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This scrapbook contains correspondence, documents, maps, and ephemera related to the family of Jabez Huntington of Norwich, Connecticut, including his sons and other descendants. The items pertain to the American Revolution, education, family history, and life in Connecticut from the 1770s to the 1830s.

This scrapbook (55 pages) contains correspondence, documents, and ephemera related to the family of Jabez Huntington of Norwich, Connecticut, including his sons and other descendants. The earliest item is a poem dedicated to Kitty Fell, written by William Apthorp in 1763, followed by a letter from William Hubbard to Andrew Huntington concerning Thomas Hutchinson's order to surrender Castle William to Colonel Dalrymple (September 13, 1770). During the Revolutionary War, Andrew Huntington received letters from his brothers Jedidiah and Joshua, who discussed escalating tensions in Boston in 1775, the gathering of Continental forces, and the progress of the war; he also received a note from Jonathan Trumbull excusing him from military duty (September 1, 1775). Other items from the late 18th century include love letters and poems to Maria Perit, cards admitting Perit to balls held at Yale College, and letters from "Lucy" at "Bethlehem" (possibly Bethlehem Female Seminary) to her brother.

A small number of items from the early 1800s pertain to the will and estate of Pelatiah Webster, Charles P. Huntington's father-in-law, and an 1802 return for the 20th Connecticut Militia Regiment. In 1814, Samuel Huntington wrote to his son Julian about his other sons' academic progress. In the 1820s and 1830s, Samuel received letters from acquaintances who discussed political issues, and in the late 1830s he wrote to his son William, discussing William's education at Wesleyan University and the possibility of his attending Harvard College. Some letters are addressed to Huntington family women, including letters from Lydia Sigourney to Mrs. Hannah Huntington (likely Andrew's wife); Maria Perit Huntington letters, often regarding literature and poetry; and letters to Ruth L. Huntington. One letter from P. H. Huntington to "Miss Perkins" contains genealogical information about the Webster, Perit, and Leffingwell families (August 13, 1891).

The scrapbook also contains documents, maps, and other materials related to the Huntington family. Visual items include property maps (cataloged separately); a photograph of Ebenezer Huntington's home in Norwich, Connecticut; a card photograph of Benedict Arnold's birthplace; and engravings of Norwich Bridge, women at leisure, and "Cromwell at Ripley Castle." Genealogical notes, poems, instructions for making a doll, and legal documents (many of which relate to property ownership) are also present. Newspaper clippings pertain to the history of the Huntington family, particularly to Jabez Huntington and his sons.

An unidentified individual, likely from Hyde Park, Massachusetts, repurposed this copy of The Hyde Park Register and Business Directory for 1879 as a scrapbook to depict interior spaces of homes. Many pages feature brightly colored tissue paper used as a backing, with cut-out images of furniture, appliances, and decorative household goods pasted on the page to create domestic scenes.

An unidentified individual, likely from Hyde Park, Massachusetts, repurposed this copy of The Hyde Park Register and Business Directory for 1879 as a scrapbook to depict interior spaces of homes. Many pages feature brightly colored tissue paper used as a backing, with cut-out images of furniture, appliances, and decorative household goods pasted on the page to create domestic scenes. Several pages include interactive elements, such as curtains that can be moved to see through a window or cupboards and appliances with doors that open. The bulk of the images appear to have been cut from magazines or advertisements, but on a few pages the creator also handmade their own elements such as drawn cupboards, stairways cut from paper, curtains made of various papers, picture frames to surround clipped images, and more. The bulk of the scenes depict parlors, sitting rooms, and bedrooms, but others include an office, kitchen, entryways, a school room, a billiards room, a garden or greenhouse, and more. Most scenes do not include occupants, except for one that features a woman sewing and another that has an image of a baby bathing in a tub.

Two names are written in the volume, M. B. Howard and M. B. Elliot, but further research is required to determine if they were former owners of the directory or potential contributors to the scrapbook.

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

• Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
• Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
• Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
• Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
• Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
• Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
• Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
• Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
• Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
• Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
• Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
• Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
• Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
• Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
• Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
• Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
• Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
• Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
• Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
• Page 48: Portrait of a bearded man.
• Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
• Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
• Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
• Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
• Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
• Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
• Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
• Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
• Page 66: A flying lizard/dragon with a shouting sun.
• Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.

This collection is made up of letters that Irving Grinnell received during his travels in Europe from 1858-1861 and in 1864. Philip Schuyler, Jr., and M. C. Heckscher ("Tilly") shared news about their social lives in New York City from 1858-1859; Grinnell's mother, Julia Irving Grinnell, wrote about New Yorkers' reactions to the Civil War. The collection also contains material related to the New York Yacht Club.

This collection (79 items) contains letters that Irving Grinnell received during his travels in Europe from 1858-1861 and in 1864, as well as material related to the New York Yacht Club.

The Correspondence series (62 items) includes 45 letters that Philip Schuyler, Jr., wrote to Irving Grinnell from May 28, 1858-September 13, 1859. Schuyler discussed his social life in New York City, which included yachting and attending parties; on November 23, 1858, he described his experiences as a groomsman in a wedding. Schuyler occasionally referred to political happenings in the United States and Europe. M. C. Hecksher ("Tilly") wrote 8 letters to Grinnell, mostly reporting on her social engagements, such as a wedding she attended (November 7, 1858). Grinnell also received 2 letters from his cousin, Nellie Irving. Undated correspondence includes an unsigned note with a diagram of seating arrangements.

Irving Grinnell received 5 letters from his mother, Julia Irving Grinnell, written from December 14, 1861-May 16, 1862, as well as 1 written on March 20, 1864. In addition to sharing family news, Julia Grinnell commented on New York City residents' reactions to the Civil War; on one occasion, she mentioned that effigies of Jefferson Davis and other confederate leaders had been hanged in the city. Grinnell provided updates about Philip Schuyler, who had gone to Washington, D.C., with the 7th Regiment of New York Militia, and later shared her own thoughts about the war.

The Documents and Newspaper Clippings series (17 items) contains a notice and newspaper clippings pertaining to the New York Yacht Club in the late 1850s. The clippings concern race results, owners, and vessels. Other clippings relate to a commencement address delivered at Columbia College (now Columbia University) and to the drowning death of Laurens Hamilton in 1858.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.

The James A. Whipple papers contain correspondence, documents, and drawings related to Whipple's career as an engineer during the mid-19th century. Whipple's interests in submarines and naval engineering are documented throughout the collection, which includes correspondence, documents, drawings, and patents.

The James A. Whipple papers contain correspondence, documents, and drawings related to Whipple's career as an engineer during the mid-19th century. Whipple's interests in submarines and naval engineering are documented throughout the collection, which includes correspondence, documents, drawings, and patents.

The Correspondence series contains incoming items to Whipple. Most pertain to business affairs and to Whipple's family and acquaintances. Letters often pertain to submarines, Whipple's salvage business, and Whipple's trips abroad. A few items originally belonged to George L. P. Taylor, a United States consular agent.

The Financial Records series consists of receipts, accounts, and other documents concerning Whipple's business dealings, which reflect his interest in submarines and naval affairs. Many documents relate to his schooner Arcade. The series includes a pocket diary of financial notes and figures for 1855.

The Documents series contains a variety of items related to Whipple's business affairs, personal life, and interests in submarines and naval engineering.

• An explanation of an illustration (not present) showing improvements in submarine armor (March 2, 1848)
• A document from the council of Charleston, South Carolina, thanking Whipple and his associates for salvaging a statue of John C. Calhoun (November 19, 1850)
• A passport from the Republic of Venezuela (13 December 1852)
• Documents authorizing several journeys of James A. Whipple and his associates
• A receipt from the United States Patent Office for Whipple's application for "pumps for forcing water" (January 18, 1854)
• "Result of experiments on dissolving Scale in Boilers made at Beyrout" (March 31, 1855)
• A patent application for a submarine trumpet, made jointly by William H. James and James A. Whipple (April 30, 1855)
• "Report on the efficiency of the [submarine] armour for the U. S. Navy"
• Documents regarding "Whipple's patent double acting momentum pump," including advertisements, diagrams, and Whipple's patent application (October 21, 1859)
• Diagrams for a "process for driving Piles Posts or Timbers in Earth or other yielding Material" (May 25, 1859)
• 22 contracts made between James A. Whipple and other parties
• Several drawings of mid-19th-century underwater diving suits
• James A. Whipple's United States passport (May 30, 1849)

Two Journals include an "Extract from the Journal of J[eremiah] Murphy whilst working in the Liberty Banks" (April 21-May 24, [1857]) and a journal kept by William A. Dodge, J. R. Wheeler, and James A. Whipple during their time salvaging wrecks off Santo Domingo.

The Essays series contains 2 unattributed items: "Sub Marine Work" and "My Brother Capt. James A. Whipple…"

The Drawings and Sketches series has schematic figures for various inventions, such as a device consisting of a large wheel powered by a horse and a device for making cigars. Several other drawings show views of unlabeled inventions.

Printed Material includes 8 Newspaper Clippings and 6 Other Printed Materials. Newspapers include a full issue of Boston's Evening Gazette (July 2, 1859), as well as several short articles regarding trials for steam-driven fire engines. Other items include Whipple's business card, a "Circular of James A. Whipple. Submarine Engineer, Boston, Mass" (1857), printed descriptions of naval-related inventions, and printed drawings of mechanical inventions.

The James H. Baker collection contains items related to his Civil War career in Company C of the First Regiment of United States Sharpshooters. The collection includes photographs, ribbons, newspaper clippings, and a scrapbook, among other items.

The James H. Baker collection contains items related to his Civil War career in Company C of the First Regiment of United States Sharp Shooters. The collection includes photographs, ribbons, newspaper clippings, and a scrapbook, among other items. A small, leather-bound Notebook lists members of Company C of Hiram Berdan's 1st United States Sharpshooters Regiment, including their dates of resignation or death. The book also contains a short history of the company and an extensive list of engagements at which the company was present. The notebook also includes a short note regarding the history of a "Stars and Bars" banner acquired by James H. Baker, with accompanying song lyrics. A short newspaper clipping entitled "Eli Perkins Gets a Good Story from Gen. Sherman" and a number of pressed leaves are also included among the notebook's contents.

Four Photographs include three Civil War-era portraits and as well as a later, black and white portrait. At least one of the older items is of James H. Baker.

• Berdan's U. S. Sharp Shooters [Reunion] (1891)
• Berdan's U. S. Sharp Shooters [Reunion] (1894)
• The Governor's Guard of Memphis, Tenn. (1894)
• "I Will March for Sound Money" (1896)
• Large American flag, Berdan's U. S. Sharp Shooters [Reunion] (1896)
• 17th Reunion Co. B. 2nd U. S. Sharp Shooters (1897)
• 7th Annual Reunion Berdan's Sharp Shooters (1897)
• 1st Michigan Sharp Shooters Association 25th reunion (1908)
• U. S. Berdan S[harp] S[hooters] (1908, 3 items)
• Small ribbon with American flag decoration (undated)
• Large yellow ribbon reading, "Marshal" (undated)
• Lansing Republicans (undated, 2 items)

• A card certifying Clarence O. Skinner's membership in the Civil War Book Club
• A photograph of University of Michigan swimmer James Skinner, taken from Michigan: Champions of the West
• Printed program from the "First Reunion of Co. K Berdan's Sharpshooters," 1889
• Printed "Address of Comrade Judge Charles J. Buchanan" at a reunion of Berdan's Sharp-Shooters' Association, 1908

Newspapers and Clippings include an item describing the presentation of a ceremonial sword to James H. Baker, a photographic portrait of Baker printed just after his death, and a copy of the New York Herald from August 1, 1863.

Essays and Reminiscences include a rewritten copy of "Grandfather's Best Story of the War," detailing the involvement of a man nicknamed "California Joe" during the early years of the Civil War, and two copies of a typed biography of James H. Baker that focuses on his Civil War service.

A Scrapbook compiled in the 20th century contains a number of items related to James H. Baker's Civil War service. Items within the scrapbook include numerous letters written by Baker to his parents, wife, and sister, documents, and newspaper clippings. Many of the newspaper clippings date from the late 19th and early 20th centuries, and detail reunions of Berdan's regiments. The scrapbook also encloses a copy of the Philadelphia Inquirer (September 26, 1861), and includes a photograph of Clarence O. Skinner taken in Ringen, Germany, in 1919.

This collection holds a series of letters written by Pennsylvania Congressman James Hepburn Campbell from April to August of 1861, in which he described the political and social climate of Washington D.C. during the outbreak of the Civil War. Also present is a series of ten letters written in 1862 and 1863 to Campbell's wife relating interviews with President Lincoln and Mary Todd Lincoln, and letters documenting his post as Minister to Sweden, in 1866.

The James Hepburn Campbell papers are comprised of 98 correspondence, 2 legal documents, 5 newspaper clippings, and 2 miscellaneous items. The bulk of the collection was written between April and August of 1861, when Campbell, then a member of the House of Representatives, rushed to Washington to help defend the capital. Traveling by train, he arrived in the city on April 19, having passed through Baltimore at the height of the riots. Once in Washington, he entered into almost daily correspondence with his wife until his departure for Pennsylvania on August 3, 1861. This tightly-knit set of letters covers the initial panic in the District of Columbia when war broke out, the opening of Congress in July amid the crisis, early attempts of Clement Vallandigham to disrupt the Union, the death of the celebrated Colonel Ellsworth, and the fiasco at First Bull Run.

A series of ten letters, written in 1862 and 1863 to Campbell's wife, relate separate interviews with President Lincoln and Mary Todd Lincoln and give an account of a hastily formed regiment in the aborted attempt to cut off Lee's escape from Pennsylvania following Gettysburg. Of his hour-long meeting with Mary Todd Lincoln he wrote: "She is an ordinary woman with strong likes and dislikes...[S]he prides herself on being a 'little Southern," hates the angular Yankees" (January 27, 1863). Campbell also discussed family issues and military life. Eight letters and documents are extant from Campbell's years as Minister to Sweden (1865-1866) and Norway, including diplomatic correspondence concerning Lee's surrender and Lincoln's assassination.

The Documents series contains two items from the palace in Stockholm. The Newspaper Clippings series holds five undated articles: two on H.K. Brown, one about Ellis Lewis, Jr., a short poem called Three Calls, and a column on the soldiers stationed at Camp McDowell in Alexandria, Virginia. The Miscellaneous series consists of a seal from the Department of State of Sweden and Norway and a brief note about the collection's contents.

This collection is primarily made up of typescripts of letters that Dr. James M. Holloway wrote to his wife Anne while serving as a Confederate Army surgeon during the Civil War. Additional materials include typescripts on 19th-century medicine and clippings including full-color illustrations, from The Philadelphia Inquirer (1959-1961).

This collection (0.25 linear feet) is made up of typescripts related to Dr. James M. Holloway's service as a Confederate Army surgeon during the Civil War, typescripts related to 19th-century medicine, and illustrated newspaper clippings related to United States Army uniforms, national coats of arms, and Philadelphia, Pennsylvania, during the Civil War.

The bulk of the collection consists of Typescripts, including approximately 121 letters that Holloway wrote to his wife Anne on January 7, 1861, and from July 25, 1861-September 5, 1864. His earliest letters recount his experiences as a surgeon with the 18th Mississippi Infantry Regiment in Virginia, including his treatment of the wounded from the Battle of Ball's Bluff. Holloway, who took pride in his medical career, occasionally described specific patients, including amputees, a woman whose head had become detached from her body, and a dead soldier he dissected. He continued to write about his medical work after being promoted to the command of the hospitals of Richmond, Virginia, in 1862, and also discussed other aspects of his life there, such as the cost of food and other goods. Holloway expressed his devotion to the Confederate cause, and his early letters refer to his commitment to Christianity, which he maintained throughout the remainder of his correspondence. Some of Holloway's letters refer to the movements of Union and Confederate troops in Virginia and the western theater, the possibility of European intervention, specific battles, and the general progress of the war. By the fall of 1864, he feared that Richmond would be cut off from the rest of the Confederacy. In one late letter (written after the Emancipation Proclamation), he advised his wife to sell a female slave.

Holloway wrote 3 letters to his wife in May 1865, expressing his fear that the North would seek retribution from Southerners; he also reported that Beverly Tucker's home had been searched as a result of his suspected connection to the Lincoln assassination. In August and October 1865, Holloway wrote 3 letters to his wife from Louisville, Kentucky, primarily about local churches. Holloway's Civil War correspondence is followed by typescripts of his presidential address to the Tri-State Medical Society (or Mississippi Valley Medical Association) regarding current medical and surgical advancements and the increasing popularity of homeopathy (1882), a partial article about the history of medical education in the South (undated), and an obituary for Samuel Wilcox Warren (January 1878). He wrote 2 additional letters from Amsterdam, Netherlands, and Berlin, Germany, in September 1898, regarding his observations of local hospitals and medical procedures.

The Printed Items series (4 items) contains 3 full-color inserts from issues of The Philadelphia Inquirer, including photographs of toy soldiers wearing historical United States Army uniforms (July 5, 1959); a map of Civil War-era Philadelphia showing the locations of military camps and hospitals (July 5, 1959); a photograph of the coat of arms of the United Kingdom (February 7, 1960); and an editorial commemorating the centennial of the Star of the West incident (January 9, 1961).

Seaman James R. Sturn kept this diary while serving onboard the destroyer Moale in the Pacific Theater during World War II. Sturn commented on sea life, reported the ship's movements, and described his experiences in multiple naval engagements.

Seaman James R. Sturn kept this diary (172 pages) while serving onboard the Moale in the Pacific Theater during World War II. Sturn commented on sea life, reported the ship's movements, and described his experiences in multiple naval engagements.

Before commencing regular diary entries, Sturn recapitulated his experiences in the United States Navy between March 1943 and November 1944. From around November 3, 1944-August 4, 1945, he wrote about daily life on the Moale, which was stationed in the Philippines, near various Japanese islands, and in Hawaii. Sturn noted the ship's movements, listed other ships in the Moale's task force, and reported news of sunken ships and battles. He witnessed kamikaze attacks and described the ship's engagements, which included action in Leyte Harbor, the Battle of Ormoc Bay, the invasion of Mindoro Island, the invasion of Luzon, and bombardment operations. Other entries pertain to Sturn's leisure activities and drinking habits at Ulithi Atoll and Pearl Harbor, where the Moale went for repairs in early 1945. After returning to the Pacific, the destroyer assisted with minesweeping and antiaircraft efforts around Okinawa and other Japanese islands.

Newspaper clippings and parts of the Moale's newsletter are pasted into the diary. Most reflect the Pacific Fleet's progress; one is an article by Ernie Pyle, and one has a drawing of male and female mermaids. Sturn pasted the Moale's daily orders from April 13, 1945, and May 13, 1945 into the volume's endpaper and first pages. Five unlabeled snapshots of a United States sailor and a note about Sturn's genealogy are laid into the volume.