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Collection

John P. Cook Photograph Collection, ca. 1870s-1915

9 photographs

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

Among the photographs that were given to Cook by Jordan are a heavily retouched cabinet card studio portrait of Sitting Bull and a stereograph view on a cabinet card-sized mount captioned "No. 45 Spotted Tail's Tepee," both taken by photographer W. R. Cross; a studio group portrait of Red Cloud and Charles P. Jordan on a mount of Washington, D.C.-based photographer John Nephew bearing the verso inscription "To my most esteemed friend Gen. John Cook. C. P. Jordan July 9/89"; and five studio portrait photographs taken by John Alvin Anderson of six of Jordan's children born to his Lakota wife Julia Walks First Jordan (1859-1913; a niece of Red Cloud's, also known as Winyan Hoaka, True Woman, Weah-Wash-Tay, The Beautiful One), identified through verso inscriptions as "Mary J. Jordan," "Everard Cady Jordan," "Collins Custer Jordan," "Edwin E. & Wm Ward Jordan," and "Ella Adaline Jordan." The date and location of the portrait of Red Cloud and Jordan may point to the possibility of that image having been produced while the subjects were in Washington, D.C., during the 1889 Sioux Land Commission negotiations.

Also present are two photomechanically-illustrated postcards that date to the early 20th-century. One postcard bearing an advertisement for the Northern Pacific Railway was postmarked June 11, 1915 and addressed to John P. Cook's daughter Nina Cook in Frontier, Michigan, with the message "Dear Nina: I am on my way wish you were with me love Fred." The second postcard bears a profile view of the U.S.S. Nebraska and appears to have been postmarked August 1, 1910 and was addressed to Cook at his residence in Ransom, Michigan, with the message "Dear cousin sorry to make you all wait so long for ans (sic) to your kind letters but can't be helped this is a photo of one of the ships with the Atlantic fleet."

Collection

Lancisco Hill collection, 1905-1911

3 letters and 1 photograph

The Lancisco Hill collection consists of one full-length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The Lancisco Hill collection consists of one full length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The studio portrait is a gelatin silver print on a near cabinet card size mount (14.5 x 10.5 cm). Hill can be seen wearing traditional Plains Native American clothing while holding a tomahawk. The clothing and tomahawk were possibly studio props supplied by the unidentified photographer. A contemporary ink inscription on the verso reads "To Mrs. Wm. H. Anderson from Lancisco Hill 12/23th/05."

The first letter (ALS, 4 pages) is dated April 24, 1908, and is addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." Hill asks Anderson if she would be able to locate the C. G. Conn's store and procure three baritone springs for him while she is in Los Angeles. Hill also describes recent weather and indicates that Anderson's horses (including "Joe" and "Alice") are doing well, that he purchased a new bag of hen feed, and that a former neighbor stopped by and will soon be calling on Anderson when they visit Los Angeles.

The second letter (ALS, 3 pages) is dated May 2, 1908, and is also addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." In this letter, Hill lists several chores he has recently completed at Anderson's estate, including taking a book to an unnamed woman, shoeing horses, and letting the hens out. Hill also thanks Anderson for sending him lyrics for a song and states that he thinks he can "sing it for you now at any time we get some one to play for me. I go to the Arizona School of Music now and I know I am learning it right."

The third letter (ALS, 6 pages) is dated July 24, 1911, and is addressed to "Mrs. E. G. Gillette, #414 Andover Street, Lowell, Mass." Hill discusses goings on at the Phoenix estate including recent rainy weather, the birth of a bull calf, the cats being in good health, repair work that needed to be done following a storm, and his inviting a woman named "Ms. Howsel" over for meals regularly since she is "not very busy this summer." Hill also touches on how he borrowed a total of $100 from "Ida Larson" and "Walter" to pay for a musical instrument he named "Comet," and that he would appreciate it if Frances and her husband could assist him in clearing this debt.

Collection

Letters, Documents, & Other Manuscripts, E. L. Diedrich Collection, 1789-1987 (majority within 1795-1941)

0.25 linear feet

The E. L. Diedrich Collection is a selection of manuscript items compiled by his son Duane Norman Diedrich and dedicated to his memory. The content of these letters, documents, and other manuscripts reflect the life and interests of E. L. "Bud" Diedrich (1904-1988), most prominently subjects pertinent to government, business, and patriotic music.

The E. L. Diedrich Collection is a selection of manuscript items compiled by his son Duane Norman Diedrich and dedicated to his memory. The content of these letters, documents, and other manuscripts reflect the life and interests of E. L. "Bud" Diedrich (1904-1988), most prominently subjects pertinent to government, business, and patriotic music. Items include correspondence from early United States politicians, discussing aspects of the developing Federal government and political parties; letters respecting the U.S. Presidency; holograph manuscripts and correspondence respecting patriotic music, such as the Battle Hymn of the Republic; and much more.

The collection is comprised of over 50 letters, documents, manuscript songs, and photographs, and other items. For a comprehensive inventory and details about each item in the collection, please see the box and folder listing below.

Collection

Lucas family collection, 1864-1986

40 items

The Lucas family papers consist of genealogical records, newspaper clippings, and other materials about the descendants of John Ward Lucas, who moved from Middletown, Connecticut, to Lewis County, New York, in the early 19th century. Several items pertain to the history of Watertown, New York, and the surrounding area.

The Lucas family papers (40 items) consist of a family record book, newspaper clippings, and other materials about the descendants of John Ward Lucas, who moved from Middletown, Connecticut, to Lewis County, New York, in the early 19th century. Several items pertain to the history of Watertown, New York, and the surrounding area.

The Lucas Family Record Book (42 pages), compiled in the mid-19th century, contains genealogical information about the Lucas family from the mid-18th century to the mid-19th century. The volume includes lists of the descendants of Elnathan Lucas of Middletown, Connecticut, and prose biographies of John Ward Lucas (8 pages) and his son Elnathan (23 pages), who moved from Middletown to Pinckney, New York, in 1809. Page 14 has a map of the Pinckney area, showing the Lucas farm and other landmarks. Mid- to late-20th century newspaper clippings about the history of northwest New York and additional genealogical notes are laid into the volume.

The Photographs series is comprised of 2 cabinet card photographs of children, taken around 1892.

The 23 Newspaper Clippings (July 16, 1961-October 1, 1986, and undated) include obituaries and other articles related to members of the Lucas family and the history of Watertown, New York, and nearby towns and areas such as Sackets Harbor, Tug Hill, and Three Mile Bay. Many articles were clipped from the Watertown Daily Times.

The Genealogy series (14 items) contains notes and family trees about the Lucas family, providing birth and death dates for several generations. One packet of documents includes blank forms for recording family trees. Five items regard the Lucas family's coat of arms, provided in a report ordered from Halbert's, an Ohio-based company. Promotional materials for Halbert's and additional items about heraldic devices accompany the report.

Collection

Mark A. Anderson Collection of Post-Mortem Photography, 1840s-1970s (majority within 1840s-1920s)

approximately 1064 items

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 items including photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection.

The Mark A. Anderson collection of post-mortem photography contains approximately 1068 photographs, ephemeral items, documents, manuscripts, printed items, and realia pertaining to the visual history of death and bereavement between the 1840s and the 1970s. Photographs make up the bulk of the collection. Mr. Anderson assembled this collection from dealers, antique shops, and individuals. His motivation stemmed from a desire to document and to provide historical perspective on various end-of-life practices which, in the 20th century, fell into taboo and disfavor.

The majority portion of the photographic items in the collection are neither dated, nor attributed, although approximate dates can often be determined by when particular photographic formats were in use (see timeline at www.graphicatlas.org.). Consequently, the materials have been organized first to accommodate their sizes, formats, and preservation needs, and second to reflect major subject themes present, though scattered, throughout the entire collection. These non-mutually exclusive subjects are as follows:

  • Post-mortem portraits
  • Post-mortem scenes
  • Funeral tableaux
  • Funerals and funeral processions
  • Floral arrangements and displays
  • Memorial cards and sentimental imagery
  • Cemeteries and monuments
  • Funeral industry
  • Mourning attire
  • Unnatural death

The first three subjects - post-mortem portraits, scenes, and funeral tableaux - all depict the recently deceased, and so fall into the narrowest definition of a post-mortem photograph. Their distinction into three separate subjects is a partly arbitrary decision, made to break up what would otherwise be a large and unwieldy grouping of photos, but also to roughly shape the order of the collection (post-mortem portraits without décor tended to date earlier chronologically than broader, beautifying scenes).

Post-mortem portraits:

The post-mortem portrait photographs, comprising 251 items in the collection, depict the bodies of dead family members and friends. These images show the deceased, sometimes posed with living family members, and for the most part do not include elements of a larger scene, such as floral arrangements, banners, or other décor.

These portraits include the earliest photographic images in the collection, including 28 cased daguerreotypes, ambrotypes, and tintypes. 78 cabinet card photographs date from the late 1860s to around the turn of the century. Among many notable cabinet cards are two images of Frances Radke, taken and retouched by R. C. Houser, showing her image before and after Houser's post-capture work (3.1 and 3.2). Also of note is a framed crayon enlargement of infant Adelaide Banks by photographer/artist Edward Stuart Tray (26) and a post-mortem carte de visite of an unidentified African American infant taken by photographer S. P. Davis of Danielsonville, Connecticut (4.282u).

Post-mortem scenes:

The post-mortem scene photographs, numbering 155 items in total, are similar to the portraits described above, except that they show the deceased as part of a larger environment, whether in a private home, a funeral home, or out-of-doors. Most of these views are mounted photographic prints from the 1880s to the early decades of the 20th century, frequently centering on the corpse, lying in a casket or coffin, amidst an abundance of floral arrangements, banners or flags, family members or friends, and/or personal belongings. Their caskets are often lined with white cloth.

Many of these images have unique qualities; several examples illustrate the variety of postmortem scenes in the collection. Six photographs by W. Jakubowski and Co. and Jos. Ziawinski, of Detroit, Michigan, include five wedding photographs (of the bride and groom, bridesmaids, and family members) and one post-mortem scene of the wife. She appears to have died within a short time following the marriage; the funeral home scene image contains one of the wedding photographs and a banner marked "Dearest Wife" (18.5-18.10). One mounted photograph depicts a dog, laid on linen, in a homemade casket (14:17). The collection also contains examples of different persons on display in the same funeral home/parlor (e.g. 18.1-18.4). A set of two cabinet card photos of a child in a buggy is accompanied by one of the buggy's metal lanterns (23.1-23.3). Also of note is a photogravure of the 1888 painting "Requiescat" by British artist Briton Rivière showing a dog seated next to its deceased owner (25.2).

Funeral tableaux:

The collection's 35 funeral tableaux photographs show the deceased in an open casket or coffin, typically in front of a church or homestead, with a posed assembly of funeral attendees or mourners. They often show a large group of family and friends, and so are frequently large format prints. Group portraits of this sort were occasionally framed and displayed in the home. Most of the examples in this collection are large prints (many of them mounted), with smaller examples, including a real photo postcard, two snapshots, and one cabinet card. Particular items of note include a framed tableau on the steps of the Church of The Descent of The Holy Ghost in Detroit by Thomas Hoffman (27), a photomontage image of a nun's funeral (28), two tableaux scenes by F. A. Drukteinis taken outside of the same church in Detroit during different seasons and involving the same family (20.12 and 20.15), and three related tableaux scenes (two mounted and one unmounted) involving a presumably Hungarian family that were taken outside of what appears to be a Catholic church in Cleveland, Ohio, during three different funerals (20.16a-20.16c).

Funerals and funeral processions:

The 70 items depicting or pertaining to funeral gatherings show various aspects of the movement of the deceased from the home or funeral home to the cemetery and funeral and burial ceremonies. This group is comprised of real photo postcards (22 items), snapshots (13 items), and a variety of other formats. Examples include an albumen print depicting the Plymouth Church decorated for Henry Ward Beecher's funeral in 1887, and snapshot and postcard photographs of a burial at sea.

Floral arrangements and displays:

Additional documentation of funeral decoration may be found in the collection's 176 still life portraits of floral arrangements and other decorations. A portion of the floral display photographs include pre- or post-mortem photos of the deceased either incorporated into the display or added to the image after printing. One particularly fine example is a large format photograph of a floral arrangement for the funeral of Joshua Turner Mulls; the display included a cabinet card photo of Mr. Mulls and a modified enlargement of the cabinet card. Accompanying the floral arrangement photograph is the cabinet card depicted in the display, with artist's instructions for coloring the enlargement (22.1-22.2).

Memorial cards and sentimental imagery:

The collection includes 105 memorial cards and ephemeral items bearing sentimental imagery. Memorial cards were created as tributes, often displaying birth dates, death dates, and other information about the deceased. Many of these cards include border designs and some bear photographs of the departed. Black-fronted memorial cards gained popularity from 1880 to 1905. Of many interesting examples, the collection includes two examples of memorial cards which haven't yet been personalized (4.306-4.307) and two reflecting World War I-related deaths (4.316 and 4.317). Materials with sentimental imagery include items such as a photograph of an illustration entitled "Momma is in Heaven," a memorial book dedicated to Olive C. Partridge in 1897, and other items.

Note: an advertisement for the Memorial Card Company of Philadelphia is located in the 'Funeral Industry' section of the collection (14.35).

Cemeteries and monuments:

61 photographs, printed items, and realia explicitly pertain to cemeteries, burial markers, or monuments. Some of the cemeteries and monuments are identified, such as the Garfield Memorial at Lakeview Cemetery in Cleveland, Ohio (4.1-4.3). The collection includes examples of cemetery-related realia, including an ovular, porcelain headstone photograph (pre-mortem) of the deceased.

Note: cemeteries may be seen as background for many photographs throughout the collection.

The funeral industry:

The Mark A. Anderson collection of post-mortem photography holds a diverse selection of photographs, ephemera, and printed materials related to the business aspects of death, dying, and bereavement. This group contains around 153 items overall, including receipts (1896-1956); various types of advertising materials (including an undertaker's advertising card, a cabinet photograph of the Arbenz & Co. storefront advertising undertaking as a service, fans from a church and the A. C. Cheney funeral home, a thermometer, and other items); and 118 coffin sales photographs (illustrating a massive selection of different casket models offered by the Boyertown Burial Casket Company of Pennsylvania).

Two photograph albums, that of Clarence E. Mapes' furniture store and funeral home and that of the Algoe-Gundry Company funeral home, provide visual documentation of a rural and an urban funeral home (respectively) in Michigan in the first half of the 20th century:

The photo album and scrapbook of Clarence E. Mapes' furniture store and funeral home in Durand, Michigan, dating from ca. 1903-1930, contains interior and exterior photographs of the furniture and undertaker portions of the shop. The album includes photographs of casket showroom display mechanisms; an example of a "burglar proof" metallic vault; a posed photo of the embalmer standing over a man on the embalming table; images of carriage and motorized hearses; business-related newspaper clippings; and various family and vacation photographs. Several prints, dated August 1903, appear to depict the aftermath of the Wallace Brothers Circus train wreck on the Grand Trunk railroad at Durand. Among these photographs are carriage hearses, a horse-drawn cart carrying ten or more oblong boxes (for transportation and perhaps burial of victims of the wreck), a man standing in an alleyway near three stacked boxes, and a large group of persons standing in a largely unearthed section of a cemetery. The Mapes album is accompanied by a C. E. Mapes Furniture advertising fly-swatter.

The Algoe-Gundry Company album dates from ca. 1924 to 1960 and contains (almost exclusively) 8"x10" photographs of this Flint, Michigan, funeral business. The album includes images of the exterior and interior of Algoe-Gundry buildings, hearses, ambulances, and billboard advertisements.

One album was produced ca. 1939 by the Central Metallic Casket Co. of Chicago, Illinois. Titled "Caskets of Character," the album contains images of patented (or soon to be patented) casket designs as well as a printed cross-sectional view detailing the company's "Leak-Proof" Separate Inner Sealer.

Also of interest is funeral director's license granted by the Michigan State Board of Embalmers and Funeral Directors to Vincent J. George of Fowler, Michigan, in 1938. (25.1)

Mourning attire:

In America, mourning attire tended to follow trends set in Europe. The bereaved wore mourning clothing according to current fashion trends and societal expectations. Mourning clothing styles, often dark-colored and somber, depended on how close the mourner was to the deceased and local societal expectations. Seventeen portrait photographs show men and women wearing mourning attire without the deceased present. This group includes cabinet cards, a 1/9 plate ambrotype of an adult woman, two tintypes, and one carte-de-visite.

Note: persons wearing mourning attire may also be found scattered throughout the other sections of the Mark A. Anderson collection. While most are concentrated in the funeral photographs, mourners are also present in postmortem portraits, postmortem scenes, and cemetery photos.

Unnatural death:

43 photographs (mostly snapshots) depict "unnatural deaths," deaths not caused by age or naturally occurring disease, such as suicides, accidents, murders, and war. The larger portions of the snapshots are mid-20th century police photographs of crime or accident scenes.

Nine Indiana State Police photographs show a train-automobile accident; a group of eight unmarked photos depict the body of woman, apparently violently murdered, at the location of her death and in a morgue; 14 are of a man struck down, beneath a train; two are of a rifle suicide; and the others are of varying accidents. One World War I-era real photo postcard appears to show a man who was shot dead in a foxhole. A stereoscopic card by photographer B. W. Kilburn shows the burial of Filipino soldiers after the Battle of Malolos, Philippine Islands [ca. 1899].

Note: The photograph album/scrapbook of the Clarence E. Mapes furniture and undertakers shop contains several photographs of what appear to be the aftermath of the Wallace Brothers Circus train wreck, Durand, Michigan 1903 (see above description in the 'Funeral Industry' section of this scope and content note).

Collection

Michigan, Ohio, Illinois Family Photograph Albums, ca. 1860-1895

112 photographs in 2 albums

The Michigan, Ohio, Illinois family photograph albums consist of a two-volume set containing 112 studio portraits of people taken in the midwestern United States.

The Michigan, Ohio, Illinois family photograph albums consist of a two-volume set containing 112 studio portraits of people taken in the midwestern United States.

Volume one (27 x 21.25 cm) has green fabric covers with a plush velvet heart in the center and faux bark pages. Contents consist of eight cartes de visite and 28 cabinet card portraits of men, women, and children.

Volume two (27 x 21.25 cm) has a maroon leather cover and contains a total of 76 studio portraits. The majority of photographs are cartes de visite and cabinet cards while there are also some tintypes present. Of particular note are images of men in military and fraternal uniforms.

Collection

Minto-Skelton papers, 1757-1956 (majority within 1770-1900)

2 linear feet

The Minto-Skelton papers contain the papers of Walter Minto (1753-1796), noted mathematician and educator, his nephew Walter Minto Skelton (1804-1848), and other members of their extended family. Walter Minto's papers contain correspondence, writings, and other documents related to his travels in Italy, scholarship, and teaching career. The Walter Minto Skelton and family papers include correspondence, poetry, prose writings, illustrations and photographs, documents, printed materials, notes, invitations, and miscellanea.

The collection entitled Minto-Skelton family papers is divided into two series: the Walter Minto papers and the Skelton family papers. It began as the Walter Minto papers by donation from Harry B. Earhart in 1934, and this collection, which consists of 21 documents and seven letters, has been incorporated into the new, larger collection of Minto-Skelton family papers given by Jean McIntyre Conrad in 2004. The Skelton family papers contains only a few items from the Earhart donation: specifically, seven of the ten Detargny documents between 1796 and 1798 (in Series 2, sub-series 4) and one printed broadside from 1799 (in Series 2, sub-series 5); the rest come from the much larger Conrad donation. In the Contents Lists that follow each collection it has been noted which papers originally belonged in the Earhart donation.

Walter Minto Papers:

The Walter Minto papers consists of 296 letters and 31 documents, along with nine manuscript notebooks, diaries, account books, etc. and five short handwritten notes by Minto himself. Nearly all of the letters were written during Minto's lifetime, from 1774 to 1796, with four from 1797-98 added to the collection because they refer to him or to his estate. Most of the letters were written to him (253), and they are about equally divided between those written before he left Scotland for America (mid-1786) and those written after he arrived in America. Those from 1779 to 1786 are especially revealing about two events in his life that were either unknown or only hinted at previously.

The first has to do with his sojourn in Italy. He accompanied the Johnstone boys to Italy in 1776 as their tutor and remained with them there until early 1779, when they, and presumably he with them, returned to England. But letters both to and from his father, Walter Minto, Sr., along with references in other letters, make clear that, after entrusting the boys to Captain Machell in Spain, he returned to Slop's home in Pisa in March of 1779, began a formal, concentrated study of mathematics with Slop, that he continued that study there until mid-1782, and that it affected his health.

The second has to do with Minto's previously unknown relationship with a woman named Catherine Drummond. This relationship can be seen in the 49 letters (sometimes in French, occasionally in Italian) written by her to him between March of 1784 and early June of 1786, when he left Scotland for America. The correspondence continued in America, though less frequently; she wrote only three letters between February of 1787 and January of 1788. In a letter (of which there exists only a partial "translation") in response to hers of January of 1788 he tells her that he has loved her for four years and proposes marriage to her. She rejects his proposal by return mail, but continues writing to him until 1791, even after his marriage to Mary Skelton in the fall of 1789.

During his time in America, he met and exchanged letters with a number of influential people, both before going to Princeton (mid-1786 to late 1787) and afterwards (1787-96): for example, John Witherspoon, president of the College of New Jersey; the astronomer and clockmaker David Rittenhouse; Dr. Benjamin Rush, a signer of the Declaration of Independence, with whom he lodged when he first came to America; the army officers James Chrystie and Francis Gurney, who became his friends; even George Washington, to whom he sent a copy of his book on the new planet.

Another 25 letters are neither to nor from him. Most were written from one Minto family member to another and concern primarily family matters; they were probably brought by Minto to America, or were perhaps sent to his wife, Mary (Skelton) Minto, by his Scottish relatives after his death. Two of the letters were written to or from the Johnstones, in 1764 and 1772 (the latter by David Garrick), before Minto had even met the family. Three of the four letters written in 1797-98, after his death, were addressed to his wife, and the fourth to a close friend of hers.

Of the 18 letters written by Minto himself, eight are originals, having been sent to relatives and friends. The other ten are copies or drafts, in his own hand, that he kept for his personal use: these are always marked "copy" or "draft" in the Contents List.

Following the letters are nine manuscript notebooks, diaries, account books, etc. (eight written by Minto, 1776-96; plus one written in 1802, after his death) and five miscellaneous notes in his own hand. Most of the notebooks provide details about events in his life, especially the lists of expenses in the notepads from 1776 and 1779, having to do with his theological education and his dealings with the Johnstone boys, his trip to America in June and July of 1786 from the daily log he kept of it, his travels during his first few months in America from the notepads for late 1786 and early 1787, and the nature of his mathematical lectures at the College of New Jersey from the notebook dated 1802.

Of the remaining 31 documents: 14 date from 1757 to 1786, when Minto left Scotland for America; 14 from 1787, after he arrived in America, to his death in 1796; and three from after his death, the latest of which is dated 1801. The earliest one (a transcript of the entry for Elisabetta Dodsworth's baptism in 1739, from the Baptismal Record of Leghorn in Italy) is dated 1757, when Minto was only four years old. The last is a bill of lading, dated 1801, for what was probably family memorabilia sent from the Minto family in Scotland to Mrs. Mary Minto after her husband's death. In between are documents providing glimpses into Minto's education (24 January 1776), his being set free in Cadiz (13 March 1779), his trip home from Italy in the summer of 1782 (the passport signed by Sir Horace Mann on 11 June 1782), his honorary degree from the University of Aberdeen (3 February 1786), his becoming a United States citizen (24 July 1787), and his membership in the American Philosophical Society (17 January 1789).

Walter Minto Skelton (1804-48) and Family Papers:

The Skelton family papers, unlike the Walter Minto papers, consist of a great variety of materials: 43 letters, written between 1780 and 1940; a large body of prose writings and poetry, including 6 notebooks of prose and poetry, 20 orations, lectures, and essays, and 22 manuscripts of miscellaneous verse; one engraving, one drawing, one print, and four portrait photographs; 50 documents of various kinds; 14 printed materials and 3 newspaper clippings; and 58 items of miscellanea, including 7 notes, 18 invitations, and 24 round pieces of cloth with writing in ink.

The letters are divided into three groups based on the primary correspondent in each group: Mary Skelton Minto (from before 1780 to 1813, and possibly to 1824, the date of her death); Walter M. Skelton (from 1824 to 1843); and the Boyd family (from 1872 to 1940). All three groups of letters provide details about events in the lives of family members. In addition, the first group provides some chronology on the life of Marin Detargny, which is described in detail in the section below on documents. The second group contains some important Skelton family documents, especially the very difficult-to-read letter to Walter Skelton from his father Joseph dated 20 January 1825, and the one from his aunt Elizabeth White dated 22 March 1827. The third group of letters contains a mix of dates and correspondents, mainly regarding the extended Skelton families (especially the Boyds). Two letters in particular are revealing in their insights into the late 19th-century (and later) interest in spiritualism, or spiritism: the one from Edgar Ryder to Ann Skelton dated March 1872 announcing his belief that her brother Walter "is one of the Big Guns in the Spirit world"; and the one from Charles Robb to Elizabeth Boyd dated 12 January 1930 enclosing his transcript of a spirit message from her aunt Ann Skelton during a séance the previous day.

Following the letters are prose writings and poetry, divided into three groups. The first consists of manuscript notebooks containing one or the other or (usually) both genres, and is further divided into notebooks in Walter Skelton's own hand (3) and those in other hands (3). Except for "Elizabeth White's Collection of Poetry," all of these notebooks have Princeton connections, and a few have western Pennsylvania connections.

The second group contains orations, lectures, and essays, nearly all of which are in Skelton's hand and presumably composed by him. The dated ones are from his years at the College of New Jersey in Princeton, and most of the others must be as well. Public speaking was an integral part of the College curriculum, and some of the orations must have been delivered there during his student days (see especially the one dated July 1825).

The third group contains miscellaneous verse. A few of the poems are in Skelton's hand and may have been composed by him (3); the leaf containing the second poem has a few occurrences of the name "(Miss) C. Morford," who may have been a love interest of his. Most of the poems (19), however, are in other hands and range from well known ones like "Don't give up the Ship," Burns' "Auld Lang Syne," and Waller's "Of My Lady Isabella playing on the lute" to obscure ones, including a "Canzonetta" in Italian by Peruchini. Along with Elizabeth White's collection in the first group, these poems indicate a strong interest in poetry in Walter Skelton's extended family.

After a few miscellaneous illustrations and photographs are a large group of documents (certificates, wills, receipts, deeds of land sales, surveys, and the like), divided by the families to which they refer. Most of these families were from western Pennsylvania and related to the Skeltons (Boyd, Craig, McFarland) or were members of the Skelton family itself. The Franklin Heirs also relates to western Pennsylvania, for in January of 1840 Walter Skelton purchased two tracts of land, totaling 410 acres, on the west side of the Allegheny River in South Buffalo Township, Armstrong County, Pennsylvania, which had been owned in the 1780's by Benjamin Franklin; Skelton presumably built a house on the property and lived there until his death in 1848, when it passed into the hands of his sister Ann Skelton. The Scudders were friends of the Skelton family in New Jersey, and the deed of sale described here was probably from a descendant of that family. The two White family documents refer to Elizabeth White, whose collection of poetry is described in Series II, sub-series 2 above and who lived in Scarsdale, New York; she was the sister of Walter Skelton's mother, Sarah White Skelton, wife of Joseph Skelton, Sr.

The most intriguing set of documents has to do with Marin Detargny. It is uncertain how his papers came to be included in the papers of the Mintos or of the extended Skelton family. Moreover, seven of the ten Detargny documents between 1796 and 1798 were in the Earhart donation; why or how they became separated from the rest of the Detargny documents is a mystery, especially since they are not so different from the other three of the same date. From the documents (and four letters referring to him) one learns that Marin Detargny was born in France on 26 June 1776, son of Jean Francois Detargny. He is twice called "homme de lettres," once "Professeur," and is later referred to as "Reverend." He remained in France until at least 1798, not leaving until 1800 or a little later. By December 1802 he was in Virginia, residing in Alexandria and trying to open a school, but at about the same time he must have moved to Annapolis, where he taught French until at least April 1804. Between November 1805 and August 1807 he was in Charleston, South Carolina, but by 1810 he was in Philadelphia and being looked after, at least financially, by Benjamin Hopkins (husband of Mary Skelton Minto's niece, Elizabeth, the daughter of Mary's brother Josiah). By early 1813, Detargny was destitute and was in danger of being sent to the overseers of the poor; his wife was also destitute and depended on "relatives" who could not afford to help her husband.

How the Skeltons and the Hopkinses came to know him, and especially how the Hopkinses came to be responsible for him, is unknown, though intriguing; sometime after 1807 (see undated letter from M. Chrystie to Mary Minto) a "Mrs. Ditennia" (probably Mrs. Detargny), who had been ill, visited Mary Minto in Princeton.

The next category consists of printed materials (a broadside; an interesting advertisement and list of fees for Mrs. Graham's school in New York from the early 19th century; two newspapers; some pamphlets and announcements; and three newspaper clippings about family events). The most numerous group is the pamphlets and announcements, which contains primarily the Proceedings of seven Boyd family reunions held in western Pennsylvania and Ohio between 1881 and 1892 (at least ten reunions through 1900, but no other Proceedings appear in the Skelton family papers). These Proceedings contain lists of the participants and attendees at the various reunions, along with biographies of some of the Boyds (including Walter Skelton Boyd [1864-92], who was named for his uncle, Walter Skelton, in the 7th Proceedings), and an in-depth study of some of these people might help to unravel the connections both among the Boyds and of the Boyds with the Craigs, Earharts, and McIntyres.

The final group consists of miscellaneous materials, including notes by Walter Skelton; invitations to parties, dances, and college exercises; a statement from students at the College of New Jersey directed to James Carnahan, president of the College; a notebook containing "By-Laws of ‘The Princeton Blues'," a militia group in Princeton whose captain in 1830-31 was Walter Skelton; a booklet of proverbs and common sayings in English and Spanish on facing pages; a series of primarily 20th-century family notes and lists about the contents of the second Minto-Skelton collection before it was given to the Clements Library; and some obscure pieces of cloth with writing on them. Three of the five notes written by Walter Skelton are presumably from his days at the College of New Jersey; a fourth is apparently a record of the books in his library; and the fifth is a unique list of "Provincialisms noticed in the Western part of Pennsylvania," which he must have recorded when he first went out to that part of the country in 1826. Fourteen of the eighteen invitations (some on the backs of playing cards) are addressed to one or more of the Skelton sisters requesting their attendance at parties, dances, and college exercises, and they attest to the active social life for young women in Princeton and environs in the 1780's.

The last item in the group of miscellaneous materials is a set of twenty-four round pieces of cloth with writing in ink on one side of twenty-two of them. The writing has various configurations: always the name of the writer and, in addition, occasionally the name of the addressee, usually a sentiment of some kind, and frequently a date and the home of the writer. The addressee, when given, is always Mary or Mary McFarland; the year, when given, is 1845, usually in October; the home addresses are nearly always somewhere in Indiana County or Armstrong County, Pennsylvania; and the writers are often relatives (five are Skeltons).

Collection

Mugshots Collection, ca. 1892-1920

approximately 100 photographs

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots.

The Mugshots collection consists of approximately 100 photographic portraits produced between 1892 and 1920, the vast majority of which are mugshots. The collection includes real photographic postcards, mounted and unmounted paper prints, and one severely tarnished tintype. Also present are two fingerprint identification cards with handwritten lists containing names of numerous individuals represented in the collection. A small number of photographs appear to be standard studio portraits. Photographs range in size from 6 x 10.5 cm to 11 x 17 cm.

Many of the mugshots have printed and/or handwritten information on their versos, including names, known aliases, nationalities, birth dates/locations, occupations, arrest dates, names of arresting police officers, criminal charges, sentences, prison locations, remarks on physical appearances, and Bertillon measurements. Most of these images were produced in various places in Pennsylvania, New York, New Jersey, and Maryland, with Philadelphia being the most represented location. The mugshots are mainly of white male subjects, though there are also four mugshots of women present. Five African American individuals (four men, one women) are also pictured. A substantial number of mugshots are of individuals from immigrant backgrounds, including Italians, Irish, Austrians, Germans, Poles, Greeks, Jews, etc. Approximately 90 individuals are personally identified in total. Recorded criminal charges include shoplifting, pickpocketing, larceny, burglary, forgery, embezzlement, false pretense, flimflamming, auto theft, horse theft, conspiracy, attempted murder, and murder. Specific police departments and correctional facilities represented include the Pennsylvania Department of State Police, Harrisburg Department of Police, Philadelphia Bureau of Police, Hartford Police Department, Newark Department of Police, Auburn Prison, Sing Sing Prison, City of New York Police Department, City of Boston Police Department, Camden Bureau of Police, Baltimore Police Department, Bureau of Criminal Investigation for the New Jersey Reformatory in Rahway (now East Jersey State Prison), U.S. Penitentiary in Leavenworth, City of Paterson Police Department, Philadelphia’s Eastern State Penitentiary, Montgomery County Prison (Norristown), Columbus Department of Police, City of Wilkes-Barre Bureau of Police, Trenton Department of Public Safety, New York House of Refuge, and the Reading Department of Police.

Items of particular interest include:
  • a 1921 mugshot of an Italian man named Peter Erico, who was executed by electric chair on September 25 1922 along with Antonio Puntario after the pair were found guilty of murdering Detective Samuel Lucchino
  • a 1909 mugshot of an eighteen year old Jewish man named Albert Steinberg, accused of pickpocketing
  • two different mugshots of Irishman John Shelvin (accused of pickpocketing) taken in 1897 and 1906 following arrests in Philadelphia and Baltimore
  • a 1920 mugshot of German houseworker Minnie Schissel, charged with theft
  • a 1909 mugshot of accused shoplifter Marie Clark
  • a 1915 mugshot of an African American man named King Brown, charged with illegal dynamite explosion, assault, and other crimes
  • a ca. 1903 mugshot of larceny suspect Edward Stevenson, a "fugitive from Phil. Pa."; handwritten inscriptions on verso include note to address information to Detective E. H. Parker
  • a ca. 1906 mugshot of German engineer and fireman Frank Schleiman with identifying details and a $50 reward notice for information on his whereabouts following his escape from Sing Sing Prison on December 9 1906 handwritten on the verso
  • a 1908 mugshot of “dishonest servant” Blanche Grisson
  • a 1919 mugshot of a Mexican man named Pedro Susman, charged with shoplifting
  • two copies of a portrait or mugshot of African American man James Timberlake with identifying details handwritten on verso
  • a 1908 mugshot of an Austrian butcher named Herman Haubt, convicted of 2nd degree murder
  • an undated mugshot of an African American woman named Pearl Williams, charged with being a dishonest servant
  • a 1906 mugshot of bartender Sam Davis (accused of pick pocketing) produced by detective Harry C. White of Harrisburg
  • a ca. 1918 mugshot of Oliver Denton Bender taken in Columbus, Ohio, including an attached note that lists twelve of Bender’s known aliases
  • a 1900 mugshot of Irishman John Mackey, charged with till tapping; two 1918 mugshots of Italian barbers Nicholas Shieno and Frank Rinaldo, both of whom were charged with flimflamming after being arrested in Scranton, Pennsylvania
  • a 1918 mugshot of Jewish printer David Schleimer taken at the New York House of Refuge on Randall’s Island
  • a 1917 mugshot of Michael J. Sullivan, charged with murder

Collection

People Photographed While Reading Photograph Album, ca. 1870s-1900s

People photographed while reading photograph album

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.

Collection

Peter C. Meengs collection, 1885-1905

134 items

The Peter C. Meengs collection is made up of letters, documents, financial papers, notes, printed and ephemeral items, and photographs related to Dr. Meengs's courtship with Sarah "Sallie" Josephine Hall; medical education at Rush Medical College, 1889-1891; his subsequent medical practice in Holland, Eastmonville, and Coopersville, Michigan; and his 1896 patent of a Rectal Irrigating Dilator.

The Peter C. Meengs collection is made up of 38 letters, 15 documents and financial papers, two notebooks, 41 printed and ephemeral items, and 38 photographs related to Dr. Meengs's medical education at Rush Medical College; his subsequent medical practice in Holland, Eastmonville, and Coopersville, Michigan; and his 1896 patent of a Rectal Irrigating Dilator.

The Correspondence includes 38 letters from Peter C. Meengs's to "Sallie," Sarah Josephine Hall, dating between 1885 and 1887. At the time, Sallie attended the Sherman Female Institute at Sherman, Texas, and Meengs lived in Bolivar, Texas. The letters begin with Meeng's request to open a correspondence. He wrote about the activities and marriages of friends; Hall's schooling; her apparent unhappiness at the Sherman Female Institute and his own desires for her not to continue her education; and increasingly his love and affection. On February 8, 1886, remarked that he agrees with her on her sentiments respecting the equality of the sexes. Meengs wrote several letters with phonetic spelling and in a disguised hand, signing them "Sub silentio."

The Documents and Financial Papers series includes 15 certificates, receipts, medical school case studies, and fragments, plus documents related to Peter Meengs's Rectal Irrigating Dilator patent, October 4, 1896. The patent documents include a printing specimen from patent lawyers Barber & Stone, and one signed vellum and three printed copies of the patent.

The Notebooks include one of Peter Meengs's student notebooks from his time at Rush Medical College, and one unused, pre-printed "Physician's Perfect Call List and Record" bearing Peter Meengs's name.

The Printed Items and Ephemera includes 29 items related to Peter Meengs's medical education, 1889-1892, and 12 items pertinent to his medical practice, 1893-1903. They include Rush Medical College ephemera, such as time cards, attendance cards, verification of completion cards, physiology examination questions, a printed notification of the completion of Meengs's doctorate, and 15 extracted pages from Samuel Potter's A Compend of Human Anatomy (1890) bearing ink notes. The materials pertinent to Meengs's practice include his own and other persons' business cards and pre-printed blank scripts, and one 4-page advertisement "Murphy's Button for Anastomosis of the Hollow Viscera" (Chicago).

The Photographs are predominantly identified portraits of Peter C. Meengs and his immediate family and in-laws. The photographs include 16 cabinet cards, 17 cartes-de-visite, one tintype of Meengs standing with another man, one mounted print of Peter Meengs standing in front of his home with two children, two unmounted prints showing Peter Meengs and his siblings, and one negative. Several photographs depict Sarah Hall's classmates at the Sherman Female Institute, including one group portrait of her class.