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The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.

Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.

Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.

This collection is primarily made up of 1st Lieutenant Benjamin A. Furman's outgoing correspondence during his service as a United States Army surgeon in France and Germany between August 1917 and early 1919, as well as picture postcards that Furman collected during his time in Europe. Furman discussed his voyage to Europe, work at an evacuation hospital, encounters with wounded African American soldiers, and postwar travels.

This collection is made up of 119 letters, most of them written by 1st Lieutenant Benjamin A. Furman during his service as a United States Army surgeon in France and Germany between August 1917 and early 1919; 2 photographs; approximately 290 picture postcards that Furman collected during his time in Europe; and 2 printed items. Furman discussed his voyage to Europe, work at an evacuation hospital, encounters with wounded African American soldiers, and postwar travels.

The Benjamin A. Furman Letters to His Parents subseries contains 97 letters that Furman sent to John A. and Emma C. Furman of Newark, New Jersey, about his experiences in the United States Army between August 1917 and March 1919. His letters form the majority of a numbered series that originally contained at least 87 items, plus additional unnumbered letters and postcards. In his earliest letters, Furman described his voyage from the United States to Europe, which included a close encounter with a German submarine, and his experiences with the 407th Telegraph Battalion. In July 1918, he transferred to the 2nd Evacuation Hospital, where he regularly treated patients suffering from wounds acquired at the front lines. On one occasion, Furman copied a portion of a soldier's letter about injuries sustained from a grenade explosion (August 11, 1918). By October 1918, he reported increased admissions of soldiers with illnesses, which included numerous cases of the mumps and the Spanish influenza. Furman occasionally treated African American soldiers and repeatedly shared his admiration for their bravery and dedication. After the war, he witnessed the plight of released British prisoners of war (November 17, 1918) and discussed his travels in France, which included a visit to no man's land. Furman spent much of early 1919 in Germany, and described trips to Koblenz, Köln, and cities across France.

The Other Correspondence subseries (22 items) is comprised of similar outgoing letters from Furman to other acquaintances, such as his brother John, friends, and a Boy Scout Troop. Several friends wished Furman good luck in a photographic postcard postmarked February 1918; the image depicts a building at Princeton University, his alma mater. Furman received a small number of other letters from friends in the United States during the war.

Two Photographs include a cabinet card portrait of Leon Unger, an American physician who also served in the war, and a snapshot photograph, which apparently depicts Benjamin Furman with his motorized ambulance and driver.

The Printed Ephemera and Map series contains an advertisement for the Hotel Atlantic & Annexe in Nice, France, and a map of the city of Nice.

Throughout his time in Europe, Benjamin A. Furman collected around 290 Picture Postcards of buildings and scenery in France and western Germany. He organized most of the postcards by place or region, and added brief notes.

The Camilla Sink journal contains entries about Sink's daily life from 1857-1876, as well as genealogical information about her descendants, essays about her life and character, and a diary that one of her children kept in 1900. Camilla Sink's entries, copied by her children into this single bound volume, pertain to her life and her children's lives in New York, Ohio, Indiana, and Illinois.

This volume (994 pages) contains Camilla Sink's journal, copied by one of her children (February 1, 1857-November 1, 1877, pp. 1-837); poems, biographical sketches, proverbs, and genealogical information (pp. 838-928); and a diary kept by one of Sink's children (January 1, 1900-December 10, 1900, pp. 928-994).

Camilla Sink's journal entries are prefaced by remarks about her life, death, and character, written by one of her children. Sink wrote almost daily from February 1, 1857-April 13, 1877, but illness led her to write only sporadically until her final entry on November 1, 1877. She most frequently commented on the weather, her social activities, and news of her children and their families. Sink lived in Rome, New York, and spent time visiting her family in Cleveland, Ohio; Chicago, Illinois; and Elkhart, Indiana. Sink provided news of her illnesses and ailments, or those of her children and other acquaintances, and sometimes discussed her feelings about bereavement and aging. Some of her entries from the spring of 1861 mention marching soldiers; in mid-April 1865, she wrote about the death of Abraham Lincoln and the journey of his funeral train. On September 29, 1876, she recounted a visit to Washington, D.C., and entries from early October 1876 concern her visit to the Centennial Exhibition in Philadelphia.

The second section of the volume contains poetry, writings, biographical sketches, and genealogical information copied by and written about Camilla Sink and her descendants. Poetry and proverbs concern topics such as bereavement, and one of her children wrote a memorial poem in her honor (pp. 886-887). Genealogical information pertains to the births, marriages, and deaths of Camilla Sink's parents, children, grandchildren, and great-grandchildren. A second series of journal entries, written by one of Camilla Sink's children, concerns the author's daily life and social activities in 1900. Items laid into the volume include a photographic postcard with a girl's portrait; a newspaper clipping; 3 certificates related to the academic progress of Chester Weier and Gladys Kleckner in Monroe, Michigan (June 20, 1907-June 14, 1912); and a certificate regarding Gladys Kleckner's confirmation at St. Stephen's Church in McKeesport, Pennsylvania, on March 14, 1915.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma.

The Chilocco Indian School collection consists of 1 piece of realia, 1 school yearbook, 1 pamphlet, 1 manuscript, 1 graduation certificate, and 107 photographic images in various formats related to the Chilocco Indian School in northern Oklahoma. Many of the images are portraits of individuals, structures, and activities associated with the Chilocco Indian School; most are individual and group portraits of Native Americans, but there are also several images showing school buildings, agricultural activities, sports teams, and white American adults and children. The majority of the images are real photo postcards from the 1910s.

A total of 16 tintypes (mostly 8 x 5 cm) are present in the collection. Included are studio portraits of Native American men, women, boys, and girls wearing western clothing. Many of the tintypes have been moderately hand-colored. None of the subjects nor their tribal affiliations have been identified.

Also present are 18 photographic prints (6 unmounted and 12 mounted). The 6 unmounted prints are all 11 x 6.5 cm snapshots taken in 1920 that appear to have been taken by tourists and were once stored in a photograph album. Inscribed captions include the following: "Gold Fish Pond Chilocco OK 1920"; "Three Indian Boys"; "View of the lake at Chilocco"; "Little Girls Dormitory at Chilocco Government School 1920"; "Dairy at Chilocco"; "Chilocco OK Indian School Stadium 1920." Of the mounted photographs, there are 10 of approximately the same size (8.5 x 6.5 cm; all albumen prints) that show individual and group studio portraits of Native American men, women, boys, and girls. The remaining two mounted photographs (12.5 x 8.5 cm and 10.5 x 6.5 cm respectively; both albumen prints) are studio portraits of a very young Native American girl and a Native American boy with his mother which bears the verso inscription "T. Wolf." None of the subjects nor their tribal affiliations have been identified.

Real photo and photomechanical postcards (mostly 14 x 8.5 cm) make up the remaining 73 photographic images in this collection. Most images consist of individual and group portraits of Native American and white people, the latter of which many appear to have been affiliated with various Indian Agencies and/or boarding schools.

Items of particular interest include an image of a young Native American boy captioned "Jim McKay's kid"; a studio portrait of an unidentified Native American man by George B. Cornish; a studio portrait of a man possibly identified as "Red Fox" through an inscription on the verso; a studio group portrait of an unidentified married Native American couple captioned "New Year Eve. 08-09" in which the photographer appears to have edited the negative by painting fake snowflakes on the subjects; a group portrait of Umatilla Agency superintendent E. L. Swartzlander's children Lawrence and Inez; views of Chilocco Indian School buildings such as Haworth Hall, Home One, the Printing Department, and the inside of a classroom; and three photographs showing young men dressed in World War I-era army uniforms.

Sports-related images include group portraits of the 1912-13 Chilocco men's basketball team, the 1906 and 1915 Chilocco women's basketball teams, the 1945-46 Chilocco men's football team, and a Chilocco men's baseball team from an unknown year.

A relatively small number of postcards have been signed. Of the postcards that have signatories, there are eight signed by Samson B. Harjo (Seminole; name also spelled "Sampson B. Harjo"); one signed by "John Wolf" (tribal affiliation unknown); one signed by "Silas Beal Brown"; three signed by Chief Tishomingo's grandson Joe F. Factor (Chickasaw); and five signed by Umatilla Agency clerk Alvin Barbour.

The Alvin Barbour postcards (6 in total) are the only postcards in the collection that contain correspondence. Writing from Pendleton, Oregon, Barbour was in communication with a girl at the Chilocco Indian School named "Anna" of unknown tribal background who appears to have come from the Umatilla Agency. In one postcard with a view of a school building dated March 4 1914, Barbour expresses delight that Anna was "pleased with the pennant" he sent her and that he hopes it will "remind you of home and of the sender." In another postcard bearing an outdoor portrait of Barbour dated April 18 1914, Barbour states that he is glad Anna has recovered from an illness and that he sent her some Easter lilies. Two postcards dated April 27 1914 show images of Barbour and a Native American girl from the Umatilla Agency identified as "Ruth" taking turns sitting on a fallen tree trunk. Two postcards do not bear any correspondence and include an outdoor portrait of Barbour (signed "Yours very truly, Alvin Barbour") and an unsigned outdoor group portrait of Barbour with two other men posing on a bridge.

The realia item is a double-handled silver basketball trophy (10 x 15 x 6 cm) bearing the engravings "Chilocco Basket Ball League 08" and "Bird's Head - Escudero - Du Bois - Taylor - Jones." The trophy was awarded to "Team Jones" in 1908 after they won all four of their matches in their five-team intramural league. "Bird's Head" may possibly be Jesse Bird's Head, while "Escudero" may possibly be Cipriano Escudero (approximately 1882-?).

Printed publications include a 1932 Chilocco Indian School senior class yearbook as well as an illustrated libretto and associated program from a 1907 Chilocco Indian School production of Hiawatha. The front cover of the libretto bears the inscription "Lulu Gregory, Tonkawa, Okla."

The manuscript item consists of a three-page handwritten document regarding the "Crimson" flag of an unidentified University Preparatory School (possibly the Tonkawa U.P.S.) and its importance being "similar to that of the Stars & Stripes to the United States." The document is unsigned and undated.

Also present is a graduation certificate (51 x 40.5 cm) granted by the Chilocco Indian School in 1897 to Myrtle M. Long (tribal affiliation uncertain). The diploma was signed by Superintendent Benjamin F. Taylor, principal teacher Philena Everett Johnson, and teacher Anna D. Burr.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with added specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with some specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Jorgensen's notebook features multiple lists documenting his life, such as a timeline of his life from birth to 1938 when he moved to New Braunfels, Texas. Several sections of the volume are dedicated to Jorgensen genealogy, listing out family births, deaths, marriages, names of cousins, and other notable events like his father's naturalization as an American citizen on September 13, 1887. Other lists document the type of transportation he owned, when they were acquired, as well as purchasing details and their mileage. He also listed out dates and details about goods he purchased, like hats, watches, typewriters, electric washers, glasses, pens, and more, sometimes with their dimensions. He listed out businesses and medical practitioners, particularly optometrists, he appears to have frequented. He copied some of his official documents, like licenses, his naturalization certificate, and a warranty deed. Some of these copies provide physical descriptions of Jorgensen.

Chris Jorgensen wrote lists of publications he owned or read from 1893 through 1958, including books, periodicals, and other texts. He read deeply from religious works, with several relating to spiritualism, Mormonism, Unitarianism, Catholicism, Swedenborgianism, Buddhism, Hinduism, Atheism, Seventh Day Adventism, Christian Science, and others. Other publications relate to California, science and agriculture, temperance, almanacs and geography, education and music, philosophy and ethics, and more. Jorgensen was also actively reading literature, ranging from classics like Aristotle, Milton, Dante, and Shakespeare to contemporary works by Harriet Beecher Stowe, Jack London, Robert Louis Stevenson, Oscar Wilde, Arthur Conan Doyle, Jules Verne, Willa Cather, H. G. Wells, Friedrich Nietzsche, Richard Wright, among many others.

Jorgensen titled two sections of the notebook "diaries," writing brief entries from 1895 to 1908, after he moved to California. He primarily recorded the lumber camps, vineyards, and other places where he worked. He also wrote about items he purchased and notable events like natural occurrences and workplace accidents. The diary entries begin again in 1947 and continue until 1959, with brief notes about places he may have been, various businesses and purchases, and some events like the end of rationing in 1947, the 1948 presidential election, a lunar eclipse, among others.

Portions of the notebook are challenging to decipher, as they are written in a combination of Pitman shorthand, Danish, English, and a currently unidentified form of English abbreviations. Some of these entries appear to include dates and some form of financial accounting. Jorgensen appears to have a particular interest in ethnology, natural history, and books, as references written in standard English appear intermixed with Pitman shorthand entries relating to these topics. Some of the entries appear to document visits to Chicago for the 1893 Columbian Exposition, and another to a county fair in Iowa, seeming to note exhibits or content seen.

Several thumb prints made in ink are present in the volume, as well as several stamps used for his name and address. One features a bicyclist falling off his bike. Two photographs are laid into the volume, presumably of Jorgensen.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with added specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Chris H. Jorgensen, a Danish immigrant who lived in Harlan, Iowa; California; and New Braunfels, Texas, kept this notebook from 1891 to 1959. He wrote in English and Danish languages, Pitman shorthand, and some version of English abbreviation. Jorgensen used the notebook to document genealogy and family relationships, listing out birth, marriage, and death dates as well as relatives' names and locations. He also maintained other lists relating to purchases of automobiles, household appliances, and clothing, with some specifics such as dimensions, mileage, and where they were acquired. The volume includes a list of books kept from 1893 to 1958 documenting Jorgensen's wide-ranging interests in religion, literature, philosophy, and sciences. Jorgensen also included very brief diary entries from 1895 to 1908 and 1947 to 1959, primarily noting places he worked, including lumber camps and vineyards in California. Two photographs, presumably of Jorgensen, are laid into the volume.

Jorgensen's notebook features multiple lists documenting his life, such as a timeline of his life from birth to 1938 when he moved to New Braunfels, Texas. Several sections of the volume are dedicated to Jorgensen genealogy, listing out family births, deaths, marriages, names of cousins, and other notable events like his father's naturalization as an American citizen on September 13, 1887. Other lists document the type of transportation he owned, when they were acquired, as well as purchasing details and their mileage. He also listed out dates and details about goods he purchased, like hats, watches, typewriters, electric washers, glasses, pens, and more, sometimes with their dimensions. He listed out businesses and medical practitioners, particularly optometrists, he appears to have frequented. He copied some of his official documents, like licenses, his naturalization certificate, and a warranty deed. Some of these copies provide physical descriptions of Jorgensen.

Chris Jorgensen wrote lists of publications he owned or read from 1893 through 1958, including books, periodicals, and other texts. He read deeply from religious works, with several relating to spiritualism, Mormonism, Unitarianism, Catholicism, Swedenborgianism, Buddhism, Hinduism, Atheism, Seventh Day Adventism, Christian Science, and others. Other publications relate to California, science and agriculture, temperance, almanacs and geography, education and music, philosophy and ethics, and more. Jorgensen was also actively reading literature, ranging from classics like Aristotle, Milton, Dante, and Shakespeare to contemporary works by Harriet Beecher Stowe, Jack London, Robert Louis Stevenson, Oscar Wilde, Arthur Conan Doyle, Jules Verne, Willa Cather, H. G. Wells, Friedrich Nietzsche, Richard Wright, among many others.

Jorgensen titled two sections of the notebook "diaries," writing brief entries from 1895 to 1908, after he moved to California. He primarily recorded the lumber camps, vineyards, and other places where he worked. He also wrote about items he purchased and notable events like natural occurrences and workplace accidents. The diary entries begin again in 1947 and continue until 1959, with brief notes about places he may have been, various businesses and purchases, and some events like the end of rationing in 1947, the 1948 presidential election, a lunar eclipse, among others.

Portions of the notebook are challenging to decipher, as they are written in a combination of Pitman shorthand, Danish, English, and a currently unidentified form of English abbreviations. Some of these entries appear to include dates and some form of financial accounting. Jorgensen appears to have a particular interest in ethnology, natural history, and books, as references written in standard English appear intermixed with Pitman shorthand entries relating to these topics. Some of the entries appear to document visits to Chicago for the 1893 Columbian Exposition, and another to a county fair in Iowa, seeming to note exhibits or content seen.

Several thumb prints made in ink are present in the volume, as well as several stamps used for his name and address. One features a bicyclist falling off his bike. Two photographs are laid into the volume, presumably of Jorgensen.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

This collection is made up of letters that Private First Class Earl Seitzinger wrote to his mother while serving with the United States Army's 8th Infantry Regiment in El Paso, Texas, from July 1916-January 1917. He wrote about border tensions between the United States and Mexico, military activities at Camp Stewart, and leisure activities.

This collection is primarily made up of 28 letters that Private First Class Earl Seitzinger wrote to his mother while serving with the United States Army's 8th Infantry Regiment in El Paso, Texas, from July 21, 1916-January 6, 1917. The remaining items are a photographic portrait of an unidentified soldier, housed in a folded paper frame, and a real photo postcard showing bodies being burned on a Veracruz street.

Seitzinger wrote most frequently about his daily experiences in Texas, including military and leisure activities. The soldiers drilled, built roads, and went on hikes, such as a 4-day trek that Seitzinger described in his letter of September 29, 1916. He occasionally commented on political tensions between the United States and Mexico, reporting on exchanges of fire and his belief that the United States soldiers could easily overpower Mexican troops. Seitzinger enjoyed the warm weather and considered the possibility of moving west permanently to work on a railroad, though he intended to return to Pennsylvania to be near his mother. He and other soldiers frequently encountered rattlesnakes and other Texas wildlife. Seitzinger's letter of January 1, 1917, regards New Year's celebrations at Fort Bliss, which included firing the fort's guns. Some of the letters were written on stationery from the Young Men's Christian Association; one was written on the back of a printed advertisement for El Paso.