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The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

The Cross-Country photograph album contains photographs taken in various locations throughout the United States, including travel photographs of scenery and buildings in Washington, Colorado, Louisiana, and Massachusetts, among other states, and family photographs taken in New Hampshire, Massachusetts, and elsewhere.

The Cross-Country photograph album (26cm x 32cm, 59 pages) contains around 340 photographs taken throughout the United States between 1896 and 1907, including 15 cyanotypes and 10 panoramas. The items represent numerous printing processes in a variety of sizes. Some have captions, often providing information about the place and the date. Several reference the Gill family. The album has the title "Photographs" printed in gold on its front cover and its pages are bound with a thick string.

Many of the photographs are casual group portraits of men, women, children, and family dogs taken outdoors, often in front of large houses and cottages; some of the same individuals are present in multiple pictures. Included are a portrait of an African American woman holding a Caucasian infant (p. 1), two young boys in dress military uniforms with a collection of toy soldiers (p. 3), and a wedding party (p. 46). Some men and women are pictured golfing at Bass Rocks in Gloucester, Massachusetts. Most of the remaining images are views of landscapes, city streets, buildings, and natural scenery in locations such as Spokane, Washington; Tacoma, Washington; Lake Coeur d'Alene, Idaho; Pikes Peak, Colorado; New Orleans, Louisiana; Hampton, New Hampshire; Boston, Massachusetts; Gloucester, Massachusetts; Beacon Falls, Connecticut; and Washington, D.C. Included are a small number of commercial photographs of the area around Pikes Peak in Colorado including views by William H. Jackson. City views often feature prominent buildings and other landmarks. Other photographs show the rocky coast of New England, harbors, sailing vessels of various sizes, and large homes. Of note are a group portrait of Spokane Native Americans (p.14); views of the Tacoma waterfront (p.15); the New England coast, with aspects of the Gloucester fishing industry including a view of salted cod laid out to dry (p.24-29); pictures of Victorian home interiors (p. 20, 34, 47, 55, 56); and panoramic landscape views taken near Spokane (p. 47, 48). The album includes one print and a hand-colored collotype of the home of Senator George Turner in Spokane, Washington (inside front cover).

The Laura Page Butcher photograph album contains photographs, newspaper clippings, and ephemera pertaining to Butcher's leisure activities and travels in the United States, Europe, and North Africa in the late 19th and early 20th centuries.

The Laura Page Butcher photograph album (27cm x 37cm) contains around 350 photographs with newspaper clippings and printed ephemera pertaining to Butcher's career as an artist, her leisure activities, and her travels in the United States, Europe, and North Africa from June 1897-June 1903. The photographs include single prints, cyanotypes, and individual prints assembled into panoramas. Most of the photographs are original snapshots, with professionally portraits and some commercially produced views included. The album has been reconstructed and re-bound; the original cover, with the title "Photographs" printed on the front, is housed separately. Some quotations and captions, usually providing a location and date, are written directly onto the album pages or onto photographs.

Most photographs are informal and studio portraits of men and women, pictures of women enjoying leisure activities, exterior and interior shots of mansions and hotels, and views of natural and urban scenery from Butcher's vacations and international travels. Portrait subjects include Laura Page Butcher, her traveling companions, artist friends, and a large formal wedding party. Groups of women are shown painting, riding horses, driving carriages, swimming in an indoor pool, and golfing. Butcher's travel photographs from Paris, France; Funchal, Madeira; Granada, Spain; Algiers, Algeria; and Alexandria and Cairo, Egypt, focus on urban scenery, landmarks, and local populations. Included are the Eiffel Tower, Alhambra, the Great Sphinx, and Giza pyramids. Timeless examples of tourists photographed at Giza in Egypt appear. Photographs of Paris include the Exposition Universelle of 1900. Butcher's return to the United States on the steamship St. Louis is documented with several dramatic seascapes. Many images of leisure activities taken along the eastern shore of the United States. Other images of note show the parade for the dedication of the Fairmount Park, Philadelphia Washington Monument in 1897, an American soldier in uniform taken in Manila, Philippines; one colored photomechanical print shows a group of people in Algiers surrounding a ritual activity or performance. Also of note is a panorama of a bull fight given by Spanish prisoners of war held on Seavy's Island, Maine, with William Jean Howells identified as a spectator.

The album also includes newspaper clippings and ephemera items. The clippings are primarily society page items about the activities of Laura Page Butcher and her siblings, such as the family's vacations in West Virginia, Laura's winter in France, and Alice Tyson Butcher's wedding. Quotations often pertain to art, among other subjects.

Of particular note are the photographs, notes, and ephemera related to Butcher's art career. Images appear of young women in artists' smocks with palettes, in life classes, sketching outdoors at the Shinnecock School, in a Paris atelier and other unidentified studios. An interest in James McNeill Whistler is revealed by the inscriptions quoting Whistler's "Ten O'Clock" lecture, a copy of the butterfly monograph of Whistler, and comment on Whistler's work transcribed from the periodical "The Trimmed Lamp" appearing on pages five and ten, and Whistler antidotes in clippings elsewhere in the album. Material related to Butcher's participation in the exposition of the Société Nationale des Beaux Arts at the Grand Palais, including her letter of admission, is on page 19.

These albums contain photographs taken during Robert Peary's expeditions into the arctic regions. Volume 1 represents the 1897 trip to present-day Nunavut and Greenland on the ship Hope. The photographs feature arctic scenery, members of Peary's crew, the Hope, Inuit dwellings and American camps. The Inuit adults and children pictured include some of those who returned with Peary to the United States. Volume 2 represents one of the later Peary expeditions from 1905-1906, or 1908-1909. The images in this volume were removed from the original housing and are without identification. A vessel resembling Peary's ship from the later expeditions, S.S. Roosevelt, appears in several photos, as does a man resembling the Roosevelt's Captain, Robert Abram Bartlett.

Volume one contains 100 9cm x 9cm photographs taken during Robert Peary's expedition to present-day Nunavut and Greenland on the ship Hope in the summer of 1897. Each page (17cm x 29cm) contains two items; most include brief captions identifying places and people pictured. The volume's original covers are missing.

Many of the photographs feature scenery along Baffin Island in present-day Nunavut, including icebergs and glaciers; views of the Hope; small boats; Inuit boats and kayaks; Inuit huts and American tents; and natural features such as waterfalls, glaciers, and icebergs. The photographer also took pictures of Inuit adults, children, and crew members onboard the Hope; captions identify Robert Peary, his daughter Marie and her African American nurse, members of the expedition, and Inuit persons named "Kishu" and "Minnie". Kisuh may be Qisuk, and Minnie is very likely Minik, who were both taken to New York by Peary. A group photograph taken onboard ship may include Matthew Henson, Peary's African American assistant, although not identified as such. A few pictures were taken inside what appears to be a small wooden structure, and crew members occasionally posed outdoors with deer and caribou they had killed. One photograph of a "Fossil Bed" appears to have been printed from a broken glass plate negative.

Volume 2 is comprised of 92 12cm x 18cm and 10cm x 13cm photographic prints, likely taken on the Peary expedition of 1905 or later. The prints have been removed from the no longer extant original album pages, and are currently housed in a dark green ring-binder in a tan cloth sleeve measuring 34cm x 31cm. The images include scenes of northern settlements and camps; ice flows; crew-members on board ship; the hunting of a walrus, displaying a polar bear's head; men with bear cubs; and Inuit people, their dwellings, kayaks and boats. Several vessels appear including one that is likely the SS Roosevelt; also a fishing schooner; and an unidentified steamship. There are many portraits of crew members, all unidentified. Several are of a man resembling the Roosevelt's Captain, Robert Abram Bartlett.

Three magazine clippings from the mid-20th century are included that refer to Captain Bartlett.

This album contains two titled groups of photographs: Snap Shots on Ranch and Gold-Claim in Colorado and Idaho in September 1895 and Kodak Peeps at Colorado in October, 1893. The photographs of ranches, cowboys, prospectors, and scenery in Idaho and Colorado are often accompanied by lengthy captions. A small group of photographs shows land near Pike Lake in Minnesota.

This album (24cm x 37cm) contains two titled groups of photographs: Snap Shots on Ranch and Gold-Claim in Colorado and Idaho in September 1895 (28 items, pp. 1-105) and Kodak Peeps at Colorado in October, 1893 (19 items, pp. 111-187). Additional items include five pictures of land near Pike Lake in Minnesota (pp. 159, 161) and a picture of a home in Poughkeepsie, New York (pp. 186-187). The volume has hard green covers, with the words "Colorado '93 & '95" stamped in gold the black spine. C. S. Green signed the first page, and each section opens with a title page, the text in stylized letters. The photographs of Colorado and Idaho are early Kodak prints.

In both 1893 and 1895, the photographer took pictures of settlers and scenery in Idaho and Colorado, particularly in and around Market Lake, Idaho; Menan, Idaho; Manitou Springs, Colorado; and Powderhorn, Colorado. Pictured buildings include homes, a small hotel, the signal station and cog railroad on Pikes Peak, and railroad stations; railroad tracks and trains are featured in a few items. Portraits of prospectors, cowboys, and ranchers are included. Captions, often lengthy, describe numerous aspects of life in the West, such as the crops and geography of Idaho and gold mining, ranching, and mineral resources in Colorado. The author also commented on less-visited areas of Colorado and prominent features such as the Continental Divide. Laid into the volume are brief essays on a dog named Bobby (1 page) and the Snake and Yellowstone Rivers (3 pages). These appear on the letterhead of Charles S. Green of Roaring Branch, Pennsylvania.