Collections : [University of Michigan Bentley Historical Library]

Organization of women faculty members established to exchange information about their status as faculty women and to investigate and resolve issues of special concern. records include history, awards files, correspondence, minutes, topical files, photographs, and video and sound recordings.

The records of the Academic Women's Caucus (AWC) provide an almost complete history of the AWC from its origins to the present, although the materials documenting the years 1972-1974 are not particularly strong. Many of the early records are from the co-chair Aline Soules. The records do provide valuable documentation of the general concerns of women faculty members at a major research university.

The Arts of Citizenship Program at the University of Michigan fostered the role of the arts and humanities through collaborative cultural partnerships and community projects in the Ann Arbor and Detroit area. The program aimed to enrich public life and to enlarge the university's educational mission. These records contains notes, correspondence, publicity, audiovisual materials, presentations, and other material documenting the administration, public programming, and community partnerships undertaken by the Arts of Citizenship program. Also included is a website capture taken July 18, 2005.

The Arts of Citizenship (AOC) Program documentation consists of notes, correspondence, publicity, audiovisual materials (audiocassettes, digital materials, videotapes), and other material documenting the daily administrative activities, public programming, outreach, research, and community partnerships. The record group is divided into three series: Administration, Project Files, and Website. These series represent the original order of materials as received upon accession. The researcher should note that the records do not provide an in-depth portrayal of AOC, but rather information about the operation, functions, and details on specific projects undertaken by the program.

The records of the Casa de Unidad Cultural Arts and Media Center cover the organization's efforts to promote, develop, and celebrate Hispanic and Latino arts and traditions in Southwest Detroit. The record group consists primarily of correspondence, board minutes, grant proposals and reports, newsletters, event and program budgets, event flyers, educational workshop reports and audio material.

The records of Casa de Unidad cover the period between 1980 and 2006. The collection consists primarily of correspondence, board minutes, grant proposals and reports, newsletters, event and program budgets, event flyers, educational workshop reports and audio material. The majority of the material is in English, though a small number of flyers, newsletters, and audio recordings are in Spanish. The collection contains the following series: Administrative Material, Educational/Artistic Activities, Unity in the Community Festival, and Audio Material.

Center was established as the Historical Center for the Health Sciences. Records include interviews of emeritus University of Michigan Medical School faculty members conducted by the Center for the History of Medicine. Transcripts and audio recordings of interviews discussing their backgrounds, education, careers, and tenure at the University of Michigan.

An oral history project undertaken by the University of Michigan Center for the History of Medicine, the project focused on interviewing retired or emeritus faculty members in order to preserve their institutional knowledge of the Medical Center and the university.

Between the years 2002 and 2004, the center's assistant director for programs, Christine Bass, conducted four interviews. From 2004 to 2007, Enid Galler, proprietor of Voice Treasures, took over the interviewing process and conducted fourteen additional oral histories. All interviews include discussions of the faculty member's early life, education, and career accomplishments.

The interviews are available as digital materials online and were recorded on audio cassettes. In addition to these audio formats, there are one or more folders corresponding to each interview, which contain a typed transcript of the interview, a copy of the faculty member's curriculum vitae and in some cases, additional biographical information. The interviews conducted by Enid Galler include an index (with people, organizations, and subjects) and a detailed subject list. Mary Beth Reilly conducted later interviews.

Transcripts are arranged alphabetically by last name, with all audio cassettes in Box 2.

The Inter-Cooperative Council at Ann Arbor is an organization established to coordinate the activities of cooperative houses founded and operated by University of Michigan students. Their records are comprised of minutes, office files, and newsletters, as well as organization-level topices and related research. The collection also contains records of student cooperative, the Socialist House.

The records of the ICC at Ann Arbor cover the years 1932 to 2012 and are divided into ten series: Minutes, Office Files, Printed Materials, Events and Programs, Organizational Topical Files, Correspondence Files, Collected Research Materials, House Records, External Organizations, and Audio-Visual Materials.

Researchers should note that because of the differences between ICC office organizational systems and the individual processing archivists working on the collection, topics and materials might be found in multiple series.

Project funded by the W.K. Kellogg Foundation to document the health care experiences of African Americans in southeastern Michigan consisting primarily of oral history interviews with African American health care practitioners and administrators covering the period 1940-1969; background files relating to the project, and oral history interview transcripts and audio recordings. Interviews discuss biographical details, desegregation efforts in Detroit area hospitals, and social conditions facing African Americans.

The records of the Kellogg African American Health Care Project have been kept in the original order in which they were received and have been divided into two chronological series: Phase I and Phase II, reflecting the two separate accessions that were received. The interviews in the Phase I series were conducted in 1997 and accessioned by the Bentley Historical Library in 1998, while the interviews in Phase II were conducted from 1997 through 1999 and accessioned by the library in 2000. Both of these series have a similar order and arrangement, differing mainly in who was interviewed; in addition, there is some updating of administrative papers in the 2000 accession. Both series are divided into two subseries: Administrative Files and Interviews. A description of the subseries for both of the series is below.

The Administrative Files subseries contains the organizational and background materials for the project including copies of the signed consent forms. This subseries gives several access tools for the interview portion of the collection as well as detailed information regarding the interview methodology. A Master Index and a Tape Index allow access by topic to both the transcripts and the tape-recorded material. Material related to follow-up research and further studies is also available.

The Interviews subseries contains the transcripts and tape recordings of the individual interviews. This subseries is organized alphabetically by the name of each person interviewed. A biographical sketch is provided for each individual and in some cases, copies of publications, photographs or computer-generated images of the participant, resumes, and news clippings are also included. In the Phase I series, the cassette tapes containing the interviews are included within each person's file. In the Phase II series, the tapes are stored separately.

1. Anderson, William G.
2. Ayala, Reginald
3. Boddie, Arthur W.
4. Brakefield-Caldwell, Wilma
5. Bryant, Jr., Henry Clay
6. Burton, Alice
7. Cain, Waldo L.
8. Collins, James W.
9. Cooper, Claude H.
10. Cooper, Vivienne B.
11. Dillard, Gladys B.
12. Gaines, Jr., George D.
13. Gant, Leon
14. Glass, Herman J.
15. Goodwin, Della M.
16. Harris, Joseph B.
17. Iacobell, Frank P.
18. Jefferson, Horace L.
19. Jenkins, Sidney B.
20. Johnson, Arthur L.
21. Keith, Rachel B.
22. Lawson, William E.
23. Love, Josephine H.
24. McCree, Suesetta
25. Maben, Jr., Hayward C.
26. Mason, Berna
27. Mottley, Dorothy
28. Northcross, Jr., David C.
29. Northcross, Ophelia B.
30. Peebles-Meyers, Marjorie
31. Raiford, III, Frank P.
32. Roberson, Jr., Rev. Garther
33. Roberson, Rev. Dr. S.L.
34. Smith, Elsie
35. Starks, Fannie L.
36. Swan, Lionel F.
37. Tanner, Natalia M.
38. Todd, Oretta Mae
39. Webb, Irma Clara
40. Whitten, Charles F.
41. Wright, Charles H.
42. Young, Watson

Research materials used by Laurie Palazzolo in writing of her book Horn Man: the Polish-American Musician in Twentieth-Century Detroit (Detroit, Mich.: American-Polish Music Society, 2003). The collection sheds light on the history of 20th century Polish-American musical landscape of greater Detroit.

The collection documents the history and repertoire of Polish folk music bands in the greater Detroit area as well as professional careers of musicians. The records date primarily from the 1940's until 1980s. Materials dated 1990s-2000s are primarily transcripts of interviews taken by Gomulka Palazzolo. Records include correspondence, business contracts, performance schedules and programs, sheet music, scanned copies of photographs, copies of Keynote magazine, biographical information and interviews of musicians, performance advertisements, and recordings. The records are arranged into five series as follows: Research files, Detroit Federation of Musicians, Sheet music, Sound recordings, and Visual materials.

Russell M. Magnaghi is professor of history at Northern Michigan University. The collection consists of oral history recordings and transcripts and photographs, developed as part of Magnaghi's work in documenting history and ethnicity of the Upper Peninsula and Michigan in general.

The collection consists of three series developed as part of Magnaghi's work in documenting history and ethnicity of the Upper Peninsula and Michigan in general. The series are Italian-American Immigrant Oral History Series; Ethnic Heritage of Presque Isle County, Mich.; and Photographs.

Professor of political science at the University of Michigan and Democratic mayor of Ann Arbor, Michigan for one term, 1957-1959. The collection consists primarily of Eldersveld's mayoralty subject files. There are also some of his writings, as well as notes, course materials, correspondence, departmental memos, reports, biographical material, and recordings of interviews.

The Samuel J. Eldersveld Papers document Eldersveld's academic career, his mayoralty, and personal background. The collection consists primarily of Eldersveld's writings, notes, course materials, correspondence, departmental memos, reports, oral history project, biographical material and mayoralty subject files. The collection contains the following series: Mayoralty Files, 1957-1959, Ann Arbor City Council, Personal/Biographical, Academic Career and Sound Recordings.

Sherwin T. Wine was the iconoclastic founder of Humanistic Judaism and an openly gay rabbi who established the Birmingham Temple and formed the Society for Humanistic Judaism, the Center for New Thinking (a community forum for discussion of current events and issues), and various groups devoted to free thought and humanism. Papers include biographical content, correspondence, writings, educational and worship materials, sound recordings, visual materials, and various organizational records.

The Sherwin T. Wine papers illustrate the intellectual traits and organizational acumen of a man who devoted his life to the establishment of a new branch of Judaism and the advancement of humanistic values and rationalism. The collection will be of value to those individuals who seek a deeper understanding of Wine as a person as well as the founder of Humanistic Judaism. Writings, correspondence, and clippings detail the process by which Wine broke free from the traditions of Reform Judaism to found a new denomination. Materials from the Birmingham Temple and other Secular Humanist Judaism organizations trace the development and expansion of the movement. Content related to the many other groups with which Wine was involved reveal an individual able to organize and inspire others to act at local, national, and international levels.