Collections

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this volume around the 1890s. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec.

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this journal from approximately 1893-1896. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec. The volume contains 200 pages, not all of which are used.

Wilcox wrote a 2-page introduction on June 2, 1893, intending to record details of his life for friends and family to discover after his death. In approximately 43 additional pages of prose, he wrote about his courtship with and wedding to Clara Stuart, his early years in New York City, numerous hunting and fishing trips in northern New York, and a summer vacation in New Hampshire and Québec. Two of the accounts describe a salmon run and an encounter with bears, and one pertains to a youthful prank. Some of the journal's watercolors, drawings, and sketches illustrate aspects of Wilcox's travel stories; most depict hunters, fishers, fish, rowboats, cabins, and woodland scenery. One pencil drawing utilizes shading to create the illusion of a nighttime view and appropriate shadows. Photographs include a picture of a man in a military uniform posing by a paper globe and paper cannonballs (possibly taken around 1917), studio portraits of an unidentified man and woman, a studio portrait of a man in his underwear, views of steamboats in a canal or lock, pictures of cacti in a desert, and a picture of hunters in a wooded area. Also present are interior shots of a shipping or similar commercial office and a man working in an enclosed office space, as well as street scenes. Two newspaper clippings concern E. E. Wilcox's use of shed human skin as a painting canvas and a painting he made as a young man.

This manuscript contains detailed descriptions of boxing matches, biographical information about prominent boxers, and related poetry, portraits, and illustrations, primarily concerning the sport's history in England during the early 1800s.

This 546-page manuscript contains information on boxing and boxers in the early 19th century. Approximately 512 pages include detailed descriptions of boxing matches and biographies of prominent boxers, with an additional 27 pages devoted to boxing- related poetry. A 7-page index of names, matches, illustrations, and poetry finalizes the volume.

The round-by-round descriptions of matches provide details about the combatants and their movements, locations of the fights, histories of the participants, physical states of the fighters after the bouts, and prizes awarded. The biographies vary in length and are occasionally accompanied by portrait illustrations of the men in everyday or formal attire. English and American boxers are represented, including some African Americans. Additional drawings depict boxing matches and trophies.

The George A.C. Barnett papers consists of a set of letters written to a woman named "Dotty" between November 30, 1864, and December 25, 1864, while Barnett was serving as 1st Lieutenant in the 17th New York Veteran Volunteer Infantry.

The correspondence of George A.C. Barnett consists of a set of 27 letters written to a woman named "Dotty" between the dates of November 30, 1864, and December 25, 1864. The letters were written from Chattanooga, Tennessee. Just as Barnett arrived in Tennessee, the railroad was cut, making it impossible to send or receive mail. As a result, Barnett collected his daily correspondence, numbered each page, and eventually sent the batch of letters as a collected work. The letters, totaling 192 pages, describe Barnett's daily activities, thoughts, and feelings.

A small printed etching of the Three Graces is affixed to the November 30th letter. Pen and ink drawings illustrate the letters of December 18th (a man in tall boots), 19th (a pair of elegant "breeches"), and 20th (a horse).

The George Barrell journal is a bound account entitled "Journal of a Voyage from Boston to Malaga in the Brig Venus and Return in the Schooner Louisiana by George Barrell." Along with Barrell's prose descriptions of life at sea and detailed depictions of Gibraltar and Malaga, the author drew 32 colored illustrations, primarily of landscapes and people he encountered on his journey.

The George Barrell journal is a bound account entitled "Journal of a Voyage from Boston to Malaga in the Brig Venus and Return in the Schooner Louisiana by George Barrell." Along with Barrell's prose descriptions of life at sea and detailed depictions of Gibraltar and Malaga, the author drew 32 colored illustrations, primarily of landscapes and people he encountered on his journey. The account, which commenced on July 13, 1806, first chronicled the travels of the Venus to Gibraltar, Spain, via the Azores. Barrell made daily notations about the weather and often mentioned interesting occurrences; Spanish privateers, whom he detested, boarded the ship on several occasions, though the Venus also encountered friendlier British ships. By mid-August, they had arrived at Gibraltar, which Barrell described in detail on several pages, recording observations about the city and its people, including the weather, the Jewish population, local British officers, and local buildings. Following a quarantine period at Gibraltar, the Venus sailed to Malaga, about which Barrell also noted his observations. On September 28, 1806, he left on the Louisiana for New York City, but rough seas lengthened their journey to several months.

The journal also contains 32 color illustrations created by Barrell during the course of his travels. He often drew ships, landscapes, and various military officers seen along the Spanish shore.

Teenager Gilbert Attwood created this 8-page manuscript magazine titled "The Nick-Nack" (vol. 1) while attending high school in 1840. The magazine features humorous articles and advertisements, comments about Attwood's teachers and classmates, and several small drawings.

Teenager Gilbert Attwood created this 8-page magazine titled "The Nick-Nack" (vol. 1) while attending high school in 1840. The magazine features humorous articles and advertisements, comments about Attwood's teachers and classmates, and several small drawings.

The magazine's sections include "Names" (a rumination on the names of other students, as well as objects like streets and chairs), "A Year in the Country" (Attwood's account of his family's move in the spring of 1838), "Parody on the Country Schoolmaster Original" (a take on the poem "The Village Schoolmaster" by Oliver Goldsmith), "Extracts from a Journal," and "A Peep into the Year 2000." The sections are separated by thin black lines. Advertisements include "Printing," "Lectures," "Arostook Whiskers," and "Stop Thief."

The collection consists of twenty-one illustrated letters written by Hank Hanft around 1919 to his approximately five-year-old brother Robbie, likely in or near Wisconsin. The letters were written using block letters, likely to assist a young child's ability to read them, and feature the use of pencil, crayon, and watercolors to produce drawings and paintings. The illustrations include scenes of fishing, farming, and hunting, and objects such as animals and plants, boats, and household and agricultural goods. Hank also wrote moralizing stories, often about animals or children.

The collection consists of twenty-one illustrated letters written by Hank Hanft around 1919 to his approximately five-year-old brother Robbie, likely in or near Wisconsin. The letters were written using block letters, likely to assist a young child's ability to read them, and feature the use of pencil, crayon, and watercolors to produce drawings and paintings. The illustrations include scenes of fishing, farming, and hunting, and objects such as animals and plants, boats, and household and agricultural goods.

Hank also wrote moralizing stories, often about animals or children, with lessons such as, "Never Be Late," "Always Go to Sunday School," "When You Fight, Soak the Other Boy, But Don't Talk and Swear About It," among others. Two items relate to witches, one a watercolor painting of a Halloween scene with a witch flying on a broomstick and the other a short story about an old lady who refused to eat and turned into a witch. Only one letter is dated in the collection, written from Hank to his father on May 3, 1919, requesting financial support to cover housing costs, suggesting Hank may have been a young adult or attending school away from home.

The Hazel L. Sloan motorcycle journal chronicles six trips taken near Youngwood, Pennsylvania, by the young woman and several of her friends in the summer of 1914. The journal is accompanied by a pencil sketch of an Indian motorcycle.

The Hazel L. Sloan motorcycle journal chronicles six trips taken near Youngwood, Pennsylvania, by the young woman and several of her friends in the summer of 1914. During that summer, the fifteen-year-old rode out on both Indian and Thor motorcycles, accompanied by her friends Ralph, Mabel, and Lawrence, and she cheerfully related their adventures in her notebook. Tire blowouts and other mechanical failures plagued the riders throughout their adventures, and the riders often found themselves additionally hampered by the weather or by poor road conditions; despite these mishaps, however, Hazel maintained a happy attitude and fully relished "the good times of the summer of 1914" (November 8, 1914). She recounted six day-long trips taken between September 20, 1914, and November 8, 1914, when a light snowfall forced an abrupt end to the journey and, moreover, signaled the conclusion of the riding season. Based in Youngwood, Pennsylvania, the cyclists visited Derry, Bear Rocks, Connellsville, Ligonier, New Stanton, Ruffsdale, and Jeannette, and postponed an October 25 venture due to a broken machine. The small, cloth-bound pocket notebook originally belonged to Samuel Francis Sloan, Hazel's father, and bears an illustration of a man and a steer on its cover. The journal is accompanied by a pencil sketch of an Indian motorcycle.

This volume contains a typescript of a speech that Henry Cabot Lodge delivered to the United States Senate on December 21, 1918. Lodge discussed peace negotiations between the allied powers and Germany following the end of World War I, commenting on Congressional involvement in treaty negotiations and on proposed provisions such as reparations, the division and independence of various territories, and the establishment of the League of Nations.

This volume is comprised of a 48-page typescript of a speech that Henry Cabot Lodge delivered to the United States Senate on December 21, 1918, accompanied by a printed copy of the speech (1918). Henry Cabot Lodge wrote an inscription on the frontispiece: "Edward W. Doherty. With regards of Henry Cabot Lodge" (January 27, 1919). The typescript includes annotations in pencil. A drawing of Lodge by William Bengough (April 7, 1902) is laid into the volume.

Lodge's speech, later published under the title "The Coming Treaty of Peace," pertains to peace negotiations between the allied powers and Germany at the end of World War I. Lodge discussed the importance of Congressional involvement in treaty negotiations, expressed his opinions about proposed provisions, and shared his belief that the Allies should agree on terms themselves before meeting with German representatives. He first defended the necessity of harsh provisions against Germany, stressing the importance of preventing any future attempts at European conquest, and then encouraged the dissolution of Germany's colonial empire; the division and independence of several territories, particularly in Eastern Europe; and German payment of financial reparations.

Lodge also commented on aspects of international relations and the peace process, including the need to encourage a strong and stable Russia, United States justifications for entering the war, the proposed expansion of United States naval power, and the freedom of non-territorial seas. He also condemned the use of "secret diplomacy." The final part of Lodge's speech concerns the proposed League of Nations: he repeatedly attacked the vagueness of existing propositions and pointed out several logistical problems related to the arbitration of international disputes, the league's use and control of a country's sovereign troops, and other matters. He concluded his remarks by expressing his belief that the League of Nations was an unnecessary distraction to the more important task of securing peace.

This journal reflects the experiences of Hiram B. Crosby, a New York City lawyer, during his trip to Michigan's Upper Peninsula in the fall of 1872. As part of a prospecting party, Crosby analyzed the potential for iron mines near Iron Mountain, Michigan. He recorded his impressions of local scenery, commented on his daily activities, and described the area's Native American settlements and peoples. The volume contains 24 pen and ink drawings.

This 127-page journal reflects the experiences of Hiram B. Crosby, a New York City lawyer, during his trip to Michigan's Upper Peninsula in the fall of 1872. As part of a prospecting party, Crosby analyzed the potential for iron mines near Iron Mountain, Michigan. Crosby began the journal on September 26, 1872, as he left New York City, traveling by railroad to Menominee, Michigan, via Sandusky, Ohio, and Chicago, Illinois. While in Ohio, he visited Jay Cooke on Lake Erie's Gibraltar Island (September 30, 1872), and pasted a pressed flower from the island onto the journal's first page.

After his arrival in Menominee, Crosby joined the members of his party and together they started out for Iron Mountain, where they planned to inspect specific areas for iron mining potential. In daily journal entries, Crosby recorded details of the group's travels along the Sturgeon and Menominee Rivers, particularly regarding local scenery and people. A few days into the trip, he fell from his horse while attempting to shoot a partridge, and suffered a fractured wrist (October 4, 1872); despite his injury, the trip proceeded smoothly, aided by the expertise of local Native Americans the group hired to make camp and guide the mining party. Crosby and the others frequently traveled by canoe, and he often described the guides and local Native American settlements, particularly at "Bad Water," near Iron Mountain.

On October 10, 1872, the explorers reached Iron Mountain and proceeded to examine the area. They set out again for Menominee shortly thereafter, and reached the town on October 15. There, Crosby inquired about the prices of shipping iron ore to Cleveland by boat (October 16). From Menominee, Crosby traveled to Escanaba, Marquette, and Houghton, Michigan, before heading to Detroit, which he described in several entries in late October. Crosby wrote the final entry in Detroit on October 26, 1872.

Three items are inserted into a flap in the front cover of the journal: 2 assurance tickets for Hiram B. Crosby from the Railway Passengers Assurance Company (November 14, 1872) and an advertising card for the Douglass House in Houghton, Michigan. A printed view of Marquette, Michigan, is pasted onto page 108 of the journal.

The journal also includes 24 pencil and ink drawings depicting scenes from Crosby's travels in the Upper Peninsula. See the Additional Descriptive Data section of this finding aid for an index of the illustrations.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.