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Curator of the University of Michigan Botanical Gardens and professor in the Department of Botany; journals, films, photographs, plant list, and drawings of plant habitats from the 1938 Nevill's Colorado River Expedition and following travels in 1939; also articles written about the expedition.

The Elzada Clover collection consists almost entirely of material relating to the 1938 Nevill's Colorado River Expedition. Included are Clover's journals, motion pictures of the trip, photographs, plant list, and drawings of plant habitats both from the 1938 Expedition and from later travels in 1939. There are also articles written about the expedition.

In 2009, DVD use copies were made of the motion pictures.

Aviator and airplane designer, founder of Meyers Aircraft Company, Tecumseh, Michigan. Personal materials, business papers, biographical material, photographs and miscellanea; include letter from Howard Hughes, Sept. 10, 1947.

The Meyers papers include both business and personal material. Materials relating to Meyers' contributions in aviation are likely to be of interest to researchers. Included is correspondence from the 1930s through the 1951s with the Civil Aeronautics Administration concerning development of the OTW, 145, and 200. There is also extensive material relating to design, testing, and production of Meyers aircraft. The papers also may be of use to researchers interested in the fate of the small manufacturer. Those papers of a personal nature reflect Meyers' interest in fishing and in aviation as a hobby as well as business. In addition, the papers throw light upon social and political attitudes of the period. Of interest here is material concerning legal action against Mrs. Meyers, a former member of the Young Communist League, who was deported during the 1950s.

Holly Fine was a dancer and performer with the traveling vaudeville production, the Marcus Show, in the 1930s. The collection documents Fine’s relationship with entertainer Danny Kaye, as well as the Marcus Show itself. Includes correspondence, vaudeville programs and promotional material, photographs, scrapbooks, printed material and drawings. The correspondence includes approximately 0.5 linear feet of letters written from Kaye to Fine.

The Holly Fine and Danny Kaye Papers document the relationship between Fine and Kaye, as well as the 1930s traveling vaudeville production, The Marcus Show. The papers have been divided into six series: Correspondence, Vaudeville, Printed Material, Photographs, Scrapbooks, and Drawings and Artwork.

University of Michigan graduate (BFA '74, MA '76, and Ph.D. '88) and artist, art historian, and educator with an emphasis in Latino art. Materials include artwork as well as research, teaching, and professional topical files.

The George Vargas papers present a look at the interests, work, and activities of artist and historian George Vargas. The material is dated from approximately 1933-2016 and includes topical files, artwork, and correspondence.

The strength of the collection is found in the numerous lectures written by Vargas, which reveal the depth of his research, the original artwork, and the broader view of multi-cultural and, particularly, Latino art activities in Michigan. Also of note are his extensive files of artists that were of interest to him as well as his own papers and publications.

The researcher should note that many items in the collection overlap various series. As a result, researchers should—in addition to reviewing multiple series—be sure to look for the "see also" notes that help identify some of these overlaps.

Ann Arbor-based artist specializing in images of local businesses and sites. The collection has been arranged in three series. The Artwork series includes drawings of buildings and other projects, publications containing reproductions of his work, and files relating to galleries, exhibits, auctions, and art fairs. The Supplemental Materials series concerns the art organizations and associations of which Kemnitz was a member, correspondence, and files pertaining to other activities, notably the Bird Hills Park controversy. The third series, Southern White Migration to Detroit in the 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization. A portion includes Elmer Akers' research on the Black Legion.

The papers of Milt Kemnitz have been divided into three series. The first series, ARTWORK, focuses on the artwork itself, and its reproduction and dissemination. This includes the following subseries: Drawings of Buildings, Other Projects, Publications and Galleries, Exhibits, Auctions & Art Fairs. The second series, called SUPPLEMENTAL MATERIALS, has three subseries, Art Organizations & Associations, Correspondence and Miscellaneous Personal Material. Much of this material concerns his career as an artist but relates less directly to the actual artwork than the material in the first series. The third series, SOUTHERN WHITE MIGRATION TO DETROIT IN THE 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization.

Employee of the museum at the University of Michigan. Letters received from University of Michigan students and alumni serving in the military during World War II and the Korean War; also miscellaneous and photographs.

The Ruth Buchanan collection consists largely of letters received from University of Michigan students and alumni serving in the military during World War II and the Korean War. Other letters commending her service during the war were received from Dwight Eisenhower and Chester Nimitz. A smaller portion of the collection includes research material on covered bridges in Michigan. Within her other non-war related correspondence, there is a letter from Jane Addams, Nov. 4, 1931. The photograph series includes portraits and informal photographs of Buchanan in the museum where she worked for thirty years; photos of university students, alumni, and Ann Arbor residents in military service during World War II and the Korean War; photos of NROTC and Navy V-12 students at the University of Michigan during World War II; photos of covered bridges and of Michigan National Guard exercises at Camp Grayling; and a drawing of Elbridge F. Bacon.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photographs Collection. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama, and additional photographs of Islamic architecture.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photograph. The Mehmet Ağa-Oğlu collection documents the Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. Arthur Upham Pope focused primarily on Persian architecture and monuments, but his collection also includes photographs of Persian ceramics, textiles, and illustrated manuscripts. Wilber, Pope's colleague, also primarily studied Iranian monuments but he focused on those built during the Achaemenid and Sasanian empires. Oleg Grabar's work focused on the architecture of the seventh and eighth centuries of the Umayyad dynasty, the architecture of Jerusalem under Islamic rule, Arabic and Persian illustrated manuscripts and ornaments, and contemporary Islamic architecture. On the other hand, the Afghanistan Archaeological Remains Photograph collection depicts Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. Finally, Dr. Simpson's collection documents her work and her notes from her study of Islamic manuscripts around the world. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama.

Urban planning specialist. Reports, sketches, and other material relating to the development of the Willow Run Bomber Plant area in Wayne County, Michigan, during World War II; studies of the proposed Detroit Civic Center, 1952; also papers concerning his later work as planning director in Santa Clara County, California; letter from Frank Lloyd Wright; and sketchbooks with drawings and watercolors of buildings and scenes in Europe, the United States, and Taiwan; also photographs of Belser.

Ninth president of the University of Michigan, 1967-1978, later president of the Corporation for Public Broadcasting, chairman of the National Institute for Dispute Resolution, and member of the boards of the MacArthur and Johnson Foundations. Personal files, including general and family correspondence, papers detailing service with the U. S. Army military police in Europe during World War II, records concerning activities as labor arbitrator, topical files relating to work at universities of Illinois, Wisconsin, and Michigan; files relating to activities with the Corporation for Public Broadcasting concerning in part the Annenberg/CPB project; and photographs relating to his life and career.

The Robben Fleming collection documents a career marked by diversity in the areas of his public service. The cornerstone of his life is no doubt his years as ninth president of The University of Michigan. While this role is certainly documented in these papers, there is considerable other materials relating to his service in World War II, his work as a labor arbitrator and law professor, his work with the Corporation for Public Broadcasting, and his advocacy in other arenas of the importance of higher education. As Fleming worked in various educational and corporate settings, the records of that service properly belonged to those agencies. This collection, by and large, consists of personal materials retained by Fleming or copies of records given to Fleming as his own. Thus, for example, while this collection includes speeches, invitations, and personal correspondence, maintained while he was President of The University of Michigan, the records of the Office of the President for Fleming's tenure have been received and cataloged separately. Even so, the content of these materials is highly valuable on any number of topics, but specifically higher education broadly defined.

The series in the collection are Correspondence; World War II service; School materials; Labor Arbitration files; Career Activities to 1967; University of Michigan President, 1967-1978; Corporation for Public Broadcasting; Other Organizational Activities; Topical Files, 1978-2000; Knight v. State of Alabama; Publications, speeches, and reports; Personal and Autobiographical Materials; Travel Records; Clippings and Scrapbooks; Photographs; and Other visual and audio materials.

Founded by Hermann A. Brunn in Buffalo, New York, Brunn & Company were designers and builders of automotive bodies from the 1920s through the early 1940s, and are best known for the bodies constructed for the Lincoln Division of the Ford Motor Company. Brunn also built automobiles for private individuals, many of whom were well-known members of American business and society circles, including J.C. Penney and J.P. Morgan. Hermann C. Brunn, son of Hermann A., produced numerous designs for the company, and then continued his career at the Ford Motor Company following the closing of Brunn & Company in 1941. The collection documents the work of Brunn & Company, Hermann A. Brunn, and Hermann C. Brunn, through engineering drawings, photographs, paint and upholstery samples, customer order records, correspondence, and research materials.

The Brunn collection has been divided into four series: Correspondence, Design and Engineering, Images, and Sales and Marketing.

The Correspondence series is arranged alphabetically by correspondent and then chronologically within each file. The letters are primarily from customers to Hermann A. Brunn expressing appreciation for the work done on their vehicles. Letters that are circa 1970 includes material written by and sent to Hermann C. Brunn during his employment at Ford Motor Company, and in regards to modern restorations of Brunn vehicles. In cases where a specific vehicle can be identified, the correspondence has been filed with the photographic images of that particular vehicle. Some of the letters were part of a scrapbook and many letters are glued to the same page, as a result at the end of correspondence there are several letters listed together which indicates they are glued together and in the same folder.

The Design and Engineering series is divided into three subseries: Brunn & Company Drawings, Other Drawings, and Hermann C. Brunn. The material in the series consists primarily of drawings produced by Brunn & Company illustrating the various body designs produced by the firm, which are, for the most part, reproductions, or blueprints. The drawings show the left (driver) side elevation of the vehicle and, in some cases, include a plan view of the interior layout. Dimensions, if shown, detail the passenger interior space. The name, or initials, of the designer, customer name, and notes detailing specific vehicle configuration and trim can be found on many of the drawings. The drawings have been arranged alphabetically by make of chassis, then chronologically by date drawn and design number. Data for body style, model, chassis wheelbase in inches, engine configuration, order number, and customer name has also been included in the file title, where known. The Other Drawings subseries consist of a smaller number of drawings that originate from other manufacturers, including General Motors and the Ford Motor Company. The Hermann C. Brunn subseries consists of materials created by Hermann C. Brunn in the period after the closing of Brunn & Company, and includes a manuscript for an article describing the history of the brougham body style.

The Images series is divided into five subseries: Negatives; Vehicles, Brunn & Company; Vehicles Other, Non-vehicle, Brunn & Company; and Non-vehicle, Other. Image formats include black and white, and color, photographic prints and negatives. The bulk of the subjects are Brunn & Company vehicles, with images illustrating the exterior of completed automobiles. In many cases the prints and negatives are marked with the vehicle order number and many images are loose pages from a scrapbook. Images of body construction, interior, and body detail are captured for some vehicles. Non-vehicle subjects include the [1929] Paris, France, Auto Salon. Non-Brunn & Company subjects include several of images of the Aqua Cheetah, an amphibious vehicle built for the United States Army by the Amphibian Car Corporation. Another group of photographs are labeled “Best of Brunn” I and II which are an assortment of photos from various car models.

The Sales and Marketing series consists of brochures, print advertisements, owner lists, price lists, and a number of large-format upholstery and paint samples. The series also includes a Customer Order Book for 1935-1937. This journal records all vehicles built by Brunn & Company during that time period, with entries for order number, order date, body style, model number, customer name, body number, trim and paint specification, intermediate construction dates, and vehicle completion dates.