Collections : [University of Michigan William L. Clements Library]

This partially printed, annual daily diary was kept by 12-13 year old Alice L. Gardner of Warren, Rhode Island, over the course of 1886. Her brief entries reflect on social matters, local news, church activities, games, school, dance, theater, and musical lessons.

Alice L. Gardner noted her family's travels to Providence, Boston, and other nearby locales, for social visits, shopping, and other matters. She remarked on her and her family's attendance of theatre and musical performances. While at times she only notes going to "the Opera," she occasionally names the performances. Some of the shows she mentioned include The Mikado (January 2), Francesca da Rimini (January 16), Victor, the Blue-Stocking (May 8), The Old Homestead (October 9), The Merry Wives of Windsor (October 27), and The Jilt (December 18).

Alice Gardner's entries relating to her schooling pertain to exercises, exams, absences of teachers and classmates, and more. At times she names the texts assigned to her for school work or pieces she was to learn for musical lessons. She noted playing piano, taking up banjo lessons, dancing, and singing. She also frequently mentioned playing games with family friends, including whist, backgammon, casino, among others.

The diary also includes brief mentions of notable events, such as the marriage of Grover Cleveland (June 2) and the Charleston earthquake (September 22). At least two entries reflect racial attitudes. Her entry for October 22nd described a party which included racial and ethnic costumes. Alice also noted when Le Bing, a Chinese man, opened a laundry (November 9).

The section for "Cash Accounts" at the back of the diary includes several entries, principally for October to December for purchases of candy, food, and ribbon. Several addresses are also included at the back of the volume, as well as one entry in the section to record letters received and answered.

Four disbound notebook pages are housed in the pocket at the back of the volume. They include a musical notation, mathematical notes, a tongue-twister about snuff, a list of birthdays, quotations and proverbs, and drawings. Drawings represent a six-pointed star, a small pig and donkey, clocks and wall hangings, and a "Newport Girl," "Crescent Park Girl," and "Boston Girl" wearing different styles of dress.

A clipping of hair bound in a pink ribbon and a sample of grass are laid in the volume.

Andrew Robinson Giddinge , a Pejepscot, Maine, innkeeper, kept this diary between January 1 and February 28, 1835. His descriptive entries pertain to everyday aspects of his life, such as household chores, Christian Bible reading, newspaper and periodical reading, hearing difficulties, trips to New Gloucester, and visits with friends and family. Giddinge filled the margins of this diary with numerous small sketches pertinent to their accompanying entries.

Andrew Robinson Giddinge, a Pejepscot, Maine, innkeeper, kept this diary between January 1 and February 28, 1835. His descriptive entries pertain to everyday aspects of his life, such as household chores, Christian Bible reading, newspaper and periodical reading, hearing difficulties, trips to New Gloucester, and visits with friends and family. Giddinge filled the margins of this diary with numerous small sketches pertinent to their accompanying entries.

Andrew Giddinge's frequent visits with neighbors and family, including Parsons in-laws and daughter Anna (married to Nathan Ingersoll), sometimes included helping neighbors with tasks such as chopping wood or shaving a disabled friend. He also recorded the illnesses and deaths of persons in his family and social circles. On January 6, 1835, Andrew took wheat to be ground in Lewiston for a "Graham" meal (Sylvester Graham's regimen was also used by a family he visited on January 14, 1835). His discussions of family dynamics included reflections on whether or not callers came to see him or his son's wife Deborah Tarbox Giddinge, and whether or not he was "at home" or merely enjoying the hospitality of others. Giddinge also commented regularly on postal deliveries, with hopes for letters from his son George, who lived in Kentucky. He discussed different periodicals and interspersed quotes from works he read.

His descriptive entries include weather notations, and small sketches related to the day's entries fill the margins. Among the illustrations are razors, scissors, irons, buckets, a casket, manicules, clothing, people warming feet in hot water, clothes being washed, barrels, the moon, a mole, a musical instrument, an ax and grinder, kettles, wash tubs, baking and food, a goat, letters, logs being pulled, a butchered calf and a fish, a hearth, an umbrella, a heart with arrows, a copy of an illustration of scene from Tristram Shandy, and others.

This volume, which may have belonged to a Scottish teacher, contains pencil drawings of everyday objects and notes related to instruction in art and geography.

This volume, which may have belonged to a Scottish teacher, has pebbled covers, with the title "Sketch Book" stamped in gold on the front. The first section, "Specimen course for Second Year Higher Grade," contains 6 pages of pencil drawings. The subjects include books, plants, household items, a shoe, a water tank, an umbrella, a broom, a basket, and a hand. The final page of drawings includes the note: "Complete course with interiors & outdoor work."

The second part of the volume is a 2-page chart titled "Geography. Scheme of Work," with tables of geographical subjects for students at various levels. Each month's course included the study of a country or geographical region, a "practical" subject, and a "physical" subject. The areas represented are primarily European nations; British colonies such as South Africa, Australia, New Zealand, Canada, and India; North and South America; Asia, and Pacific islands. The teacher offered practical instruction in navigational concepts, the use and creation of maps, and surveying, and offered instruction on various geological topics such as the Earth's atmosphere, climate, and physical features such as volcanoes and glaciers.

Barbary Aplin's Cyphering Book contains examples and explanations of arithmetic operations, and genealogical information about the Applin, Sparks, and Coxe families of New Jersey.

The Barbary Aplin Cyphering Book contains examples and explanations of arithmetic operations, and genealogical information about the Applin, Sparks, and Coxe families of New Jersey. The first 10 pages of the book are arithmetic rules, proofs, problems and solutions, and tables. Although the manuscript inscription on the cover is "Barbary Aplin's Cyphering Book," Elizabeth Sparks signed her name on page five, suggesting that she may have contributed to the volume.

Eight additional pages contain sparse genealogical notes regarding the Applin, Sparks, and Coxe families of New Jersey, including birth and death dates for several members of the families. Also of interest is a brief note regarding the deaths of Mary and Hanna Sparks in 1824, accompanied by a small swatch of cloth.

The fourth page of the volume includes a young person's drawings of plants, a person, buildings, a fence, and a bird.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

This small hand-made volume contains 24 locks of men and women's hair, some of them tied with ribbon, braided, or looped. While its creator is not indicated, internal evidence suggests that Maryette Canedy of Northfield, Minnesota, likely compiled the booklet in 1863, to document friends and relatives in Minnesota and Vermont. A pencil, colored pencil, and ink illustration of a woman holding a bouquet of flowers is pasted on the front cover. Its inscription includes "Miss Emely [Shurpy?] drawing," her residence in Northfield, Minnesota, and the date of January 25, 1863.

• The name of the individual who provided the hair.
• The place the person lived, such as Stanford [i.e. Stamford, Vermont]; Wilmington, [Vermont]; North Adams, [Massachusetts]; and Northfield, Minnesota.
• Short sayings or further identifying information. For example, the entries for Charles C. Phipps, Anna Phipps, and Anna Canedy mention their relationship to the compiler: grandfather, grandmother, and mother, respectively.
• The age of the individual when the clipping was taken.

Maryette Canedy's hair sample is missing.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

• Woman doing laundry/ holding washtub
• A person on horseback
• A building [bearing a similarity to John Setley's storefront]
• Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
• Male performer or dandy
• Red and blue block text, "UNION"
• Ships in the shape of a horse, with men holding spears and shields
• Hunter aiming a gun at a stag
• Hunters shooting at elephants
• American sailing ships
• People and anthropomorphic creatures
• Man fleeing from dark-skinned persons armed with spears and other weapons
• Shipwrecks
• A lifeboat
• A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
• Sidewheel steamboat
• One page of caricatures, anthropomorphic beings, women, witches, and devils
• Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
• Self-portrait and building
• Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
• Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.

This collection is made up of a letter, drawings, maps, and newspaper clippings related to David Wyrick's discovery of inscribed stones in a Native American burial mound near Newark, Ohio, in 1860.

This collection is made up of a letter, drawings, maps, and a newspaper clipping related to David Wyrick's discovery of inscribed stones in an Indian burial mound near Newark, Ohio, in 1860. The items were once bound together under the title "Hebrew Inscriptions alleged to have been dug up in Ohio, U.S.A." Wyrick wrote an 8-page letter to William Brockie, editor of The Sunderland Times, on September 8, 1860, about his archaeological exploits. He recounted his actions on June 29, 1860, the day of his discovery, describing the Newark burial mounds and the Hebrew-inscribed "Keystone" he discovered there. Wyrick addressed the possibility that he had been the victim of a hoax, but ultimately expressed his belief that the stone was a genuine ancient artifact, possibly a relic of one of the Lost Tribes of Israel. His letter also refers to the draining of a nearby artificial pond, the durability of the logs located on its floor, and the discovery of several skeletons in a burial mound.

Wyrick's letters contain references to enclosed drawings and maps (which are present in the collection). Four colored drawings include two- and three-dimensional views of each of the Keystone's four inscribed faces, a diagram of the burial mound where Wyrick unearthed the artifact, and a cross-section of a mound containing several skeletons. Three of the manuscript maps are overhead views of the Newark earthworks, including copies of maps by Caleb Atwater (1820) and Squier and Davis (1848), and Wyrick's own detailed map (1860). A final manuscript map is a view of an artificial lake near Utica, Ohio (undated). Some of the visual materials have lengthy captions written on the verso.

The final items in the Wyrick collection are two newspaper clippings published in The Sunderland Times on October 6, 1860, regarding the Wyrick excavation. One article reprints several lengthy quotations from Wyrick's letter to William Brockie, and the other contains translations of the stone's Hebrew inscriptions.

Private Edgar H. Klemroth drew this collection of "Very Rough Sketches" while serving in the 6th Pennsylvania Cavalry Regiment near Winchester, Virginia, during the winter of 1864-1865. The sketches depict soldiers, horses, army camps and headquarters, equipment, African Americans, and winter scenes.

Private Edgar H. Klemroth drew these "Very Rough Sketches" (45 pages) while serving in the 6th Pennsylvania Cavalry Regiment during General Philip Henry Sheridan's campaign in Shenandoah from August 1864 to March 1865. Klemroth later presented them to Captain Rudulph Ellis of the 6th Pennsylvania Cavalry. The materials include pencil sketches, ink drawings, and wash drawings; a few of the pages contain more than one image. The original black leather binding (15.2 x 24.5 cm) is included in the back of Volume 3. Underneath some of the sketches are faint, hand-written lines of poetry pulled from works of various poets. Klemroth's illustrations show a variety of military scenes, including army camps, winter headquarters near Winchester, and wagons and supply trains in the Virginia countryside. Many sketches highlight the hardships of camp life. Soldiers are shown on horseback and at leisure, sometimes eating, talking, or watching equestrian and mule races. Images 26 and 27 feature soldiers firing during a skirmish, and another (image 10) shows a dog mourning over its dead Confederate owner's body. African Americans, including a young boy and men racing on mules, appear in a few of the drawings. Portraits of General Philip Henry Sheridan, General George Custer, Captain Rudulph Ellis, Brigadier General David Allen Russell, First Lieutenant John Spreadbury, and men in Klemroth's regiment (including scouts) are also present. Some of the items are dated November 1864 or December 1864, and some have descriptions of images written on the back.

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this volume around the 1890s. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec.

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this journal from approximately 1893-1896. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec. The volume contains 200 pages, not all of which are used.

Wilcox wrote a 2-page introduction on June 2, 1893, intending to record details of his life for friends and family to discover after his death. In approximately 43 additional pages of prose, he wrote about his courtship with and wedding to Clara Stuart, his early years in New York City, numerous hunting and fishing trips in northern New York, and a summer vacation in New Hampshire and Québec. Two of the accounts describe a salmon run and an encounter with bears, and one pertains to a youthful prank. Some of the journal's watercolors, drawings, and sketches illustrate aspects of Wilcox's travel stories; most depict hunters, fishers, fish, rowboats, cabins, and woodland scenery. One pencil drawing utilizes shading to create the illusion of a nighttime view and appropriate shadows. Photographs include a picture of a man in a military uniform posing by a paper globe and paper cannonballs (possibly taken around 1917), studio portraits of an unidentified man and woman, a studio portrait of a man in his underwear, views of steamboats in a canal or lock, pictures of cacti in a desert, and a picture of hunters in a wooded area. Also present are interior shots of a shipping or similar commercial office and a man working in an enclosed office space, as well as street scenes. Two newspaper clippings concern E. E. Wilcox's use of shed human skin as a painting canvas and a painting he made as a young man.

This manuscript contains detailed descriptions of boxing matches, biographical information about prominent boxers, and related poetry, portraits, and illustrations, primarily concerning the sport's history in England during the early 1800s.

This 546-page manuscript contains information on boxing and boxers in the early 19th century. Approximately 512 pages include detailed descriptions of boxing matches and biographies of prominent boxers, with an additional 27 pages devoted to boxing- related poetry. A 7-page index of names, matches, illustrations, and poetry finalizes the volume.

The round-by-round descriptions of matches provide details about the combatants and their movements, locations of the fights, histories of the participants, physical states of the fighters after the bouts, and prizes awarded. The biographies vary in length and are occasionally accompanied by portrait illustrations of the men in everyday or formal attire. English and American boxers are represented, including some African Americans. Additional drawings depict boxing matches and trophies.

The George A.C. Barnett papers consists of a set of letters written to a woman named "Dotty" between November 30, 1864, and December 25, 1864, while Barnett was serving as 1st Lieutenant in the 17th New York Veteran Volunteer Infantry.

The correspondence of George A.C. Barnett consists of a set of 27 letters written to a woman named "Dotty" between the dates of November 30, 1864, and December 25, 1864. The letters were written from Chattanooga, Tennessee. Just as Barnett arrived in Tennessee, the railroad was cut, making it impossible to send or receive mail. As a result, Barnett collected his daily correspondence, numbered each page, and eventually sent the batch of letters as a collected work. The letters, totaling 192 pages, describe Barnett's daily activities, thoughts, and feelings.

A small printed etching of the Three Graces is affixed to the November 30th letter. Pen and ink drawings illustrate the letters of December 18th (a man in tall boots), 19th (a pair of elegant "breeches"), and 20th (a horse).

The George Barrell journal is a bound account entitled "Journal of a Voyage from Boston to Malaga in the Brig Venus and Return in the Schooner Louisiana by George Barrell." Along with Barrell's prose descriptions of life at sea and detailed depictions of Gibraltar and Malaga, the author drew 32 colored illustrations, primarily of landscapes and people he encountered on his journey.

The George Barrell journal is a bound account entitled "Journal of a Voyage from Boston to Malaga in the Brig Venus and Return in the Schooner Louisiana by George Barrell." Along with Barrell's prose descriptions of life at sea and detailed depictions of Gibraltar and Malaga, the author drew 32 colored illustrations, primarily of landscapes and people he encountered on his journey. The account, which commenced on July 13, 1806, first chronicled the travels of the Venus to Gibraltar, Spain, via the Azores. Barrell made daily notations about the weather and often mentioned interesting occurrences; Spanish privateers, whom he detested, boarded the ship on several occasions, though the Venus also encountered friendlier British ships. By mid-August, they had arrived at Gibraltar, which Barrell described in detail on several pages, recording observations about the city and its people, including the weather, the Jewish population, local British officers, and local buildings. Following a quarantine period at Gibraltar, the Venus sailed to Malaga, about which Barrell also noted his observations. On September 28, 1806, he left on the Louisiana for New York City, but rough seas lengthened their journey to several months.

The journal also contains 32 color illustrations created by Barrell during the course of his travels. He often drew ships, landscapes, and various military officers seen along the Spanish shore.

Teenager Gilbert Attwood created this 8-page manuscript magazine titled "The Nick-Nack" (vol. 1) while attending high school in 1840. The magazine features humorous articles and advertisements, comments about Attwood's teachers and classmates, and several small drawings.

Teenager Gilbert Attwood created this 8-page magazine titled "The Nick-Nack" (vol. 1) while attending high school in 1840. The magazine features humorous articles and advertisements, comments about Attwood's teachers and classmates, and several small drawings.

The magazine's sections include "Names" (a rumination on the names of other students, as well as objects like streets and chairs), "A Year in the Country" (Attwood's account of his family's move in the spring of 1838), "Parody on the Country Schoolmaster Original" (a take on the poem "The Village Schoolmaster" by Oliver Goldsmith), "Extracts from a Journal," and "A Peep into the Year 2000." The sections are separated by thin black lines. Advertisements include "Printing," "Lectures," "Arostook Whiskers," and "Stop Thief."

The collection consists of twenty-one illustrated letters written by Hank Hanft around 1919 to his approximately five-year-old brother Robbie, likely in or near Wisconsin. The letters were written using block letters, likely to assist a young child's ability to read them, and feature the use of pencil, crayon, and watercolors to produce drawings and paintings. The illustrations include scenes of fishing, farming, and hunting, and objects such as animals and plants, boats, and household and agricultural goods. Hank also wrote moralizing stories, often about animals or children.

The collection consists of twenty-one illustrated letters written by Hank Hanft around 1919 to his approximately five-year-old brother Robbie, likely in or near Wisconsin. The letters were written using block letters, likely to assist a young child's ability to read them, and feature the use of pencil, crayon, and watercolors to produce drawings and paintings. The illustrations include scenes of fishing, farming, and hunting, and objects such as animals and plants, boats, and household and agricultural goods.

Hank also wrote moralizing stories, often about animals or children, with lessons such as, "Never Be Late," "Always Go to Sunday School," "When You Fight, Soak the Other Boy, But Don't Talk and Swear About It," among others. Two items relate to witches, one a watercolor painting of a Halloween scene with a witch flying on a broomstick and the other a short story about an old lady who refused to eat and turned into a witch. Only one letter is dated in the collection, written from Hank to his father on May 3, 1919, requesting financial support to cover housing costs, suggesting Hank may have been a young adult or attending school away from home.

The Hazel L. Sloan motorcycle journal chronicles six trips taken near Youngwood, Pennsylvania, by the young woman and several of her friends in the summer of 1914. The journal is accompanied by a pencil sketch of an Indian motorcycle.

The Hazel L. Sloan motorcycle journal chronicles six trips taken near Youngwood, Pennsylvania, by the young woman and several of her friends in the summer of 1914. During that summer, the fifteen-year-old rode out on both Indian and Thor motorcycles, accompanied by her friends Ralph, Mabel, and Lawrence, and she cheerfully related their adventures in her notebook. Tire blowouts and other mechanical failures plagued the riders throughout their adventures, and the riders often found themselves additionally hampered by the weather or by poor road conditions; despite these mishaps, however, Hazel maintained a happy attitude and fully relished "the good times of the summer of 1914" (November 8, 1914). She recounted six day-long trips taken between September 20, 1914, and November 8, 1914, when a light snowfall forced an abrupt end to the journey and, moreover, signaled the conclusion of the riding season. Based in Youngwood, Pennsylvania, the cyclists visited Derry, Bear Rocks, Connellsville, Ligonier, New Stanton, Ruffsdale, and Jeannette, and postponed an October 25 venture due to a broken machine. The small, cloth-bound pocket notebook originally belonged to Samuel Francis Sloan, Hazel's father, and bears an illustration of a man and a steer on its cover. The journal is accompanied by a pencil sketch of an Indian motorcycle.

This volume contains a typescript of a speech that Henry Cabot Lodge delivered to the United States Senate on December 21, 1918. Lodge discussed peace negotiations between the allied powers and Germany following the end of World War I, commenting on Congressional involvement in treaty negotiations and on proposed provisions such as reparations, the division and independence of various territories, and the establishment of the League of Nations.

This volume is comprised of a 48-page typescript of a speech that Henry Cabot Lodge delivered to the United States Senate on December 21, 1918, accompanied by a printed copy of the speech (1918). Henry Cabot Lodge wrote an inscription on the frontispiece: "Edward W. Doherty. With regards of Henry Cabot Lodge" (January 27, 1919). The typescript includes annotations in pencil. A drawing of Lodge by William Bengough (April 7, 1902) is laid into the volume.

Lodge's speech, later published under the title "The Coming Treaty of Peace," pertains to peace negotiations between the allied powers and Germany at the end of World War I. Lodge discussed the importance of Congressional involvement in treaty negotiations, expressed his opinions about proposed provisions, and shared his belief that the Allies should agree on terms themselves before meeting with German representatives. He first defended the necessity of harsh provisions against Germany, stressing the importance of preventing any future attempts at European conquest, and then encouraged the dissolution of Germany's colonial empire; the division and independence of several territories, particularly in Eastern Europe; and German payment of financial reparations.

Lodge also commented on aspects of international relations and the peace process, including the need to encourage a strong and stable Russia, United States justifications for entering the war, the proposed expansion of United States naval power, and the freedom of non-territorial seas. He also condemned the use of "secret diplomacy." The final part of Lodge's speech concerns the proposed League of Nations: he repeatedly attacked the vagueness of existing propositions and pointed out several logistical problems related to the arbitration of international disputes, the league's use and control of a country's sovereign troops, and other matters. He concluded his remarks by expressing his belief that the League of Nations was an unnecessary distraction to the more important task of securing peace.

This journal reflects the experiences of Hiram B. Crosby, a New York City lawyer, during his trip to Michigan's Upper Peninsula in the fall of 1872. As part of a prospecting party, Crosby analyzed the potential for iron mines near Iron Mountain, Michigan. He recorded his impressions of local scenery, commented on his daily activities, and described the area's Native American settlements and peoples. The volume contains 24 pen and ink drawings.

This 127-page journal reflects the experiences of Hiram B. Crosby, a New York City lawyer, during his trip to Michigan's Upper Peninsula in the fall of 1872. As part of a prospecting party, Crosby analyzed the potential for iron mines near Iron Mountain, Michigan. Crosby began the journal on September 26, 1872, as he left New York City, traveling by railroad to Menominee, Michigan, via Sandusky, Ohio, and Chicago, Illinois. While in Ohio, he visited Jay Cooke on Lake Erie's Gibraltar Island (September 30, 1872), and pasted a pressed flower from the island onto the journal's first page.

After his arrival in Menominee, Crosby joined the members of his party and together they started out for Iron Mountain, where they planned to inspect specific areas for iron mining potential. In daily journal entries, Crosby recorded details of the group's travels along the Sturgeon and Menominee Rivers, particularly regarding local scenery and people. A few days into the trip, he fell from his horse while attempting to shoot a partridge, and suffered a fractured wrist (October 4, 1872); despite his injury, the trip proceeded smoothly, aided by the expertise of local Native Americans the group hired to make camp and guide the mining party. Crosby and the others frequently traveled by canoe, and he often described the guides and local Native American settlements, particularly at "Bad Water," near Iron Mountain.

On October 10, 1872, the explorers reached Iron Mountain and proceeded to examine the area. They set out again for Menominee shortly thereafter, and reached the town on October 15. There, Crosby inquired about the prices of shipping iron ore to Cleveland by boat (October 16). From Menominee, Crosby traveled to Escanaba, Marquette, and Houghton, Michigan, before heading to Detroit, which he described in several entries in late October. Crosby wrote the final entry in Detroit on October 26, 1872.

Three items are inserted into a flap in the front cover of the journal: 2 assurance tickets for Hiram B. Crosby from the Railway Passengers Assurance Company (November 14, 1872) and an advertising card for the Douglass House in Houghton, Michigan. A printed view of Marquette, Michigan, is pasted onto page 108 of the journal.

The journal also includes 24 pencil and ink drawings depicting scenes from Crosby's travels in the Upper Peninsula. See the Additional Descriptive Data section of this finding aid for an index of the illustrations.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary. He traveled to various places in northern California, took camping trips with friends, participated in outdoor activities, and attended dances and plays. Some entries reflect racial tensions in Stockton.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary (134 pages). The diary's frontispiece is a poem by Nick Kenny entitled "Youth."

Though he occasionally mentioned his schoolwork and grades, Sanford wrote most frequently about his social life and leisure activities, almost all of which involved his friend Glenn. They and other friends went camping, attended theatrical performances (often at the College of the Pacific) and dances, and participated in outdoor activities throughout the year. Sanford traveled around northern California, writing about trips with friends and family to Mount Diablo (April 1949), Yosemite National Park (June 1949), Santa Cruz (July 1949), and the "Old Hearst Ranch" (August 1949). He played saxophone in the school marching band and briefly participated in the Sea Scouts during the summer. Some entries refer directly or indirectly to Mexican and African-American residents of Stockton, including Sanford's attempts to communicate with persons who "spoke Mexican" and the presence of African Americans at a December school dance. Some clipped images of locations that Sanford visited and unidentified individuals participating in fishing and similar outdoor activities are pasted into the volume. Sanford's diary also contains pencil sketches of a man painting on a ladder, a birthday cake, and other subjects. A program from a school talent show is also pasted in.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The bulk of the drawings were done in pencil, but several were made using pen and ink, pen and wash, and pastels. A large portion of the images depict interior domestic scenes of women and young girls reading, sewing, dining, visiting, sleeping, and at play with toys in parlors, living rooms, and bedrooms. These drawings include details like clothing, accessories, furniture, and decorations. Several show women wearing the Christian cross as jewelry, head coverings or veils, and chopines (a platformed shoe), possibly representing adherents of the Eastern Orthodox Church. Several of the drawings feature women at work doing tasks like cooking, sewing, washing dishes or floors, sweeping, gardening, tending to the ill, or bathing children. Older women are represented alongside middle-aged women, young girls, and infants. Adult men and young boys appear occasionally in the scenes.

Several illustrations appear to show women laboring as domestic servants, and at least four of these images represent dark-skinned women. One additional drawing shows a family scene with three dark-skinned women knitting or resting in a hammock.

Outdoor scenes are also represented, showing women and children walking and travelling in the streets, playing games, visiting the beach, riding horses, shopping, sleighing, or picking fruit. One drawing depicts a family standing beside a sphinx with pyramids in the background. Other locales outside of the home are also featured, including a store, a church, a theater, a photographer's studio, and possibly a school.

Miscellaneous other topics were drawn, such as angels, Grecian women, a dream, a centaur statue, a shield with an American crest, and two singing girls who appear to be impoverished.

Only two of the drawings were signed, both landscapes by Theodore H. Pond, one dated 1882 shows a building in the countryside and the other depicts a village street scene leading towards a church. Two other unsigned landscapes are also present, one labelled "St. Augustines Canterbury." Two other illustrations -- one a portrait of a young woman and the other an interior scene with four children blowing bubbles-- have the name "Edith" inscribed with ink on the verso. Several of the drawings were labelled by a child in block letters. One of the drawings was made on a sheet of paper that had previously been used to write notes on the Letters of Paul.

The drawings were enclosed in an Upsala College envelope labeled: "'Drawings of Edith & Elsie Pond when they were little girls in Syria.' (Be Sure To Save These)"

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

• A moving train, "ye adventurus maid going to the Sunny South."
• A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
• Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
• Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
• A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
• A piano.
• Four people walking; the two in front are a man and a woman.
• A woman standing, holding what appears to be a fan.
• A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
• A woman seated, knitting.
• A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
• Vision of injured soldiers, one leg amputee standing with crutches.
• A woman seated and writing a letter.
• A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.

This volume is midshipman Roger Perry's workbook, kept while aboard the U.S. Frigate Brandywine, after leaving Hampton Roads, Virginia, for the Mediterranean. It contains a list of officers aboard the vessel; detailed series of watch, quarter, and station bills; and notes and essays on seamanship. Notably, Perry's documentation of the watch includes illustrations showing the placement of specific seamen on the yards.

This volume is midshipman Roger Perry's workbook, kept while aboard the U.S. Frigate Brandywine, after leaving Hampton Roads, Virginia, for the Mediterranean. It contains "two introductory pages, one with a sketch of the Brandywine and the second serving as the notebook's cover page; three pages listing officers aboard the frigate in 1830; 99 pages of detailed (and in seven cases illustrated) series of watch, quarter, and station bills, showing which stations the men filled during various evolutions; and 118 pages of notes on seamanship. These last include instructions on preparing a ship for departure, on operating it at sea, and for returning it to port.

Inserted in the book is a separate sheet containing on one side a 'Table of Masts and Spars for all Classes of Vessels in the U.S. Navy' (ships of the line, frigates, sloops, brigs, and schooners) and on the other side 'Proportions for Tops, Trestle trees, Cross trees & Caps'" (David P. Harris, "Midshipman Roger Perry's Workbook for the U.S. Frigate Brandywine, 1830," general description accompanying the Roger Perry Workbook).