Collections : [University of Michigan William L. Clements Library]

The Newell family papers show what life was like in a small New York town in the mid-1860s and detail Albert Newell's entrepreneurial ventures into the oil and cotton trades. The heart of the Newell family papers consists of 41 letters written by Arthur W. and Cornelia E. Newell to their son George Newell during his first two years at Yale.

The Newell family papers show what life was like in a small New York town in the mid-1860s and detail Albert Newell's entrepreneurial ventures into the oil and cotton trades. The heart of the Newell family papers consists of 41 letters written by Arthur W. and Cornelia E. Newell to their son George Newell during his first two years at Yale. Most were written from the family home in Medina, New York. Both Arthur and Cornelia included news of local people's movements and sicknesses, of events, and the effects of the weather on the crops. They frequently mentioned trips to nearby Lockport, Middleport and Ridgeway, often for cultural or religious activities. The Newells' letters also recounted longer trips to Chicago for the nomination of Lincoln on the Republican ticket in 1860, to the Armory in Springfield, Mass., and to the Grand Review of the Army of the Potomac in Washington in May 1865.

There are no letters from George to his parents, but some information about his university years can be inferred from the letters they wrote to him. They both lectured him about being an upstanding young gentleman, exhorting him to "choose virtue as your Goddess..." and to "beware of all evil". As a freshman he joined a fraternity without having to undergo too many trials. During the winter of 1865-66 he hurt his ankle severely enough to necessitate the use of a crutch for several months. He first lived in a private home at 30 High Street but moved to college rooms his sophomore year. Arthur's investments meant that the Newells were often cash poor, however, they were still able to send George over $970.00 during his first two years of college. Yale tuition at the time was less than $25.00 per term. Almost all of George's tuition bills are included in this collection, along with a "promise to pay" signed by his father.

There are five letters written to George Newell in the 1880s and 1900. As an older man, he evidently developed an interest in his family history, and there are two letters from a second cousin concerning their great grandfather Thomas Steadman. Colonel Edwin Franklin Brown of the 28th New York Infantry wrote George a marvelous letter recounting the involvement of his father, Jeremiah Brown, in the "Morgan Affair". In 1826 the Masons of the Batavia Lodge were accused of murdering Capt. William A. Morgan for divulging secrets of the society. Jeremiah Brown was charged with complicity in the abduction of Morgan, went into hiding, was tried at Lockport and acquitted by Judge William S. Marcy (who went on to serve as governor 1833-1838). This event catalyzed the Anti-Masonic movement, led by Thurlow Weed, and Brown related some of the repercussions felt by his family.

The collection also includes three earlier Newell family documents. The oldest is a small copybook, inscribed, "Samuel Newell his book 1734". It evidently passed from generation to generation of Newells and contains genealogical information and some accounts; dates span from 1726 to 1823. According to the copybook, Solomon Newell married Sally Steadman in 1807. The two letters from George's second cousin G. W. Pierce suggest that her father was Thomas Steadman, a Revolutionary War soldier from Connecticut. Pierce refers to Thomas Steadman as "your [George's] Grandmother's Father", offering further evidence that Arthur was the son of Solomon and Sally (Steadman) Newell. The other two documents are early nineteenth century deeds. One, from Damaris Newell, gave his son Solomon Newell land on Center Hill in Barkhamsted, Litchfield County, Conn. The second, signed by Grandison Newell, gave Solomon a portion of a house and barn, also on Center Hill. The rest of the collection is comprised of a variety of miscellaneous documents relating to the life of George Newell, including Yale tuition bills, a bill from the photographer, George K. Warren, a stock certificate issued by the Medina & Alabama Plank Road Company, a mortgage, two checks drawn from a Union Bank of Medina account and a clipping from the Medina Tribune.

The Parrish family photograph album contains 110 photographs assembled by the Parrish family of Philadelphia, Pennsylvania, including images of family and friends, political figures, celebrities, and popular illustrations as well as photographs related to Union efforts to educate freed slaves during the Civil War in the Port Royal Experiment.

The album (15.5 x 24 cm) has embossed brown leather covers and two metal clasps. 63 loose photographs are stored in Mylar sleeves and many appear to have been separated from the album over time. In some cases, it is possible to match loose images with a specific page slot through pairing inscriptions on the photograph with annotations present in the album. However, many loose images do not contain any identifying information, so it is unclear where some may have been located within the album or if they were ever associated with the album in the first place. It is possible that a small portion of the loose images were never originally included in the album since there are more photographs present in the collection than there are available photo slots in the album. At least two portraits from the 1890s do not appear to have belonged to the original family collection.

Compilation of the album may have first begun in the 1860s, but it was most likely completed during in the 1870s with photographs that the Parrish family had acquired over time. Sarah H. Parrish, née Wilson (1836-1892), the wife of Joseph Parrish’s grandson John Cox Parrish (1836-1921), may have been one of the primary creators of the album. She and John had a daughter named Caroline L. Parrish (1863-1915), who may be the “Carrie” whose name is written on the back of some of the photographs. Overall, there appear to be three different styles of handwriting present in the album. Captions for several of the album’s portraits were made in pencil in a flowing cursive while other names appear in a more juvenile-looking cursive hand, and a distinctive third hand also appears sporadically. The two cursive hands may well have been Sarah’s and Carrie’s as mother and daughter worked on the album together in the mid to late-1870s, with an occasional contribution (the third hand) possibly made by one of Carrie’s three younger brothers. One other detail supports this hypothesis: a portrait labelled “Fred” with “Mrs. Parrish, with love of Fred” inscribed on the verso. The individual photographed here was most likely Sarah’s cousin, Frederick Cleveland Homes (1844-1915). Additionally, the portrait on the page next to Fred’s portrait is of a young child identified as “Charlie Homes,” and it is likely that this is Fred’s son Charles Ives Homes (1872-1939).

Parrish family members are well represented in this album, while other unidentified family members may also be portrayed in some of the loose photographs without captions. Likely family friends or acquaintances of the Parrishes whose portraits are present include George and Catherine Truman, James and Lucretia Mott, the Rev. Richard Newton, and Phillip Brooks, all of whom were active in the same abolitionist organizations as the Parrishes. The album also contains many images of admired religious, political, and cultural figures, including Quaker heroes George Fox and Elizabeth Fry; Civil War leaders Abraham Lincoln and Ulysses Grant; George and Martha Washington; social reformers Dorothea Dix and Anna E. Dickinson; actor Edwin Booth; and Queen Victoria and Prince Albert. A number of these images are photographic reproductions of painted, engraved, or lithographic portraits. Also present are four hand-colored photographs of Dutch women in traditional dress as well as photographic reproductions of popular sentimental genre scenes such as “The Unconvanience of Single Life.”

Of particular note are a series of photographs related to the Port Royal Experiment, an ambitious effort to provide education for freed slaves following the capture of islands off the coast of South Carolina by Union troops in 1861. Relief committees in the North raised money and sent volunteers to set up schools and other institutions. Among the most successful was the Penn School, established by Laura Matilda Towne with support from the Philadelphia Freedmen’s organization in which the Parrish family was actively involved. People and places are identified with ink captions on the photographs themselves in a hand that differs from other inscriptions in the album. Towne may possibly have compiled these images herself and sent them to supporters back home. This series of photographs includes seven images of Beaufort, South Carolina, (four of which were produced by Sam A. Cooley, photographer to the Tenth Army Corps) captioned “Beaufort Soldiers’ Chapel and Reading Room,” “Path to the river of Smith’s Plantation,” “Beaufort House / Where we Stopped, showing the Beaufort Hotel and nextdoor office of the Adams Express Company,” “Soldiers’ Graves,” “Gen. Saxton’s Headquarters,” “Father French’s House,” and “Our House.” Three cartes de visite produced by Hubbard & Mix show instructors Towne, Ellen Murray, and Harriet Murray respectively posing with freed black children. The photograph with Ellen Murray bears inscriptions identifying her students as “Peg Aiken” and “Little Gracie Chapin (one of Miss Murray’s brightest pupils).” A fourth Hubbard & Mix image captioned “I’m a freeman” shows an African-American man dressed in clothing made from rags and includes an album page inscription that reads: “Young Roslin says, ‘Now I’m free, I go to bed/ when I please I’se gits up/ when I please. In olden times/ I’se help gits de breakfast/ but no’se time to eats it myself/ Ha-ha-I’se happy boy now.” Also present are three cartes de visite produced by photographers based in Nashville, Tennessee, including one portrait by T. M. Schleier of an African-American woman with two children (one of whom has a much lighter complexion than the other) with the recto caption “Lights & Shadows of Southern Life” and verso caption “Aunt Martha and children/ Slaves/ Nashville, Tenn.,” as well as two other images by Morse’s Gallery of the Cumberland that show the same young African-American boy looking sad “Before the Proclamation” and then grinning broadly “After the Proclamation.”

The William S. Burns papers consist of correspondence and a scrapbook that document Burns' time as a well-connected Union officer during the Civil War.

The collection includes a series of 57 letters and documents written by Burns to his brother, Charles, plus a scrapbook assembled for his son, Ned, in December, 1886. The scrapbook includes a mounted albumen photographic portrait of Burns, and consists of a series of articles written by Burns for a newspaper. These articles include excerpts of his war-time letters (some included in the collection), but are more fleshed out, including more anecdotes and information than the surviving correspondence. They appear to be very faithful accounts of his experiences, based on first-hand notes. Among the better accounts in the scrapbook are lengthy descriptions of the Battles of Pea Ridge and Pleasant Hill, a good narrative of the Meridian and Red River Campaigns. For Pleasant Hill and the Red River Campaign in general, Burns comments extensively on the course of the battle and where blame for the defeat should lie, suggesting that despite the best efforts of Smith, Banks lost the day.

Strongly committed to the Union cause, but not an abolitionist, Burns had the unusual benefit of high level connections that allowed him to negotiate fairly effectively for military appointments that suited his tastes and abilities. Burns appears to have been very highly regarded by his superior officers and his subordinates, and maintained very high standards that led him to be a harsh critic of the military inefficiency of several "political generals," particularly Samuel Curtis and Nathaniel Banks. His high standards did not preclude foraging (stealing) food from civilians, though he was repulsed - not to the point of taking disciplinary action - at the summary execution of guerrillas and at being ordered by A.J. Smith to burn the residence of Jacob Thompson, Secretary of the Interior during the Buchanan administration, in retaliation for offences committed by Lee's army in Virginia. Burns was not keen to set fire to Thompson's house, but after allowing the removal of personal and family items, he followed orders.

Burns seems either to have loved or hated his commanding officers, and was as fixated on them as he was critical. He comments extensively on the performance of Union generals under whom he served, reserving his highest praise for A.J. Smith and Sherman, a sort of bemused appreciation of Asboth, and scorn for any who crossed them.