Augustus J. J. Thibaudeau Family Photograph Album, 1900s-1930s
approximately 308 photographs, 4 manuscript items in 1 album
approximately 308 photographs, 4 manuscript items in 1 album
The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.
The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.
Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.
Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.
approximately 308 photographs, 4 manuscript items in 1 album
approximately 166 photographs, 36 manuscript items, and 2 bound volumes
The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. An additional 36 manuscript items and 2 bound volumes are also included in the collection.
The collection appears to have been first started by Brearley during the mid-1860s, possibly during or immediately after his Civil War service. He seems to have solicited the autographs of a variety of famous individuals (including authors, performers, musicians, scientists, spiritual leaders, politicians, foreign rulers, and military officers) primarily by mailing them photographs of themselves and requesting their signatures. Possession of the collection appears to have been transferred to Pingree at some point, and he continued to make further contributions. Pingree’s daughter Hazel retained possession of the collection after her father’s death before eventually donating it to the Clements Library. All components of the collection are stored together in one box.
While most portraits in the collection are original studio photographs taken by a variety of photographers including Mathew Brady and Napoleon Sarony, a relatively small number of photographic reproductions of non-photographic portraits are also present (including depictions of James Monroe, Stonewall Jackson, and Henry and Clara Ford).
Volume 1: Brearley collection reproduction souvenir album
This album (16.5 x 15 cm) has green leather covers with lines of poetry from Henry W. Longfellow’s A Psalm of Life stamped in gold on the front. An index included at the beginning lists the names of 96 individuals represented across the album’s 24 pages. After the index, a passage written by William H. Brearley and dated August 1st 1874 explains that he created a limited number of facsimile copies of his original autographed portrait collection at the “urgent solicitation” of many interested friends. Brearley also explains that he acquired the original photographs and autographs in his collection “by long and patient effort, & tending over a period of ten years, and involving an expense of several Hundred dollars.” Subsequent album pages each contain four individually pasted 5.5 x 4 cm albumen print photographic reproductions of original portraits found in Brearley’s collection. This item was acquired from a separate source and was not part of the original collection of materials donated to the Clements Library by Hazel Hope Pingree Mills.
Volume 2: Brearley-Pingree collection original album
This album (30 x 26 cm) has brown leather covers and the words “Portraits. Autographs” and “Brearley” stamped in gold on the spine. The original autographed portraits of the Brearley-Pingree collection were once housed in this album before Clements Library staff removed the original photographs and substituted them with photocopies in 2010 for conservation and preservation purposes. Manuscript captions were also added by Clements Library staff. The original photographs are housed separately in smaller boxes and have been arranged according to size/format and ordered alphabetically by subject surname. See below for a complete list of photographic subjects contained in each box.
Of additional interest are three manuscript items, including the clipped signature of Hyacinthe Loyson and an October 15th 1873 letter from Henry W. Longfellow containing the same lines of poetry from A Psalm of Life that appear on the cover of the Brearley collection souvenir album. Also present is a letter from Buckingham Palace sent to Brearley in 1873 by Sir Thomas Biddulph explaining that the “enclosed Photograph” of Queen Victoria is being returned but that “The Queen’s Autograph is never given away.” Three wax seals are also included in the volume including an “Imperial Chancellor’s seal” (associated with a portrait of Otto von Bismarck); “the Napoleon Seal” (associated with a portrait of Jérôme Bonaparte); and a Great Seal of the Realm attached to the 1873 letter from Buckingham Palace.
Box 1.1: Brearley-Pingree collection cartes de visite, A-E
This box contains 47 cartes de visite. Represented individuals include the following:
Box 1.2: Brearley-Pingree collection cartes de visite, F-N
This box contains 46 cartes de visite. Represented individuals include the following:
Box 1.3: Brearley-Pingree collection cartes de visite, O-Z
This box contains 36 cartes de visite. Represented individuals include the following:
Box 2: Brearley-Pingree collection cabinet cards
This box contains 27 cabinet cards. Represented individuals include the following:
Box 3: Brearley-Pingree collection large photographs and manuscript materials
This box contains 9 large format mounted photographs and 33 manuscript items. Represented individuals among the photographs include the following:
Manuscript materials of interest include a number of letters dating to the mid-1870s from various individuals (including John A. Dix, C. H. Spurgeon, H. W. Longfellow, and Lucretia R. Garfield) possibly sent to William H. Brearley in response to autograph solicitations and other requests; and numerous letters addressed to Hazen S. Pingree from various individuals (inlcuding William Thomas Stead, Ignacio Andrade, Benjamin Harrison, Grover Cleveland, and William McKinley) dating to the 1890s. Other items of interest include a copy of "Special Order No. 166 'Extract' Head Quarters 2d Brigade 3d Div 2d A.I." dated June 15th 1865 stating that the 1st Mass Heavy Artillery had been ordered by Brig. Gen. Franklin Pierce to repost to General Hancock; calling cards for "Sixto Sanchez Director General de Coreeos - Postmaster" as well as "The Admiral of the Navy" George Dewey from "when he called on Gov. Pingree in Detroit"; a clipped signature of "Louis Botha Commandant General"; an undated note to poet Louise Chandler Moulton; a document dated August 1st 1892 detailing financial investment information related to the Michigan-Peninsular Car Company with pasted clippings of wealthy politicians and their net worths as well as annotations by Pingree; a letter dated Feb 19th 1892 from Don M. Dickinson to Pingree regarding the prospective visit of Grover Clevland to Detroit, Ann Arbor, and the University of Michigan; a letter dated March 9th 1949 from Hazel Hope Pingree Mills to Director of the William L. Clements Library Randolph G. Adams regarding progress being made on research regarding the life of William H. Brearley; and an undated typed copy of a short essay titled "Brearley - Man of Action, Started Many Important Detroit Activities" by historian George B. Catlin.
approximately 166 photographs, 36 manuscript items, and 2 bound volumes
7 volumes
The Grosvenor L. Townsend scrapbooks consist of 7 volumes containing newspaper clippings, photographs, halftone prints, correspondence, ephemera, printed materials, maps, realia, telegrams, and other miscellaneous documents and materials related to the military career of Grosvenor Lowery Townsend. Newspaper and journal clippings were mainly taken from New York-based publications. Most of the clippings are in extremely fragile condition. Many clippings are coupled with inscriptions indicating the name and date of the publication they were taken from. Numerous photographs also bear inscribed captions. Each volume measures approximately 25 x 19 cm in size and has marbled paper covers.
In addition to this finding aid, the Clements Library has also created the G. L. Townsend Scrapbook Inventory which serves as an itemized list of the contents of each scrapbook.
1 volume, 2 boxes (1 linear foot)
The Heinrich family photograph collection consists of 1 photograph album, 102 loose photographs, 4 letters, 1 passport, 76 postcards, 18 loose album pages, and 1 ceramic beer stein relating to the family of Eberhardt William Heinrich. The collection depicts the life of a German soldier during World War I and the immigration of a middle-class German family to the United States between the wars. Eberhardt Heinrich compiled the materials and wrote a brief family history, two copies of which are included in the collection.
The photograph album (13cm x 19cm) of Eberhardt Heinrich's father, German soldier Bruno Heinrich, contains 101 photographs and photographic postcards related to Bruno Heinrich's army service in Eastern Europe during World War I. Captions in English, added later by his son, identify people, locations and dates. The volume has a red cloth cover with a printed iron cross on the front, dated 1914. Bruno Heinrich's Iron Cross medal is placed in a clear plastic envelope inside the volume's front cover.
The Bruno Heinrich album shows individual and group portraits of German soldiers playing cards, resting in earthwork bunkers, in trenches, drinking, sitting by large artillery pieces, posing in ruined buildings, and mounted on horseback. Several photos are posed with local residents or refugees; one image features captured armored tanks. Most of the photographs were taken in Serbia, Poland, and Russia, though a few came from France and Germany. Although many of the photographs show soldiers and civilians at leisure, others depict the devastation and the humanitarian crisis created by the war. Images of note include a photograph captioned "Waking up in the ditch after a party;" a German cemetery of fresh graves and birch wood crosses; soldiers displaying a captured Serbian banner; Heinrich in a domestic interior with his rifle, hat, and "bridal picture" on the wall behind him; and a view of a Russian cloister with a large crowd of civilian refugees. Photographs at the end of the album depicting Bruno Heinrich and his brothers-in-law Paul Hobach, Heinrich Hobach, Richard Albert, and Willi Osterloh, who served on the Western front, may have been added later.
The loose photograph series includes 102 photographs arranged by subject matter, dating between 1910 and 1979. Some photographs have manuscript captions in English and German on the verso. A majority of the images show the families of Bruno Heinrich and of his wife, Helene, and of a young Eberhardt Heinrich. Family members are often identified on the verso. Also included are photographs of the family's immigration to the United States, crossing the Atlantic aboard the German steamship SS Yorck, and trans-Atlantic voyage to Germany in 1930 onboard the German ocean liners SS Bremen and SS Europa. Images depict groups and individuals onboard ship and views taken of the ocean en route. Also included are snapshots taken at the University of Michigan's geological field station in Wyoming, Camp Davis; plus other images of travel and family life in Dubuque, Iowa. Of note are three photos taken on separate dates of Bruno Heinrich, Helene Heinrich, and Eberhardt Heinrich, each posed atop a camel in front of the Great Sphinx and the pyramids at Giza in Egypt.
The collection's manuscripts consist of four letters and one passport. Three manuscript letters are written in German on business letterhead; two dated June 16, 1910, and one dated March 13, 1911. The latter includes two recipes written in English on the verso. One letter, in English, is dated July 29, 1985 and typewritten on Ann Arbor News letterhead. The United States passport was issued to Helene Heinrich on March 21, 1960, and tracks her travel to numerous countries around the world throughout the early 1960s.
The collection of postcards contains 76 lithographic and photomechanical souvenir postcards from Germany and the United States dating from the early to mid-twentieth century. Some notes inscribed on the verso are written in English and German and may have been added by Eberhardt William at a later date. A majority of the postcards depict German cities visited by the Heinrich family in 1930. Also included is a group from Chicago, Illinois museums; and a group of "Bonzo" dog cartoons by George E. Studdy. Of note is a group of sentimental postcards of German soldiers from the World War I era; a photographic postcard of Eberhardt William and Helena Heinrich aboard the SS Yorck during their immigration from Germany to the United States in 1923; and a souvenir postcard from Bremen, Germany featuring a colored lithograph of a traveler with a rucksack. A paper flap under the rucksack lifts to reveal a miniature accordion-fold viewbook of Bremen scenes.
The loose album pages series includes 18 loose pages separated into five groups dating from 1923-1964. Pages were likely previously part of compiled albums though no longer extent. Captions in English and German may have been added by Eberhardt Heinrich at a later date. Group 1 includes photographs taken aboard the SS Europa, during the October 1930 trans-Atlantic voyage from Bremerhaven, Germany to the United States. Images include photographs taken from the ship and from shore at Bremerhaven, Germany, including dramatic photographs of large seas taken from the ship's deck. Group 2 is primarily commercial photographs from the family's 1930 trip to Germany depicting Bremen; the Breitachklamm gorge, and towns of Sonthofen and Oberstdorf in the Allgäu region; Berlin; and the Spreewald. Group 3 features photographs of East and West Berlin taken in October 1963 by Helena Heinrich. The final two groups are photographs of a family visit to the gravesite of Julian Dubuque in Dubuque, Iowa, August 1964, and a trip to the 1939-1940 New York World's Fair in October 1940.
The final item in the collection is a half-liter ceramic regimental beer stein with a decorative pewter lid. The family history included in the collection notes that the stein belonged to Helena Heinrich's brother-in-law, Willi Osterloh, a member of the Kaiser's Garde-Kürassier-Regiment. The stein, manufactured by the Mettlach factory of Villeroy and Boch, with a production date of 1895, is decorated in the PUG (Print Under Glaze) style. It is inscribed with "Garde-Kürassier-Regiment" and depicts Garde-Kürassier-Regiment soldiers both standing and astride horses. The soldiers wear the normal service uniforms and the parade uniforms of the regiment. The pewter lid has a cast eagle thumb lift and is decorated with the seal and motto of the Order of the Black Eagle: "Summ Cuique."
1 volume, 2 boxes (1 linear foot)
1 volume
The Stanton P. Allen scrapbook contains clippings, engravings, maps, and drawings related to a recurring newspaper column titled Down in Dixie written by Allen for the Troy Daily Times in which he recounted his experiences serving with the 1st Massachusetts Cavalry during the Civil War.
The volume (23 x 14 cm) contains approximately 101 pages and has blue cloth covers with the words "Manual and Report, Board of School Commissioners Troy, N. Y., 1883" stamped in gold on the front. The first item to appear is a pasted in sheet on pg. 5 with the words "Down in Dixie, by Stanton Perrie Allen" printed and "Volume IV" handwritten. The first clipping of Down in Dixie appears on pg. 9 and is marked "34," which coupled with the presence of "Vol IV" on pg. 5 would seem to suggest that Allen created multiple volumes in which the columns were sequentially ordered. These volumes were likely used by Allen to finetune his ideas for how he envisioned publishing his account in book form.
The Down in Dixie clippings are given a visual dimension through the inclusion of numerous clipped engravings that directly relate to people, places, and events referenced in the narrative. Engravings include portraits of leading military figures from both the Union and Confederacy as well as numerous depictions of soldiers, battles, camp life, fortifications, buildings, prisoners of war, casualties, mass burials, etc. Also present are several engravings depicting African Americans (pgs. 52, 54, 58-60, 92, 95, & 97) and Apache Indians (pgs. 10 & 11). Two clipped maps are also included, with one showing a general overview of Virginia, Maryland, Delaware, and New Jersey (pg. 9) and the other showing a detailed view of the roads, landmarks, and natural features east of Richmond, Virginia (pg. 77). Only one photograph is present, an unmounted studio portrait of Allen's mother Celia juxtaposed with an anecdotal passage about a Confederate and Union soldier bonding over their deceased mothers (pg. 51).
Of particular note are six original drawings signed by Allen. The first, a pen and ink drawing captioned "Down in Dixie Turning Out For Stables," shows a Union cavalryman (presumably Allen) at camp laden with horse care equipment (pg. 20); the second, a watercolor captioned "Down in Dixie. 'How Is That For Beef?' From Memory 1889," shows three Union cavalrymen eating a meal at camp (pg. 25); the third, a watercolor captioned "A Stag Dance. Four Hands Round," shows a group of four Union cavalrymen dancing while another plays the fiddle as two others (including an African American cavalryman) look on (pg. 26); the fourth, a pen and ink drawing captioned "The Sutlers Whisky Barrel Tapped At Both Ends. Down in Dixie," shows a large group of Union cavalrymen getting drunk on whisky after secretly tapping into the sutler's barrel from the outside of his tent (pg. 27); the fifth, a pen and ink drawing captioned "'The Tables Turned.' - Beaver Dam, Va., May, 1864," depicts the anecdotal interaction between a Union soldier and Confederate prisoner who realize they had both stolen rings from each other that had belonged to their deceased mothers (pg. 49); the sixth, a watercolor captioned "Sheridan's Raid - 1864. - Walking to Rest the Horse. - From Memory - 1889," shows a Union cavalryman leading his horse.
A loose two-page typescript draft of a consolation letter dated June 20, 1897, written by Allen to Charles S. Francis after the death of the latter's father John M. Francis can also be found tucked inside the back cover. Allen knew both John and Charles from having worked for the Troy Daily Times, which was founded by John in 1851.
1 volume
The William L. Culbertson, Jr., scrapbook consists of one volume containing numerous newspaper clippings, documents, photographs, hand-drawn maps and illustrations, correspondence, and various ephemeral items related to the career of US Navy officer CDR William Linn Culbertson, Jr., between 1905 and 1918.
The volume (25.5 x 19 cm) has 146 pages and is bound in red marbled paper covers. The covers and spine are in poor condition. Inside of the front cover there is a loose diplomatic passport for Culbertson, Jr., issued by the U.S. Embassy in Paris, France, from August 1916 that contains personal descriptive information as well as a photographic ID portrait. The scrapbook begins with newspaper clippings from ca. 1905 and subsequent materials proceed in chronological order for the most part. Numerous items collected during Culbertson, Jr.’s time abroad contain text in foreign languages including French, Spanish, Italian, Japanese, Chinese, German, Arabic, and Greek.
Current results range from 1860 to 1949