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The H. Merriman European travel photograph album contains 42 commercially produced views of landmarks in England, France, Germany, and Switzerland as well as six theater tickets, 18 theater programs, 39 tourist attraction or transportation tickets, 26 receipts, and two newspaper clippings.

The H. Merriman European travel photograph album contains 42 views of landmarks in England, France, Germany, and Switzerland as well as six theater tickets, 18 theater programs, 39 tourist attraction or transportation tickets, 26 receipts, and two newspaper clippings.

The album (32 x 24 cm) has marbled paper covers. The majority of photographs in the album consist of commercially produced images of European tourist destinations. In order of appearance the cities represented include London, Brussels, Cologne, Mainz, Frankfort, Hamburg, Heidelberg, Baden-Baden, Zurich, Lucerne, Interlochen, Berne, St. Gotthard, Chamonix, Geneva, Lausanne, Paris, Amiens, Canterbury, and Liverpool. Also present throughout the album are theater programs and tickets for a range of performances from the Royal Lyceum's King Henry the Eighth to vaudeville at the Empire Theatre of Varieties. Of additional note are tops of hotel bills and tickets from means of transportation such as the London Underground and Berner Tramway.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service during the war. A majority of the collection are personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The Howard F. Barnum World War I photograph album contains 216 items relating to Barnum's service in the American Expeditionary Forces. The majority of the collection is comprised of personal photo-postcards of his time overseas and postcards from his travels with the Army of Occupation in France, Germany, and Luxembourg. Also included are photographs, letters, a print, and ephemera.

The album begins with 92 personal photo-postcards, many of which have a short handwritten caption on the front. The majority were taken while Barnum was stationed near the Rhine River, in Mayen, Germany. They show daily life, the ammunition dump, M.O.R.S. details, studio portraits, monuments and castles along the Rhine, and a Rhine River boat tour. One image is of the men he served with, "Billet #6," and lists the name and hometown of each man. There are a few images included from his training at Camp Hancock in Augusta, Georgia.

Seemingly unrelated to Barnum’s service, are five photos likely taken in the United States of construction on a neighborhood street. Following, are an image of captured American soldiers, one of a simulated gas attack, and 15 smaller images similar in content to the photo-postcards. Most of these smaller images have handwritten captions on the back.

This album includes a total of 78 picture postcards include a complete collection of 20 black and white views from the painting Panthéon de la Guerre. Other locations depicted include Paris, Southampton, Koblenz, and Camp Dodge and Rock Island in the United States

The last portion of the album contains ephemera from Barnum's military service, with the exception of one letter from August 6, 1905 written by Barnum to his mother while on vacation with his father and brother. Other items include the board game Trench Checkers, a Third Army Carnival program, a Mother’s Day pamphlet, an honorable discharge chevron, a USS Santa Paula billet card, and a "Souvenir Roster of the New York Masonic Club of the Army of Occupation."

The Hubble family scrapbooks consist of two volumes containing trade cards, clipped engravings, and other scrapbook materials compiled by members of the Hubble family of Monroe, Michigan.

The Hubble family scrapbooks consist of two volumes containing trade cards, clipped engravings, and other scrapbook materials compiled by members of the Hubble family of Monroe, Michigan.

Volume 1: The first volume (35 x 25.5 cm) was originally a copy of the 1876-77 Autumn and Winter edition of Mme. Demorest’s Illustrated Portfolio of the Fashions and has red cloth covers and gilt embossing work on the front and back. “Monroe Hubble” is inscribed on the volume’s first page, while “Willie Hubble” is written on the inside of the back cover; both inscriptions appear to be written in a child’s hand. Two engravings by Kimmel & Voigt made for Demorest’s Monthly Magazine appear towards the front and were part of the original volume. Subsequent pages also reveal numerous illustrations and descriptions of various articles of clothing listed in Demorest’s fashion catalog, though much of this has been obscured by scrapbook items that were pasted in. Compiled materials mainly include various trade cards and scrapbook decorations, but also include several engravings showing scenic and rural landscapes, women’s fashions, portraits, and performance artists (including Smith’s Swiss Bell Ringers). Of particular note are Uncle Tom’s Cabin-related illustrations and cartoons involving racial caricatures of an African American regiment called “The South 5th Rangers.”

Volume 2: The second volume (25 x 20 cm) has red paper covers with “Scrapbook” and decorative designs embossed in gold on the front. A photomechanical reproduction of a portrait of N. B. Hubble as an adult appears on the inside of the front cover. Subsequent materials mostly include trade cards and scrapbook decorations, several of which also appear in the first volume. Many of the trade cards were produced by the Calvert Lithograph Co. of Detroit. Items of note include Shakespeare-related cartoons; an ad for “Mme. Fontaine’s Bosom Beautifier” that incorporates a portrait of Oscar Wilde; a photographic portrait of a baby made to look like a stamp; and scrapbook cutouts including one of a black man (likely supposed to be a Haitian soldier) wearing one boot and components of a French Army uniform as well as one of two women embracing and kissing.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

The James Forsyth papers contain letters, primarily from Forsyth's colleagues in the military during and after the Civil War. Items include an important series of letters between Forsyth and Philip H. Sheridan, in which they discuss their political and military opinions.

The James Forsyth papers (61 items) contain 47 letters and documents, primarily from Forsyth's colleagues in the military; 1 copy of a diary and 2 eye-witness accounts of military engagements; and 6 printed items and ephemera.

Eight letters relate to the Civil War, including an important series of items between Forsyth and Sheridan. Twenty-one items date from after the war (1866-1868) and provide information about Washington and military politics, including letters from Sheridan and George Armstrong Custer. Twelve letters were written while Forsyth accompanied Sheridan to Europe as an aide-de-camp, including a telegraph from Otto von Bismarck, which is a brief telegram in German to Sheridan.

The Diary and Personal Accounts series contains material from Europe including an incomplete eyewitness account of the Battle of Sedan (September 1, 1870); an incomplete account of the surrender of Napoleon III after the Battle of Sedan (recounting September 2, 1870, but written in 1881); and a 68-page diary of his observation of the Franco-Prussian War from German lines, including the Battle of Sedan in 1870.

The Printed items include a West Point Roll of the Cadets for the year 1846, lists of Fourth Class members in 1846 and 1852, and an Official Army Register for September 1861. Ephemera include an official bridge and ferry pass (1864), Forsyth's 1870 passport, and a complementary Union Pacific Railroad pass to board a special train bringing the Grand Duke Alexis of Russia and party from Omaha to McPherson Station in Nebraska, for a "Grand Buffalo Hunt," under direction of Lieutenant General P. H. Sheridan.

The John E. Boos collection consists of over 1,200 personal manuscript recollections or brief notes by persons who met or saw Abraham Lincoln and by persons who experienced the Civil War. John Boos, of Albany, New York, solicited and compiled most of these reminiscences in the early 20th century. In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies each contributor to the collection: John E. Boos Collection Writer Index.

The John E. Boos collection consists of over 1,200 personal manuscript recollections or brief notes by persons who met or saw Abraham Lincoln and by persons who experienced the Civil War. John Boos solicited and compiled most of these reminiscences in the early 20th century. The collection is arranged in four series: Bound Volumes (compiled by and bound for John Boos), Unbound Volumes (binders apparently compiled by John Boos, but never bound), Loose Items, and one Book.

Boos collected autographs and reminiscences on uniquely sized 6.5'' by 9'' paper, and he instructed those he was soliciting to leave a wide 1.5'' left margin for binding. All but one volume in Series I are bound collections of this Boos-standard paper and most contributors in Series II and III contributed a note or autograph on the same size paper.

John Boos's interviewees related an almost uniform admiration or reverence to the President and his memory. Within the first binder of Series II, for example, William Strover (who was not a Civil War veteran, and who never met Lincoln) remarked: "I consider him the greatest man that has come upon the earth since Jesus Christ, and surely the greatest American that lived." Such high praise is featured throughout the entire collection. One example expressing disdain for Abraham Lincoln is a November 24, 1930, letter by Confederate and Presbyterian minister Milton B. Lambdin, who was skeptical about Boos' intent in contacting him. He suspected that Boos made the connection on account of a multi-issue article Lambdin produced for the Confederate Veteran (1929) titled "A Boy of the Old Dominion..."

Series I: Bound Volumes, 1931-1970

Eight of the nine volumes contained in this series are letters and reminiscences compiled by Boos. The volumes revolve around individual persons or themes, including the Lincoln-Douglas debates; Lincoln's assassination; Lincoln's guards; General George H. Thomas, a leading figure in the Western theater of the Civil War who retired to Troy, New York; Johnson Brigham, a fellow Lincoln enthusiast who met the President on several occasions; and the story of Confederate General George Pickett as told by his wife, La Salle Corbell Pickett; and a selection of "Mr. Lincoln's Soldiers."

Boos interspersed the manuscript and typed accounts with ephemeral items and his own narratives of relevant events. He frequently provided an overall account of the volume's theme (usually with lengthy quotations from his correspondents) before presenting the reminiscences and a brief biography of each contributor. In his introductions to these personal accounts, Boos sometimes included a narrative of how he had met and interviewed the individual or linked the person's memories of Lincoln to similar ones. Most of the volumes include a title page, dedication, illustrations, and an index.

The accounts in these bound volumes differ in length, tone, and detail, but they provide insight into how a variety of individuals remembered the Civil War and Abraham Lincoln more than a half-century after the fact. Many of his contributors were Union Army veterans, but he also tracked down individuals who witnessed the Lincoln-Douglas debates as children, Mrs. M. O. Smith who saw Lincoln at Gettysburg,a Confederate soldier, several of Lincoln's personal guards, an actress who had performed in Our American Cousin the night Lincoln was shot (Jeannie Gourley), a man who was in the same Ford's Theater box as Lincoln and who was stabbed by John Wilkes Booth (Henry Rathbone), and the man who recorded the testimony of witnesses to the assassination (James Tanner). The accounts address subjects ranging from the President's dress and style of speaking to the contributors' reflections on his legacy and greatness.

One bound volume, inscribed to John E. Boos by its creator Bernhardt Wall, contains etchings of locations in New York State visited by Lincoln. Three letters from Wall to Boos are enclosed in this 1938 volume.

Series II: Unbound Volumes (extracted from binders), 1905-1941

Series II includes the contents of 13 binders, arranged roughly into thematic categories, apparently by Boos himself (likely with the intention of binding them as he did with the letters in Series I). The order of pages within the binders has been maintained in its present housing.

Boos placed each incoming letter, reminiscence, or autograph into a top-loading page protector with related materials. In some volumes, for example, Boos matched each manuscript with his own typed or handwritten notes, which variously included the veteran's name, where they saw Lincoln, regimental information, where Boos met the veteran, and Boos's impressions of the individual. Boos wrote many of these notes on the back of scrap paper, such as advertising mail received by Boos or sample primary election ballots (some of the scrap paper contains illustrated letterheads).

Binders 1-3: Lincoln's Soldiers (3 binders, 1905-1927). Lincoln's Soldiers largely consists of letters sent to Boos, many with their envelopes still attached. Most contributors utilized Boos-provided paper, though some utilized their own stationery. Despite its title, "Lincoln's Soldiers" is comprised of letters by civilians and soldiers alike. Many contributors had met President Lincoln, and Boos collected as much information as possible about those encounters. Others were unable to meet Lincoln, but shared vivid memories of their times in Andersonville Prison, or interactions with other famous leaders, such as General Sherman (W. H. Jennings) and General Grant (J. E. Parmelee). Some documented their efforts to preserve Lincoln's memory or their involvement in Veteran's organizations.

Binders 4-7: I Saw Lincoln (4 binders, 1911-1928). The bulk of the contributors to I Saw Lincoln met or saw Lincoln during his presidency; a smaller portion interacted with him prior to the presidency; and others saw him while lying in state or en route to Illinois in 1865. The I Saw Lincoln group includes Boos's incoming correspondence and autographs he personally collected while traveling. Glowing praise of Lincoln continues throughout these binders, including an anecdote by Daniel Webster (of Salem, Oregon), in which he described how he was "near being mobbed" in Arkansas in 1871 for calling Lincoln "the brightest star in the galaxy of American statesmen and patriots."

Binder 8: Antietam (1 binder, 1912-1937). The soldiers represented in Antietam were present at the battle; some provided descriptions of the confrontation, though the writers do not all focus on the event. Antietam is notable for having the longest continuous example (in the unbound portion of the collection) of prose by Boos, in which he described the battle and his meetings with the veterans.

Binders 9-11: Lincoln's Soldiers and Where They Saw Him (3 binders, 1911-1933). contains accounts from soldiers who saw Lincoln and soldiers who did not. This group includes a significant number of contributions by soldiers who guarded the President's remains.

Binder 12: Autographs of Abe Lincoln's Soldiers (1 binder, 1910-1917). This binder contains signatures of soldiers, with very brief notes on each veteran. Boos apparently revisited the binder at a later dated and added death dates.

[Unnumbered Binder]: [Additional Lincoln's Soldiers] (1 binder, 1911-1937). This binder includes accounts similar to those found in binders 9-11.

Series III: Loose Items, 1904-1949

This series is comprised of nearly 200 loose letters, disbound book pages, and notes. Many of these items were either part of one of the Clements Library's pre-2015 accessions, or were included with the Dow collection in unarranged binders. The bulk of the series is letters to Boos containing memories of Lincoln. The accounts provided by these eye witnesses include memories of the Gettysburg Address, Lincoln's assassination, hospital visits by the President, his 1860 Cooper Union speech, the Lincoln-Douglas debates, and general memories of the Civil War period. The contributors include veterans, Ford's Theater attendees on the night Lincoln was shot, the daughter of Mary Todd Lincoln's personal nurse (Ealine Fay), and a woman who sang in the choir for the ceremony at which Lincoln delivered the Gettysburg Address (M. O. Smith). This series contains letters by Jennie Gourlay Struthers and James Tanner, who are also represented in the Then a Nation Stood Still volume in Series I.

The series includes writings and other materials that shed light on John E. Boos's collecting practices and editing processes and a 1924 letter from Congregational minister William E. Barton to Walt Whitman expert Emory Holloway, with comments on the growing cult of memory surrounding Lincoln.

A folder of manuscripts and photocopies pertain to Grace Bedell, who is credited with convincing Lincoln to grow his whiskers. These items include photocopies of letters Bedell exchanged with Boos, original letters between Boos and Bedell's heirs, and letters between Boos and Congressman George Dondero, who at one point owned Bedell's original letter to Lincoln.

The Loose Items series also contains correspondence of Donald P. Dow, photocopies of Boos materials offered for sale, and photocopies of letters not present in the Clements Library's collection.

Series IV: Book. A publication containing 103 John Boos letters has been added to the collection: Rare Personal Accounts of Abraham Lincoln, ed. By William R. Feeheley and Bill Snack (Cadillac, Mich.: Rail Splitter Pub., 2005).

In addition to this finding aid, the Clements Library has created a comprehensive writer index, which identifies each contributor to the collection: John E. Boos Collection Writer Index.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British army's 25th Regiment of Foot known as The King's Own Borderers. The images are cartes de visite, with some larger albumen prints and tintypes interspersed. The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album appears to have evolved over time in several different stages.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British Army's 25th Regiment of Foot known as The King's Own Borderers. The images are largely cartes de visite, with albumen prints and tintypes interspersed. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The album appears to have had at least three different stages of construction. The first as a traditional 1860s carte de visite photograph album kept by its namesake G. Ormond Stoney (hereafter referred to as Ormond) comprised of photographs of family members interspersed with related newspaper clippings.

The album appears to have been revised with significant additions in the 1870s-1880s, including more photographs of family members as well as commercial photographic prints. The majority of those represented were army officers, with Anglican priests and politicians; many being contemporaries and associates of Ormond's father, George Butler Stoney (1819-1899). Clipped autographs of many are included beneath the photos and appear to be from correspondence to George Butler Stoney.

Various clues to point to Ormond Stoney's sister Jane (Janie) Stoney Smith as a contributor to the album. Not only is she frequently represented in the album, but the album has several pictures of her husband Arthur Smith and his family--many more so than any other family that married into the Stoney family. Arthur and Janie married on September 19, 1867--the same date on the autograph posted under Arthur's picture. Arthur died in 1870 leaving Janie a pregnant widow with a young son, Herbert (see p.24 for his portrait), and an even younger daughter, Ethel Maud. Newspaper clippings around the portrait of Arthur on p.13 mention his death as well as the birth of Herbert and Ethel, though not of Florence, the youngest daughter. Although Jane's two daughters are not represented in the album, on page 44 it appears that at one point a photograph of both of her daughters was extant.

While Jane's younger sister Wilhelmina married Colin McKenzie Smith, another son of William Smith, she did not do so until 1889. The focus on Janie's husband Arthur and their children, suggests Jane rather than Wilhelmina as a significant contributor to the album.

George Ormond's wife Meylia has not been identified in the album and may not be present, however, her father, Sinclair Laing is represented. Laing appears to have been a correspondent with George Butler Stoney.

At some later date, likely in the late 19th century, decorative gold painted borders were added, along with chromolithograph stickers, known as "scraps." These include a series illustrating Robinson Crusoe. Unlike the earlier additions which point to Janie Smith, these later additions might have been the work of a child playing with what would have been a 30 year old album. The gold paint overlapping earlier items (see p. 28 for example) suggests a later date, as do the "scraps" made popular after 1880. The seemingly random nature of the placement of the "scraps" is quite the opposite of the carefully placed and planned addition probably done by Janie Smith.

Of the children represented in the album, three of them would be killed in World War One: Thomas Ramsay Stoney (1882-1918), George Butler Stoney (1877-1915), and Herbert Stoney Smith (1868-1915).

• Two group portraits of young men in military uniform, presumably with George Ormond present in both photographs (p.2, and back inside cover).
• A portrait of a dog that if viewed from another angle appears to be an individual with a disfigured face (p.7).
• A commercial carte de visite of a Zulu warrior identified as King Cetewayo (likely incorrect, the chief of the Matabele) (p.41).
• A portrait of Napoleon, Prince Imperial, in his military uniform ca. 1879 before he died in the service of the British Army during the Anglo-Zulu War (p.40).
• A print of Rosturk Castle in County Mayo, Ireland (p.47).
• A retouched portrait of a dog posed with a military hat, cane and pipe. (p.23).
• An 1873 program for an "evening reading" of two different farces, "Little Toddlekins," and "The Dead Shot," done to raise money for Mrs. Palmer, the retiring battalion nurse (p.53). On the outside of the program is a print of Portland House, a manor owned by members of the Stoney family.

The Louis Miller WWI exhibit materials collection is comprised of visual materials and realia displayed in an exhibit to mark the centennial of the Armistice in the autumn of 2018. The bulk of the materials pertain to the American Expeditionary Forces in the First World War.

The Louis Miller WWI exhibit materials collection contains visual materials and realia displayed in an exhibit to mark the centennial of the Armistice in the autumn of 2018. The bulk of the materials pertain to the American Expeditionary Forces in the First World War.

The largest part of the collection is postcards and ephemera belonging to Ole Reppe, a Wisconsin soldier who served in the 32nd Division. There are fifty-six postcards, four typewritten pages, and one ticket stub. The postcards date from 1917-1919, and follow Reppe's service in the Wisconsin National Guard and American Expeditionary Forces.

Eight postcards show scenes from Camp Douglas, Wisconsin. Two of these have inscriptions written by Reppe from August 1917 that describe the images. Two more date from 1920, with messages from his future wife Clara, and his mother. Both of these are written in Norwegian. Two postcards depict Janesville, Wisconsin.

Thirteen postcards show military training at an unidentified location. Six postcards date from Reppe's time in Texas in 1917, including a real photo postcard of an unidentified couple with a handwritten caption by Reppe that reveals he found this photograph on the street. This seems to reveal that unlike other WWI soldiers who took home postcards from France as souvenirs, Reppe was already collector before going overseas.

Five postcards date from Reppe's time in France, including one real photo postcard of German soldiers and women. Reppe notes that he found two of these postcards on the battlefield in October 1918, and German soldiers originally owned them. The remaining twenty-two postcards contain images of Koblenz (Coblenz), presumably purchased by Reppe while in the Army of Occupation in 1919.

Four typewritten military documents are in the collection, and date from August 27, 1917 to May 23, 1919. Two of these are leave passes, one is a list of men on guard duty, and one is a memorandum about sanitation at Camp Douglas. These items were all mounted on scrapbook paper, and it appears that Reppe kept these and some of his postcards in a now disbound scrapbook.

There is also a train ticket from 1917 from Stanley, Wisconsin to Chippewa Falls, Wisconsin.

Also included in the collection is a British Lusitania Medal from 1916, with its original box and a paper fragment providing context to the medal. The sinking of the Lusitania by a German U-boat on May 7, 1915, caused the deaths of 1,198 passengers and crew, including 128 Americans. Although Germany protested it had every right to treat the Lusitania as an enemy vessel, the incident led to outrage in the United States and Britain. The medal in the collection is a British copy of a German medal made by the artist Karl Goetz after the incident. Though Goetz had intended his medal as a satire of British outrage over the Lusitania, the British disseminated over 300,000 translated copies of Goetz's work for English-speaking audiences. In spite of the misleading British description of the medal, the damage done by this piece of propaganda led to German authorities confiscating all known copies of the original medal. The German policy of unrestricted submarine warfare, which ended in September 1915 in response to American outrage over the Lusitania, started back up in early 1917 and became a major factor in America's entry into the war.

A 2018 restrike of Kerr Eby's "A Southern Unit" print from the original copper plate is also present. Canadian-American artist Kerr Eby created this powerful image representing the downtrodden state of African-American soldiers in France. Eby's service in the AEF turned him into an ardent pacifist. When America again entered a global conflict in 1941, Eby served in the combat artists program, mainly in the Pacific. He died in 1946 at his home in Norwalk, Connecticut, from a tropical disease contracted while covering the Second World War.

The collection has a photograph of Rosa Heidler Lorenz at the grave of her son Joseph Lorenz, at Suresnes, France, on May 18, 1930. In 1929, after a decade of political debate, President Calvin Coolidge signed a bill allocating five million dollars to subsidize pilgrimages to Europe for the mothers of deceased American soldiers buried overseas. In all, some 6,000 women chose to take the two-week trip to visit their sons' graves. These trips are known as the Gold Star Mothers Pilgrimages, and took place between 1930-1933. In a sad echo of the discrimination African-American soldiers faced more than a decade earlier, African-American mothers were segregated from their white counterparts during their pilgrimages. A significant number of mothers who went overseas were foreign-born and included many Germans. Rosa Heidler Lorenz was one such German immigrant. Her son, Private First Class Joseph Lorenz, was wounded in late July while fighting with the 42nd Division before dying of his wounds at a base hospital on November 21, 1918. In late May 1930, newspapers across the country published this moving image of Lorenz weeping at the grave of her son.

The collection contains a wooden clog painted with an American and French flag, with the inscription, "Souvenir de France." These clogs were a popular type of souvenir that soldiers often sent home to their families. Also included is a printed piece of sheet music from 1917 for the song "Hail! Hail! The Gang's All Here" and a copy of the printed exhibit bulletin from 2018.

This collection contains letters that Wilfrid MacDonald and his family wrote about their lives in China in the 1930s, as well as letters that Constance Stone wrote to Elsie S. MacDonald and others about her service as a medical volunteer in the Pacific during World War II.

This collection (0.25 linear feet) contains letters that Wilfrid MacDonald and his family wrote about their lives in China in the 1930s, as well as letters that Constance Stone wrote to Elsie S. MacDonald and others about her service as a medical volunteer in the Pacific during World War II.

Wilfrid MacDonald, his wife Mabel, and their daughters Catharine and Ruth wrote 7 letters to Howard G. MacDonald of Pittsburgh, Pennsylvania, from January 25, 1931-November 16, 1940. The MacDonalds commented on life in China; Wilfrid often mentioned religion, international politics, and the economic crisis in the United States. One letter includes a sketch of a "Valentine" [a person]. In her letter of December 7, 1937, Mabel MacDonald described hearing air raid sirens during the Japanese invasion of China.

Constance E. Stone ("Connie") wrote 32 manuscript and V-mail letters to her former roommates Maxine La Bounty ("Max") and Elsie MacDonald ("Sigh") from September 1943-April 28, 1945. Stone volunteered for the American Red Cross and served at hospitals in Australia and New Guinea, including the 84th Station Hospital and 43rd Field Hospital. She shared news of her life in the Pacific and occasionally discussed her work; in December 1943, Stone sent her friends a Christmas greeting with a drawing of Mickey Mouse's dog Pluto standing over an Axis helmet. Stone wrote at least one letter on captured paper.

Additional correspondence includes a letter that Annie MacDonald of Knoxville, Tennessee, received from her cousin (January 5, 1930); 2 letters that Maxine La Bounty received from Emmy Lou Heald, a Red Cross volunteer; and a letter and Chinese Christmas card that Elsie MacDonald received from her cousin, Jean MacDonald Thomas. Ephemeral items include a military pass issued to Emmett J. Larkin and a billet and ration card.

The Matthilde Ittel photograph album contains 122 photographs, 19 postcards, and 26 pieces of ephemera and mainly includes snapshots of people, landscapes, and buildings in Pennsylvania, New York, and Ontario.

The Matthilde Ittel photograph album contains 122 photographs, 19 postcards, and 26 pieces of ephemera and mainly includes snapshots of people, landscapes, and buildings in Pennsylvania, New York, and Ontario.

The album (18 x 27 cm) has black cloth covers with "Photographs" stamped on the front. Many of album compiler Matthilde Ittel’s family, friends, and colleagues are mentioned and pictured in this album, including William Baldwin Clipsham, Nettie E. Geyer, Freda Cloud, Mary Rieger Ittel, and Jessie Evelyn Ittel Kiel as well as staff of the W. E. Terhune Lumber Company. Numerous portraits are present throughout the album, many of which have been altered through cutting. Two images show a woman whose face has been entirely cut out, while many other images are cut along the lines of a person’s figure. Several images have had color added. The postcards primarily consist of images of destinations that the album creator visited such as the Bowery in New York City and the Liberty Bell in Philadelphia, Pennsylvania, while the ephemeral items include a hotel card, a small wooden oar, and typed notes containing humorous writings and social commentaries.

Images of note include pictures of Ittel wearing a Gibson Girl hairstyle coupled with a quote regarding the advantage of women not having to wear trousers, portraits of Ittel’s mother Mary and sister Jessie, two real photograph postcards of cats, a postcard of the merchant ship Tillie Covert, postcards and notes from a trip to Ontario in 1908, photographs and postcards relating to a 1909 trip from Rochester to Montreal and West Point, several photographs of a 1911 trip to Philadelphia and the Delaware Water Gap, and a staged photograph located on the back inside cover captioned "An Actual Operation For Appendicitis.”