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The University of Michigan Herbarium, started in 1837, is home to over 1.7 million species and is one of the world's leading botanical collections. The U-M Herbarium records collection includes correspondence, photographs, and research materials documenting early Herbarium history, U-M's ethno botanical research practices, and the international professional discourse surrounding botanical research.

The collection represents the Herbarium's actions as a collector of the historical correspondence and photographs of botanical researchers. The records contained within this collection primarily document the research methods and professional conversations of American botanists. Through the correspondence and papers of Michigan and U-M botanists, this collection also documents the development of the Herbarium, its activities, and its status as a collector of botanical specimens and historical records. Researchers should note that there are photographs and plant specimens scattered throughout the correspondence series, and whereas the plant specimens are noted in the box listing, the photographs are not. The collection's four series include Harley Harris Bartlett Papers, Herbarium Historical Correspondence, Herbarium Historical Photographs, and Archived Website.

Charles ("Charlie") Rasch was a professional pianist, talented photographer, and graduate of the University of Michigan. The collection contains scrapbooks, photographs, and negatives documenting his life in Michigan. The majority of photographs and negatives are labeled with the date and location.

The Charles Rasch Collection (23 oversize volumes and 5 linear feet) is primarily composed of photographs and negatives documenting Michigan scenery. There is particularly strong coverage of Birmingham, MI, Harsen's Island, MI, the Island Lake Recreation Area in Brighton, MI, and the Bald Mountain Recreation Area in Oakland, MI. Many of these photographs, especially his early black and white work, display his artistic training and sensibilities. Rasch's scrapbooks also offer a rich representation of the ragtime music scene in Michigan and the Ann Arbor area. This collection is also notable for the care Rasch took to annotate his photographs. Many negatives and prints are individually labeled, and all include some information relating to the date and location.

The collection has been arranged in the following series: Scrapbooks and Albums, Papers, Individual Photographs, Photographs, and Photographic Negatives.

This collection contains around 80 letters that Sergeant Frank D. Jonas wrote to his parents and siblings in Brooklyn, New York, while serving with Company B of the 326th Tank Corps during World War I. Jonas described his training at Camp Upton, New York, and at Camp Colt and Camp Tobyhanna, Pennsylvania, between February and September 1918, and discussed his experiences in England and in Bourg and St. Laurent, France, between October 1918 and April 1919. The collection also includes letters that Jonas received from other soldiers, as well as letters Jonas's brothers Robert and Richard wrote about their experiences in the military.

This collection contains around 80 letters that Sergeant Frank D. Jonas wrote to his parents and siblings in Brooklyn, New York, while serving with the Company B of the 326th Tank Corps at Camp Upton, New York; at Camp Colt and Camp Tobyhanna, Pennsylvania; and in Bourg and St. Laurent, France, during World War I. The collection also includes letters that Jonas received from other soldiers and letters by Jonas's brothers Robert and Richard.

The bulk of the Correspondence series is comprised of letters from Frank D. Jonas to his parents and siblings, usually addressed to his mother. While in training at Fort Slocum and Camp Upton, New York, in early 1918, he described his clothing, equipment, daily routine, and other soldiers. In late March 1918, Jonas transferred to the newly established Camp Colt near Gettysburg, Pennsylvania, where he became a member of Company B of the 326th Tank Corps and, later, a signal sergeant. In his letters to his family, Jonas mentioned training exercises such as hikes, drilling, and signaling classes; he also encouraged his brother Richard ("Dick") to enlist. After arriving in Europe around October 1918, Jonas wrote a letter about his transatlantic journey; he later commented on his surroundings and on soldiers' accommodations in France.

After the war, Jonas served in Bourg and St. Laurent, France, where he discussed the possibility of returning home. Two of his letters contain enclosures: a newspaper clipping with photographs of French tanks and wounded Canadian soldiers (September 19, 1918) and photographic negatives of a soldier in uniform (May 23, 1918). Several of Jonas's letters are written on YMCA or Tank Corps stationery, and he also sent his family a Christmas card, and received a postcard depicting a group of soldiers.

Jonas received 2 letters from Sergeant Edward A. Fargo, Jr., who served in Germany in 1919; 1 letter from a marine serving at Paris Island, South Carolina; and 1 letter from Sergeant Harry E. Wildner. His brothers Richard ("Dick") and Robert ("Bob") also wrote several letters about their own experiences in the military.

The Tank Drill Regulations series contains one 3-page document outlining the procedures and signals during tank units' drill exercises.

Detroit, Mich. resident and world traveler, who journeyed widely throughout Europe and Asia in the first half of the 20th century. Collection primarily consists of photographic prints and negatives documenting Brasie's travels to countries around the world.

Housed at the front of the collection are a few Manuscript Materials folders containing biographical information on Brasie, information on the photographs in the collection, a 1931 letter describing a visit to the Church of the Holy Sepulcher in Jerusalem, and postcards.

The Photographic Materials comprise the bulk of the collection. It consists of prints and negatives and is arranged primarily by country. Occasionally, a country name may be used as it was at the time of Brasie's travels and differently from current use. For instance, photographs taken in what is today Pakistan are filed under India and photographs from what is now Israel are filed under Palestine. Photographs whose location is unidentified have been filed under Miscellaneous. Images depict historic sites, daily activities of people, street scenes in towns and in the countryside. Brasie also took photographs of her friends and their families, particularly those living in Japan.

The Robert Twining collection is comprised of photographs, scrapbooks, slides, negatives, and films of Camp Al-Gon-Quian. Located on Burt Lake, Michigan, the camp was founded in 1925 by Herbert H. Twining as a summer camp for boys. The materials in the collection detail activities of Camp Al-Gon-Quian, such as fishing, archery, and horseback riding. There are also materials relating to Camp Mississauga, which was a camp for older boys in Canada.

The collection contains two series: Photographs and Film.

The Arthur Upham Pope collection is composed of approximately 50 rolls of black-and-white negatives created during Pope's research in Iran between 1925 and 1928. The photographs focus primarily on Persian architecture and monuments, but also include Persian ceramics, textiles, and illustrated manuscripts.

The Arthur Upham Pope collection is composed of approximately 50 rolls of black-and-white negatives. The negatives are the product of Pope's research and time spent in Iran between 1925 and 1928. The photographs focus primarily on Persian architecture and monuments, but also include Persian ceramics, textiles, and illustrate manuscripts. The collection highlights important cities with Persian historical importance, including Isfahan, Mashhad, Shiraz, and Tabriz. (For a complete list see the subjects below.)

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The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photographs Collection. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama, and additional photographs of Islamic architecture.

The Islamic Art Archives is composed of six collections, including those of Mehmet Ağa-Oğlu, Arthur Upham Pope, Donald Newton Wilber, Oleg Grabar, Marianna Shreve Simpson, and the Afghanistan Archaeological Remains Photograph. The Mehmet Ağa-Oğlu collection documents the Islamic and pre-Islamic art and architecture of the Middle East, Persia, the Caucasus, Western Asia, North Africa, and Southern Spain. Arthur Upham Pope focused primarily on Persian architecture and monuments, but his collection also includes photographs of Persian ceramics, textiles, and illustrated manuscripts. Wilber, Pope's colleague, also primarily studied Iranian monuments but he focused on those built during the Achaemenid and Sasanian empires. Oleg Grabar's work focused on the architecture of the seventh and eighth centuries of the Umayyad dynasty, the architecture of Jerusalem under Islamic rule, Arabic and Persian illustrated manuscripts and ornaments, and contemporary Islamic architecture. On the other hand, the Afghanistan Archaeological Remains Photograph collection depicts Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. Finally, Dr. Simpson's collection documents her work and her notes from her study of Islamic manuscripts around the world. The collection also includes photographic prints of the pages of the illustrated manuscripts Maqamat and Shah Nama.

The Donald Newton Wilber collection is comprised of approximately 2,500 black-and-white negatives of Iranian architectural monuments. The collection depicts monuments from the Achaemenid and Sasanian empires.

The Donald Newton Wilber collection is comprised of approximately 2,500 black and white negatives depicting tombs, shrines, mosques, gardens and bridges throughout Iran. The negatives depict Wilber's work in Iran during the 1930's when he studied the architectural monuments of Iran, including the Shrine of Imam Riza in Mashhad, the Do Minar Dardasht in Isfahan, and the Achaemenid tomb in Naqsh-i-Rustam. Some of the monuments date from the Archaemenid (550-330 CE) or Sasanian Empires (224-651 CE).

The collection consists of approximately 900 negatives depicting the art and architecture of Latin American countries, including Peru, Argentina, Brazil, Bolivia, Columbia, Mexico and Cuba. The negatives were the product of Dr. Wethey's research focus on Latin American art and architecture starting in the 1940's.

The collection consists of approximately 900 negatives depicting the art and architecture of Latin American countries, including Peru, Argentina, Brazil, Bolivia, Columbia, Mexico and Cuba. The negatives were the product of Dr. Wethey's research focus on Latin American art and architecture starting in the 1940's. The majority of the collection focuses on the art and architecture of Peru, with a secondary focus on Argentina, especially religious architecture, including altars, facades, cloisters, naves, and chapels. The some of the Peruvian art is from the Cuzco school. Many of the negatives have been photographed from books. The artwork includes the work of Jose Clemente Orozco, Diego Rivera, Frida Kahlo, Prilidiano Pueyrredón, Benito Quinquela Martín, and many others.

The collection was rehoused but the original negative sleeves were preserved, complete with the original description. The information written on the original envelopes was transferred to the new sleeves and recorded in an inventory, which is available upon request. The original sleeves are housed in the last two boxes of the collection.

The Glen Sheppard Papers document the research and writing undertaken by Sheppard during his 40-year tenure as editor, publisher, and writer for the North Woods Call, a small conservation newspaper dedicated to the stewardship and protection of Northern Michigan's natural resources. The collection's three series contain Sheppard's articles and writings, press releases and newspaper articles written by others, government reports and publications, audio and visual materials.

The Glen Sheppard Papers comprises materials collected and maintained by Glen Sheppard over the course of his career as editor and writer for the North Woods Call. The collection is divided into three series entitled Topical Files (First Alphabet), Topical Files (Second Alphabet), and Visual Materials. The Topical Files (First Alphabet) series contains materials on a greater array of topics than the Second Alphabet, though the latter is the larger of the two series. The two Topical files have been kept separate in accordance with Sheppard's own filing system. Materials within topical headings have likewise been maintained largely as Sheppard had organized them. Photographs are found interspersed with other materials in various topical files throughout the collection. The Visual Materials series comprises photographs, negatives, and maps that have been filed separately from the rest of the collection. A large proportion of the photographs in this series are alphabetized according to topic. Such topics include wildlife (namely birds, fish, and game animals), hunting and fishing, people (mainly politicians and important figures involved in Michigan conservation), and landscape photographs.

The Topical Files are primarily composed of various drafts of articles, press releases and newspaper articles written by other environmental journalists, research materials and notes, correspondence (mainly faxes), and photographs. The collection also contains a great deal of material pertaining to various government agencies, including bills and acts of legislation, memoranda, interoffice communications, reports and research studies, and pamphlets and other literature published and distributed by said agencies. These agencies include government bodies devoted to conservation issues, chief among which is the DNR (Department of Natural Resources). Other government agencies represented in this collection include the NRC (Natural Resources Commission) and the DEQ (Department of Environmental Quality). The collection also contains selected clippings from the North Woods Call along with logistical papers pertaining to the Call's operation.

The collection features materials on a broad array of topics of environmental import for the state of Michigan. The First Alphabet and Second Alphabet series feature articles, reports, environmental impact statements, and resource management plans pertaining to environmental issues impacting particular Michigan towns and counties. Such issues include the impact of corporations, factories, oil and gas resource exploitation, and pollution. The collection also includes files on the topics of land use management, water resource management, fisheries management, and Native American rights to Michigan's natural resources. The collection contains Sheppard's researches on Michigan flora and fauna (concentrated in the Second Alphabet series), with particular emphasis on deer, wolves, bears, and various species of fish. Sheppard's researches also include coverage of endangered wildlife, invasive species, and zoological diseases. The collection contains articles and research materials concerning hunting, fishing, tourism, and outdoorsmanship. Michigan's islands, rivers, lakes (particularly the Great Lakes), national and state parks, nature preserves and conservancies, wilderness areas, and wildlife refuges are all well represented in the collection (mainly in the Second Alphabet series). The collection also includes papers pertaining to the administrations of Michigan governors John Engler and Jennifer Granholm.