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Collection

Jerome, Arizona Mining Photographs, ca. 1903-1917

56 photographs in 3 boxes

The Jerome, Arizona mining photographs consist of 56 photographs (including 33 real photograph postcards) related to mining operations, anti-labor vigilantism, and Arizona scenery.

Most of these images appear to have been taken by an anonymous photographer who referred to himself as "Bob" and who may have been associated with a Philadelphia-based contracting firm, Charles A. Sims & Co., that was hired by the United Verde Mine. Many of the photographs have handwritten captions and bear evidence of having previously been mounted in a scrapbook; many captions have been rendered partially illegible after being affected during the removal process. The captions directly refer to details within the photographs, particularly related to mining operations.

A total of 33 real photo postcards are present, including 14 locally produced images by The Fotoplace and Areldson Studio. Several real photo postcards bear correspondence, and "Bob" appears to have sent some of these images to a woman named "Kitty."

Items of particular interest include at least two photographs depicting J. E. O'Rourke (the superintendent of the United Verde Mine); multiple views of Jerome, Arizona, including street and bird’s-eye views; multiple views of mining facilities and encampments; three images of Native Americans (likely Yavapai); two views of the Montezuma Castle cliff dwellings; a view of stalactites taken from the inside of a cavern; and eight images documenting the expulsion of I.W.W. strikers in Jerome in July 1917 by local citizens who were organized into a vigilance committee. Also present are at least five images taken near present-day Tonto Basin, Arizona, north of the Theodore Roosevelt Dam, which may be associated with another project on which the Charles A. Sims & Co. firm was contracted. While the dam itself does not appear in any of these images, the photographer wrote that the area depicted was to be inundated. Since the dam was constructed by the U.S. Reclamation Service between 1903 and 1911, these images are likely older than those taken in Jerome.

For a complete list of the collection’s contents, see the Detailed Box and Folder Listing section below.

Collection

Jersey Shore, Pennsylvania, Boston, and Canada Travel Photograph Album, ca. 1893-1905

approximately 240 photographs in 1 album

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs of a trip to several locations around the eastern United States and Canada.

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs documenting a trip to several locations around the eastern United States and Canada.

The album (25.5 x 31.75 cm) is a "Ward's Album for Unmounted Photographs" with green cloth covers. Images of interest include views of a beachside town with palm trees in what appears to be New Jersey; the Elephantine Colossus at Coney Island, New York; a railroad likely near the Delaware Water Gap; John Bartram's House and various other buildings in Philadelphia; the railroad depot at Landsdowne, Pennsylvania; the Longfellow House and Trinity Church in Boston; as well as the interior of what appears to be a summer cabin. Also present are images of Baltimore, Maryland, including views of the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary; and images from Canadian locations including the Ontario Provincial Legislation Building in Toronto as well as the Château de Ramezay and Market Day at Place Jacques-Cartier in Montreal.

Collection

John A. McBride Photograph Album, 1904

46 photographs in 1 album

The John A. McBride photograph album contains 46 photographs showing patients, rehabilitation activities, architecture, grounds, and interiors of the New Jersey State Hospital at Morris Plains.

The John A. McBride photograph album contains 46 photographs showing patients, rehabilitation activities, architecture, grounds, and interiors of the New Jersey State Hospital at Morris Plains.

The album (28 x 37 cm) is lacking a front cover while the spine has fallen off. The back cover is bound in black leather. The title page bears a photographic reproduction of what appears to be a text template with added pen inscription reading "John A. McBride, Esq. of the Board of Managers of the New Jersey State Hospital. Morris Plains. 1904." Contents mainly include images of patients engaged in various activities such as cow milking, ice cutting, land grading, stage acting, and bowling as well as views showcasing the hospital’s architecture, grounds, and interior spaces (including the main entrance, chapel, halls for male and female patients, drug room, day room, dining room, water reservoir, dormitory, kitchen, amusement hall, and various laboratory spaces including a "Photo-Micro-room"). Of particular note is an image captioned "Articles taken from a stomach - after death" showing an array of spoons, stones, and other inedible objects that had been removed from a deceased patient's stomach during their autopsy. All images have printed captions pasted beneath.

Collection

Kate Mills papers, 1831-1889 (majority within 1882-1889)

89 items

This collection documents the life of Kate Mills, an American Presbyterian missionary in China in the 1880s. Her papers include letters, a journal, photographs which depict her experiences in China, and a printed portrait of "Mrs. Mills," tentatively identified as Kate Mills.

The collection contains 83 letters, consisting of 81 letters from Kate Mills to her father, Samuel Wilson, one letter from Kate Mills to her sister, Fannie Wilson, and one letter from Frank Mills to Samuel Wilson. Included with the June 5, 1885 letter, there is a meticulous drawing of the hospital at Hangchow. There is a journal of about 140 pages, containing newspaper articles, stories told by Kate's acquaintances, and excerpts from books that Kate transcribed. There are three photographs, two are gelatin prints from the 1920s and one is a carte de visite of a Chinese family, ca. 1880. The relation of the photographs to the collection is not clear. A later addition to the collection is a printed portrait of a woman (possibly extracted from a publication), "Mrs. Mills," tentatively identified as Kate Mills.

The letters begin with Kate and Frank traveling across the United States to San Francisco, stopping at various attractions, including a Mormon church in Utah. They traveled across the Pacific Ocean with the Holts, a missionary family already established in Shanghai, also in the American Presbyterian Mission. After an arduous sea voyage, Kate and Frank arrived in China. Kate was not impressed with the conditions of the country, and in her first letter written from China, she wrote, "If China were not such a disgusting dirty place it would not be such a bad country to be in" (1882 December 11). Although Kate's opinion of China and the Chinese did improve over time, she always maintained an attitude of superiority over the Chinese, which frequently surfaced in her writings.

Kate and Frank's first task was to try to learn the language, which both found frustrating and challenging. They hired a tutor to teach them, but even after months of practice, Kate still felt quite inadequate in her speaking abilities: "it is one thing to be able to make them understand in conversation and quite another to be sufficiently correct to preach" (1883 August 21). Even making the Chinese understand simple requests was a problem. In her May 23, 1883 letter, Kate related how a friend of hers received a can full of dead cockroaches because her order to her servant had not been understood.

The foreign community in China was very supportive and helpful to all its members, so Kate and Frank soon felt at home. Denominations were not terribly important with such small numbers of people, and Kate and Frank went to church services and meetings with Episcopals, Methodists, and Anglicans, as well as Presbyterians. As Kate's stay in China progressed, she gradually built up a network of friends and came to enjoy missionary work enough to recommend it to others. Kate and Frank frequently traveled in the surrounding area, visiting people, going to meetings, staying with friends, entertaining house guests, and going to Shanghai to do their shopping. Kate found the prices in Shanghai to be expensive beyond belief, although later she learned the art of bargaining, which lowered the price considerably. Nevertheless, Kate had her father send things from home to try to save money. Frank's salary as a missionary was fairly modest, but the two managed to live comfortably.

Kate's letters provide an interesting foreign perspective on Chinese culture. She described the Chinese New Year, Chinese customs of eating and receiving guests, Chinese temples and religious practices, and Chinese homes. Her journal, which contains more anecdotes and descriptions from friends and newspapers, is also a rich resource. Particularly notable in her journal are quotations she took from a Chinese friend's observations of the Western world. Describing children, he wrote, "when visiting their seniors they must apply their mouths to the left and right lips of the older with a smacking noise" (Journal, p. 27).

Although Kate's comments about the Chinese often revealed her prejudice against them, she had a gentle sense of humor that offset the harshness of her words and allowed her to view things from a variety of perspectives. For example, although Kate constantly complained of the Chinese all being thieves and liars, when her house was actually robbed, she maintained her good nature, writing, "someone went through our house and helped themselves to what they wanted and unfortunately for us their wants and ours happened to be the same" (1883 September 18).

Kate and Frank's travels in China brought them to many different places. Each summer they left the oppressive heat in Hangchow, staying in Shanghai, hills surrounding Hangchow, and even in a Chinese temple. Kate was surprised at how little resistance the established religions had to Christianity, for the Chinese priests "seem to make no distinction between our religion and theirs but regard them as one and the same" (1883 March 16). Yet most of their attempts at missionizing did not result in many conversions. When they traveled around the country, flocks of people would come to see the Americans, making Kate feel that she "could almost imagine I was the principle attraction in Barnum's show," but few in the crowds were interested in the message of Christianity (1883 December 18).

During her stay in China, war broke out between China and France from August 1884 to April 1885. Kate was not directly affected, but all of the French foreigners left the country and she was concerned about native reaction toward the remaining foreigners and about a general loss of order. "I pose we have more to fear from an uprising of natives than from the French," she observed (1884 August 26). Hangchow remained relatively peaceful during the whole war, but she described difficulties that foreigners were having in other parts of China. In Canton, "foreigners cannot go out without hearing 'kill him, kill him' on all sides" (1885 January 28).

Kate's letters provide a view into the domestic side of life as well. In addition to her missionary work, Kate ran the household and cared for her family. She continually argued with her Chinese servants in her attempts to keep the household in order. One two separate occasions servants stole some her belongings. Besides servants, Kate had to battle natural forces trying to disrupt her home. The hot and damp weather brought mosquitoes and "mould" that ruined her clothing.

Kate also had to face the burden of raising her children in a foreign environment. She was very secretive about her pregnancies. In a fascinating letter marked "private," dated September 10, 1884, Kate informed her father of her pregnancy only about a month before she was due. She made no mention of her second pregnancy before the baby was born. The bulk of the September 10 letter is about her friend Jennie, who was having "womb trouble" and would not be able to bear children. Consequently Jennie "broods over it until she makes herself sick. Dr. calls the disease hysteria." Because of her illness, Jennie was returning home to Windsor, Connecticut. Kate was unsympathetic toward Jennie, telling her father that Jennie was responsible for her troubles and would do nothing to try to help herself. Her reaction is surprising especially considering Kate's own pregnancy, although perhaps she was concerned such a thing could happen to her and was upset that her close friend was leaving her before Kate gave birth. Fortunately Jennie's story ended happily. She returned to China in 1886, and gave birth to a boy in 1887.

Kate's family story did not end so well. Her second son died in infancy, and although Kate tried to accept his death, she found it very difficult. "We tried to give him up cheerfully but I never before supposed that such a wee thing could leave such a large empty space" (1888 August 4). Only a few months later her first son, Sidney, died of diphtheria, devastating Kate. "It was dreadful when Baby went but it seems now as if I could hardly endure to live day after day in our house, for his face and voice haunts very spot." (1888 November 24). Within a month, Kate and Frank began to plan their trip home, concluding their missionary work in China.

Collection

Lakefront Michigan Cottage Photograph Album, 1920s

approximately 440 photographs in 1 album.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan. The album (18.5 x 29 cm) has black cloth covers. Photographs include views of a work party clearing land for the cottage on May 3 1920; a truck with a load of lumber mired in a rut before being subsequently rescued; three men sealing the bottom of a rowboat which proceeds to sink in shallow water; the framing and roofing of the cottage; the mounting of a sign reading, "Non Nobis Solum" over the cottage; the addition of a dock; and furniture being moved inside. Other activities depicted include a game featuring a blindfolded woman holding a beer stein; the erection of a flagpole and subsequent raising of a flag accompanied by a bugle player and firing of a miniature cannon; swimming in the lake with innertubes; wading in the lake; and rowing in a seaworthy rowboat. A truck from Edgar's Sugar House in Detroit also appears in several photographs related to the construction of the cottage.

Collection

Lancisco Hill collection, 1905-1911

3 letters and 1 photograph

The Lancisco Hill collection consists of one full-length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The Lancisco Hill collection consists of one full length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The studio portrait is a gelatin silver print on a near cabinet card size mount (14.5 x 10.5 cm). Hill can be seen wearing traditional Plains Native American clothing while holding a tomahawk. The clothing and tomahawk were possibly studio props supplied by the unidentified photographer. A contemporary ink inscription on the verso reads "To Mrs. Wm. H. Anderson from Lancisco Hill 12/23th/05."

The first letter (ALS, 4 pages) is dated April 24, 1908, and is addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." Hill asks Anderson if she would be able to locate the C. G. Conn's store and procure three baritone springs for him while she is in Los Angeles. Hill also describes recent weather and indicates that Anderson's horses (including "Joe" and "Alice") are doing well, that he purchased a new bag of hen feed, and that a former neighbor stopped by and will soon be calling on Anderson when they visit Los Angeles.

The second letter (ALS, 3 pages) is dated May 2, 1908, and is also addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." In this letter, Hill lists several chores he has recently completed at Anderson's estate, including taking a book to an unnamed woman, shoeing horses, and letting the hens out. Hill also thanks Anderson for sending him lyrics for a song and states that he thinks he can "sing it for you now at any time we get some one to play for me. I go to the Arizona School of Music now and I know I am learning it right."

The third letter (ALS, 6 pages) is dated July 24, 1911, and is addressed to "Mrs. E. G. Gillette, #414 Andover Street, Lowell, Mass." Hill discusses goings on at the Phoenix estate including recent rainy weather, the birth of a bull calf, the cats being in good health, repair work that needed to be done following a storm, and his inviting a woman named "Ms. Howsel" over for meals regularly since she is "not very busy this summer." Hill also touches on how he borrowed a total of $100 from "Ida Larson" and "Walter" to pay for a musical instrument he named "Comet," and that he would appreciate it if Frances and her husband could assist him in clearing this debt.

Collection

Liberty Bell Tour Photograph Album, 1915

approximately 580 photographs in 1 album

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The album (40 x 28 cm) has black paper covers and 305 pages, 14 of which do not contain any photographs. The photographs are generally arranged in chronological sequence and depict loading the Liberty Bell onto parade floats and train cars, celebratory parades, gathered crowds, and individuals and groups posing with the Liberty Bell. Numerous pictures include captions referencing the locations in which they were taken. The album also contains two small maps, each showing one of the routes of the cross-county trips that the Liberty Bell took, as well as landscape photographs of scenes in the western United States. Notable persons photographed with the Liberty Bell include Thomas Edison, members of the Daughters of the American Revolution, and groups of Native Americans in Cayuse, Oregon. Landscapes pictured include views of Wyoming, Pulpit Rock, Bear River Canyon, Mount Shasta, Shasta Springs, Horseshoe Curve, Royal Gorge, the Rockies, Salt Lake, and Feather River Canyon.

Collection

Louisiana Purchase Exposition Collection, 1903-1915

15 photographs, 1 book cover

The Louisiana Purchase Exposition collection contains 16 items, most of which are related to the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, including 14 photographs, 1 letterpress halftone, and an illustrated book cover.

The Louisiana Purchase Exposition collection contains 16 items, most of which are related to the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, including 14 photographs, 1 letterpress halftone, and an illustrated book cover.

The collection includes the following items, all individually matted in 51 x 40.5 cm boards:
  • The front cover of an illustrated handbook (22 x 15 cm) about the fair by Dr. Charles M. Kurtz titled Saint Louis World's Fair, Commemorating the Acquisition of the Louisiana Territory
  • A platinum print portrait (mount 35 x 28 cm) of Dr. Kurtz by Hollinger & Co. of New York, likely produced around the time of the exposition
  • A letterpress halftone portrait (mount 28.5 x 21 cm) of Dr. Kurtz including an autograph from a later period
  • A gelatin silver photograph (19 x 15 cm) by Carl Peter Ording of the sculpture titled North Dakota by Bruno Zimm depicting a semi-nude woman in classical garb
  • Twelve gelatin silver photographs (23.5 x 18 cm) of exhibit halls showing framed paintings hanging on draped walls; these are likely views of the exhibition of American and international artists curated by Dr. Kurtz

Collection

Louisiana Purchase Exposition Photograph Album, 1904

53 photographs in 1 album

The Louisiana Purchase Exposition photograph album contains 53 images that document the Louisiana Purchase Exposition held in St. Louis, Missouri, from April to December, 1904.

The album (14 x 19.5 cm) has brown faux-leather cloth covers and black paper pages. Photographs include images of different monuments and buildings (including international, state, and trade buildings), fairgrounds scenes, and various exhibitions including Filipino, Chinese, and Native American human zoo villages as well as the "Ancient Locomotives" and "U.S. Life Saving Exhibit." Also of note are two photographs of "Festival Hall at night."

Collection

Lukens-Parry family carte de visite album, ca. 1860s-1950

49 photographs in 1 album

The Lukens-Parry family carte de visite album contains 49 studio portrait photographs primarily related to the Lukens and Parry families of Chester, Pennsylvania. The Lukens and Parry families were both prominent members of the Pennsylvania Quaker community.

The Lukens-Parry family carte de visite album contains 49 studio portrait photographs primarily related to the Lukens and Parry families of Chester, Pennsylvania. The Lukens and Parry families were both prominent members of the Pennsylvania Quaker community.

The album (14.5 x 12 cm) has embossed brown leather covers, metal clasps, and "Album" stamped in gold on the spine. A taped-in note close to the front of the album reads "my relatives & friends of years ago - Sarah Kinderdine Lukens later Mrs. Wm. W. Downing - Mar 20th 1950." The note as well as numerous inscriptions identifying most individuals represented in the album were all added by Sarah Kinderdine Lukens Downing in 1950.