crown.
• Annis Davidson visiting card.

The remaining printed items include four copies of an engraved portrait of William H. Anderson by W. T. Bather of N.Y. and published by The Lewis Publishing Co., and five newspaper clippings.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

• Post-mortem portraits
• Post-mortem scenes
• Funeral tableaux
• Funerals and funeral processions
• Floral arrangements and displays
• Memorial cards and sentimental imagery
• Cemeteries and monuments
• Funeral industry
• Mourning attire
• Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920.

This photograph album contains 72 photographs of a Shriners International trip to Glacier and Grand Canyon National Parks in 1920. Each page includes handwritten notations stating location. The album begins with images of La Crosse (Wisconsin), Vista House along the Columbia River (Oregon), Grand Canyon, and Garden of the Gods. Following, are views of Glacier National Park including Saint Mary Lake, Many Glacier, Many Glacier Hotel, and Shriner members dancing with "waitresses." Of particular note are images of Shriner members among Blackfeet and Hopi Native Americans. The album ends with two images of San Francisco; a birds-eye view of the city and the Golden Gate strait.

The album is 20.5 x 14.5 cm with brown paper covers. "Shrine Trip 1920" is handwritten on the front cover.

The Jerome, Arizona mining photographs consist of 56 photographs (including 33 real photograph postcards) related to mining operations, anti-labor vigilantism, and Arizona scenery.

Most of these images appear to have been taken by an anonymous photographer who referred to himself as "Bob" and who may have been associated with a Philadelphia-based contracting firm, Charles A. Sims & Co., that was hired by the United Verde Mine. Many of the photographs have handwritten captions and bear evidence of having previously been mounted in a scrapbook; many captions have been rendered partially illegible after being affected during the removal process. The captions directly refer to details within the photographs, particularly related to mining operations.

A total of 33 real photo postcards are present, including 14 locally produced images by The Fotoplace and Areldson Studio. Several real photo postcards bear correspondence, and "Bob" appears to have sent some of these images to a woman named "Kitty."

Items of particular interest include at least two photographs depicting J. E. O'Rourke (the superintendent of the United Verde Mine); multiple views of Jerome, Arizona, including street and bird’s-eye views; multiple views of mining facilities and encampments; three images of Native Americans (likely Yavapai); two views of the Montezuma Castle cliff dwellings; a view of stalactites taken from the inside of a cavern; and eight images documenting the expulsion of I.W.W. strikers in Jerome in July 1917 by local citizens who were organized into a vigilance committee. Also present are at least five images taken near present-day Tonto Basin, Arizona, north of the Theodore Roosevelt Dam, which may be associated with another project on which the Charles A. Sims & Co. firm was contracted. While the dam itself does not appear in any of these images, the photographer wrote that the area depicted was to be inundated. Since the dam was constructed by the U.S. Reclamation Service between 1903 and 1911, these images are likely older than those taken in Jerome.

For a complete list of the collection’s contents, see the Detailed Box and Folder Listing section below.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905.

The Gloversville, New York photograph album contains 100 photographs taken in Gloversville, New York, and the surrounding area ca. 1905. The first portion of the album consists of natural landscape and scenic cyanotypes. Also included are photographs of a flood, street-railroad cars, city street views, a photographer's studio, children, a farm, dogs, a drugstore, and a soda fountain. The last few pages of the album contain 60 small portraits.

The album is 20 x 14.5 cm with black cloth covers.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928. Each photograph includes notation naming location, individuals, and some dates. Multiple photographs are missing. The first portion of the album shows various locations in Arizona including the Sentinel (Arizona), Gillespie Dam, San Xavier Mission and Grotto, Casa Grande Ruins, Wickenburg Mountains, Granite Dells, Hopi Point and Powell Memorial at the Grand Canyon, Painted Desert, and Canyon Lake. Locations in New Mexico include Elephant Butte Dam, Hot Springs, and Raton Pass. Auto camps shown include "Stumble Inn," (Tucson, Arizona), Rowe's Well Camp (near the Grand Canyon), and Texas Home Camp (Hot Springs, New Mexico). The last image is of the Oklahoma State Capitol.

Many captions name William and Mattie Mulholland in the photographs. Also included is one loose photograph of poodles from "Baby Doll Kennels," in Erie, Pennsylvania.

The album is 20.5 x 13.5 cm with black artificial leather covers.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

A carte de visite and postcard are loose in the front of the album. The carte de visite of an unidentified man photographed in Pottstown, Pennsylvania. The postcard depicts the Basilica of Sainte-Anne-de-Beaupré, Quebec.

The first few pages of photographs depict Mount Gretna, Pennsylvania and show the Pennsylvania National Guard’s encampment, a river (possibly the Susquehanna River), and three men identified as Captain Arthur C. Colahan, Lieutenant Edward Hoopes, and Lieutenant William P. Wattles. Only the first two pages include captions.

The next series of photos likely show the Pennsylvania National Guard's encampment near El Paso, Texas, which they occupied until early 1917. These photos show border patrol, artillery training, drills, supply wagon trains, a polo team, game of baseball, a dust devil, reconnaissance aircraft, cavalry maneuvers, and a cavalry charge.

Interspersed throughout are photographs of civilian and family life. These images include a woman and newborn child, likely the unidentified compiler's wife and child. Some of these photos show picnics, a bullfight, racehorse track, a ranch, and scenic landscapes. Many show small towns and vernacular architecture, specifically mission style which was common to the area. Of particular note is a parade with a large sign, "We're from El Paso Tex/ Berlin or Bust."

The remaining portion of the album contains images of Texas, showing scenes at a park, the Capitol Building, and more family photos. Other identifiable locations include the Alamo, Kern Place, Hotel Sheldon (El Paso, Texas), and Elephant Butte Dam and Reservoir.