Collections : [University of Michigan William L. Clements Library]

The Field papers contain eleven letters from the popular American writer, Eugene Field; one undated letter from J.M. Stoddart to Field; two manuscript poems; a newspaper edition of "The House," with marginal editorial notes; and a set of proof sheets from Field's "autobiography," Love Affairs of a Bibliomaniac.

The Field papers contain eleven letters from the popular American writer, Eugene Field; one undated letter from J.M. Stoddart to Field; two manuscript poems; a newspaper edition of "The House," with marginal editorial notes; and a set of proof sheets from Field's "autobiography," Love Affairs of a Bibliomaniac. Field's letters are addressed variously to his wife or children, and to Harvard linguist, Francis J. Childs.

Although the letters in the Field papers are miscellaneous, and touch on a wide variety of subjects, several stand out for their individual interest. One letter, apparently written to a son (1886 September 10), includes a brief, pleasant description of a baseball game between Chicago and Detroit, and is accompanied by a charming example of Field's ability as an illustrator. The most important letters in the collection are those few that reveal some of Field's attitudes toward marriage and family. Two letters addressed to his 16-year-old fiancee (1873 January 10 and 1873 October 10), for instance, provide advice on how to prepare for their impending wedding night, adding confidently, "Oh Julia, you know not what bliss is in store for you!" Another letter written to his wife shortly after the death of a young son (1890 October 4) suggests the fragile distance that Field was able to place between himself and his deceased child. "I fear that I am regarded quite hard hearted," he wrote "I have been so peaceful since the end came. While our boy still lived, I battled constantly in spirit and I think that another week would have killed me. Now that all is over, I am content, wholly reconciled. I believe our boy is happy now. It is selfish to wish him back."

The collection contains final manuscript drafts of Field's poems, "De Amicitus," "A French Crisis" (published as "The Fair Limousin") and "Holly and Ivy" (which was decoratively illustrated by the author), and the newspaper edition of "The House," with marginal editorial notes, some of which are in Field's hand. A single cabinet card photograph of Field in this collection was signed by him and dated May, 1895.

This collection is made up of correspondence and writings related to the family of Jay Humphrey Filley of Bloomfield, Connecticut. The materials relate to Filley's finances, his autobiography, and spiritualism.

This collection (6 items) is made up of correspondence and writings related to the family of Jay Humphrey Filley of Bloomfield, Connecticut. The Correspondence series (3 items) includes personal letters that Filley wrote to his wife Julia (October 14, 1857) and his son Alfred (October 12, 1860), concerning his finances and business affairs. An undated photographic postcard has an image of a plaque commemorating Alfred Filley's donation of land to Filley Park in Bloomfield, Connecticut.

The Writings series consists of a brief poem by Jay Humphrey Filley ("Request," January 31, 1828) and a 2-page essay by Julia Newberry Filley (February 27, 1856). The essay relates to Julia's interaction with a medium and her belief that mediums could communicate with deceased persons, such as Julia's father-in-law, Oliver Humphrey, and brother, Albert Newberry.

The Autobiography (14 pages) concerns the life of Jay Humphrey Filley, focusing on his education, business pursuits, and religious beliefs. The autobiography also includes genealogical information.

The Hopkins family papers contain wide variety of materials relating to the Hopkins family of Vermont and California. A few of the wide variety of topics covered include the Episcopal Church, student life at the University of Vermont, the 1849 Gold Rush and 19th-century life in California, the San Francisco Earthquake of 1906, art, and music.

The Hopkins Family papers document the activities of several generations of the Hopkins family of Vermont and California, whose members included prominent 19th century artists, musicians, religious figures, and writers. Among its notable figures are John Henry Hopkins (1792-1868), the first Episcopal bishop of Vermont; John Henry Hopkins, Jr., best known for writing the song "We Three Kings"; and Caspar Hopkins, a writer, early explorer of southern Oregon, and miner and entrepreneur during the California Gold Rush. Perhaps the most extraordinary aspect of the Hopkins family was the wide extent of their collective talents and experiences. As a result, their collection touches on numerous historical subjects, including the Episcopal Church, the insurance business in California, shipping, Vermont in the 19th century, California during and after the Gold Rush, gothic architecture, classical and religious music, education, and family life during the 19th century. Spanning 1800 to 1932, and comprising four linear feet of material, the collection contains a huge variety of material, including correspondence, documents, printed matter, drawings, manuscript and printed music, photographs, broadsides, pamphlets, monographs, periodicals, and maps.

The Correspondence series contains approximately 400 incoming and outgoing letters, spanning 1824 to 1932, with the bulk concentrated in the years between 1830 and 1890. Caspar Hopkins contributed the largest number of letters to the collection, writing approximately 25%; followed by his brother, John, Jr., (15%); his mother, Melusina (10%); his wife, Almira (5%), and his father, John, Sr., (5%). Caspar wrote frequent letters to his wife and family, and they document many stages of his life, such as his 1849 voyage to California via Mexico and his participation in the Gold Rush as a speculator and businessman, his exploration of the Umpqua River in southern Oregon in the early 1850s, and his career as president of the California Insurance Company in the 1860s through the 1880s. His Gold Rush letters in particular contain incisive comments on the miners he encountered and on their way of life. On October 14, 1850, he wrote a letter to "Friend Clarke," describing frontier conditions, the attitudes of settlers, and the habits of Native Americans in the Klamath River Valley. Many letters also discuss religious and intellectual matters, two areas of interest for Caspar.

Bishop John H. Hopkins' letters span 1831-1866 and contain a great deal of advice to Caspar, as well as his thoughts on religious matters, the Civil War, family affairs, and many other topics. In a few early letters written to Caspar when he was a young man, John described his views on the raising of children and gave advice on being successful (December 11, 1850); he lamented Caspar's lack of interest in the ministry as a career (February 20, 1851). Other letters by the bishop touch on the satisfaction of worship (August 17, 1854), contain pro-South speculation as to the causes of the Civil War (May 28, 1861), and mention his upcoming golden wedding anniversary with Melusina (March 10, 1865). In a letter of August 10, 1866, John addressed Caspar's growing skepticism toward organized religion, urging him to return to the church "to which you and your dear family rightfully belong," despite its "earthly" defects. John Henry Hopkins, Jr., wrote several dozen letters, primarily concerning his experience as a member of the clergy, touching often on pedagogical subjects which ranged from arguments on why Lincoln was a bad president to theological discourses, some even written in Latin. On February 25, 1844, he wrote a particularly good description of student life at the University of Vermont, and bemoaned the "inveterate practice of loafing into each other's rooms in study hours" and "lolling on each other's beds." The Hopkins women are also well-represented among the letter-writers. Melusina Mueller Hopkins, the wife of Bishop Hopkins, wrote numerous letters to Caspar, which include biographical information about Caspar's siblings and father, as well as other family news. Others female writers include Amelia Muller (Melusina's sister), and Caspar's sisters Caroline Hopkins Canfield and Matilda Hopkins Camp.

The Bishop Hopkins' Sermons and Pastoral Letters series contains ten manuscript sermons (including one fragment), two printed sermons, and two printed pastoral letters. The manuscript items note the various dates on which Hopkins read them before his congregation; he frequently performed them multiple times between 1824 and 1862. The printed sermons and pastoral letters all date to the period of 1850-1855. They touch on numerous religious and scriptural themes and shed light on the Episcopal Church in Vermont and Hopkins' own views on morality, the meaning of life, and the role of the church. Many additional items written by Hopkins are housed in the Book Division, and listed under "Additional Descriptive Data."

The Caspar Hopkins' Writings and Documents series contains one linear foot of material, dating from Hopkins' college years (1845-1847) to the end of his life in the 1890s. Containing both manuscript and printed items, it includes four subseries. The General Writings subseries consists of 24 items, including essays that Hopkins wrote for classes at the University of Vermont, several plays, and articles that he wrote on topics as diverse as divorce law, happiness, American government, and the insurance agency. The second subseries, Berkeley Club Writings, contains 16 manuscript essays that Hopkins wrote between 1873 and 1889 for presentation to the social and intellectual organization, the Berkeley Club. They pertain to such topic as evolution, agnosticism, religion in public schools, and marriage and divorce. The Autobiography subseries consists of three copies of Hopkins' self-published biography, written in 1889, which provides biographical information and insightful commentary on himself and various other members of the Hopkins family. The final subseries, Documents, includes three documents relating to Caspar Hopkins dated between 1873 and 1893: a publishing contract, a printed petition, and a will.

The Printed Matter and Clippings series contains miscellaneous printed items related to or collected by members of the Hopkins family, dating ca. 1850 to ca. 1940. The series comprises printed playbills and concert programs, newspaper articles relating to members of the family, and other printed material. It also includes an undated phrenology chart for Caspar Hopkins. Two printed broadsides in this series are housed in the Graphics Division. For more information, see "Separated Materials" under "Additional Descriptive Data."

The Genealogy series contains manuscript and printed information on various lines of the Hopkins family, gathered primarily in the early 20th-century.

The Music series includes manuscript and printed music played or written by various members of the Hopkins family. Among the many items of interest are a volume of music written by Bishop John Hopkins; a set of scores written and copied by Caspar Hopkins while in California, 1861-1865; and two ca. 1800 books of German songs belonging to the sisters of Melusina Mueller, Charlotte and Theresa.

The Art series contains the drawings, sketches, watercolors, and hand-colored botanical paintings produced by Bishop John Hopkins, his mother (Elizabeth Fitzackerly), and his children. Included are six volumes of drawings and watercolors by the bishop, which depict scenes he encountered while traveling in upstate New York in 1825, gothic churches, landscapes, and human hands. Of particular note are nineteen large plates from Hopkins' 1834 Vermont Flower Book, nine of which his children hand-painted, as well as a letter from William Bayard Hopkins, laid into the volume, describing their habit of working together around the dining room table. Also of interest are botanical paintings by Hopkins' mother, Elizabeth Fitzackerly, dating to the late 18th- or early 19th-century.

The Photographs and Maps series includes approximately 50 photographs of various members of the Hopkins family, including John Hopkins, Sr.; Melusina Hopkins; Caspar Hopkins; John Henry Hopkins; Jr.; Frances (Hopkins) Hinckley; William Bayard Hopkins; and various family groups, landmarks, and homes. Formats include cartes de visite, cabinet cards, tintypes, and a glass plate positive. Also present are two large views of San Francisco shortly after the destruction of the 1906 San Francisco earthquake. The collection also includes three maps, housed in the Map Division. They include an 1849 sketch of San Francisco by Caspar Hopkins; a map of Penobscot County, Maine (ca. 1900); and one of the Union Pacific Railroad and its rail connections (1872). For more information, see "Separated Materials" under "Additional Descriptive Data."

This volume contains autobiographical sketches composed by John Alston of Glasgow, Scotland, for his children in 1789 and 1811. A descendant later used the volume to record genealogical information about three additional generations of the Alston family.

This volume contains autobiographical sketches that John Alston of Glasgow, Scotland, composed for his children in 1789 (25 pages) and 1811 (5 pages). A descendant later used the volume to record genealogical information about three additional generations of the Alston family (6 pages).

Alston wrote a brief preface to his autobiography, which he signed "John Alston, Junr." The following 25 pages concern his life until 1789, with a focus on his early life and family. He wrote about his failed trip to North America in early 1759 and his journey through Spain after his ship, the Rebecca, was seized by a French privateer and subsequently stranded on the Spanish coast. Alston made his way back home and successfully sailed to Maryland later that year. When remembering his time in North America, he felt guilty about his perceived self-indulgence, and he vowed to prevent his children from leaving home until the age of 20 or 21. After recording his marriage to Patrick Craigie ("Patie") in 1772, he listed the names and birthdates of their children, including one who died after a smallpox inoculation (pp. 7-9). Alston later commented on the effect that the deaths of his wife and parents had on him, and he also discussed the dispersion of his father's estate. The second part of his autobiography, which he added on January 1, 1811, primarily pertains to his family history and genealogy. Genealogical notes concern John Alston's descendants to the generation of his great-grandchildren.

The Moses A. Cleveland collection contains a copy of Cleveland's Civil War diary, a scrapbook of his postwar correspondence, and two drafts of his autobiography, which he composed in 1892 and copied in 1909. Cleveland, who worked primarily as a carpenter in New England and Ohio, served with the 7th Massachusetts Light Artillery Battery near the Gulf of Mexico during the war.

The Moses A. Cleveland collection is made up of a copy of Cleveland's Civil War diary, a scrapbook of his postwar correspondence, and two drafts of his autobiography, which he composed in 1892 and copied in 1909.

The first volume ("War Diary 1864-5...") contains Cleveland's transcribed copies of his diaries from his service in the 7th Massachusetts Light Artillery Battery. Cleveland began his transcription with a short introduction and a brief history of the war, written in 1866, and the first copied entry is dated January 1, 1864. Driven by a desire to evade conscription, he enlisted in the artillery on June 4, 1864, and was dispatched to the Department of the Gulf. Throughout his diary, he made marginal notes tracking important events or themes, described his military activities and, to a lesser extent, offered opinions about the war. Of particular interest is his reaction to the news of Lincoln's assassination, which he first discredited as rumor (p. 132). Following Lee's surrender, Cleveland's regiment was stationed in Mobile, Alabama, before returning to Massachusetts, where Cleveland was discharged on November 13, 1865. The diary also includes a retrospective, a log of miles travelled, a roster for the 7th Massachusetts Light Artillery Regiment, transcriptions of documents, and several ephemera items and newspaper clippings. Some of the news clippings imply that Cleveland was involved in the war's final shot. Two Confederate bills pasted into the volume. Letters and notes from the 1910s are laid into the volume.

The second item is a 95-page scrapbook that Cleveland compiled in the 1880s and 1890s while living in Willoughby, Ohio. It primarily contains correspondence, including several illustrated envelopes, and provides insight into Cleveland's postwar interest in the Civil War.

Two copies of Cleveland's autobiography, which he originally wrote in 1892 and copied in 1909, chronicle his life as a journeyman carpenter and his life as a working man in the antebellum North. He discussed both his personal life and his political views. Of particular interest are remarks about the Millerite movement and about the Mexican War. The first draft of the autobiography (59 pages) ended with Cleveland's enlistment, and the second (107 pages) closed with reflections on the first few years of his postwar life. The first volume contains two photographs of Cleveland, and the second has a number of songs and poems, many of which commemorate soldiers of the Civil War (pp. 109-252). He intended the autobiography to be integrated with his war diary as a single volume. Newspaper clippings and poems are pasted and laid into the volume's endpapers.

This collection contains a diary, a 4-volume manuscript autobiography, 8 newspaper clippings, 2 court documents, and 15 photographs related to William Flick, a manual laborer who lived in Illinois, Oregon, and Idaho in the late 19th and early 20th centuries.

This collection (27 items) contains a diary, a 4-volume manuscript autobiography, 8 newspaper clippings, 2 court documents, and 15 photographs related to the life of William Flick, a manual laborer.

Between November 2, 1916, and January 30, 1917, William Flick kept a Diary detailing his travels on an Illinois canal, his hunting expeditions, and his work as a clam digger. He wrote about traveling with his brother, Albert, and working on his boat.

William Flick's Autobiography, composed in 4 spiral-bound notebooks in 1958, begins with his birth in 1872 and documents his work and movements throughout his teenage and adult years. In his narrative, which he claimed to have written "because I don't think any one [sic] around here has made a success of as many ocupations [sic] as I have," Flick reminisced about his family, jobs, and acquaintances in Illinois, Oregon, and Idaho, and shared observations about his life. The final volume of the autobiography contains Flick's reflections on some of the technological and social changes he witnessed during his lifetime.

The Documents and Newspaper Clippings series (10 items) contains a summons and a deposition from Ogle County, Illinois, related to Albert Flick, as well as 8 newspaper clippings related to William Flick and his family. The clippings document family news and deaths, including the accidental death of Flick's daughter Flossie.

Fifteen Photographs depict William Flick and his family, including several taken during Flick's time as a logger in Creswell, Oregon, and as a clam digger in Illinois, as well as one taken in front of a carpenter's shop in Chicago, Illinois. One portrait shows Marlow Flick in his Navy uniform. Four items are photographic postcards.