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The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

The Crime clippings scrapbook contains newspaper clippings compiled between 1891 and 1893 that are related to various criminals, court proceedings, and executions.

The Crime clippings scrapbook contains newspaper clippings compiled between 1891 and 1893 that are related to various criminals, court proceedings, and executions.

The volume (23 x 15 cm) has brown paper covers and appears to have originally been a copy of Joseph Emerson Worcester’s A Pronouncing, Explanatory, and Synonymous Dictionary of the English Language. Containing 210 pages total, the volume begins with a clipped engraving of New York City Police Department Superintendent Thomas F. Byrnes pasted on the inside of the front cover. Byrnes’ portrait is accompanied by an inscribed caption reading “of New York City April 22 1892.” An additional inscription states that the volume was “Presented to the officers and Men of the 13th street Police station - Chicago Ills. by Wm. H. [Benton?] - 126 Fleming St., Aug 22d 1903.”

Subsequent clippings highlight numerous criminals, trials, and executions, many of which were highly publicized incidents involving crimes such as murder, robbery, swindling, and kidnapping. Many of the clippings include engravings that depict portraits of criminals, courtroom scenes, and crime scenes. Stories of crime and punishment in the eastern United States are most frequent, but transnational and international stories are also included.

Clippings are arranged in a chronological sequence with the first dated December 7th 1891 and the last dated September 4th 1893; as a result, many clippings that pertain to certain long-running criminal trials appear in multiple places throughout the volume.

• Martin D. Loppy [murderer; executed by electric chair] (pgs. 1-3)
• Darwin J. Messerole [murderer] (pg. 3)
• Isaac B. Sawtelle [murderer] (pg. 4)
• Henry L. Norcross [blackmailer, attempted murderer] (pgs. 5-9)
• Carlyle W. Harris [murderer; condemned to execution by electric chair] (pgs. 12-15, 22, 25, 30-35, 40, 54-58)
• Charles E. Waterbury [kidnapper] (pgs. 17-21, 26-29, 37-40)
• August Lentz [murderer] (pgs. 11, 12, 21, 24, 35, 36)
• Alfred Parkes [murderer] (pg. 23)
• Nicola Trezza and Charles McElvaine [murderers; latter executed by electric chair] (pgs. 23, 24, 40)
• Edward W. Hallinger [African American man; murderer] (pgs. 35, 145)
• Alice Jessie Mitchell [lesbian woman; murderer] (pgs. 35, 41, 147, 158)
• Thomas “Buncoer” O’Brien [conman] (pg. 37, 105-107, 125, 126, 129-131, 133-136, 139)
• Maurice Curtis aka Maurice B. Strelinger [accused murderer; acquitted] (pgs. 41, 42)
• Oliver Curtis Perry [train robber] (pgs. 42-53, 126-129)
• Burton C. Webster [accused murderer; hung jury] (pgs. 47, 58-83)
• John Francis [Native American man; murderer] (pgs. 53, 54)
• Louis Harriot [murderer; hanged] (pgs. 81, 82, 101-104)
• Jim Lyons and Mickey Sliney [murderers] (pgs. 84, 86, 87, 124, 125)
• Death of George C. Searing (pgs. 84, 85)
• F. B. Deeming [murderer and one-time Jack the Ripper suspect; hanged] (pgs. 87, 88-93, 114, 115, 131-133, 140, 141, 145, 146, 151-153)
• Jack the Ripper, “The Nine Bad Jacks” (pgs. 89-93)
• Jeremiah Cotto [murderer; executed by electric chair] (pgs. 93-95)
• Frank C. Almy aka George Abbott [murderer] (pgs. 95, 96, 120, 121, 206-208)
• James Alexander Farmer [accused murderer] (pg. 95, 96)
• William Myer [murderer] (pg. 97)
• “Origin of Lynch Law” (pgs. 97-99)
• John Lewis Osmond [murderer] (pgs. 99-101)
• Annie Walden [murderer] (pgs. 107-114, 136, 139, 153-155)
• Fred McGuire [murderer; executed by electric chair] (pgs. 116-119)
• Ferdinand Ward [Banker/Ponzi scheme runner] (pgs. 121-123, 141-145)
• Henry W. Jaehne [corrupt politician] (pgs. 121-123)
• Lieut. James Henry Hetherington [U.S. Navy officer; murderer] (pgs. 136-139)
• Charles Reilly [murderer] (pg. 139)
• Murder of Lizzie Farrell [African American man falsely implicated] (pgs. 139, 140, 143, 144)
• Capt. Chris Rath [recounting of execution of Lincoln’s assassins] (pgs. 146, 147)
• “The Murderer’s Hand” [story regarding supposedly distinct features of hands of killers] (pg. 148)
• Guillotine history and contemporary usage (pgs. 148-151, 155-158)
• Col. H. Clay King [murderer] (pgs. 158, 159, 161)
• Lizzie Borden [accused murderer; acquitted] (pgs. 158-170, 172-180, 187-189, 191-205)
• Dr. T. Thatcher Graves [accused murderer; hanged himself while incarcerated] (pg. 159, 191, 208-210)
• Murder of Luigi Barri (pgs. 167, 168)
• Frank Glowinski [murderer] (pgs. 168-171)
• James Nolan [murderer] (pgs. 171, 172)
• J. M. Brown shootout (pgs. 180-187)
• George Craig [murderer] (pgs. 190, 191)

The Edward Williams Clay watercolors, scrapbook fragments and silhouettes consist of 28 original watercolor drawings created by Edward Williams Clay, a drawing book with art by Clay and James Pemberton Morris, 37 fragments of a scrapbook believed to have been compiled by Clay, and 11 cut paper silhouettes. The bulk of materials are watercolors by Clay of Europeans and Americans abroad from 1825-1828, and satirical, genre, and theatrical prints by Clay and others.

The Edward Williams Clay watercolors, scrapbook fragments and silhouettes consist of 28 original watercolor drawings created by Edward Williams Clay, a drawing book with art by Clay and James Pemberton Morris, 37 fragments of a scrapbook believed to have been compiled by Clay, and 11 cut paper silhouettes. The bulk of materials are watercolors by Clay of Europeans and Americans abroad from 1825-1828, and satirical, genre, and theatrical prints by Clay and others.

In 2002, the Clements Library became aware of a scrapbook containing an extensive collection of Edward Williams Clay prints and artwork in possession of a Virginia antique dealer. After most of the individual pages were separately sold on eBay, it became apparent that the source, John Duncan Marsh (1931-2021) of Purcellville, Virginia, was a direct descendent of Clay's sister, Mary Ann Clay Bolton (1801-1818), and the scrapbook was likely compiled by the artist himself. Given that the contents of this collection were created after the death of Mary Ann, it is presumed that they were in the custody of one of her children, although the relationship between Clay and his nephews, James Robert Bolton (1817-1890) and Edward Clay Bolton (1818-1892), is unknown. The remaining remnants of the scrapbook were purchased by the Clements Library at auction along with the watercolor sketches and family silhouettes. All of the materials present were consigned to auction from the same source except for the drawing book, which had earlier been acquired by the Clements Library from a Philadelphia book dealer.

Series I - Watercolors

The collection contains 28 original watercolor works by Edward Williams Clay. A subset within this series represents Clay's journey from the Eastern United States to France between 1826 and 1828. Several works include inscribed titles, locations, and dates. A number of sketches also bear evidence of having been previously cropped, mounted, and framed.

Of particular note is one sketch from December 1825 showing two women and a man dressed in comically large winter clothing captioned "Life in Philadelphia - (going home from a tea-fight)." This unpublished satire is the earliest appearance of content later found in Clay's notorious series Life in Philadelphia.

• A portrait of a well-dressed man wearing a top hat while holding spectacles and a cane with a verso caption reading "Steam boat Bellona from Brunswick to New York April 1826"
• Two portraits of well-dressed men in top hats captioned "Thayer - on board the ship Edward [Quesnel at sea July 1826]" and "Constancio - On board the ship Edward Quesnel at sea July 1826"
• A portrait of a sailor wearing a brimmed hat and smoking a pipe with a caption on the verso reading "[French?] Pilot - [Edward] Quesnel, off the coast of France 18 July [1826?]

Note: The steamer Bellona ran from Brunswick, New Jersey, to New York City, while the Edward Quesnel is recorded as regularly running between New York City and Marseilles, France.

Other scenes illustrate aspects of European society and street life from Clay's visit to Europe between 1826 and 1828. Many of these works depict men's and women's fashions in fine detail. As several subjects are identified by name, it is presumed that some of these depictions were likely based on real people observed by Clay.

• A portrait of two French priests captioned “Les Curés - Paris 1827”
• A street scene captioned "Postellers & Conductors - Paris 1827" showing several uniformed drivers (including individuals wearing heavy duty protective knee-high boots insulated with straw)
• A street scene showing five well-dressed men including man identified in a partially cutoff caption as "Count Dep..."
• A scene depicting a masked ball with a large man at center identified as "Prince Borghese"
• A scene showing a man in Artois bathing and reading Le Constitutionnel while being attended to by a servant
• An equestrian scene showing riders in a park including an Arabian horse-drawn cart carrying the driver and a Mamluk groom wearing a turban
• Two ballroom dancing scenes with couples wearing formal dress
• A wedding portrait showing a couple identified as "Hercule de B. s." and "Mde Leverd"
• A formal dinner scene showing a number of couples entering a dining room attended by servants
• A comical scene showing a young woman identified as "Josphine" being introduced by an older French-speaking woman to two men, an unidentified English speaker and an apparently German individual identified as "Becker"
• A scene showing a couple of street minstrels performing outside of an inn
• Two portraits of unidentified well-dressed men

Items that may represent American content include sketches of a young couple dancing and a restaurant dining scene showing patrons and staff.

• A portrait of a woman holding a qanon titled "A Turkish female slave playing on the Kanoon" dated to December 1827
• A portrait of the Greek goddess Iris dated January 21 1828
• A portrait of a woman captioned "A Greek Lady in her walking dress" dated to December 1827

One satirical scene titled “Compliments of the Season 1829” shows a young boy wishing merry Christmas while handing a bill from a “Mr. Smith” (presumably an American) to an irate French musician wearing a robe who appears to have been in the middle of having his face shaven by an amused servant. This scene corresponds to an 1830 lithograph published by Clay which is in the collection of the American Antiquarian Society.

• A portrait of a carriage driver wearing a heavy fur-trimmed coat
• A street scene showing two boys in patched-up clothing and wooden shoes in possession of a crank-organ and a performing monkey
• A street scene showing a wealthy man visiting a dog grooming business

Series II - Drawing Book

The drawing book bears a retail label from a Parisian shop and an ownership inscription dated 1816 from James Pemberton Morris (1795-1834), a member of a prominent Quaker family who resided at Bolton Farm in Buck County, Pennsylvania (note: Bolton Farm is not related in any way to the family of James McLean Bolton). 1816 is also the year in which Morris was married to his wife Rosa Gardiner (?-1828) in a ceremony in Edinburgh, Scotland. Drawings of note include a sketch of a “Judge Duncan;” multiple pencil sketches of women; a watercolor drawing of a maritime scene; and rough sketches of various cartoons. Clay's signature is attached to some of the works (including a sketch of Rosa Gardiner Morris), while others are initialled "JPM." Handwriting in the drawing book matches writing on many watercolors attributed to and signed by Clay. The nature of the relationship between Morris and Clay remains unclear.

Series III - Scrapbook fragments

The collection’s 37 scrapbook fragments are the remains of a personal scrapbook that likely once belonged to Edward W. Clay. Based on conversations with the dealer John Palmer, this scrapbook had contained a significant set of over 60 prints by Clay prior to being disassembled. A majority of the remaining fragments are satirical, genre, and theatrical prints produced by other artists, some of which may have been collected by Clay during his European travels.

• Five lithographs by Charles Motte representing scenes from various works by Charles Perrault (Griseledis, L’Adroite Princesse, Cendrillon, Riquet a La Houppe, and Le Petit Chaperon Rouge)
• Multiple works depicting character costumes from various theatrical productions including The Prophet, The Queen of Cyprus, Tsar and Carpenter, and The Star of Sevilla
• Engraved depictions of a French “Infanterie de Ligne” and a Scottish “Tambour du 42e Regiment D’Highlanders,” both by Edouard Detaille
• An engraved portrait of George Washington by H. S. Sadd
• Two lithographs by Charles Motte of scenes involving children titled “Les Belles Dames. The Fine Ladies” and “A Fishing Party”
• Engravings of “Bolton Abbey in the Olden Time” by Schuler and “Weehawken, From the Elysean Fields. Hoboken” by Archibald L. Dick

• “Soubrette” by Paul Gavarni
• “Modes de Paris Petit Courrier des Dames”
• “Vous ne direz plus que la mode est indécente!!”
• “Mde De Nouveautés” by Charles Philippon
• “Déclaration d’un Maître de Cham” by Frederic Bouchot

• Drawings of various men, women, children (some of whom are identified)
• A pencil drawing of a ship captioned “Brigantine New Castle April 8th 1853”
• Six lithographic portraits of French generals Charles Nicholas Fabvier, Pierre Claude Pajol, Étienne Maurice Gérard, Horace Sébastiani, Maximilien Sébastien Foy, and the Marquis de Lafayette

Of particular note are two caricature lithographs depicting African Americans that are attributed to Clay, including one print published in 1830 titled "Back to Back" that depicts an African American couple dancing in fine clothing with the caption reading: "I reckon I've cotcht de figure now!". The other print (which is mounted on a scrapbook page) titled "A Black Cut" dates to 1839 and depicts an African American chimney sweeper being shunned by a wealthier mixed-race couple.

Series IV - Silhouettes

This series includes 11 cut paper silhouette portraits, nine of which bear the stamp of the Peale Museum in Philadelphia, Pennsylvania. Several include subject identifications and dates of creation. Eight of these items were originally mounted in 20th-century frames prior to being rehoused in archival mats by the Clements Library. The framed items carried the following notation in reverse at the top: "Property of / Miss Mary Clay Bolton / Mechanics and Metals Bank / 204 Fifth Avenue, New York City;" and at the bottom "Theodore Bolton," along with the frame shop label of S. Friedman, E. 9th St., New York, N.Y.

Of particular importance is a silhouette of Edward W. Clay inscribed "E.W.C. Ann: ÆTAT 21" (age 21) from the Peale Museum, ca. 1820. This work is believed to be the only known portrait of Clay outside of a painted portrait held by the Marsh family (descendants of Mary Ann Clay Bolton). The additional inscriptions “Cut at Peale’s Museum, Philadelphia” and “Edward Williams Clay, Portrait Painter” appear to have been added later.

Other identified individual silhouettes include Charles Heyward, William Heyward, George Douglass, William Graham, and George Cuthbert. These men were prominent members of South Carolinian society and were all either closely or distantly related. Three of the silhouettes are of Charles Heyward, who owned one of the largest rice plantations in the South and was the grandson of Thomas Heyward, a signer of the Declaration of Independence. The connection between these people and Edward W. Clay and/or Mary Ann Clay Bolton is unknown.

The George Edward Burr scrapbook contains over 130 labels for various alcoholic products, assorted clippings mainly related to facets of the alcohol industry, handwritten notes including recipes for alcoholic beverages, and several patent designs by Burr.

The George Edward Burr scrapbook contains over 130 labels for various alcoholic products, assorted clippings mainly related to facets of the alcohol industry, handwritten notes including recipes for alcoholic beverages, and several patent designs by Burr.

The scrapbook (33.5 x 21 cm) has marbled paper covers with "Spiritual Guide No. 1" written on the front and contains approximately 100 pages. Labels for an extensive array of different alcoholic products can be found pasted in between pgs. 1 and 52. The majority of labels are for various French wines and brandies, though other alcoholic products (predominately spirits) from the Netherlands, Spain, Germany, England, Italy, Jamaica, Switzerland, Mexico, and the United States are also represented. Of particular note are a number of labels for products imported by George Edward Burr into Mexico. While it remains unconfirmed, this may have been the same George Edward Burr who was involved with the management of the Pedrigal Mining Company in Mexico.

• Clippings mainly related to various aspects of alcohol production such as the manufacture of syrups, vinegars, acids, the use of yeast, etc.; use of essential oils, extracts, bitters, sweeteners, etc.; clarifying, bottling, and barreling processes; and descriptions of various types of spirits such as Tuscaloosa whiskey, apple brandy, New York gin, Jamaica Rum, etc.
• A set of clipped engravings illustrating the stages of bottling champagne
• Handwritten recipes (including several credited to other individuals including B. A. Auger of New Orleans) for various alcoholic products including absinthe, Jamaica rum, Scotch whiskey, Curacao, pale ale, stout, Eau de Noix, and more. Recipes for non-alcoholic products such as colored inks, sealing waxes, salted meat, Duffield hams, toilet soap, candles, etc. are also included
• Handwritten descriptions in English and Spanish for various patent designs by Burr including cylindrical candles, white wax, and yellow wax. The candle descriptions also contain illustrations
• A hand-drawn diagram of a 150 gallon still
• A tipped-in advertisement from 1856 for Dr. H. James's tincture made from cannabis indica that includes a recipe, description, and testimonials
• Clippings and labels related to various patent medicines

The George Washington collection contains miscellaneous letters and documents written and received by George Washington, first President of the United States, relating to personal, political, and military matters. Most of the items in the collection date from the period during and after the Revolutionary War.

The George Washington collection (89 items) contains miscellaneous letters and documents to and from by George Washington. The papers consist of 4 pre-American Revolution items (1751-1774), 58 items dated during the war years (1775-1782), 9 items from his first retirement from public life (1783-1788), 10 items from his presidency (1789-1797), 4 items from his retirement until his death (1798-1789), 4 undated items, and an engraving of Washington by Fenner, Sears, and Company based on a painting by Gilbert Stuart. The letters concern personal, political, and military matters, and are from Washington to other American officers; he discussed strategy, battles and skirmishes, provisioning troops, American-French relations, American and British spies, and many other topics.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The German tourists in New York album contains approximately 133 snapshots documenting the visit of an unidentified German couple to New York City and Long Island from October 1925 to June 1926.

The album (17.5 x 25.5 cm) is string-bound with brown leather covers. The front cover has "Photographs" stamped in gold as well as a pasted photo-mechanical color print of a house. Snapshots included in this album show many locations in New York City and environs visited by a German couple during a nine-month period in 1925 and 1926. Many images have both German and English captions identifying the location and in certain instances the individual(s) represented in the photograph, as well as the month and year the photo was taken. The woman's first name is given in one caption as "Liesel," while the man's name is not listed anywhere. It appears that the couple based themselves in Bronxville and visited sights in Manhattan; made an extensive tour of Long Island in a Ford coupe; traveled up the Hudson River; visited with other German friends; and visited Atlantic City, New Jersey. Images of particular interest include photographs of Broadway at night; traffic on Fifth Avenue; the ocean liners including Leviathan and Berengaria, both of which were formerly German ships that were confiscated after World War I; and the visits to New York and Atlantic City of Baden Baden, the Flettner rotor ship. Also present is an engraved portrait of Friedrich Ludwig, Prince of Hohenlohe-Ingelfingen.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend.

The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend. Newspaper and journal clippings were mainly taken from New York-based publications. Most of the clippings are in extremely fragile condition. Many clippings are coupled with inscriptions indicating the name and date of the publication they were taken from. Numerous photographs also bear inscribed captions. Each volume measures approximately 25 x 19 cm in size and has marbled paper covers.

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, between 1893 and 1894. Items of particular interest include a Grand Army of the Republic report regarding the 7th's service record in the Civil War and during various New York City riots (pg. 1); a group portrait of 7th NYNG Co. D soldiers, including Townsend (figure furthest to the right), at an encampment in Peekskill, New York in June 1893 (pg. 5); clippings related to a mock Civil War battle held at Van Cortlandt Park (pg. 11); clippings related to Townsend's promotion from private to lance-corporal (pg. 13); clippings from the New York Herald and New York Tribune regarding the 7th NYNG relocating to the Seventh Regiment Armory (pgs. 42-45); a group portrait of 7th NYNG members at Sea Girt, New Jersey, in July of 1894 during a visit with New Jersey National Guardsmen (pg. 67); and Townsend's Lance Corporal chevrons (pgs. 92, 93).

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, during 1896. Items of particular interest include an engraving depicting Company D winning a chariot race at the 7th Regiment games (pgs. 28, 29); a New York Herald clipping from May 31st 1896 regarding the 7th NYNG's victory over West Point in a baseball match (pg. 39); an American Lithographic Co. halftone reproduction of a Jay Hambidge painting showing the 7th NYNG marching in uniform titled "For Love or War?" (pg. 43); clippings regarding the new regimental clubhouse at the Creedmoor Rifle Range (pg. 45); a private circular for NCOs regarding a regimental parade in honor of Chinese viceroy Li Hongzhang as well as a halftone portrait of Li (pgs. 46, 47); and cartoons from the 7th Regiment Gazette of December 1896 comically depicting track and field events (pg. 61).

• This volume contains materials related to Townsend's service in the New York National Guard, 7th Regiment, Company D, from 1897 to May of 1898. Items of particular interest include a photographs of 7th NYNG officers and NCOs (pgs. 2, 3); halftone images from a 7th NYNG camp (pg. 7); a New York Sun clipping from October 10th 1897 regarding a mock battle at Van Cortlandt Park replete with a topographical map of the park (pg. 11); a New York Herald clipping from October 10th 1897 showing engravings related to "The Battle of Van Cortlandt Park." (pgs. 12, 13); a Harper's Weekly clipping from October 1897 showing halftone reproductions of paintings related to the mock battle at Van Cortlandt Park (pgs. 14, 15); camp scene photographs from June 1897 including one portrait of Townsend in uniform (pg. 23); halftone images showing interior rooms of the Seventh Regiment Armory (pgs. 25-28); a halftone reproduction of an engraving showing 7th NYNG uniforms from 1802 to 1897 (pg. 33); a halftone reproduction from Harper's Weekly vol. 42 no. 2157 of a painting by T. De Thulstrup showing the 7th NYNG being reviewed by Major General Charles F. Roe at the Seventh Regiment Armory (pgs. 76, 77); and multiple clippings related to the 7th NYNG's decision to refrain from allowing members to individually enlist in the regular US Army at the outset of the Spanish-American War so as not to disintegrate the unit (pgs. 82-91).

• This volume contains materials related to Townsend's service in the 201st Infantry Regiment of New York Volunteers as well as in the US Army 1st Infantry Regiment covering the period from March of 1899 to February of 1900. Items of particular interest include clippings related to Townsend's promotion from Captain of Company M 201st NY Volunteer Infantry Regiment to Second Lieutenant in the US regular army (pg. 5); letters from Townsend to his parents regarding exams he must take at Fort Monroe, Virginia, in order to achieve his promotion (pgs. 8, 9); a picture book containing halftone images from around Fort Monroe (pg. 11); a photograph showing a Fort Monroe examination room black board coupled with text of the example question present on the board (pg. 17); a copy of Townsend's commission as Second Lieutenant (pgs. 22, 23); clippings related to the naval transportation of American troops to Cuba (pg. 33); photographs of various Cuban scenes including an ossuary outside of Havana, Cuban huts and houses, Cuban soldiers being paid, American camps and barracks, a Cuban funeral, Afro-Cubans, underbrush near the mountains, a general view of Pinar del Rio, American military officers and their wives, and American troops in formation (pgs. 36-46, 48-55); a memorandum concerning the administrative use of officers' photographic portraits (pg. 59); photographs showing scenes of Guanajay and Pinar del Rio, Company K rifle ranges, American officers including Lt. McCue, Lt. Tebetts, Lt. Reams, Lt. Beacham, Lt. Wilcox, Dr. Dunchie, and Lt. Reeder, child golf caddies (including a Chinese boy named Ah Soy), a Cuban house being constructed out of palm tree materials, American officers and their wives, a Cuban burial party, soldiers on the march and drilling, an American military graveyard, Cuban ox carts, a railroad station, and churches (pgs. 60-66, 68-82); a clipping including an advertisement for "Mahara's Minstrel Carnival" (pg. 84); and more photographs showing American officers and their wives, Chinese-Cubans, a man posing with a white owl, a well-dressed Cuban man named "Mr. Usavraga", 2nd Battalion shelter camps, American barracks at Guanajay, a group of American officers and several women that includes both Townsend and his mother Emma, the fort at Mariel, a Cuban ship named Alphonso XIII sinking in Mariel Harbor, street scenes in San Antonio and Guanajay, and golf links at Guanajay (pgs. 91-115).

• This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from April 1900 to December 1901. Items of particular interest include photographs showing 1st Infantry Company K assembled in uniform at Guanajay and the aftermath of a major storm at Guanajay, (pgs. 1, 2); clippings related to the potential ordering of the 1st Infantry from Cuba to China as well as Yellow Fever outbreaks among American soldiers stationed in Cuba (pgs. 4, 5); a fragment of an envelope bearing an official stamp from a US military surgeon indicating that the parcel had been "Disinfected and Passed" (pg. 9); clippings from August 1900 detailing the ordering of troops to Manila, Philippines, instead of China (pgs. 13-17); photographs showing various scenes from around Fort Leavenworth, Kansas, including the US Army Disciplinary Barracks (pg. 19-24); clippings from October 1900 regarding the capture and subsequent rescue of Capt. Devereux Shields (pgs. 28-30); clippings regarding the launch of the Samar Expedition and insurgent fighting tactics (pgs. 31-33, 40); photographs showing buildings occupied by American troops in Catbalogan, US Army officers and headquarters at Tacloban in February 1901 (pgs. 40-42); a clipping showing a map of the "Peaceful Districts in the Philippines" highlighting areas deemed unsafe for Americans to venture (pg. 46); photographs showing street scenes, Filipino villages and villagers, and landscape views (pgs. 50-54); a letter and associated hand-drawn map sent by Townsend to his mother describing an ambush against American forces in southern Samar in April of 1901 during which Townsend came under fire from a rifle he believed to have belonged to an American soldier who had deserted (pgs. 55, 56); a letter from Townsend to his mother in April of 1901 describing the visit of a group of Palauan tribesmen and counterinsurgency operations (pg. 57); photographs taken by Townsend of the Palauan tribesmen (pgs. 58-60); photographs from around Guiuan, including the U.S. Army headquarters, a 200 year old church door, Lt. Downes and Townsend's quarters, and images of a church and locals in Mercedes (pgs. 62, 63); clippings related to the death of Lt. Downes and Lt. McClure (pg. 68); a typescript copy of a letter initially sent by Townsend to Capt. Willard C. Fisk from July 1901, which the latter forwarded to Townsend's parents, describing engagements in Samar including one that led to Townsend being stabbed in the forearm (pg. 70); clippings related to the death of Lt. Downes and the Balangiga Massacre (pgs. 71-76); a letter from Townsend to his mother dated Oct 5 1901 describing the Balangiga Massacre and how his detachment were very nearly sent there (pg. 77); Townsend's Second Lieutenant bars (pg. 78); and a clipping describing innovative traps used by the Moros against American soldiers (pg. 79).

• This volume contains materials related to Townsend's service in the US Army 1st Infantry Regiment covering the period from 1905 to September 1907. Items of particular interest include a group portrait showing Townsend, other U.S. Army officers, and several women (including Cornelia T. Getty) standing in front of a house in Canada with snowshoeing equipment (pg. 3); clippings related to Fort Brady and a roster of troops serving in the Department of the Lakes as of August 15th 1905 (pgs. 5-7); clippings related to renewed unrest in China and the shipment of more U.S. troops to the Philippines (pg. 10, 12); clippings related to the transportation of American troops to the Philippines (pgs. 18, 19); clippings related to the celebration of George Washington's birthday at a ceremony in Gibraltar in February 1906 (pgs. 24, 26); a letter from Townsend to his mother from aboard the USS McClellan near Sri Lanka in April 1906 describing the conditions of the ship and the progress of the journey thus far (pg. 36); a typescript summary of Townsend's military career as of July 1906 (pg. 49); panoramic views of Camp Stotsenburg (pgs. 58, 64); a clipping regarding an earthquake in the Philippines in April 1907 (pg. 69); a typescript copy of a memo from September 1907 titled "Regarding the Government of the Philippine Islands With Special Reference to the Subject of Police Protection" (pg. 80); and photographs by Pedro Casanave of the S.S. Mindoro and of "Calle Gen. Hughes" in Iloilo City (pgs. 87, 88).

• This volume contains materials related to Townsend's service in the US Army 23rd and 1st Infantry Regiments covering the period from August 1909 to August 1910. Items of particular interest include a roster of officers and troops on duty at the Army Service Schools, Fort Leavenworth and the US Military Prison as of November 1909 (pg. 5); a studio portrait of Townsend in uniform taken at Fort Leavenworth (pg. 7); a copy of the September 1910 issue of the Infantry Journal by The United States Infantry Association containing an article written by Townsend titled "The Use and Effect of Flying Machines on Military Operations" (pg. 25); clippings related to practice maneuvers at Pine Camp, New York (pgs. 28-39, 49-58); halftone images showing camp scenes at Pine Camp (pgs. 47, 48); and photographs showing Townsend in uniform, Townsend's parents Malcolm and Emma, and what may have been the Townsend family residence (pg. 59).

In addition to this finding aid, the Clements Library has also created the G. L. Townsend Scrapbook Inventory which serves as an itemized list of the contents of each scrapbook.

The Hubble family scrapbooks consist of two volumes containing trade cards, clipped engravings, and other scrapbook materials compiled by members of the Hubble family of Monroe, Michigan.

The Hubble family scrapbooks consist of two volumes containing trade cards, clipped engravings, and other scrapbook materials compiled by members of the Hubble family of Monroe, Michigan.

Volume 1: The first volume (35 x 25.5 cm) was originally a copy of the 1876-77 Autumn and Winter edition of Mme. Demorest’s Illustrated Portfolio of the Fashions and has red cloth covers and gilt embossing work on the front and back. “Monroe Hubble” is inscribed on the volume’s first page, while “Willie Hubble” is written on the inside of the back cover; both inscriptions appear to be written in a child’s hand. Two engravings by Kimmel & Voigt made for Demorest’s Monthly Magazine appear towards the front and were part of the original volume. Subsequent pages also reveal numerous illustrations and descriptions of various articles of clothing listed in Demorest’s fashion catalog, though much of this has been obscured by scrapbook items that were pasted in. Compiled materials mainly include various trade cards and scrapbook decorations, but also include several engravings showing scenic and rural landscapes, women’s fashions, portraits, and performance artists (including Smith’s Swiss Bell Ringers). Of particular note are Uncle Tom’s Cabin-related illustrations and cartoons involving racial caricatures of an African American regiment called “The South 5th Rangers.”

Volume 2: The second volume (25 x 20 cm) has red paper covers with “Scrapbook” and decorative designs embossed in gold on the front. A photomechanical reproduction of a portrait of N. B. Hubble as an adult appears on the inside of the front cover. Subsequent materials mostly include trade cards and scrapbook decorations, several of which also appear in the first volume. Many of the trade cards were produced by the Calvert Lithograph Co. of Detroit. Items of note include Shakespeare-related cartoons; an ad for “Mme. Fontaine’s Bosom Beautifier” that incorporates a portrait of Oscar Wilde; a photographic portrait of a baby made to look like a stamp; and scrapbook cutouts including one of a black man (likely supposed to be a Haitian soldier) wearing one boot and components of a French Army uniform as well as one of two women embracing and kissing.

The John Lee papers contain political and personal correspondence related to British lawyer, politician, and attorney general John Lee, and his family.

The John Lee papers (202 items) contain letters and documents related to the legal and political career of John Lee, as well as items concerning his personal and family life. The collection consists of 189 letters, 2 legal documents, a memoir of Lord Rockingham, an engraving, and 4 pieces of memoranda and ephemera. Approximately one third of the collection consists of letters written to Lee’s wife, Mary Hutchinson Lee, and his daughter Mary Tabitha, after Lee’s death in 1793.

Much of the collection concerns Lee’s political career. Frequent contributors to the collection include the Marquess of Rockingham and his wife, the Marchioness of Rockingham. An early letter from Lord Rockingham to Lee concerns an unfavorable report from the Board of Trade regarding corruption charges brought against Governor Wentworth of New Hampshire, who Rockingham believed had been treated unjustly (June 1, 1773). In 1779, Lee served on the defense in the court martial of Augustus Keppel. In a brief letter with the instructions "Give this to Mr. Lee as soon as he is awake in the morning," Lady Rockingham informed Lee of Keppel's situation and wrote, "I am permitted the high honour of being the first to apprize you of your being Retained on the side of the worthiest man, and in the purest cause, that perhaps your zeal and integrity were ever engag’d in support of" (December 9, 1778). Though the collection has little material relating to the trial, a letter from Keppel in February thanks Lee for his service: "…if you suffer'd much from so long & so tedious an attendance, I hope it has been some recompense to a mind like yours to have protected innocence and to have formed an acquaintance with some honest seamen whose plain and upright hearts are so consonant to your own" (Feb. 23, 1779). In addition, a memorandum from 1779 notes that Keppel sent Lee £1,000 for his service, but Lee immediately returned it, claiming he attended the trial out of friendship, and requested only a picture of Keppel. Another item of note is a letter from Lee to Sir Fletcher Norton, in which Lee turned down an offer to serve on the King’s Council (Feb. 12, 1770).

The collection contains several items related to the Yorkshire petition movement, including a letter Lee wrote to Reverend Christopher Wyvill, chairman of the Yorkshire Committee of Association for Reform in Parliament, who had sent out a circular to members of Parliament. Lee was critical of the state of the country, and supportive of Wyvill’s reformist goals. Lee wrote: "All things have gone wrong, but in no respect in my mind so wrong as in this, that the public cares little about it. It seems to me as if our Governors were highly pleased with this general apathy in the body of the People, which I think Montesquieu calls the mournful silence of a City that the Enemy is about to storm" (April 15, 1782). The collection also documents Lee’s brief and tumultuous service as solicitor general and attorney general. Of note is a letter from Lord Shelburne inviting Lee "on Wednesday next to kiss the King’s hand on being appointed Solicitor General to his Majesty" (April 15, 1782). After Rockingham’s death, Lee sent a letter to the Lord Chancellor offering his resignation (July 1782). Lord North signaled Lee's reappointment to solicitor general (April 13, 1783), and Lee received several letters of congratulation following his appointment to attorney general in November 1783.

Personal letters comprise a large portion of the collection. One of the most frequent contributors in the collection is Lady Rockingham, who often discussed politics, society, health and medicine, and everyday life. Lee wrote several affectionate letters to his wife and daughter. Though the letters contain few mentions of his religious affiliation, one letter from Reverend Theophilus Lindsey mentions Lee's support for the construction of a Unitarian chapel (June 22, 1793).

The bulk of the collection dated after Lee’s death consists of personal correspondence written to Lee’s wife and daughter. The letters of Lady Charlotte Wentworth are of particular interest, containing detailed descriptions of important events. Her March 7, 1799, letter contains notes on the difficult winter affecting merchants; events in Germany; Mr. Pitt’s planned union with Ireland; news of a wedding and a birth; and an account of Ambassador to Berlin Thomas Grenville’s ship being wrecked off of Newark Island, and Grenville’s narrow escape from the wreck. Another letter from Lady Wentworth in January 1805 documents Lady Rockingham’s death the previous month: "Mrs Thornton and her maid thought she walked toward the bed as if she was stronger than the preceding night & remarked it to her, but she told them they were mistaken, & before she was laid down, she said to Mrs. Thornton I feel ill, don't leave me I'm sure I am dying, they instantly sent for the medical person who lives close by, but before he came the symptoms of death were strong upon her, no violent pain but her breath grew very short." In 1815, Lady Busk wrote a letter to Mary Tabitha, in which she discussed the Battle of Waterloo: "What wonderful Revolutions have happen’d since my son and I left town, the battle of the 18th of last month was beyond all description…My Grandson Harry Vane we saw amongst the number of slightly wounded & am only surpriz’d any one person escap’d being kill’d as the contest lasted so many hours…it proves when God is for us who can be against us? & Bonaparte is now a mere Nothing! We may truly say, how are the mighty fallen!"

Also present is a Memoire of the Marquis of Rockingham, which contains a brief biography of Rockingham, a list of offices held, and an account of his death on July 1, 1782; an engraving of the Marquis of Rockingham (July 31, 1781); several epitaphs for inscriptions on tombs; and a few legal documents.