Collections : [University of Michigan William L. Clements Library]

This collection contains letters that Lieutenant Herbert Brigdon Syrett wrote to his mother while serving with the United States Army during World War II, as well as a scrapbook about Syrett's military experiences. Syrett, a member of the 102nd Medical Battalion, described his training in the United States and Hawaii and his experiences in the Pacific Theater.

This collection contains around 580 letters that Lieutenant Herbert Brigdon Syrett ("Brig") wrote to his mother while serving with the United States Army during World War II, as well as a scrapbook (around 60 pages) about his military experiences.

The Correspondence series contains Syrett's letters to his mother from January 6, 1943-December 11, 1945; and 13 letters from Syrett to Howard and Miriam Cusack, January 10, 1944-August 23, 1945. He first described daily life and training exercises at Camp Joseph T. Robinson, Arkansas. In April 1943, he was transferred to Camp Barkeley, Texas, where he participated in an officers' training program and recorded details about his daily schedule and courses. By August 1943, he had graduated and had joined the 102nd Medical Battalion for training at Camp Grant, Illinois, filling his correspondence with descriptions of the scenery and his travels. In December 1943, Syrett reported his safe arrival in Hawaii and his unit's preparations for campaigns in the jungles of the Pacific Theater. While in Hawaii, Syrett became a member of the Outrigger Canoe Club on Waikiki Beach, and he also wrote about his training, military life, officer duties, and leave periods in Honolulu.

After May 1944, Syrett wrote from Saipan, where he participated in active combat during the Allied invasion. He recounted some of his experiences during the battle, such as living in a foxhole and witnessing bombing raids. After the battle, he commented on native life, the impact of the fighting, and insects. Syrett also reported his increasing religious faith and mentioned his religious activities, particularly after his first experiences in active combat. On December 3, 1944, he wrote about non-United States citizens who had joined the country's military forces. In April 1945, Syrett was transferred to Okinawa, Japan, and he compared the United States Army and United States Navy during his voyage. Throughout the summer of 1945, he anticipated the end of the war and wrote about the power of the atomic bomb, while expressing his hope that the war would end soon. After the Japanese surrender, he served in Okinawa, Muramatsu, and Niigata, Japan, which he described. An avid souvenir hunter, Syrett discussed his acquisitions throughout his military service. He also responded to news from home, provided information about other servicemen with whom he corresponded, and discussed the military's encouragement of V-mail services. An undated photograph of an unidentified soldier is housed at the end of the series.

Syrett occasionally enclosed items such as dried flowers, magazine articles, and newspaper clippings in his letters. In his correspondence with the Cusacks, Syrett occasionally sent snapshot photographs of himself, fellow soldiers, destroyed buildings, and scenery (November 24, 1944, 3 photos; January 25, 1945, 6 photos; March 1, 1945, 7 photos). He often wrote on stationery depicting the logos of the United States Army, United States Navy, Camp Joseph T. Robinson, Camp Barkeley, and Camp Grant, as well as stationery with scenes from Camp Barkeley and Hawaii. In 1945, Syrett sometimes composed letters on paper he took from Japanese soldiers. Some letters are V-mail letters, including pre-printed Easter and Mother's Day greetings.

The Scrapbook (around 60 pages) is comprised primarily of newspaper clippings and ephemera from Syrett's World War II service. The items are arranged roughly chronologically. He also collected newsletters, programs, and tickets during his time in the United States, as well as currency during his time abroad. Official documents such as Syrett's draft cards, military orders, and vaccine records are also present. Newspaper clippings relate to the 27th Army Division, jungle training exercises in Hawaii, the Battle of Saipan, the Battle of Okinawa, and the Pacific Theater. Christmas cards are also pasted into the volume.

This collection is made up of correspondence, diaries, documents, ephemera, and other items related to Hilon A. Parker and other members of the Parker family. The papers reflect Hilon A. Parker's life in Plessis, New York; his service in the 10th New York Heavy Artillery Regiment during the Civil War; and his postwar work as a railroad engineer and administrator.

This collection (3 linear feet) is made up of correspondence, diaries, documents, ephemera, and other items related to Hilon A. Parker and other members of the Parker family. Materials pertain to Hilon A. Parker's life in Plessis, New York; his service in the 10th New York Heavy Artillery Regiment during the Civil War; and his postwar work as a railroad engineer and administrator.

The correspondence (464 items) consists mainly of personal letters written and received by Hilon A. Parker between the 1860s and early 1910s. During the Civil War, Hilon A. Parker and his brother Harvey exchanged letters and wrote to their parents about service in the Union Army. Hilon served in the 10th New York Artillery Regiment. Thirza Parker, Hilon and Harvey's sister, provided news from Plessis, New York, while her brothers were away. Much of the correspondence from the late 1860s consists of letters between Hilon A. Parker and Mary Cunningham, his future wife. Hilon described the scenery and his work for railroad companies in Iowa, and Mary wrote about her life in Copenhagen, New York. After their marriage, most of the correspondence is comprised of incoming letters to Hilon A. Parker from personal and professional acquaintances. Parker received many condolence letters following Mary's death in early 1892. Later items include content related to Native American schools and to Parker's career in the railroad industry. A few late items sent to Hilon's daughter Florence in 1911 and 1912 concern his estate.

A group of 36 pencil and colored drawings and 32 letters relate to students at the Rainy Mountain Boarding School on the Kiowa-Comanche-Apache reservation in western Oklahoma. Kiowa schoolchildren gave the drawings as thank you notes to Hilon Parker, general manager of the Rock Island Railway, for a train ride he arranged for them in 1899. The children's ledger drawings show teepees, traditional Native American costume, and animals such as horses and buffalo. The children sent 13 letters to Hilon A. Parker on May 5, 1899. The Kiowa correspondence and drawings are accompanied by a group of 19 letters by grade school children in Chicago, Illinois, to Florence Parker Luckenbill, Hilon A. Parker's daughter, around 1925. The Chicago children commented on the Kiowa drawings and letters.

The Hilon A. Parker diaries (31 items) form a continuous run from 1860 to 1911, with the exception of the years 1896 and 1903. His brief daily entries concern life in Plessis, New York, in the early 1860s; service in the 10th New York Heavy Artillery Regiment during the Civil War; and work for the Chicago, Rock Island & Pacific Railway Company. Lucinda Parker, Hilon's mother, kept 6 diaries covering the period from 1858-1865, excepting 1862. She commented on her daily activities and social life in Plessis, New York.

Hilon A. Parker made entries in a commonplace book from February 1863-August 1863 and in April 1866. The first section of the volume contains poems and brief essays composed at Fort Meigs in Washington, D.C. Many of the entries refer to military life and to the war. The later pages of the volume include diagrams of cannons, mathematics and physics notes, and definitions of military terms. Items glued into this section of the volume include a small paper flag and many clipped autographs.

The collection's military documents (39 items) include orders, passes, commissions, and other documents related to Hilon A. Parker's service in the 10th New York Artillery Regiment during the Civil War; one item pertains to his pension. Undated materials include a casualty list and a blank voucher form.

Nine account books belonging to Hilon's father Alpheus Parker span the years from 1853-1878. Some of the volumes pertain to Parker's accounts with specific banks. Hilon Parker's business papers contain 35 accounts, receipts, and other items related to his personal finances and to his work for the railroad industry; one item concerns his voter registration (October 19, 1888). Most of the later material, including contracts and other agreements, regard business agreements between railroad companies. Some of the accounts are written on stationery of the Chicago, Rock Island & Pacific Railway Company.

Mary Cunningham's Hungerford Collegiate Institute papers (40 items) include essays, poetry, report cards, and newspaper clippings related to Cunningham's studies at the institute in the mid-1860s. The papers include a manuscript magazine called The Nonpareil, edited by Mary Cunningham (Vol. 5, No. 8: November 18, 1863).

Approximately 80 speeches, addresses, and essays written by Hilon A. Parker pertain to the Civil War, the Republican Party, and Illinois politics. Parker also composed speeches and essays about the life of Abraham Lincoln and about Native Americans.

The Hilon A. Parker family papers include 8 photographs: an ambrotype image of several members of the Parker family posing outside of the Parker & Fairman storefront in Plessis, New York, and portraits of Derrinda Parker Tanner (tintype), Isaac L. Hitchcock (daguerreotype), Lucinda and Thirza Parker (daguerreotype), two unidentified women (ambrotypes), Hilon A. and Harvey M. Parker in military uniform (card photograph), and Hilon A. Parker as a grown man (photographic print).

A scrapbook contains newspaper clippings, ephemera, and other items related to the life of Hilon A. Parker. Many articles concern Civil War veterans' groups (the Englewood Union Veteran Club and the Grand Army of the Republic) and other topics related to the war, such as an article regarding a reunion of the 10th New York Heavy Artillery Regiment, the fate of John Brown's wife and sons, memorial poems, and a map of entrenchments around Petersburg, Virginia. Other groups of clippings concern Illinois politics, liquor laws, the railroad industry, and the life of Hilon A. Parker.

The papers include newspaper clippings (21 items), biographical notes and writings (18 items), a hand-sewn US flag made by Thirza Parker for Hilon Parker while he served in the Civil War, a silhouette made in Denver, Colorado, in 1903, and other items.

This scrapbook contains correspondence, documents, maps, and ephemera related to the family of Jabez Huntington of Norwich, Connecticut, including his sons and other descendants. The items pertain to the American Revolution, education, family history, and life in Connecticut from the 1770s to the 1830s.

This scrapbook (55 pages) contains correspondence, documents, and ephemera related to the family of Jabez Huntington of Norwich, Connecticut, including his sons and other descendants. The earliest item is a poem dedicated to Kitty Fell, written by William Apthorp in 1763, followed by a letter from William Hubbard to Andrew Huntington concerning Thomas Hutchinson's order to surrender Castle William to Colonel Dalrymple (September 13, 1770). During the Revolutionary War, Andrew Huntington received letters from his brothers Jedidiah and Joshua, who discussed escalating tensions in Boston in 1775, the gathering of Continental forces, and the progress of the war; he also received a note from Jonathan Trumbull excusing him from military duty (September 1, 1775). Other items from the late 18th century include love letters and poems to Maria Perit, cards admitting Perit to balls held at Yale College, and letters from "Lucy" at "Bethlehem" (possibly Bethlehem Female Seminary) to her brother.

A small number of items from the early 1800s pertain to the will and estate of Pelatiah Webster, Charles P. Huntington's father-in-law, and an 1802 return for the 20th Connecticut Militia Regiment. In 1814, Samuel Huntington wrote to his son Julian about his other sons' academic progress. In the 1820s and 1830s, Samuel received letters from acquaintances who discussed political issues, and in the late 1830s he wrote to his son William, discussing William's education at Wesleyan University and the possibility of his attending Harvard College. Some letters are addressed to Huntington family women, including letters from Lydia Sigourney to Mrs. Hannah Huntington (likely Andrew's wife); Maria Perit Huntington letters, often regarding literature and poetry; and letters to Ruth L. Huntington. One letter from P. H. Huntington to "Miss Perkins" contains genealogical information about the Webster, Perit, and Leffingwell families (August 13, 1891).

The scrapbook also contains documents, maps, and other materials related to the Huntington family. Visual items include property maps (cataloged separately); a photograph of Ebenezer Huntington's home in Norwich, Connecticut; a card photograph of Benedict Arnold's birthplace; and engravings of Norwich Bridge, women at leisure, and "Cromwell at Ripley Castle." Genealogical notes, poems, instructions for making a doll, and legal documents (many of which relate to property ownership) are also present. Newspaper clippings pertain to the history of the Huntington family, particularly to Jabez Huntington and his sons.

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

• Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
• Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
• Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
• Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
• Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
• Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
• Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
• Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
• Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
• Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
• Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
• Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
• Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
• Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
• Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
• Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
• Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
• Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
• Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
• Page 48: Portrait of a bearded man.
• Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
• Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
• Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
• Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
• Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
• Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
• Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
• Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
• Page 66: A flying lizard/dragon with a shouting sun.
• Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.

The James H. Baker collection contains items related to his Civil War career in Company C of the First Regiment of United States Sharpshooters. The collection includes photographs, ribbons, newspaper clippings, and a scrapbook, among other items.

The James H. Baker collection contains items related to his Civil War career in Company C of the First Regiment of United States Sharp Shooters. The collection includes photographs, ribbons, newspaper clippings, and a scrapbook, among other items. A small, leather-bound Notebook lists members of Company C of Hiram Berdan's 1st United States Sharpshooters Regiment, including their dates of resignation or death. The book also contains a short history of the company and an extensive list of engagements at which the company was present. The notebook also includes a short note regarding the history of a "Stars and Bars" banner acquired by James H. Baker, with accompanying song lyrics. A short newspaper clipping entitled "Eli Perkins Gets a Good Story from Gen. Sherman" and a number of pressed leaves are also included among the notebook's contents.

Four Photographs include three Civil War-era portraits and as well as a later, black and white portrait. At least one of the older items is of James H. Baker.

• Berdan's U. S. Sharp Shooters [Reunion] (1891)
• Berdan's U. S. Sharp Shooters [Reunion] (1894)
• The Governor's Guard of Memphis, Tenn. (1894)
• "I Will March for Sound Money" (1896)
• Large American flag, Berdan's U. S. Sharp Shooters [Reunion] (1896)
• 17th Reunion Co. B. 2nd U. S. Sharp Shooters (1897)
• 7th Annual Reunion Berdan's Sharp Shooters (1897)
• 1st Michigan Sharp Shooters Association 25th reunion (1908)
• U. S. Berdan S[harp] S[hooters] (1908, 3 items)
• Small ribbon with American flag decoration (undated)
• Large yellow ribbon reading, "Marshal" (undated)
• Lansing Republicans (undated, 2 items)

• A card certifying Clarence O. Skinner's membership in the Civil War Book Club
• A photograph of University of Michigan swimmer James Skinner, taken from Michigan: Champions of the West
• Printed program from the "First Reunion of Co. K Berdan's Sharpshooters," 1889
• Printed "Address of Comrade Judge Charles J. Buchanan" at a reunion of Berdan's Sharp-Shooters' Association, 1908

Newspapers and Clippings include an item describing the presentation of a ceremonial sword to James H. Baker, a photographic portrait of Baker printed just after his death, and a copy of the New York Herald from August 1, 1863.

Essays and Reminiscences include a rewritten copy of "Grandfather's Best Story of the War," detailing the involvement of a man nicknamed "California Joe" during the early years of the Civil War, and two copies of a typed biography of James H. Baker that focuses on his Civil War service.

A Scrapbook compiled in the 20th century contains a number of items related to James H. Baker's Civil War service. Items within the scrapbook include numerous letters written by Baker to his parents, wife, and sister, documents, and newspaper clippings. Many of the newspaper clippings date from the late 19th and early 20th centuries, and detail reunions of Berdan's regiments. The scrapbook also encloses a copy of the Philadelphia Inquirer (September 26, 1861), and includes a photograph of Clarence O. Skinner taken in Ringen, Germany, in 1919.

James W. Piatt compiled this one-volume scrapbook of newspaper clippings, letters, admission tickets, and ephemera documenting cases he tried as an attorney, his interest in the Freemasons and local politics, and other judicial, legal, and miscellaneous local affairs in Wyoming County, Pennsylvania. Prominent among the newspaper clippings is extensive coverage of the 1892 trial and execution of Charles Wall for the murder of his wife, Julia Wall; and the 1893 trial and execution of Isaac Rosenweig and Harris Blank for the murder of Jacob (Jakey) Marks, all three Jewish peddlers.

James W. Piatt compiled a one-volume scrapbook of newspaper clippings, letters, admission tickets, and ephemera documenting cases he tried as an attorney, his interest in the Freemasons and local politics, and other judicial, legal, and miscellaneous local affairs in Wyoming County, Pennsylvania.

The scrapbook features clippings related to local criminal trials. Prominent among them is extensive newspaper coverage of the 1892 trial and execution of Charles Wall for the murder of his wife, Julia Wall. Piatt served as the prosecuting attorney for the case, reported to be the "First Legal Execution in Wyoming County." Several articles relate to Wall's contention that Piatt acted dishonestly during the trial.

Newspaper coverage of the 1893 trial and execution of Isaac Rosenweig and Harris Blank for the murder of Jacob (Jakey) Marks, all three Jewish peddlers, is also prominently featured. Piatt served as a defense attorney during the trial. Piatt pasted in four letters addressed to him by Rabbi Adolph M. Radin, Visiting Chaplain of the New York Board of Jewish Ministers, who attended Blank and Rosenweig prior to their execution. Two letters addressed to Piatt from Harris Blank, one annotated as being written in the hand of Isaac Rosenweig, are also featured.

Piatt included clippings related to two other murder trials for which he served as an attorney: the trial of Adelbert Harford for the murder of George Kelley with an axe, and the trial of Fred Wall and Bert Pratt for the murder of C. Washington Werman.

Two of James Piatt's Sheriff's Office admission tickets for executions are also pasted into the volume, one for the execution of Charles Wall on March 8, 1892, and the other for the execution of Isaac Rosenweig and Harris Blank on May 18, 1893.

Later clippings and ephemera relate to local politics, judicial affairs, contested judicial elections, Freemasonry and the Knights Templar, and miscellaneous local affairs.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

This collection consists of condolence letters, newspaper scrapbooks, a letter book, a published memorial volume, and a photograph album related to John M. Francis of Troy, New York, and to his son Charles. The letters, which are addressed to Charles Francis, express sympathy following his father's death in June 1897; the memorial volume contains biographical sketches and published tributes to John M. Francis; and the newspaper scrapbooks chronicle John M. Francis's travels around Europe and the world between 1869 and 1876.

This collection (1 linear foot) consists of condolence letters, newspaper scrapbooks, a letter book, and a published memorial volume related to John M. Francis of Troy, New York, and to his son Charles.

The Condolence Letters series contains 211 items addressed to Charles S. Francis between June 5, 1897, and January 18, 1898. One letter from Hallie M. Brown concerns her regret about missing an opportunity to visit, and the remaining correspondence is made up of letters expressing the authors' condolences after the death of John M. Francis on June 18, 1897. Writers included Charles Francis's friends and family members and John Francis's personal and professional acquaintances. Many writers reminisced about their relationships with John M. Francis and shared stories about their experiences at the Troy Daily Times.

The Letter Book, Scrapbooks, and Published Memorial series (6 volumes) pertains to John M. Francis's travels around the United States, Europe, and Asia in the 1870s and to Charles S. Francis's career and business affairs. Four scrapbooks contain newspaper clippings of letters that John M. Francis sent to the Troy Daily Times while traveling abroad. Each contains lengthy descriptions of local people, customs, politics, architecture, geography, and history, and some also have accounts of transoceanic and transcontinental travel.

• Western Europe, June 12, 1869-October 15, 1869, including England, Wales, Ireland, Scotland, the Netherlands, Belgium, Germany, Switzerland, and France (21 letters; 38 pages)
• Western and Southern Europe, July 18, 1871-December 28, 1871 (published August 2, 1871-January 3, 1872), including England, Wales, France, Belgium, Germany, Austria-Hungary (now the Czech Republic and Austria), Italy, and Greece (20 letters; 28 pages)
• Around the world, July 5, 1875-June 6, 1876, including the western United States, Japan, China, Ceylon (now Sri Lanka), India, Egypt, Greece, Italy, and France (2 volumes containing duplicate clippings, 115 pages and 71 pages)

The letter book (282 pages), which belonged to Charles S. Francis, has retained copies of his outgoing correspondence from October 25, 1897-July 29, 1901. The letters pertain to personal and business affairs, such as Francis's editorial work for the Troy Daily Times and land he owned in Mississippi. Several newspaper clippings relate to Francis's appointment as envoy extraordinary and minister plenipotentiary to Greece, Romania, and "Servia."

The published memorial (125 pages), entitled In Memoriam: John M. Francis, March 6, 1823-June 18, 1897, contains an engraved portrait, a brief biographical sketch, reminiscences, essays, poetry, and reprinted newspaper obituaries commemorating the life and death of John M. Francis.

The Photograph Album (ca. 1905?) contains 14 images of a new automobile, family members, and pets (possibly in New York state); and 144 vacation photographs showing landscapes, buildings, and persons in Europe. The photos are not labeled or identified, but appear to show Switzerland or Austrian lake districts, as well as urban environments. The photographer captured many of these images with a panoramic camera.

New York City lawyer John Drake Townsend kept these two scrapbooks between 1869 and 1893. Numbered seven and eight and totaling approximately 340 pages, they contain pasted-in newspaper clippings chronicling his court cases or cases that interested him. The bulk of volume seven pertains to the removal of N.Y.C. police commissioners by Mayor Edward Cooper in 1879. Much of volume eight regards the 1879 murder of socialite Jane Lawrence DeForest Hull, who was accidentally suffocated while being robbed by her former lover Chastine Cox, an African American man.

• Miscellaneous clippings, 1869-1877 (pp. 1-12)
• Clippings related to the indictment of New York City Aldermen, for usurping authority they did not legally possess, 1878 (pp. 13-33)
• Clippings related to the removal of police commissioners by New York City Mayor Edward Cooper, 1879 (pp. 34-173)

• Affixed to pastedown: Manuscript letter from 11 persons to John D. Townsend, June 16, 1879: request to represent them in the case of the death of Jane Lawrence DeForest Hull
• Clippings pertinent to the murder of Jane Lawrence DeForest Hull, 1879 (pp. 1-118)
• Carte-de-visite portrait of Dr. Alonzo F. Hull (between pp. 18 and 19)
• Clippings pertinent to the murder of Louis W. Guttermuth, 1882 (pp. 120-129)
• Cabinet card portrait of Louis W. Guttermuth (between pp. 120 and 121)
• Clippings related to a libel suit against the publishers of Truth, 1882 (pp. 131-144)
• Clippings related to the Joseph Hart-George Alfred Townsend libel case, 1884 (pp. 146-149)
• Clippings pertinent to the bigamous marriage of Nathaniel Hawes to Anna E. Wetmore, 1884 (pp. 153-156)
• Clippings related to John D. Townsend's defense of William H. Mumler, 1869 (pp. 160-163)
• Miscellaneous clippings, 1884-1893 (pp. 164-165)