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The July 1, 1874 kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: one letter, a manuscript reward advertisement, handwritten notes, a pencil sketch portrait of Charley, a manuscript account of experiences with the main suspects, and an undated newspaper clipping related to the continuing investigation of the child's abduction, ca. 1909.

The July 1, 1874, kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: a letter, a manuscript draft of a reward advertisement, handwritten notes, a pencil sketched portrait of Charley, a manusscript account of experiences with the main suspects, and an undated newspaper clipping-related to the continuing investigation of the child's abduction, ca. 1909.

The one Letter in the collection is from Charley Ross's father Christian K. Ross to Rev. Henry Whitney Cleveland, October 20, 1877; Philadelphia. 2 pages. In it, Mr. Ross states that he cannot help Cleveland publish a book as his time is spent searching for his missing son. Ross mentions the book he published on the case, lamenting that he published it using a subscription service as it limited its circulation.

Written on the verso of printed, illustrated stationery of the Haynes Hotel, Springfield, Massachusetts, the manuscript draft of a Reward Advertisement stipulates a $10,000 reward for the return of Charley Ross alive, promising not to seek out or discover the identity of the kidnappers. The page is headed "For Local Article."

Notes: Six pages of pencil notes on checkbook stubs, measuring approximately 9x4 inches. Dating from July 1, 1874, to an unknown point in 1909, the notes begin from the point of Charley's kidnapping, chronicling accounts of the case. First remarking that Christian Ross had "run down false clews [in a] vain attempt" to locate Charley, the unidentified writer continues with a sparse summary of the alleged kidnappers capture "at Fort Hamilton, L.I. [Long Island]" and Joseph Douglas's confession that "Mosher & I stole Charly [sic] Ross." The next entry, dated 1909, discusses one Wm. G. Eyster, whose claim to be the lost Charley Ross was rejected.

The notes conclude with a sketch of a man wearing glasses and a bow tie, with the caption "3 days to get it ready, $20,000," followed by what appears to be notes related to other kidnappings and reference to a "Jessy James."

Manuscript: On October 9, 1932, James H. Hall wrote a nine-page summary of George W. Murdock's recounting of his experiences with the main suspects in the Charles Brewster Ross kidnapping case, Bill Mosher and Joe Douglas, while his mother was in charge of the lighthouse in the Hudson River. Murdock recalled Mosher and Douglas attempting to sell them a boat, described the two men, and described encounters with detectives who searched their premises and read their mail. Hall speculated about the possible role of the boat in the kidnapping.

Newspaper Clipping: An undated clipping regarding one Mr. W.C. DeWitt, claiming to be the lost Charley Ross and giving a lecture, titled "The True Story of My Abduction."

Portrait: A pencil sketch of Charley with an inscription that reads,"at the time of his abduction. Then 4 yrs. and Walter, his 6-yr-old brother. Disappeared from the sidewalk, near their home. July 1, 1874."

This collection consists of seven documents and handwritten notes related to a slander suit filed with the New York Supreme Court in Montgomery County, February 1893. The complaint, filed by Elisabeth B. "Lizzie" Creigmus's attorneys, alleges that defendant Michael Youngs publically accused Creigmus of canine castration and bestiality.

This collection consists of seven documents and handwritten notes related to a slander suit filed with the New York Supreme Court in Montgomery County, February 1893. The complaint, filed by Elisabeth B. "Lizzie" Creigmus's attorneys, alleges that defendant Michael Youngs publically accused Creigmus of canine castration and bestiality. In the complaint dated February 10, 1893, Creigmus accused Youngs of speaking with malice "false, defamatory, and slanderous words." The document details the nature of the complaint in which Youngs, at Fort Hunter, New York, publicly speculated that Creigmus assisted in luring his dog into the house of a man name Nolter, encouraging the dog to have sexual intercourse with Nolter's female dog, and, then, proceeding to castrate the defendant's dog. Also contained within the complaint are allegations that Youngs accused Creigmus of having "sexual intercourse with a dog or dogs."

The primary documents present are:

• Creigmus's sworn and signed statement, dated February 10, 1893.
• Youngs's response denying all allegations, February 25, 1893.
• Trial Notice for defendant; court appearance date set for March 15, 1893.
• Two Trial Notices, issued separately for the attorneys representing Creigmus and Youngs; court date set for September 18, 1893.
• Manuscript notes, apparently in the hand of the defense attorney, respecting language, intent of utterances, and a similar case Goodrich v. Woolcott.

Emma Wilson kept this "Year Book for Texts of Sermons" printed by the Presbyterian Board of Publication while she attended the Oxford Sabbath School in Chester County, Pennsylvania, between 1885 and 1886. It includes instructions on how the volume was to be used and short forms to record the date, who provided the sermon, the Biblical verse and text used, and signature lines for the scholar and teacher.

Emma Wilson kept this "Year book for Texts of Sermons" printed by the Presbyterian Board of Publication while she attended the Oxford Sabbath School in Chester County, Pennsylvania, between 1885 and 1886. It includes instructions on how the volume was to be used and short forms to record the date, who provided the sermon, the Biblical verse and text used, and signature lines for the scholar and teacher. While the bulk of the sermons that Wilson recorded were delivered by Rev. M. W. Jacobus, other entries reflect preaching by Mr. Herr, Orr Lawson, Calvin W. Stewart, Mr. Turner, A. A. Hodge, Mr. Greene, J. C. Caldwell, Prof. Shaw, J. B. Rendall, E. T. Jeffers, W. H. Miller, and M. Bracq.

The Le Maire Family Papers are made up of 325 letters and documents largely pertinent to this Dunkirk, France, family's coffee and cocoa plantation near Jérémie, St. Domingue. The collection focuses on the period immediately preceding the Haitian Revolution and years following the conflict, though a group of letters date from the period of the revolution. A significant portion relates to the Le Maire (or LeMaire) and interrelated Fockedey families' pursuit of compensation for lost plantation property, including enslaved laborers, according to French indemnity demands of 1825. The letters and documents are primarily those of Dominique Le Maire, his mother Mme. Vve. Le Maire, his sister Mme. Le Maire Fockedey, and his nephew Jean-Jacques Fockedey. A selection of others includes family and business relations, such as F. de Jonquieres (Jonquieres et Auge), Le Cointe & Company, John Boccalin, Flabeau Cavailler, Christophe Le Maire, Forcade Le Maire, Guillaume Le Maire, Jacques Le Maire, and Louis Le Maire.

The Le Maire Family Papers are made up of 325 letters and documents largely pertinent to the Dunkirk family's coffee and cocoa plantation near Jérémie, St. Domingue, and to family finances. The collection focuses on the period immediately preceding the Haitian Revolution and years following the conflict, though a group of letters date from the period of the revolution. A significant portion relates to the Le Maire (or LeMaire) and interrelated Fockedey families' pursuit of compensation for lost plantation property, including enslaved laborers, according to French indemnity demands of 1825.

The letters and documents are primarily those of Dominique Le Maire, his mother Mme. Vve. Le Maire, his sister Mme. Le Maire Fockedey, and his nephew Jean-Jacques Fockedey. A selection of others includes family and business relations, such as F. de Jonquieres (Jonquieres et Auge), Le Cointe & Company, John Boccalin, Flabeau Cavailler, Christophe Le Maire, Forcade Le Maire, Guillaume Le Maire, Jacques Le Maire, and Louis Le Maire.

Please see the box and folder listing for details about each file in the Le Maire Family Papers.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

This collection is made up of letters, notes, and ephemera of Mary Greenhow Lee of Winchester, Virginia, who was a staunch supporter of the Confederate States of America. Included are travel passes, a contraband search memorandum, and an anonymous captured letter providing intelligence on "that little widow" Lee and "her gang of old maids" and other secessionists on Market Street. Bessie Elizabeth Johnston Gresham (Mrs. Thomas Baxter Gresham) acquired most of the pieces in this collection directly from her friend Mary Lee.

See the Box and Folder Listing below for details about each item.

The Peter C. Meengs collection is made up of letters, documents, financial papers, notes, printed and ephemeral items, and photographs related to Dr. Meengs's courtship with Sarah "Sallie" Josephine Hall; medical education at Rush Medical College, 1889-1891; his subsequent medical practice in Holland, Eastmonville, and Coopersville, Michigan; and his 1896 patent of a Rectal Irrigating Dilator.

The Peter C. Meengs collection is made up of 38 letters, 15 documents and financial papers, two notebooks, 41 printed and ephemeral items, and 38 photographs related to Dr. Meengs's medical education at Rush Medical College; his subsequent medical practice in Holland, Eastmonville, and Coopersville, Michigan; and his 1896 patent of a Rectal Irrigating Dilator.

The Correspondence includes 38 letters from Peter C. Meengs's to "Sallie," Sarah Josephine Hall, dating between 1885 and 1887. At the time, Sallie attended the Sherman Female Institute at Sherman, Texas, and Meengs lived in Bolivar, Texas. The letters begin with Meeng's request to open a correspondence. He wrote about the activities and marriages of friends; Hall's schooling; her apparent unhappiness at the Sherman Female Institute and his own desires for her not to continue her education; and increasingly his love and affection. On February 8, 1886, remarked that he agrees with her on her sentiments respecting the equality of the sexes. Meengs wrote several letters with phonetic spelling and in a disguised hand, signing them "Sub silentio."

The Documents and Financial Papers series includes 15 certificates, receipts, medical school case studies, and fragments, plus documents related to Peter Meengs's Rectal Irrigating Dilator patent, October 4, 1896. The patent documents include a printing specimen from patent lawyers Barber & Stone, and one signed vellum and three printed copies of the patent.

The Notebooks include one of Peter Meengs's student notebooks from his time at Rush Medical College, and one unused, pre-printed "Physician's Perfect Call List and Record" bearing Peter Meengs's name.

The Printed Items and Ephemera includes 29 items related to Peter Meengs's medical education, 1889-1892, and 12 items pertinent to his medical practice, 1893-1903. They include Rush Medical College ephemera, such as time cards, attendance cards, verification of completion cards, physiology examination questions, a printed notification of the completion of Meengs's doctorate, and 15 extracted pages from Samuel Potter's A Compend of Human Anatomy (1890) bearing ink notes. The materials pertinent to Meengs's practice include his own and other persons' business cards and pre-printed blank scripts, and one 4-page advertisement "Murphy's Button for Anastomosis of the Hollow Viscera" (Chicago).

The Photographs are predominantly identified portraits of Peter C. Meengs and his immediate family and in-laws. The photographs include 16 cabinet cards, 17 cartes-de-visite, one tintype of Meengs standing with another man, one mounted print of Peter Meengs standing in front of his home with two children, two unmounted prints showing Peter Meengs and his siblings, and one negative. Several photographs depict Sarah Hall's classmates at the Sherman Female Institute, including one group portrait of her class.

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

The Polly C. Bishop Mansfield Collection contains poetry and sewing produced by Mansfield while a young woman during the mid-nineteenth century. Four poems entitled "Remembrance," "Nevermore," "Friendship," and "Persevere" are written on both sides of a slim sheet of paper. Mansfield hand-sewed a stuffed fabric fish, drawing scales, gills, and eyes on it with ink. The fish is affixed with thread to a manuscript note that reads, "Sarah Heaton Stiles and Polly Bishop Mansfield had a bet on and Polly was to give Sarah a shad, in payment. And she (Polly) made this shad, perhaps about 1850-2. They were young women."

This collection consists of 883 letters, documents, an orderly book, printed items, and other materials concerning revolutionary conflicts in Cuba and the Philippines, American involvement particularly, dating largely from the 1890s-1900s. This collection's contents include detailed information from Cuban and Philippine revolutionaries at home and in exile; U.S. Army activities related especially to the Spanish-American War, Philippine-American War, and postwar occupations; American, Cuban, Filipino, and Spanish consular and governmental officials; and civilians (including families of U.S. Army soldiers' and sailors' family members) involved in the events.

This collection consists of 883 letters, documents, an orderly book, printed items, and other materials concerning revolutionary conflicts in Cuba and the Philippines, American involvement particularly, dating largely from the 1890s-1900s. This collection's contents include detailed information from Cuban and Philippine revolutionaries at home and in exile; U.S. Army activities related especially to the Spanish-American War, Philippine-American War, and postwar occupations; American, Cuban, Filipino, and Spanish consular and governmental officials; and civilians (including families of U.S. Army soldiers' and sailors' family members) involved in the events.

Please see the box and folder listing in this finding aid for extensive, detailed descriptions of items and groups of items in the Revolutionary Cuba and Philippines Collection.