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Collection

Conesus Lake Camping commonplace book, 1889

1 volume

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

Collection

Glimpses of Loma Land, ca. 1902-1903

16 photographs in 1 album.

Glimpses of Loma Land contains 16 photographs related to the Theosophical community of Lomaland established in the year 1900 by Katherine Tingley in Point Loma, California.

Glimpses of Loma Land contains 16 photographs related to the Theosophical community of Lomaland established in the year 1900 by Katherine Tingley in Point Loma, California. The album (37 x 30 cm) is string-bound and has brown leather covers with the words "Glimpses of Loma Land" sylistically illustrated on the front. All of the photographs are supplied with manuscript captions that are often accompanied by elaborate illustrations and/or quotes from Tingley.

The first page bears the inscribed Theosophical motto "There is no Religion higher than truth", while an inscription on the second page reads: "The Universal Brotherhood Organized by Katherine Tingley for the benefit of the people of the earth and all creatures Among the various Departments are the Theosophical Society The Isis League of Music and Drama and the International Brotherhood League The international headquarters are at Point Loma California." The photographs begin on the third page. Images in order of appearance include a half-length portrait of Katherine Tingley in profile accompanied by an exalting inscription; the "Aryan Temple" built by Tingley in memory of "H. P. Blavatsky" and "W. Q. Judge"; a group portrait of some of Tingley's female students; a group of "Cuban boys of the Raja Yoga School" picking flowers to be used during a celebration of the arrival of 11 Cuban children described as having been previously "imprisoned at Ellis Island by the Gerry Society"; a group of American and Cuban girls "of the Raja Yoga School"; a man dressed as George Washington for "one of the character studies in the historical drama given by the Raja Yoga students"; a group portrait including "Emilio Bacardi - Mayor of Santiago de Cuba" (a personal acquaintance of Tingley's who took part in the inspection of Lomaland during the Cuban children controversy) and "Daniel Faiardo Ortiz - Editor of 'El Cubano Libre' - Santiago de Cuba" posing with students of Tingley at the "Loma Homestead"; a photograph of a Theosophical painting by Lomaland pupil A. Markell entitled "The Path"; three of the "Eleven Cuban Children" that have "become famous through the persecution of Katherine Tingley By the Gerry Society"; four Cuban girls at the Raja Yoga School "Receiving instructions in the Department of Silk Industry"; the Raja Yoga Chorus assembled for a performance; a daily calisthenics course; a group of "Comrades and Students Near One of the Ideal Homes"; the "Great Amphitheatre," the first of its kind in the United States; the "Egyptian Gate" which served as an "Entrance to the School of Antiquity"; the "Entrance to the caves of Loma Shore"; and a group portrait of several young girls at a dining table captioned "Tiny Lotus Buds - Some of the little Homemakers of the Raja Yoga School."

Collection

Society for the Prevention of Cruelty to Disabled Hats, ca. 1869-1870

1 volume

The Society for the Prevention of Cruelty to Disabled Hats is a humorous handwritten and illustrated booklet related to a fictional organization dedicated to the protection of various styles of hats.

The Society for the Prevention of Cruelty to Disabled Hats is a humorous handwritten and illustrated booklet related to a fictional organization dedicated to the protection of various styles of hats.

The volume (11 x 7 cm) is a small notebook with a sticker on the front cover of an American top hat. Inside of the front cover the name and originating date of the society are presented. The following pages display a declaration from the society’s “board” before delving into 60 watercolor and ink illustrations of different types of hats, each of which is provided a name. The inside of the back cover contains lists of the society's “board members” and “inspectors.” Also of note is an illustration of a firefighting wagon.

Collection

J. F. Beyer sketchbook and scrapbook, 1837-1895

1 volume

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

Collection

J. F. Beyer sketchbook and scrapbook, 1837-1895

1 volume

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

Collection

William L. Culbertson, Jr., Scrapbook, 1905-1918

1 volume

The William L. Culbertson, Jr., scrapbook consists of one volume containing numerous newspaper clippings, documents, photographs, hand-drawn maps and illustrations, correspondence, and various ephemeral items related to the career of US Navy officer CDR William Linn Culbertson, Jr., between 1905 and 1918.

The William L. Culbertson, Jr., scrapbook consists of one volume containing numerous newspaper clippings, documents, photographs, hand-drawn maps and illustrations, correspondence, and various ephemeral items related to the career of US Navy officer CDR William Linn Culbertson, Jr., between 1905 and 1918.

The volume (25.5 x 19 cm) has 146 pages and is bound in red marbled paper covers. The covers and spine are in poor condition. Inside of the front cover there is a loose diplomatic passport for Culbertson, Jr., issued by the U.S. Embassy in Paris, France, from August 1916 that contains personal descriptive information as well as a photographic ID portrait. The scrapbook begins with newspaper clippings from ca. 1905 and subsequent materials proceed in chronological order for the most part. Numerous items collected during Culbertson, Jr.’s time abroad contain text in foreign languages including French, Spanish, Italian, Japanese, Chinese, German, Arabic, and Greek.

Items of particular interest include:
  • Hand-drawn portrait of a man playing cards and smoking a pipe (between pgs. 2 & 3)
  • Clipping related to court martial of Iowan midshipman Charles M. James for alleged involvement in hazing (pg. 5)
  • Photomechanical image of the U.S.S. Missouri (pg.7)
  • 1906 New York herald clipping with full page illustrated article titled "At Sea with the Naval Cadets Annual Cruise of the Boys to Learn Practical Seamanship" (pg. 9)
  • An order from Lt. CDR Cleland Davis of the U.S.S. Missouri dated May 24, 1906 instructing Culbertson, Jr., to "take charge of the remains of J. J. Molloy, fireman 1st class" who died from asphyxiation while ashore in New York City (pg. 11)
  • A letter received March 27, 1906 while the U.S.S. Missouri was in Guantanamo Bay, Cuba, regarding Culbertson, Jr.'s request to be assigned to a torpedo boat that will "make the trip to the Asiatic Station" (pg. 17)
  • Ca. 1906 clipping regarding Culbertson, Sr.'s real estate dealings (pg. 19)
  • Typescript copies of the "Plan for the Occupation of St. Marc, Hayti" dated February 1916 (between pgs. 30 & 31)
  • Program for the "Memorial Service in memory of the Culbertsons, of 'Culbertson's row' and their descendants who served in the War of the American Revolution" held at Rocky Spring Presbyterian Church, Franklin County, Pennsylvania on September 15, 1907 (pg. 37)
  • Pamphlet detailing "Facilities for American Seamen on shore leave in Rio de Janeiro, January, 1908" which includes a map of Rio's commercial district (pg. 41)
  • Clippings of an article regarding Surgeon General Presley M. Rixley's opinion that medical officers be placed in command of hospital ships (pg. 44) and a satirical cartoon titled "When the Navy puts doctors in command of the hospital ships" (pg. 45)
  • A humorous mock notice issued to Culbertson, Jr., in September 1908 while aboard the U.S.S. South Dakota sent by "Neptune Rex" and undersigned by "Secretary to his Majesty Davy Jones" (pg. 52)
  • A manuscript map detailing features of American Samoa (pg. 53)
  • Clippings of three cartoons from a series titled "Trials of a First Baby" (pgs. 54-57)
  • Letter from oiler J. J. Murphy dated May 23, 1907, requesting permission to purchase his discharge from the U.S. Navy in order to return home to Ireland following the deaths of two brothers; obituary clipping attached (between pgs. 68 & 69)
  • Manuscript item in Japanese (pg. 73)
  • New York herald clipping giving Culbertson, Jr.'s account of what he saw in the aftermath of the 1907 earthquake in Kingston, Jamaica (pg. 76)
  • Manuscript map detailing the valley of the Artibonite River in Haiti, likely ca. 1915/1916 (between pgs. 86 & 87)
  • Manuscript map detailing prospective plan of attack on St. Marc, Haiti, relative to the U.S.S. Des Moines, likely ca. 1916 (pg. 99)
  • Passport for Culbertson, Jr., issued by the American Consulate in Alexandria, Egypt, on December 31, 1915 (pg. 115)
  • Clipping of a humorous joke anecdote about a woman from San Francisco who contacted her deceased husband "John" with help from a spiritualist medium only to find he was much happier being dead than he ever was living with her (pg. 118)
  • Memorandum dated October 13, 1915, regarding damages to the U.S.S. Brutus and U.S.S. Des Moines (pg. 129)
  • Two French travel permits for Culbertson, Jr., issued by the Departement des Alpes-Maritimes in 1916 (pgs. 136 & 137)
  • Numerous playbills, tickets, receipts, stamps, business cards (including cards for foreign naval officers), schedules, menus, advertisements, event invitations, social club notices, and other ephemeral items collected at various ports of call including Rio de Janeiro, Lima, Shanghai, Yokohama, Buenos Aires, San Francisco, New York City, Alexandria, Cyprus, Naples, etc. (passim)
  • Numerous clippings related to World War I (passim)

Collection

Andrew J. Duncan journal and orderly book, 1861; 1864-1865

157 pages (2 items)

Duncan's journal is a brief account of the earliest operations of the 23rd Ohio Infantry while serving in West Virginia in 1861. The orderly book contains copies of orders issued in 1864 and 1865 from the Headquarters of the Army of West Virginia and the Army of Shenandoah, including some signed by William McKinley.

Duncan's journal is a very well written, unfortunately brief account of the earliest operations of the 23rd Ohio, from its mustering in at Camp Chase through the first two months of its service in West Virginia. Even though the passages are generally short, they provide an excellent idea of the difficulties of operating in the mountainous country, and of the problems of poor training and discipline. There is a good second-hand description of the Battle of Rich Mountain, as well as two descriptions of the battlefield a month after the fact, and a long and detailed account of the Battle of Carnifex Ferry. As good as the battle descriptions, though, are his descriptions of the aftermath of Carnifex Ferry, particularly his powerful, grisly description of the expressions on the faces of corpses littering the battlefield.

The orderly book contains 35 routine carbon copies of orders issued late in the war from Headquarters of the Army of West Virginia and the Army of Shenandoah. The book was apparently originally William McKinley's, and many of the orders from Shenandoah are signed by him. Two orders are of some interest: one (in triplicate) dated April 27th, 1865, noting the capture of John Wilkes Booth, and the other, dated April 29th, reporting the surrender of Johnston's army to Sherman.

Duncan included four pencil sketches in his diary, 1) a rough sketch of a "Virginia secesh," 2) a view of Glenville, West Virginia, and sketches of the battlefields at 3) Rich Mountain and 4) Carnifex Ferry indicating troop placements, etc.

Collection

Seth Eastman Watercolors, ca. 1846-1858

12 watercolors

The Seth Eastman watercolors consist of 12 sketches produced by U.S. Army officer Seth Eastman.

The Seth Eastman watercolors consist of 12 sketches produced by U.S. Army officer Seth Eastman. Most of these works were likely created by Eastman between approximately 1849 and 1858, including many that were executed in relation to his work as illustrator for Henry Rowe Schoolcraft’s six-volume ethnographic survey Information respecting the history, condition and prospects of the Indian tribes of the United States, published between 1851 and 1857. Individual items measure up to 18 by 25 cm.

The following list includes titles (supplied titles appearing in brackets), content descriptions, and citations for engraved versions that appear in Schoolcraft’s survey:

“Pawnees Torturing a Female Captive”
  • Watercolor scene showing a naked Native American girl being tortured in front of a large group of Skiri Pawnee men, women, and children. This depiction is thought to have been based on accounts cited by Schoolcraft of the last known instance of the Skiri Pawnee Morning Star sacrificial ritual, ca. 1837/1838.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 6, Plate 6 (across from pg. 78)

“Emigrants Attacked by the Comanches”; Capt. S. Eastman U.S. Army Del.
  • Watercolor scene showing several Comanche warriors on horseback attacking a wagon train circle defended by men with rifles.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 2, Plate 33 (across from pg. 132)

“Mission Chapel of San José. Near San Antonio, Texas"; Capt. S. Eastman U.S. Army Delt.
  • Watercolor scene showing several Native American warriors (likely meant to be Comanche) on horseback outside of San José Mission Church.
  • Based on 1849 sketch by Eastman held by the Peabody Museum, Harvard University.

“Oneida Lake from the Original Site of the Oneida Stone, Oneida County, N.Y.”; S. Eastman U.S. Army Delt.
  • Watercolor view showing a Native American man smoking a pipe seated on the Oneida Stone overlooking terrain with Oneida Lake in the distance.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 5, Plate 23 (after pg. 152)

“Esopus Landing, Hudson River”; S. Eastman U.S. Army Delt.
  • Sepia ink wash view showing two Native Americans on rocks in foreground looking out over the Hudson River.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 3, Plate 19 (after pg. 74)

“Humboldt, California.”; S. Eastman from a sketch by G. Gibb (sic, George Gibbs)
  • Sepia ink wash view of Humboldt, California, ca. 1851 showing several buildings viewed from across a harbor. Copied by Eastman from original drawing by George Gibbs.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 3, Plate 43 (across from pg. 130)

“Pittsburgh in 1790”; Drawn by Capt. S. Eastman U.S. Army from the original, taken from the south side of the Monongahela by Lewis Brantz Esq.
  • Ink wash view of structures at Fort Pitt, Pennsylvania, ca. 1790. Copied by Eastman in 1851 from original drawing by Lewis Brantz, then in the possession of Brantz Mayer.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 3, Plate 32 (across from pg. 336)

“Mexican Antiquities”; S. Eastman U.S. Army
  • Sepia ink wash depiction of seven indigenous Mexican cultural artifacts. Drawn after engravings based on drawings by Brantz Mayer.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 6, Plate 40 (after pg. 590)

“Mexican Antiquities”; Drawn from the originals by Capt. S. Eastman U.S. Army
  • Sepia ink wash depiction of ten indigenous Mexican cultural artifacts. Eastman drew these objects direct from observation of materials held in the collection of Brantz Mayer.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 6, Plate 39 (after pg. 590)

“Indian Signatures”; Copied from the original by S. Eastman U.S. Army
  • Pen and ink drawing showing written names and totems of sixteen Ojibwa individuals including “Kimi-Ki-Chawgan,” “Kitche-pus-quegegan,” “Siginac,” “Apeche-caw-boway or Grand Blanc,” “Maw-manche-Cawtence,” Skaw-O-mut or Black Chief,” “Mieray or Walk in the Waters,” “Ray-y-Aron,” “Ane-me-quinee,” “Puck-e-Nence,” “Que-baw-que-gun,” “Puck-qua-Cawboway,” “Seken-ge-win,” “Many-to-quajick or Little Cedar,” “So-wa-quet,” “Macconce or Little Bear.” These signatures were claimed by Schoolcraft to have been copied from an invoice of Indian goods disbursed by General William Hull at Fort Detroit in 1809.
  • Information respecting the history, condition and prospects of the Indian tribes of the United States, Vol. 2, Plate 56 (across from pg. 226)

[The American Surrender at Fort Shelby, Prairie du Chien, Wisconsin, July 20, 1814]
  • Watercolor view depicting American troops at Fort Shelby, Wisconsin, surrendering to the British on July 20th, 1814, during the War of 1812; likely executed by Eastman ca. 1846-1848.
  • Eastman was stationed at Fort Crawford (successor to Fort Shelby, which was destroyed by the British in May of 1815) after graduating from West Point in 1829 and possibly interacted with individuals who witnessed the surrender first-hand.

[Winter Scene at Fort Pembina, Later Part of North Dakota, ca. 1858]
  • Watercolor view of Fort Pembina, Dakota Territory, during winter showing buildings, tipis, and a dog sled.
  • Work is unsigned but bears clear similarities to other landscape scenes by Eastman.

Collection

Hopkins family papers, ca. 1800-1932

4 linear feet

The Hopkins family papers contain wide variety of materials relating to the Hopkins family of Vermont and California. A few of the wide variety of topics covered include the Episcopal Church, student life at the University of Vermont, the 1849 Gold Rush and 19th-century life in California, the San Francisco Earthquake of 1906, art, and music.

The Hopkins Family papers document the activities of several generations of the Hopkins family of Vermont and California, whose members included prominent 19th century artists, musicians, religious figures, and writers. Among its notable figures are John Henry Hopkins (1792-1868), the first Episcopal bishop of Vermont; John Henry Hopkins, Jr., best known for writing the song "We Three Kings"; and Caspar Hopkins, a writer, early explorer of southern Oregon, and miner and entrepreneur during the California Gold Rush. Perhaps the most extraordinary aspect of the Hopkins family was the wide extent of their collective talents and experiences. As a result, their collection touches on numerous historical subjects, including the Episcopal Church, the insurance business in California, shipping, Vermont in the 19th century, California during and after the Gold Rush, gothic architecture, classical and religious music, education, and family life during the 19th century. Spanning 1800 to 1932, and comprising four linear feet of material, the collection contains a huge variety of material, including correspondence, documents, printed matter, drawings, manuscript and printed music, photographs, broadsides, pamphlets, monographs, periodicals, and maps.

The Correspondence series contains approximately 400 incoming and outgoing letters, spanning 1824 to 1932, with the bulk concentrated in the years between 1830 and 1890. Caspar Hopkins contributed the largest number of letters to the collection, writing approximately 25%; followed by his brother, John, Jr., (15%); his mother, Melusina (10%); his wife, Almira (5%), and his father, John, Sr., (5%). Caspar wrote frequent letters to his wife and family, and they document many stages of his life, such as his 1849 voyage to California via Mexico and his participation in the Gold Rush as a speculator and businessman, his exploration of the Umpqua River in southern Oregon in the early 1850s, and his career as president of the California Insurance Company in the 1860s through the 1880s. His Gold Rush letters in particular contain incisive comments on the miners he encountered and on their way of life. On October 14, 1850, he wrote a letter to "Friend Clarke," describing frontier conditions, the attitudes of settlers, and the habits of Native Americans in the Klamath River Valley. Many letters also discuss religious and intellectual matters, two areas of interest for Caspar.

Bishop John H. Hopkins' letters span 1831-1866 and contain a great deal of advice to Caspar, as well as his thoughts on religious matters, the Civil War, family affairs, and many other topics. In a few early letters written to Caspar when he was a young man, John described his views on the raising of children and gave advice on being successful (December 11, 1850); he lamented Caspar's lack of interest in the ministry as a career (February 20, 1851). Other letters by the bishop touch on the satisfaction of worship (August 17, 1854), contain pro-South speculation as to the causes of the Civil War (May 28, 1861), and mention his upcoming golden wedding anniversary with Melusina (March 10, 1865). In a letter of August 10, 1866, John addressed Caspar's growing skepticism toward organized religion, urging him to return to the church "to which you and your dear family rightfully belong," despite its "earthly" defects. John Henry Hopkins, Jr., wrote several dozen letters, primarily concerning his experience as a member of the clergy, touching often on pedagogical subjects which ranged from arguments on why Lincoln was a bad president to theological discourses, some even written in Latin. On February 25, 1844, he wrote a particularly good description of student life at the University of Vermont, and bemoaned the "inveterate practice of loafing into each other's rooms in study hours" and "lolling on each other's beds." The Hopkins women are also well-represented among the letter-writers. Melusina Mueller Hopkins, the wife of Bishop Hopkins, wrote numerous letters to Caspar, which include biographical information about Caspar's siblings and father, as well as other family news. Others female writers include Amelia Muller (Melusina's sister), and Caspar's sisters Caroline Hopkins Canfield and Matilda Hopkins Camp.

The Bishop Hopkins' Sermons and Pastoral Letters series contains ten manuscript sermons (including one fragment), two printed sermons, and two printed pastoral letters. The manuscript items note the various dates on which Hopkins read them before his congregation; he frequently performed them multiple times between 1824 and 1862. The printed sermons and pastoral letters all date to the period of 1850-1855. They touch on numerous religious and scriptural themes and shed light on the Episcopal Church in Vermont and Hopkins' own views on morality, the meaning of life, and the role of the church. Many additional items written by Hopkins are housed in the Book Division, and listed under "Additional Descriptive Data."

The Caspar Hopkins' Writings and Documents series contains one linear foot of material, dating from Hopkins' college years (1845-1847) to the end of his life in the 1890s. Containing both manuscript and printed items, it includes four subseries. The General Writings subseries consists of 24 items, including essays that Hopkins wrote for classes at the University of Vermont, several plays, and articles that he wrote on topics as diverse as divorce law, happiness, American government, and the insurance agency. The second subseries, Berkeley Club Writings, contains 16 manuscript essays that Hopkins wrote between 1873 and 1889 for presentation to the social and intellectual organization, the Berkeley Club. They pertain to such topic as evolution, agnosticism, religion in public schools, and marriage and divorce. The Autobiography subseries consists of three copies of Hopkins' self-published biography, written in 1889, which provides biographical information and insightful commentary on himself and various other members of the Hopkins family. The final subseries, Documents, includes three documents relating to Caspar Hopkins dated between 1873 and 1893: a publishing contract, a printed petition, and a will.

The Printed Matter and Clippings series contains miscellaneous printed items related to or collected by members of the Hopkins family, dating ca. 1850 to ca. 1940. The series comprises printed playbills and concert programs, newspaper articles relating to members of the family, and other printed material. It also includes an undated phrenology chart for Caspar Hopkins. Two printed broadsides in this series are housed in the Graphics Division. For more information, see "Separated Materials" under "Additional Descriptive Data."

The Genealogy series contains manuscript and printed information on various lines of the Hopkins family, gathered primarily in the early 20th-century.

The Music series includes manuscript and printed music played or written by various members of the Hopkins family. Among the many items of interest are a volume of music written by Bishop John Hopkins; a set of scores written and copied by Caspar Hopkins while in California, 1861-1865; and two ca. 1800 books of German songs belonging to the sisters of Melusina Mueller, Charlotte and Theresa.

The Art series contains the drawings, sketches, watercolors, and hand-colored botanical paintings produced by Bishop John Hopkins, his mother (Elizabeth Fitzackerly), and his children. Included are six volumes of drawings and watercolors by the bishop, which depict scenes he encountered while traveling in upstate New York in 1825, gothic churches, landscapes, and human hands. Of particular note are nineteen large plates from Hopkins' 1834 Vermont Flower Book, nine of which his children hand-painted, as well as a letter from William Bayard Hopkins, laid into the volume, describing their habit of working together around the dining room table. Also of interest are botanical paintings by Hopkins' mother, Elizabeth Fitzackerly, dating to the late 18th- or early 19th-century.

The Photographs and Maps series includes approximately 50 photographs of various members of the Hopkins family, including John Hopkins, Sr.; Melusina Hopkins; Caspar Hopkins; John Henry Hopkins; Jr.; Frances (Hopkins) Hinckley; William Bayard Hopkins; and various family groups, landmarks, and homes. Formats include cartes de visite, cabinet cards, tintypes, and a glass plate positive. Also present are two large views of San Francisco shortly after the destruction of the 1906 San Francisco earthquake. The collection also includes three maps, housed in the Map Division. They include an 1849 sketch of San Francisco by Caspar Hopkins; a map of Penobscot County, Maine (ca. 1900); and one of the Union Pacific Railroad and its rail connections (1872). For more information, see "Separated Materials" under "Additional Descriptive Data."

Collection

Jewett-Mack correspondence, 1809-[1852] (majority within 1840-1851)

24 items

This collection contains letters written and received by members of the Jewett and Mack families of Pennsylvania and New York in the early to mid-19th century. Alfred Wolcott Mack and his wife, Betsey Jewett, wrote and received a majority of the correspondence, which relates to topics such as farming in western New York, family health, and other family news.

This collection contains 24 letters written and received by members of the Jewett and Mack families of Pennsylvania and New York in the early to mid-19th century. Alfred Wolcott Mack and his wife, Betsey Jewett, wrote and received a majority of the correspondence, which relates to topics such as farming in western New York, family health, and other family news.

The first item is a letter that Nathan Jewett wrote to his wife Electa while working in Boston, Massachusetts, in 1809; other early material includes personal letters between members of the Mack family. Most items dated after 1840 relate to Alfred Mack and his wife, Betsey Jewett. In a letter to his wife, Mack described and drew a piece of property located near Phelps, New York, where the couple considered moving in September 1842. After moving to Barre, New York, in 1843, Betsey Jewett Mack corresponded with her parents in Brooklyn, Pennsylvania. Betsey and Alfred Mack discussed their lives in Barre and commented on local farming methods and economic conditions; in the mid-1840s, they also wrote about their efforts to locate and purchase a different farm. Electa Jewett occasionally provided family and social news. Betsey and Alfred Mack's daughter Ellen also wrote 2 letters to her grandmother; in one undated letter, she enclosed a drawing of a piano.

Other correspondence includes a letter Nathan Jewett received from his brother-in-law, Dana Fox, who described an incident in which he believed he had been possessed by Satan (May 15, 1845), and a letter to Betsey Mack from a cousin, L. M. Mack, who enclosed a cut-out woman' silhouette (June 9, [1852]).