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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This collection is made up of correspondence related to the McClintock family of New York City and Philadelphia, Pennsylvania. John McClintock corresponded with his family about his life in New York City in the 1820s, and later wrote about his life in Carlisle, Pennsylvania, where he worked as a professor at Dickinson College. Other family members discussed social and family news, including the situation of a brother who was incarcerated for insanity.

The McClintock family collection (114 items) contains correspondence related to the McClintock family of New York City and Philadelphia, Pennsylvania. John McClintock corresponded with his family about his life in New York City in the 1820s, and later wrote about his life in Carlisle, Pennsylvania, where he worked as a professor at Dickinson College. Other family members discussed social and family news.

The Correspondence series (107 items) contains letters that John McClintock, Jr., wrote to his parents and his sister Jane from 1829-1845, as well as additional family letters dated until 1850. McClintock's letters pertain to his life in New York City (1829-1835) and Carlisle, Pennsylvania (1837-1845). In his earlier letters, he commented on religious matters, his attendance at Methodist services, and his other social activities. He inquired about his father's success selling books, and provided updates about his health and finances. The collection also contains two letters that McClintock received during this period.

McClintock's later letters concern his life in Carlisle, Pennsylvania, where he worked as a professor at Dickinson College. He often discussed the health of his wife, his children, and other relatives. The remaining letters relate to other members of the McClintock family; a few relate to the family of Carolina Augusta Wakeman, John McClintock, Jr.'s first wife. The series includes correspondence between McClintock's sisters, Martha, Margaret, and Jane McClintock; 3 letters from Martha McMackin McClintock; and a letter from McClintock's brother, James McClintock, which concerns their brother Robert's incarceration for insanity and other familial misfortunes (March 22, 1842). In a letter to Jane McClintock, a family member commented on the military presence in Philadelphia in the aftermath of the Nativist riots of 1844. (July 15, 1844).

The Documents, Ephemera, and Miscellaneous series (7 items) contains invitations to the funerals of Rebecca McMackin and Martha McClintock (3 items); a manuscript obituary for Martha McClintock, focusing on her religious life; an affidavit signed by Benjamin Broughton of Bradford, England, and by Emory McClintock during the latter's consular service; a biographical sketch of Rebecca McMackin; and a lock of Emory McClintock's hair, with a partially completed needlepoint design.