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The Lawrence-Bass family papers contain correspondence, writings, documents, and other items related to William Lawrence of Lincoln, Massachusetts; his grandson, Jonathan Bass of Randolph and Braintree, Vermont; and the Bass family. The material concerns family relationships and news, land ownership, and religion.

This collection contains correspondence, writings, documents, and other items related to William Lawrence of Lincoln, Massachusetts; to his grandson, Jonathan Bass of Randolph and Braintree, Vermont; and to the Bass family.

The Correspondence series (65 items) is made up of incoming and outgoing letters related to the Bass family in the early 19th century. Early items include a Revolution-era love letter by Phebe Hammond, who shared her negative opinion of soldiers' behavior (August 29, 1778), and letters that members of the Lawrence and Bass families received during the late 18th century. The bulk of the series is comprised of incoming letters to Jonathan Bass from his siblings, parents, and friends in Randolph, Vermont, while he studied in Cambridge, Massachusetts, between 1800 and 1805, and after he moved to Braintree, Vermont, in 1805. Jonathan's correspondents shared social and personal news and occasionally commented on political issues. Around 1810, he and his family members discussed the life and death of his brother William, who died on September 25, 1810. Later items include letters from Caleb Butler of Groton, Massachusetts, to Henry Bass about the Lawrence family genealogy, written in 1846, and additional Bass family letters.

The Writings series contains essays and other pieces about religion, friendship, love, and other topics. One unattributed 25-page document, written around September 1766, concerns religious issues. The remaining essays and poems are grouped into four bundles, some of which are attributed to William Lawrence during his time at Harvard College around 1740. One of these items is William Lawrence's copy of Ovid's Amores I.5, "Corinnae concubitus."

The Financial Records series contains 3 items. Two accounts pertain to Boston resident Edward Bromfield's financial affairs (November 16, 1754). The third item is a list of subscribers who contributed money to purchase a cloak for "Reverend Mr. Strong" in Randolph, Vermont (March 24, 1812).

Legal and Military Documents (15 items) relate to the Lawrence and Bass families. Indentures concern the Lawrences' land holdings in Massachusetts in the 1700s and the execution of various wills; the earliest item is the will of Jonathan Lawrence, dated 1725. Also included is a set of military orders directed to Lieutenant Henry Bass, who served with the Massachusetts Militia's 1st Division (July 28, 1821).

The Photograph is a portrait of Sarah Bass Putnam. Genealogical Materials (12 items) include copied epitaphs and other notes related to the genealogy of the Lawrence and Bass families. A Diagram shows the layout of pews in an unidentified church. Printed Items are booklets about the history of Randolph and Braintree, Vermont, and about early battles in Massachusetts during the Revolutionary War, as well as 2 printed poems. One poem is decorated with pictures of daisies, and the other is dedicated to the memory of Mary Harvey Buel.

This collection contains 44 letters that lawyer and congressman Levi B. Vilas wrote to his brother and mother after moving from Vermont to Madison, Wisconsin, in 1851. Vilas discussed family finances, politics, and his impressions of the South while traveling in 1856 and 1857.

This collection (46 items) contains 44 letters that lawyer and congressman Levi B. Vilas wrote to his brother and mother after moving from Vermont to Madison, Wisconsin, in 1851. Vilas discussed family finances, politics, and his impressions of the South while traveling in 1856 and 1857. The collection also includes 1 letter by Harrison Vilas and 1 photograph.

Levi B. Vilas often discussed his family's financial situation, particularly related to their estate in Vermont. Between 1860 and 1861, he expressed concern for his mother's health and questioned the impact that her illness would have on the family. He also provided news of his wife and children, his business affairs, politics, and the local Democratic Party.

In 1856 and 1857, Vilas took extended tours through the South and reflected on aspects of southern life such as the importance of cotton and slave labor. During the Civil War, he expressed concerns for his 3 sons serving in the Union Army. Harrison Vilas wrote 1 letter to his wife and mother recounting a journey from Vermont to Wisconsin (April 27, 1853). The collection also includes a photograph taken in Madison, Wisconsin, of a bearded man sitting at a desk in a study; a manuscript note identifies him as "L.B. Vilas."

This collection is made up of correspondence and other materials related to Luigi Palma di Cesnola, including letters that Cesnola wrote to Hiram Hitchcock while visiting Italy in 1900.

This collection is made up of correspondence and other materials related to Luigi Palma di Cesnola. The first item is a letter of introduction for Hiram Hitchcock of New York City, who later became one of Cesnola's correspondents (October 30, 1866). Cesnola later wrote to Hitchcock about his discovery of a letter by Mehmet Arif (March 6, 1887), the end of the Spanish-American War and its implications for construction of a Nicaraguan canal (August 13, 1898), and his work at the Metropolitan Museum of New York (Ibid.). Several letters concern Cesnola's visit to Italy during the summer of 1900; he discussed his activities, which included honorary banquets, and other aspects of his trip, such as the assassination of King Umberto I (August 15, 1900).

Additional items include a newspaper clipping regarding Cesnola's audience with King Umberto prior to the king's death, an autographed photograph of Cesnola inscribed to Hitchcock, and a catalog advertising the sale of manuscripts related to Cesnola's imprisonment at Libby Prison during the Civil War (1923).

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

• Post-mortem portraits
• Post-mortem scenes
• Funeral tableaux
• Funerals and funeral processions
• Floral arrangements and displays
• Memorial cards and sentimental imagery
• Cemeteries and monuments
• Funeral industry
• Mourning attire
• Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

This collection contains letters that Martha Shaulson wrote to her sweetheart, Lieutenant Charles H. Meyer of the United States Army Air Forces, about her daily life in Providence, Rhode Island, during the final years of World War II.

This collection is made up of 62 letters that Martha Shaulson of Providence, Rhode Island, wrote to her sweetheart, Lieutenant Charles H. Meyer of the United States Army Air Forces, from January 30, 1944-July 15, 1945.

Shaulson, who signed herself "Marthie," wrote of her daily life and experiences in Providence. She often commented on her siblings Joe and Ruth, and on her visits with their children. In her letter of April 22, 1945, she shared news of her nephew's enlistment and identified other family members who were serving in the armed forces, including her brother Philip. Shaulson wrote about her social activities and described occasional visits to the beach; to Atlantic City, New Jersey; and to Barrington, Rhode Island. The Shaulson family had difficulty hiring a housekeeper, and Martha sometimes expressed her distaste for household chores. She reported that her family celebrated most traditional Jewish holidays and observed the Sabbath (October 8, 1944). In her letter of July 19, 1944, Shaulson shared her thoughts about the progress of Russian troops in Europe. In her final letter, Shaulson enclosed a card photograph of herself with a new hairstyle (July 15, 1945).

This collection contains letters, documents, financial records, photographs, and other materials related to Chapin and Mary Dean Howard of Meriden, Connecticut, and Grafton, Vermont. Mary Howard's incoming correspondence includes letters from her two sisters and her brother-in-law, who lived Sioux Falls, South Dakota, in the late 19th century.

This collection contains 62 letters, 41 documents and financial records, 27 photographs, 26 genealogical manuscripts, 5 pieces of ephemera, and 6 newspaper clippings related to Chapin and Mary Dean Howard of Meriden, Connecticut, and Grafton, Vermont. Mary Howard's incoming correspondence includes letters from her two sisters and her brother-in-law, who lived Sioux Falls, South Dakota, in the late 19th century. Other material concerns various Howard family members' financial affairs, estate administration, and family genealogy.

The Correspondence series (62 items) primarily consists of incoming letters addressed to Mary Dean Howard. She received 11 letters from her mother, Angeline Cobb Dean, about life in Chester and Grafton, Vermont, between 1865 and 1873; around 40 letters from her sisters and brother-in-law, who lived in Sioux Falls, South Dakota; and others from female friends. Lucy Dean Woodworth, Harriet Dean Tufts, and Arthur H. Tufts all commented on their social lives, family health, and other aspects of their lives in South Dakota Mary received 2 letters about a friend's experiences as a schoolteacher in Sand Beach, Michigan (October 14, 1883, and February 27, 1884), and a letter from Lewis B. Hibbard about the World's Industrial and Cotton Centennial Exposition in New Orleans, Louisiana, which he composed on the exposition's illustrated stationery (January 8, 1885). The remaining letters include business letters addressed to Chapin Howard (3 items), additional family correspondence, and a letter that William Battison wrote to the Grafton postmaster about the history of the wool industry in Grafton, Vermont (July 7, 1904).

The collection's Documents and financial records (41 items) primarily concern the fiscal affairs of Ormando S. Howard, Chapin Howard, and the estate of Aurelius C. Howard. They include inventories, land documents, accounts, account books, and receipts. A series of oversize ledgers documents Ormado S. Howard's involvement in settling Aurelius C. Howard's estate. Chapin Howard kept records of his transactions with W. H. Wellard, most of which involved the lumber trade. Two account books document C. Howard's accounts with C. O. Howard (3 pages, 1887) and Gladwin Howard's accounts with S. J. Hall for foodstuffs and other goods (17 pages, 1890). Two later documents relate to claims against the estates of Chapin and Mary Dean Howard. Also included is a manuscript report of a committee that visited several schools in 1878.

The Photographs series (27 items) is made up of 16 cartes-de-visite portraits; 7 cabinet card photographs including images of a young Chapin Howard at Saxtons River, Vermont; 1 tintype of 2 young men; 2 paper prints of an unidentified family; and a picture of a house in Meriden, Connecticut.

The Genealogical papers series (26 items) is comprised of notes, family trees, lists, and other material pertaining to the ancestors of Mary Dean and Chapin Howard and to the history of Grafton, Connecticut.

The collection's Ephemera series (5 items) contains advertising and business cards, a program for an event at the Winthrop Hotel (November 27, 1883), an invitation to members of the Montowese Tribe no. 6 (to Chapin Howard, 1887), and a patented envelope for "mailing photographs, fancy cards, etc."

The Newspaper clippings (6 unique items) include 21 copies of Mary Dean Howard's obituary, an article about the history of the Grafton Library, an article respecting several Vermont ministers, a list of Republican voters in Grafton, and obituaries for Peter W. Dean and Chapin Howard.

The McViccar-Antes collection contains correspondence, financial records, legal documents, and other items related to the McViccar and Antes families of northern New York.

This collection contains correspondence, financial records, legal documents, and other items related to the McViccar and Antes families of northern New York.

The Correspondence series (168 items) contains 1 letterbook and 167 personal letters that members of the McViccar and Antes families received from 1802-1901; most letters are dated 1817-1845 and 1865-1894. The earliest items pertain to Elizabeth Todd McViccar of Cambridge, New York, and her sons, John and Peter. John McViccar received personal letters from acquaintances and family members, including his brothers-in-law, Palmer, Halsey, and Nathaniel Townsend. John McViccar also received a series of letters from his brother Peter, who described his journey from New York to Hampden-Sydney College in Virginia in 1821. Peter McViccar continued to write about life at the college until the mid-19th century. One of Peter's letters contains ink drawings of Mount Vernon, the United States Capitol, and government buildings in Washington, D.C. (December 22, 1821).

On September 4, 1832, John McViccar wrote to his brother Archibald about the death of his young daughter, Louisa. John T. McViccar wrote several letters to his parents, John and Rhoda McViccar, relating his experiences at school in the 1840s. Other correspondents mentioned subjects such as travel to the South and discussed political issues. Most items dated after 1850 are related to the Antes family of Cicero, New York. Harriet (or "Harriette") Fiske McViccar wrote to her cousin, Mary McViccar Antes, wife of Evert Antes, with news from Fayetteville, New York (September 16, 1856). M. M. Duncan, an acquaintance of Mary Antes, discussed her employment and aspects of domestic life.

John McViccar's letter book (approximately 66 pages) contains copies of his personal and professional letters, dated September 8, 1818-October 3, 1840. He commented on aspects of his daily life, his finances, and his business affairs. Some of the letters from 1823 concern Elizabeth McViccar's estate.

The Legal and Financial Documents and Invitations series (64 items) concerns members of the McViccar (earlier items) and Antes (later items) families. Financial records include wills, receipts, and indentures, many of which relate to land in Onondaga County, New York. Evert Antes received several preaching licenses in the late 1800s; the series also contains 2 marriage certificates. Later items include a military discharge for Paul J. Antes, who served with the 3rd New York Volunteers during the Spanish-American War.

The Genealogy, Poetry, Obituary, and Visiting Card series (12 items) includes a newspaper obituary for John McViccar, genealogical notes about the McViccar family, essays by Evert Antes, and a calling card.

Three Photographs are portraits of Nancy Barkly Antes Benedict: one is a carte-de-visite, one is a large card photograph, and one is a tintype.

This collection contains incoming letters, legal and financial documents, photographs, genealogical notes, writing fragments, and printed items related to Moody Kent, a lawyer who practiced in Deerfield and Concord, New Hampshire, in the early 19th century. Kent corresponded with his siblings, personal friends, and professional acquaintances about financial matters and with fellow Harvard graduates about their personal histories.

This collection contains 396 incoming letters, 39 legal and financial documents, 2 photographs, and 5 printed items related to Moody Kent, a lawyer who practiced in Deerfield and Concord, New Hampshire, in the early 19th century. Kent corresponded with his siblings, personal friends, and professional acquaintances about financial matters and with fellow Harvard graduates about their personal histories. Genealogical notes, poems, and writing fragments complete the collection.

The Correspondence series (396 items) is comprised primarily of incoming letters to Moody Kent from family, friends, and professional acquaintances, written between 1798 and 1860. Early items include letters that Kent received at Harvard from his father and siblings, who wrote about their lives in Newbury, Massachusetts. After his graduation in 1801, he often received letters from correspondents about their legal and financial matters; frequent writers included members of Kent's family and Ezekiel Webster, Daniel Webster's brother. After his retirement in 1832, Kent's correspondents wrote most often about personal matters. One person, A. A. Parker, commented about domestic political issues in the late 1850s. Some letters written during the 1860s directly concern the Civil War. Several of Kent's Harvard classmates shared information about their lives and family histories.

The Documents series (39 items) contains original and copied depositions, indentures, wills, and financial agreements, dated between 1771 and 1860. They primarily concern land ownership and inheritance issues. Few pertain directly to the affairs of Moody Kent, though many relate to his correspondents. Copies of the wills of Joseph Kent and Moody Kent are also included.

Two cabinet card Photographs depict an unidentified child and adult in and near a gazebo.

Poetry, Writings, and Fragments (5 items) include two patriotic poems by Hannah F. Lee (dated February 1862), 8 bars of manuscript sheet music, and other manuscript fragments and writings.

The Genealogy series (11 items) consists of genealogical notes related to various members of the Kent family.

The Printed Material series (5 items) is made up of an 1861 copy of New Hampshire legislative act regarding funding for New Hampshire soldiers' clothing and equipment; an advertisement for the Elmwood Literary Institute, Boscawen, New Hampshire; a circular advertisement for books on health sciences; an abbreviated version of Moody Kent's will; and a program for a 1912 Congregational church service.

This collection contains letters that Morris Rea Paul wrote to his parents about his experiences as an ambulance driver in France during World War I. Paul described his service along the Western Front in 1917 and 1918 and later discussed his travels in France and Germany.

This collection (132 items) contains around 115 letters that Morris Rea Paul wrote to his parents about his experiences as an ambulance driver in France during World War I. Paul described his service along the Western Front in 1917 and 1918, and later discussed his travels in France and Germany.

The Correspondence series (123 items) contains letters dated May 22, 1917-April 16, 1919. The first 6 items pertain to Morris Paul's decision to volunteer for the American Ambulance Field Service (later the American Field Service) in 1917. The letters concern requirements for entering the service and practical information for men traveling to France. The series also contains a copy of a recommendation letter for Morris Paul, as well as letters Paul received from the minister of a church in Brockton, Massachusetts, and from a friend, who sent Paul a check in lieu of a gift.

Morris Paul wrote the remaining letters to his family between July 1917, when he embarked for Europe, and April 1919, after his return to the United States. In his first 2 letters, Paul commented on his experiences aboard the Touraine while sailing from the United States to France. In France, he provided details about the ambulance service; one letter includes a diagram showing the relative distances of hospitals to the trenches and locations of ambulances and relief cars (August 24, 1917), and another contains a pencil drawing of an ambulance driver in a helmet and gas mask (September 4, 1917). Paul served in the trenches and mentioned hearing artillery barrages and witnessing an airplane battle. He recounted several occasions on which he escaped death and reflected on the emotions associated with being a soldier. In his letter of August 29, 1917, he enclosed a piece of a German soldier's hatband. The series also contains a French-language military order (October 18, 1917).

The Photographs, Newspaper Clippings, and Ephemera series (9 items) mainly concerns Paul's military service. Photographs depict Paul as a child and in uniform around 1918. A group of newspaper clippings pertain to the ambulance service and medal citations. Other items include equipment lists, an address list for ambulance service members, and a broadside advertisement for volunteer ambulance drivers.

This collection is made up of correspondence, documents, financial records, newspaper clippings, and other items related to Salem, New York, and its residents, primarily from the 1780s-1890s.

This collection is made up of correspondence, documents, financial records, newspaper clippings, and other items related to Salem, New York, and its residents, primarily from the 1780s-1890s. Many of the items were once bound together.

The Correspondence series is comprised of around 60 incoming and outgoing letters related to Salem, New York, and to the history of the state of New York. Early letters between residents of Salem and other locales concern a wide range of topics including education, political offices and appointments, and legal cases. After 1856, most items are incoming letters to James Gibson, a native of Salem who was state senator, judge, and president of the Washington Academy. Three letters written during the Civil War concern military commissions and officers. Many of Gibson's incoming letters, particularly later items, relate to his genealogical work; some correspondents offered or requested information about their ancestors.

The Documents series contains over 140 indentures, financial records, petitions, and other items, primarily related to residents of Salem, New York, in the 18th and 19th centuries. Many of the indentures concern land ownership in Washington, County, New York, and personal financial agreements. Other material relates to the Washington Academy, including a list of pupils. Legal orders largely concern private debts, and one document pertains to a local election. Some documents have newspaper clippings pasted onto them, and others were once bound together. One item is a diploma that the Washington Academy issued to James McEl. A group of land indentures is housed in a large bound volume.

The collection's Printed Items include articles, programs, and newspaper clippings. The majority of newspaper clippings concern the Washington Academy in Salem, New York. Other articles concern the "Bench and Bar of Washington County," the Bancroft Public Library, and the family of William Williams. Some clippings are pasted onto large sheets of paper, with manuscript annotations; a small number of complete newspapers are present. The series also has several copies of a program from the dedication ceremony of the Bancroft Public Library in July 1890.

The Photograph, Essay, Notes, and Fragments series is made up of items pertaining to Salem, New York. The carte-de-visite photograph depicts J. B. Steele. The various notes, essay, and fragments pertain to genealogy.