Collections

Professor of rhetoric and journalism at University of Michigan. Correspondence concerning his professional activities, particularly his interest in linguistics and English language and speech, and papers, 1917-1918, concerning war issues course at the University, manuscripts of articles and speeches, diary, 1903-1909, day-books, 1903-1922, and miscellaneous notebooks and journals; also photographs.

The Fred Newton Scott collection includes correspondence, drafts of articles and reviews, diaries, daybooks, some personal materials, and photographs.

The correspondence is the core of the collection, consisting mainly of incoming letters to Scott from friends, colleagues, students, publishers, editors, authors, and learned societies. The letters deal mainly with literary and language questions and with Scott's lecture engagements, book reviewing, and other writings. The correspondence, arranged chronologically, is between Scott and four categories of individuals: Students; Journalists and publishers; Professional associates; and University colleagues and other.

I. Students

The wide-ranging influence of Scott's philosophy and teaching is amply illustrated through letters from his former students. They kept him informed of how they were putting his principles into practice as journalists or in academic teaching, and sought his advice on further developments in their work. The accomplishments of women students who had studied with him are particularly noteworthy. Gertrude Buck, whose dissertation on metaphor was considered a definitive study at the time, became a professor at Vassar College. In 1898, she had received the first Ph.D. in Rhetoric awarded by the University of Michigan. Other women students who went on to distinguished careers included Marjorie Nicolson, English professor and dean of Smith College; Helen Mahin, professor of journalism, University of Kansas; Ada Snell, Wellesley College; and Phyllis Povah Drayton, actress. Georgia Jackson was one of the first women to serve on the editorial staff of The American Boy magazine and later became editor of the Literary Digest. Other students of Scott were Frank Mitchell, Katherine Reed, Alice D. Snyder, Katherine Taylor, and Joseph M. Thomas.

Perhaps the most locally prominent among men graduates was Lee A. White who became editor of The Detroit News. Scott also numbered among his accomplished students, Avery Hopwood, playwright and donor of the Hopwood prizes; Wilfred B. Shaw, author and editor, and Director of Alumni Relations at the University of Michigan; Paul Osborn, playwright; Edgar A. and Paul Scott Mowrer, journalists; Joseph Thomas, Dean of the Senior College, University of Minnesota; James O. Bennett, journalist, The Chicago Tribune and Walter A. Donnelly, editor and Director of the University of Michigan Press.

II. Journalists and Publishers

As Scott developed courses in journalism he called on editors and publishers, some of whom had been his students, to lecture on the practical side of newspaper work. Much of this correspondence concerns arrangements for, and contents and evaluations of, these lectures. Since he was also concerned with improving journalistic writing, some letters deal with projects he undertook in cooperation with editors to raise the standards and styles of reportorial work. These professionals included James O. Bennett, Edmund Booth, George Booth, Frank Cobb, J.W. Cunliffe, Willard B. Gore, W.W. Harris, Roy Howard, Frank G. Kane, James M. Lee, Louis Ling, Milton A. McRae, C.M. Marstow, Robert Mountsier, Edgar Ansel Mowrer, Paul Scott Mowrer, Chases S. Osborn, E.G. Pipp, Arthur C. Pound, James Schermerhorn, James E. Scripps, Edwin E. Slosson, and Lee A. White.

III. Professional associates

Many of the letters in F. N. Scott's papers deal with his work on the National Council of Teachers of English and other professional organizations in which he played an active role. These are scattered throughout the collection but are not listed here. The largest amount of correspondence is that related to his interest in setting up an academy for the improvement of the English language. A British organization, the Society for Pure English, had been founded in 1913. In early 1922, a committee was organized, with Scott as chairman, to work with a British committee consisting of Robert Bridges, Henry Newbolt, and J. Dover Wilson, to form an international academy of English. The members of the American committee were: Henry Seidel Canby, Charles M. Gayley, Charles H. Grandgent, John L. Lowes, and John M. Manley. Other correspondents within organizations with whom Scott corresponded included John W. Bright, C.G. Hoag, F.P. Keppel, and Louise Pound. There also letters exchanged with Henry Ford.

IV. University colleagues and others

Included here are letters of Professor Thomas E. Rankin dealing with departmental affairs when he was acting chairman of the department in Scott's absence, and also his reactions to the later merging of the department with the Department of English. Aside from departmental and university concerns, the collection includes extensive correspondence with Jean Paul Slusser who became director of the Museum of Art following a long career teaching design and painting at the university. There is also correspondence with Regent Lucius Hubbard who shared Scott's interest in good English usage and in rare books. In addition, Scott was attracted to the health teachings of John Harvey Kellogg, stayed at his sanitarium in Battle Creek, and exchanged letters with him regarding his health regimen. Other correspondents include John Effinger, Peter Monro Jack, Clarence Cook Little, and Charles E. Whitman.

Professor of Latin in the School of Education at the University of Michigan; correspondence; student notebooks, topical files, and photographs.

The Fred S. Dunham collection includes professional correspondence and notes taken while a student at the University of Michigan, 1903-1907, in classes taught by Francis W. Kelsey, Walter Dennison, Robert M. Wenley, Joseph Drake, and James B. Angell. Other portions of the collection include lectures, publications, and topical files relating to professional affiliations and the University of Michigan School of Education. There are also some photographs and papers of L. Elizabeth Reed Dunham relating to her organizational activities.

Professor of economics, University of Michigan, government official, and U.S. Ambassador to Italy. Correspondence, speeches, and memos, relating to Ackley's work as presidential adviser and member of President's Council of Economic Advisers during the Kennedy and Johnson administrations; reports and other papers, 1944-1945, concerning his work with U. S. Office of Price Administration; papers, 1950-1953, concerning his career as assistant director of U. S. Office of Price Stabilization; and miscellaneous research notes and University of Michigan course materials.

The Gardner Ackley papers document the career of one of the most influential economists of his time. As a researcher, teacher, and especially as an advisor to United States presidents and various government agencies Ackley helped formulate the direction of governmental economic policy. This collection reflects those activities. Ackley's papers arrived at the Bentley Library in four accessions: 1972 (boxes 1-23), 1988 (boxes 24-28), 2005 (boxes 29-36), and 2011 (boxes 37-38). Generally, papers from the first accession relate to his earlier career, those from the 1988 accession relate to his later career, and those from 2005 from all phases of his professional life. The 2011 accession consists mainly of photographs and other personal materials.

The collection is divided into twelve series: Office of Price Administration/Office of Price Stabilization files; President's Council of Economic Advisors files; University of Michigan files; Professional Correspondence; Meetings and Conferences; Speeches, Journal Articles, Letters to the Editor, Chronological correspondence, Clipping file, Columns and unpublished writings, US Ambassador to Italy, 1968-1969, Later career, and Personal: Photographs, Scrapbooks, etc.

Radio and television broadcaster; professor of speech at the University of Michigan; director of television, later director of broadcasting at the university. Biographical material, subject files relating to his career in broadcasting, published writings, speeches, scripts, and audio-visual materials; files document development of television at the University of Michigan, including various administrative and program changes.

The GRG papers span the years 1928-1990 and are divided into five series: Biographical Materials; Early Career; University of Michigan; Writings, Speeches, and Scripts; and Audio-Visual Materials. The collection traces Garrison's long and distinguished career in broadcasting, as well as his many years of teaching. The collection with few exceptions has been maintained in its original chronological order.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.

Architect; professor of architecture at the University of Michigan. Client files, topical file, and miscellaneous presentation drawings.

The George Brigham collection consists of three linear feet and 10 oversize drawers of architectural drawings, photographs, correspondence, and subject files relating to his career as a practicing architect in southeastern Michigan (mainly Ann Arbor), but also including some materials when he was based in Pasadena, California.

The collection has been arranged into five series: Client Files; Client Drawings Files; Prefabrication Drawings Files; Miscellaneous Drawings Files; and Topical Files

The Client Files and the Topical Files have been placed together in the collection (boxes 1-3). The Client Drawings Files, the Prefabrication Drawings Files, and the Miscellaneous Drawings Files, consisting of oversized architectural materials, have been placed together in flat storage drawers.

The Client Files and the Client Drawings Files will be discussed here together as the distinction between them is primarily one of size rather than content. Each of these series is arranged alphabetically by the name of the client for whom Brigham either designed a structure (mainly private residences), additions to existing structures, or proposed a design for which the structure was never built. As a rule, the Client Files consist of photographs, specifications, smaller original drawings, correspondence, and other materials relating either to the project or to the client, while the Client Drawings Files, as the name states, consists of the original designs from conception to final revisions as given to the contractor. There is some mixing of materials between the two series with an occasional oversize photograph located in the Client Drawings Files and with some smaller-sized drawings located in the Client Files. The researcher should also note that while the lists of names for the two series are basically the same they are not identical. The disparities depend upon whether a structure was actually built or not and whether all of the materials have survived. As a group, these two series document Brigham's creative process from first contact with a client through to the construction phase. The series also documents the introduction of a new style of domestic architecture into the Ann Arbor community, particularly areas where the faculty of the University of Michigan resided such as Barton Hills.

The Prefabrication Drawings Files and the Miscellaneous Drawings Files are not client-based files and instead concern Brigham's design innovations in the area of low-cost, prefabricated structures. Unfortunately with the passage of time and the transfer of material about, the original order of these drawings has been lost. An attempt has been made to put the drawings into a subject arrangement but there are still many items imprecisely identified or fragments that were once part of a series of drawings. Some identification is of course possible with clearly defined units of material carrying such labels as 12 panel recreation shelter, a square folding portable shelter and plank wall construction. The largest grouping of drawings here is for Brigham's modular designs, which he called "Unit Built Structures." Perhaps the most significant portion of the Miscellaneous Drawings series relates to the Youtz Unit System of building on which Brigham worked during World War II.

The final series - Topical Files - contain a miscellanea of personal materials, speeches and articles, subject files on his general interest in architectural design. Of interest here in this series are several files relating to Brigham's work with Philip Youtz and his design work on the Youtz Unit House. As mentioned previously, there are also complementary drawings on the Youtz system.

This collection contains sketches, manuscripts, printed music and writings by George Cacioppo, American composer, founder of the ONCE group, and faculty member at the University of Michigan.

The collection contains sketches, manuscripts, printed music and writings by George Cacioppo, as well as correspondence (business and family), press clippings, programs and ONCE Festival memorabilia. The materials were arranged in logical sequence rather than "original order" so that research and performance of the materials would be facilitated. Details of the series arrangement have been provided below. Books and music by others have been removed from the collection, but lists of these materials have been retained. Many of Cacioppo's manuscripts were reproduced in different ways. The term "reproductions" was used in the finding aid to refer to ozalid copies and photocopies. Duplicates of the reproductions were removed.

Professor of Near Eastern Languages and Literature at the University of Michigan; personal and professional correspondence relating to archeological expeditions and discoveries in Iran and the Near East.

The George Cameron papers consist of personal and professional correspondence mainly in the 1960s and 1970s. Very little of the materials relates to his work as founder and professor of the U-M Department of Near Eastern Studies. The bulk relates to his interaction and communication with other scholars in the field. The collection has been arranged into three series: Biographical, Correspondence, and Other materials.

Professor of economics and psychology, and research coordinator for the Survey Research Center, Institute for Social Research, at the University of Michigan. Research reports, addresses and speeches, miscellaneous correspondence, personal material, and photographs.

The George Katona Collection consists primarily of reports and speeches (in typewritten manuscript form) produced during his association with the Institute for Social Research at the University of Michigan, and with the United States Government. Also included are reviews of his published works, and reprints of those articles of his not listed in his bibliography. In addition, there is a small amount of correspondence concerning the relationship between the Institute for Social Research and various departments at the University of Michigan.

Professor of geography at the University of Michigan. Series include correspondence, subject files, professional societies, geography courses, reprints, manuscripts, notes as a student, and photographs; files relate to his professional interests and to the subject of geography.

The George Kish papers are divided into eight series: Correspondence, Subject Folders, Professional Societies, Geography Courses, Reprints, Manuscripts, Notes as a Student, and Photographs. These eight sections correspond, more or less, to the order that Kish maintained for his own files. The collection documents the academic career of Kish, from his Paris days as a student and his years at the U-M as a professor to his retirement and beyond. The collection's focus is not strictly on the university, as it also reflects Kish's prolific writings and his work in professional societies.