Collections : [University of Michigan William L. Clements Library]

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

This collection contains correspondence, newspaper clippings, a typescript, and a photograph related to William D. Workman's appearance on a television program about the integration of schools in the South, originally aired on September 29, 1957. Workman received 23 responses over the following days. Writers most frequently expressed their support of segregated schools, and many also commented on race relations and other political issues concerning the South.

Most items in the Correspondence and Newspaper Clippings series are letters of thanks Workman received shortly after his television appearance. Viewers and listeners sent 23 acknowledgments in letters, postcards, and telegrams, most written on September 30, 1957. Though the overwhelming majority of correspondents provided positive feedback, one provided a strongly negative response. Most letters originated from viewers in southern states, who lauded Workman for his comments on the effects of integration policies on the South, and often expressed their own opinions and thoughts on racial issues and on relations between the North and South. Writers overwhelmingly supported segregation. Many referred to the right to self-governance, and a man named Ed. C. Dennis, Jr., jokingly referred to the possibility of South Carolina seceding from the Union. One woman also noted her father's service in the Confederate Army, and many writers commented on recent desegregation attempts in Little Rock, Arkansas. A few correspondents also shared their feelings, usually negative, about Jews and Catholics. Workman received newspaper clippings and pamphlets on similar topics, particularly on religious and political issues; one took exception to the upcoming film Island in the Sun, which featured interracial romances. The series also holds a bundled group of letters between Workman and producers at CBS, who thanked him for his participation in the program.

The Typescript and Photograph series contains a typescript of the "Report on Integration," which aired on CBS television on September 29, 1957, and on CBS radio on September 30, 1957, as well as a black-and-white photograph of the panel participants.

The Haiti collection contains approximately 132 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.

The Haiti collection contains approximately 130 items related to the social, military, and economic history of Haiti from the mid-18th century through the 19th century. The collection includes correspondence, documents, visual material, and a scrapbook. The scrapbook, compiled by Victor Advielle, chronicles the history of the island from 1803, during the last stages of its revolution, through the 1890s.

• Bonneau et Avril DS, Journal des travaux..., September 1780. La Grande Plaine, [St. Domingue]. Beginning with a list of enslaved persons by profession/type of labor or other details (six women, for example, are indicated as free per the will of M. Baugé). The journal follows, indicating plantation events and the distribution of enslaved workers at different labor or at the hospital. With content related to mill work, sugar production, placing persons in irons, and more.
• Lory, Plombard & Co. ALS to Mr. Guillaumier; November 6, 1783. Cap. News of his brother, finances, and matters relating to enslaved persons (including their health).
• [Jean-Baptiste] Arnaudeau ALS to Madame Veuve Fleuriau, January 26, 1788; Bellevue, [Saint Domingue]. To his aunt, offering condolences on the death of her husband. Recommends buying the Fortin land as it is good for cultivating sugar cane. Purchase of enslaved persons for a good price (10 men and 2 women). Production of sugar and land on the Fleuriau plantation.
• Legal document from 1790 relating to the complicated distribution of Pierre Douault's estate, including the coffee plantation he owned in Saint Domingue.
• Delaire, Painparay & La Maiguere ALS to M. Peyrac, 1791 December 24; Nantes, [France]. 2 pages. Has received news from Port-au-Prince about the ratification of the treaty between "les Blancs & les Gens de couleur." Comments on how the gens de couleur have dictated the law, which is harsh against whites, but upholding it supports peace and protects property holders.
• [Pierre-César-Charles, marquis de] Sercey Partially Printed DS to "l'enseigne St. Prix," 1793 September 1; [New York, New York], 1 page. In French. Written near the New York harbor aboard theÉole . Orders from Commander of the Leeward Islands, "Le Commandant de la Station des Iles de L'Amérique Sous Le Vent," to embark on the frigate Surveillante to continue the ship's service. On illustrated letterhead with a decorative header; the portion featuring three fleurs-de-lis is inked out. N.B. Sercey commanded a fleet of ships carrying colonists fleeing from St. Domingue during the Haitian Revolution to New York and then on to France.
• British officer L. Dichter letter, describing Haiti as the "Devil's own Country"; July 4, 1796.
• An autographed letter by Toussaint L'Ouverture, written on his personal stationery; [1796].
• Citoyen Dodge Gorham and Dodge Gorham et Compagnie partially printed certificates (2) and manuscript document (1) pertinent to the shipment of goods, including beef, on the ship Zéphir (Zephyr) September 12, 1797. Le Cap.
• A deposition providing a firsthand account of revolutionary activity in 1793; October 25, 1799.
• Lovise Munroe manuscript protest, 14 Fructidor [September 1, 1800]; Môle Saint-Nicolas, Saint Domingue. 6 pages. Official notary copy of the protest of Lovise Munroe, captain of the Schooner Two Brothers of Boston, which sailed out of Philadelphia bound with goods consigned to merchant John Lewis at Cap Français. Was forced into the port at Môle Saint-Nicolas, "having been Contraried by the Winds & Weather." General Hyacinthe Moïse ordered that Munroe would "be so good to land All the Articles Useful to the State, such as, Tar, Pitch, Gun-Powder, Muskets, Swords, Pistols, Lead, Bunting, Tin and Flints, these articles will be deposited in the Arsenal in the Manner Order'd and Citn. [Mansey] Colin charged with the sale of the Surplus of the Cargo, will take the Arrangements he shall think most suitable with General Moyse, for the reimbursement of these Articles and the best of his Interest." After the goods were sold, Lewis claimed that he did not receive any compensation for the long sojourn in Môle Saint-Nicolas, but instead needed money to pay for flour, cloth, and cordage for the vessel's use.
• Robert McTaggart letter to Philadelphia merchants [John Reed, Standish Forde, and Samuel Israel]; January 18, 1804. Cap Français. Respecting trade issues, stagnant markets, spoiled produce, government restrictions on coffee purchases. Reference to ships at harbor and difficulties with French privateers.
• Letter to Martin[-Pierre] Foache, April 6, 1804. Au Cap. Describes persecution of white residents preceding the massacre ordered by Jean-Jacques Dessalines.
• A ca. 1815 legal summary of a case regarding the difficulties of collecting bills in post-revolutionary Saint Domingue. References the inability of the French merchant Reveliere to establish a trading house in Saint Domingue around 1802, which forced him to sell his cargo with a military contractor, but payment was later suspended by a governmental decree. Notes the impact on third-party bearers of the bills.
• B[elfast] Burton [draft letters?] to [Richard Allen?], [1825]; Semana, Haiti. 2 pages. Two letters on opposite sides of a single sheet. Discussion of issues with Pierre Joseph Marie Granville (Jonathas Granville), governance, authority, "there is nothing equal to truth & honesty and industry..." Politics, meddling of Alexander, support but apprehensions regarding President Jean-Pierre Boyer, and the campaign to promote African American immigration to the Republic of Haiti.
• Eugène-Léopold-François Pesnel DS petition to Faustin Soulouque, [1856?]; Cherbourg, [France]. 14 pages. Petition by Pesnel, requesting Empereur Soulouque to grant compensation to Marie Jeanne Pesnel, his mother, for property and proceeds lost as a result of the Haitian Revolution. Marie's father Thomas de Launay owned dwellings north of Cap Français and in Borgne. He had lived in Saint Domingue for 45 years before his death in 1781. The properties, including a cafeterie, had an annual profit of around 300,000 francs. The capital was 6,000,000 francs, which would have increased considerably in the hands of merchant de Launay and his descendants. Pesnel's request include a lengthy affirmation of his Republican sentiments, love of freedom, and dislike of slavery. The last page of the petition includes a transcription of a baptismal record of Marie Jeanne de Launay.

Other items are two photographs, a copy of L'Écho de la Timbrologie that traces the history of Haiti (January 31, 1954), a Carte de l'Isle de Saint Domingue ([1759], housed in the Map Division), a 1788 postmark from "Cap Haitien," and a newletter about French colonial postmarks.

Victor Advielle compiled the scrapbook, entitled Notes sur Haiti, in Paris in 1895. In addition to newspaper clippings, speeches, correspondence, and government documents, the volume has a piece of music entitled "Les paroles sont de Mr. de la Soriniere danjou, Et la Musique de Mr. Boran de St. Domingue." The scrapbook pertains to Haiti's 19th-century history. The section entitled "Ma Correspondence avec Légitime" contains personal correspondence between Victor Advielle and François Denys Légitime, who later became president of Haiti (1888-1889). The material within the scrapbook is in French.

This collection consists of letters, postcards, and photographs related to Private Arthur E. Welch of the United States Army, who served with the 1st Regiment, Company L, in and around Nogales, Arizona, between July and October 1916. Welch discussed everyday life along the United States-Mexico border, his work in a military ice house, and developments in the region's military conflicts.

This collection consists of 100 letters, 2 postcards, and several photographs related to Private Arthur E. Welch of the United States Army, who served with the 1st Regiment, Company L, in and around Nogales, Arizona, between July and October 1916. Welch wrote his first 2 letters to his mother, Mrs. M. J. Welch of Willimantic, Connecticut, while in training at Niantic, Connecticut, about his life in camp. His next 5 letters recount his journey to Nogales, Arizona, and describe the scenery in Ohio, Kansas, Oklahoma, Texas, and New Mexico.

The bulk of the collection consists of Welch's daily letters to his mother from July 4, 1916-October 2, 1916, about his experiences while stationed in Nogales, Arizona. He reported news of recent military developments, commented on his accommodations in camp, and discussed several aspects of his life in the army, including his training, his work in an ice house, and his attendance at Catholic religious services. He also described the area and discussed a lengthy march his unit made to Fort Huachuca, Arizona, where he remained for much of August. Welch occasionally mentioned relations with the Mexicans and their independence celebrations on September 16, as well as the actions of Pancho Villa. One of his friends, Ed Ryan, wrote a letter to Mrs. Welch about his experiences after being wounded in the arm; he also mentioned Arthur's work in the ice house (September 21, 1916). By early October 1916, Welch began to anticipate his return to the East Coast. Two photographic postcards depict Arthur E. Welch in uniform and in a pair of overalls.

The non-correspondence items are 1 photograph of a group of soldiers, as well as 3 scrapbook pages containing 31 photographs of Nogales, Arizona, and United States soldiers in uniform and at leisure.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division. The photographs are individually numbered and the typed explanations occasionally include commentary on the careers of pictured marines.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division.

Eight 8"x10" black-and-white photographs illustrate steps in the V-mail creation process, from initial composition to delivery. Eight 1-page, typed documents explain each step and occasionally identify the members of the Marine Corps 2nd Division depicted in the images, variously noting names, ranks, hometowns, and service histories. The explanatory text also provides numerical figures associated with the Marine Corps mail service, including an estimate of total pieces handled daily (image 2D-37), the number of letters on each roll of film and number photographed per hour (image 2D-39), the rate at which an operator prints and cuts images (image 2D-40), and the number of V-mail letters that could fit in one mailbag (image 2D-43). Sergeant J. L. Burns took the first photograph, and Sergeant Andy Knight took the remaining 7; each image is also attributed to Warrant Officer J.F. Leopold, Photo Officer, 2nd Marine Division.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

This collection comprises five letters apparently sent and received by Captain Edward Willoughby Anderson in correspondence with Miss Maria Davis in 1864. The letters concern life in Richmond and a Confederate soldier's perspective of the Civil War. Also present are two photographs taken in and after 1915 of Charles Freeland Penley, a Union soldier who captured the Anderson/Davis correspondence during the Civil War.

This collection comprises five letters apparently sent and received by Captain Edward Willoughby Anderson in correspondence with Miss Maria Davis in 1864. The letters concern life in Richmond and a Confederate soldier's perspective of the Civil War. Also present are two photographs taken in and after 1915 of Charles Freeland Penley, a Union soldier who captured the Anderson/Davis correspondence during the Civil War.

See the Box and Folder Listing below for details about each item in the collection.

This collection consists of two letters from Jacqueline Onassis to Douglas Mansell, thanking him for the 4th grade field trip he led at the Bethlehem Steel Corporation's shipyard in Hoboken, New Jersey. In one letter, she enclosed 19 handwritten reflections by the students about the shipyard visit. The field trip was for Onassis's son, John F. Kennedy, Jr., and his class at the Collegiate School for Boys in New York. Five photographs depicting the class and their chaperones at the shipyard, featuring Onassis and her son, accompany the correspondence.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

This memory album was assembled by Mary Hewins Fox (later Mary Hewins Fiske) to document her involvement with theater, music, and poetry in New York City.

Mary Fox apparently assembled and illustrated this memory album of her original work in about 1863. She included song lyrics (some published in a newspaper under a pseudonym, Dan Bryant), 24 watercolor and 6 pencil illustrations, and 5 photographs. Mary Fox's illustrations depicted well-known actors in familiar roles, though two are illustrations of neo-classical sculptures (Powers' Greek Slave and Copland's Ino and Bacchus), and other sketches with classical themes.

Fox's songs are typical of popular songs of the era. The printed songs were published under the name of Dan Bryant. In the book, Mary Fox has crossed out "Dan Bryant" and written her own name: Mrs. C.K. Fox. The printed songs include "Oh, My Love's Gone," "The Female Smuggler," and "My Johnny was a Shoemaker." The hand-written songs include "Lager Beer Song," "The Irish Sutler Girl" (possibly inspired by the Civil War), and "The Gal not Sports."