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The Ludwig Family Papers document the lives of members of the Ludwig family from the time of their arrival in the United States of America in 1733, through 1985. This collection includes family histories, scrapbooks, and family photographs. Also included in the collection are both personal and professional papers of Claud Cecil Ludwig, Frederick E. Ludwig, and Ruby Newman Ludwig.

The Ludwig Family record group covers a period of time from the 1850s to the 1980s. The collection of information documenting the history of the Ludwig family includes family histories, ancestral charts, and a large collection of photographic materials. The diaries and scrapbooks included in the collection describe everyday life during the periods covered. The collection is particularly strong in documenting the lives of Claud Cecil Ludwig and Frederick E. Ludwig.

The Marion E. Grusky Rucker Collection contains materials reflecting on her service in the United States Navy Reserves from 1943 to 1961, her naval training and education, her promotions from ensign to lieutenant commander, and her work as a teacher and career consultant. A personal narrative describing her naval training exercise in Norfolk, Virginia, in 1945 and other items reflect aspects of sexism in the military during and following the Second World War.

The Marion E. Grusky Rucker Collection contains materials reflecting on her service in the United States Navy Reserves from 1943 to 1961, her naval training and education, her promotions from ensign to lieutenant commander, and work as a teacher and career consultant. A personal narrative describing her naval training exercise in Norfolk, Virginia, in 1945 and other items reflect aspects of sexism in the military during and following the Second World War.

The Correspondence Series contains letters sent to Marion E. Grusky Rucker, principally written in the 1950s and concerning her naval appointments, her coursework, and teaching opportunities, including her year abroad teaching with a Fulbright Scholarship. Several letters relate to her release from active duty and its impact on her coursework at the U.S. Naval Postgraduate School in 1953. One letter written by Donald Rucker to his mother announces his upcoming marriage to Marion E. Grusky. One undated letter written by Rucker's granddaughter is also present.

The Documents Series includes materials relating to Rucker's naval career, including personnel paperwork concerning her appointments, promotions, education, leaves and discharges, retirement, and other matters. The series also contains various instructions and orders, and authorization to wear the American Campaign Medal and American Theatre Victory Ribbon. The partially printed document appointing Rucker as a Reserve Officer at the rank of Lieutenant Commander in the United States Navy in October 1956 uses male pronouns, indicating gendered expectations for the officer class. Personal affairs are also reflected, including her birth certificate, the official change of her last name to Grusky in 1948, her work permit allowing her to teach in England in 1958, and her resume. Three passports date from 1958, 1970, and 1975.

The Writings Series consists of typed accounts, speech notes, drafts, and a eulogy. Two accounts produced by Rucker and her colleague Dorothy Weeks on September 14, 1945, detail a trip to Norfolk, Virginia, to attend training exercises aboard the U.S.S. Beverly Reid. They discuss how they circumvented sexism to secure travel arrangements to Norfolk, their accommodations, and observations of the ship and its crew. In Rucker's account she wrote, "The day before I called and called trying to get reservation on the Nats, but all I got with my feminine voice was the run around. Being persistant [sic] and determined, I had a man lend us his voice to persuade the WAVE that we had to have passage on the 4:30 Plane. Being a man, his charm did the trick and we were put on the list." She also referred to other instances of gender and sexism. She also noted the captain showing her and Weeks a scrapbook that included photos, notes, and souvenirs relating to his tours, including photographs of women. The captain took their photo without warning, and Rucker reflected, "I suppose that we will be added to the collection." The later typed version of Rucker's account includes an additional page of reminiscences about her service as a USNR Communications officer, with a final thought that, "A male first name may have permitted me to be sent (to the amusement of my CO) on some unusual assignments. i.e. being aboard a submarine and other small craft while on training maneuvers with rarely another WAVE in the group." Weeks' account parallels Rucker's, offering different details and perspectives on their assigned mission.

The speech notes reflect Rucker's consulting work focusing on women, especially teachers, their career development, goal-setting, and self-appraisal. Other notes document Rucker's biographical events, listing out employment, her work undertaken as a Fulbright Scholar, and places she lived.

Lee Rucker Keiser's eulogy for her mother is included, entitled "A Four C's Woman of the World," commenting on Rucker's life and their relationship.

The Diary Series consists of one volume Rucker maintained during her year teaching in Norwich, England, from 1958 to 1959, describing daily life, work at the school, visits with her husband Donald who was working at the University of Birmingham, and travels in Europe during vacations. A list of her cash account for the year and a list of school vacations for herself and Don are also present, and two photographs of Rucker are laid in to the volume.

The Printed Materials Series includes a copy of The Buckeye Way: A Unique Guide to Columbus and Franklin County (1974), written by Marion Rucker and Anne Lapidus, with a newspaper clipping about the publication laid in. Newspaper articles concerning Rucker's naval career, a copy of her obituary, and a printed family memorial booklet produced following her death are also present.

The Photographs Series consists of 15 photographs. They depict Marion E. Grusky Rucker in uniform, both in formal portraits and informal snapshots with colleagues, at an Officer's Club dinner at Mechanicsburg, Pennsylvania, and in her doctoral robe at her graduation from the University of Michigan in 1963, as well as several personal photographs.

Mary Alice Foley and her parents, American residents of Manila, were interned by the Japanese during World War II in a camp at the University of Santo Tomas. This collection contains her mother's journal, 213 photographs of Mary Alice, her family, and her friends, school girl letters, manuscripts and publications created and received while in the camp, and materials created for internee reunions.

The collection contains a wide variety of items from before, during, and after the Foley family's internment. Ella Foley's journal, 213 photographs of Mary Alice, family, and her friends, school girl letters, manuscripts and publications created and received while in the camp, and materials created for internee reunions are all present. A number of loving cups from the Polo Club in Manila and several publications have been transferred to the Graphics and Book Divisions, respectively.

Chronologically, the first item is a diary Ella Foley kept from October 13, 1937 to July 8, 1938, covering the family's first stay in Manila. She began the diary the day before she and Mary Alice left New York to join Frank in Manila, so the first two months give an detailed description of the sea voyage, including an interesting description of the Panama Canal (1937 October 22). Many of the photographs with the collection are pictures from the various places the Foleys visited while traveling to and from Manila, including the Panama Canal, Hong Kong, Shanghai, and Japan.

The diary describes what life was like for Ella during her husband's first journey to Manila. Ella was not happy in the Philippines and hoped that her husband would not accept a permanent job there. "Manila would be a terrible future home," she wrote in her diary on 1838 January 6. Ella did not have much to do, especially since the hotel staff took care of their apartment. She made friends with some other American couples living in the Philippines, such as Mae and Jerry Sheehan, possibly related to John Sheehan, a priest who was interned with the Foleys during the war. Ella interacted very little with native Filipinos. She kept herself busy by seeing a movie nearly everyday, shopping, going to the polo club, drinking cocktails (she was especially fond of "White Ladies"), and even gambling.

Ella was a devout Catholic, despite her gambling, and went to church every Sunday, and celebrated all the holidays. On Good Friday, she went to go see the "Flagellantes," although she was somewhat skeptical: "It looked like blood on his back but it might have been red paint" (1938 April 15). Ella hardly mentioned anything about Japanese aggression, only noting that Japan had bombed the American gunboat "Panay" (1937 December 13). On her way back from Manila in 1938, she even stopped in Japan, as well as Hong Kong and Shanghai.

Of the letters in the collection, ten of them were sent to Mary Alice by various schoolmates during the Foleys' second stay in Manila. During 1940-41, Mary Alice was pleased with her school and had an active social life, spending time with her friends at the Polo Club. Many of the pictures in her scrapbook and additional pictures were taken by her and her friends at the Polo club. Mary Alice and her pals were particularly interested in boys, and spent paragraphs discussing the behavior of boys in their class and parties they attended.

Mary Alice's sheltered teenage world was dramatically changed with internment. Items from the internment camp include: school work and a report card, showing Mary Alice's graduation from high school; 3 birthday and Christmas cards; a small diary kept by Mary Alice from April 22 to May 26, 1944; "Our Time," a satirical play of internment life, broadcast over the PA system in 1942; the September 1942 issue of "The Internitis," a newspaper published by internees; worksheets for Spanish verbs; an internment baseball program; a listing of camp rules from 1942; and a transcription of a speech made for her high school graduation.

Also from that time period are seven letters from the War Department to her mother's sister Irene McTeague and father's brother Joseph H. Foley; three camp form-letter postcards that Mary Alice and her mother sent to people in the United States; and an article about the camp from Life, September 7, 1942. Mary Alice later compiled the letters, the postcards, some photographs, the camp rules of 1942, and a brochure showing pictures of Santo Tomas into a scrapbook.

The play, "Our Time," (of which Mary Alice contributed the lyrics to one song) and "The Internitis" reveal the internees' life and their methods of coping with their loss of freedom and uncertainty in the future. The Japanese did not seem to censor the publications too strictly, so "Our Time" satirized life in camp through comments like, "Why clean any [more rooms]? We'll only be here for 3 days," and "that Venetian blind is a lot softer than this concrete to sleep on" ("Our Time," page 1). "The Internitis" has stories and articles relating to camp life, and reveals the wearing nature of being interned as well as the internees' efforts to create a normal life by building shanties for privacy and exchanging recipes.

The Christmas and birthday cards to Mary Alice and her mother try to be full of optimism and hope, with sentiments such as, "May this xmas be a nice one / Even though you are in here" (Betsy McRea, n.d.). Mary Alice, as recorded in her diary, kept herself busy by working at internment camp jobs, playing baseball, and taking college courses in "Economics, English Lit. & Psychology" (1944 May 25). She also recorded her weight in 1944, and noted how it had dwindled from 164 pounds on May 1, 1944 to 124 pounds on January 1, 1945.

The post-internment materials in the collection include a letter to Mary Alice from Rev. John Sheehan, who was also interned in Santo Tomas and in 1945 was touring the country speaking about his experiences. Finally, the collection contains photographs from the fortieth and fiftieth reunions of the Santo Tomas Internment Camp and a transcription of the speech given by Mary Alice at the fiftieth reunion. The speech gives some additional details of life in the camp.

Professor of Written Communication in the School of Business Administration of the University of Michigan; writer on Irish history; correspondence, family history, newspaper editorials, photographs, and topical files.

The Mary C. Bromage papers are divided into five series: Correspondence, Family History, Newspaper Editorials, Photographs and Topical.

Naturalist and historian at the Nankin Mills Nature Center near Westland, Michigan. Nankin Mills was also used by Henry Ford in the manufacture of automobile parts. Nankin Mills files including notebook with research notes and jottings about the Nankin Mills area, newspaper clippings, and deeds; collected historical material including child's diary, 1902-1903, and Pontiac, Michigan family papers containing essay about women's suffrage, 1881; photographs of the Nankin Mills and related areas in western Wayne County, Michigan; copy prints of Pike's Peak, Colorado, 1887.

The Mary Ellsworth papers consist of two types of materials: 1) papers which relate specifically to Nankin Mills and to her work as naturalist, and 2) historical materials collected or received by Mary Ellsworth.

Myron Ezra Wegman, 1908-2004, was a leader in public health and clinical pediatrics for seven decades. The collection consists of personal and professional papers covering his career in medicine and public health and includes correspondence, reports, speeches, travel diaries, course material, reprints, and minutes and notes on organizations to which he belonged.

The Myron Ezra Wegman collection is divided into seven series: Biographical and Early Materials, 1939-2004, University of Michigan, 1960-1988, Comprehensive Health Planning Organizations, 1968-1979, Associations, Committees, and Projects, 1949-1990, Post-Retirement Period, 1974-1993, Reprints, 1930-1989, and Topical Files.

This collection includes correspondence, documents, and more relating to the life and career of Nannie S. Newman, a seamstress, prison matron at the Colorado State Penitentiary in Cañon City, Colorado, and beauty parlor owner in San Francisco, California. Materials relate to incarcerated women and their lives post-imprisonment, women's work, beauty culture, and family relationships. Additional material related to Newman's in-laws provide insight into the oil industry in late-19th and early-20th century America, World War I naval operations, and leisure travel.

The Correspondence Series primarily consists of letters sent to Nannie S. Newman, Ida and Jack Palmer, and later descendants of the family. The bulk of the letters were written from the 1880s to 1920s by family members and close acquaintances, and they demonstrate Newman’s extended support network. Immediate family, including her father and brother, wrote to her from Kentucky, describing the family homestead, tobacco farming, and updates on the community (for example, see Mar. 28, 1864; July 5, 1888; Nov. 6, 1890; Dec. 21, 1890; Nov. 28, 1896; Sept. 6, 1907; Feb. 27, 1910; Nov. 7, 1911; Oct. 9, 1912).

Family relationships are a dominant theme in the collection, centering around Nannie's role as a mother to Ida C. Newman, the marriage of Ida to Jack S. Palmer, Ida's death in 1906, the continuing but sometimes fraught bond between Nannie and Jack in the years following, and Jack's eventual death in 1914. On September 26, 1890, Jack wrote to Ida in the months preceding their marriage and mentioned people questioning the wisdom of him going to Colorado, suggesting Nannie Newman's eventual move there was likely tied to her daughter's doing so. Newman also received letters from various members of the extended Palmer family who were based in Titusville, Pennsylvania.

The letters regularly reflect on Newman's work. For many years she worked as a seamstress while living in Kentucky and upon her move to Colorado around 1890, but she continued making dresses and doing alteration in later years even while employed in other jobs. Correspondence touches on dresses she has produced either in a formal capacity or potentially as favors to friends and family. One letter written on May 14, 1891, from Leadville, Colorado, shares details about dressmaking in that town and expected wages, showing that Newman was thinking about the business and salary options in the area. She also received letters from others working in the field, discussing sewing machines and sewing work (see July 5, 1888; Nov. 28, 1892; Nov. 2, 1907).

In 1892, letters begin to reference Newman's work as a matron at the Colorado State Penitentiary. At least one letter appears to have been written by a former coworker at the penitentiary. Emily E. Dudley wrote from Provo City, Utah, on October 12, 1894, referencing various administrators of the prison and incarcerated women. She also wrote of Mormons in the Provo area, their disinclination to mingle with "Gentiles," plural marriages, and more. Other letters reference prison administrators and "the girls," suggesting they were written by coworkers or others associated with the prison, but additional research is required (see Aug. 3, 1895).

Newman corresponded with friends and family of incarcerated women, and the letters demonstrate the writers' gratitude for the care and interest she showed to the inmates, as well as the support she was providing to the families through written communication and occasional gifts. Several letters were written from members of the Jones family in Medicine Lodge, Kansas, who were left without support when the male head of the household was imprisoned. Newman appears to have sent updates and gifts to the wife, Bessie, and her two children, Bessie and Ethel. Their letters in return depict the realities of families struggling in the aftermath of family members' incarceration (Feb. 23, 1895; Mar. 7, 1895; Apr. 1, 1895; June 19, 1895). Newman wrote a character reference for Annie Watson and Lillie Williams who were seeking a pardon (July 23, 1894), emphasizing their respectfulness, attentiveness as mothers, and that a pardon would release the state from the cost of providing for their children. At least one other writer requested her aid in securing a pardon for a family member, assuring Newman "if they should get out I promise you they never will get into any more trouble they will lead an honest life and be respected again" (Oct. 25, 1896).

Particular interest seems to have been shown to an incarcerated woman named Maggie Montgomery (later Loullard or Larillard), who had been sentenced to ten years in prison for the murder of John Gross in 1891. One letter from Jennie Moss, dated June 24, 1892, includes an enclosure to Maggie Montgomery, advising her directly to "have a nice clean record in every respect when your case goes before the Gov . . . For Gods sake & your own do nothing foolish. I know if anything about love came up there, it would go harder against you then any thing else in the eyes of the public." Moss wrote to Newman again two years later, on November 18, 1894, describing how she came to advocate for Maggie, her pleasure with Newman's continued support, and her thoughts on "fallen women." Moss hinted that she had a possible criminal past, noting that she "lived a life of sin in the eyes of the world, But I've lived it 'openly.' I've been no whining hypocrite. The world has punished me for it." Moss reflected on the negative impact of the public's distrust in women's reformation, women's harsh treatment of each other, her fears for Maggie's future, and plans for providing for her. "You know how hard she will be pressed & how every harmless little event, will be made mountains of sin."

An additional letter written by Annie Sears on December 6, 1894, whose association with the prison is currently unknown, inquired after Maggie shortly after she was released, also mentioning an African American man who had formerly been incarcerated, attempting to contact a man for an inmate, and her good regards to the "poor unfortunate women" still imprisoned. At least two letters were written by Maggie Montgomery/Loullard upon her release and relocation to Detroit, Michigan, describing her travels, her memories of friends from the penitentiary, and her current emotions (postmark December 6, 1894; December 14, 1894). Upon requesting updates of the other incarcerated women, Loullard reflected, "I miss them, and at times when I'm lonesome I long for my little cell but I'm glad I'm free."

A group of letters written by Ellen Smith from Salida, Colorado, suggest a partnership between her and Newman to support recently released women as well as some seamstress collaboration (Sept. 15, 1895; Sept. 27, 1895; Apr. 13, 1897; Apr. 17, 1897; Apr. 22, 1897; May 4, 1897; May 9, 1897; May 18, 1897). Smith had been formerly incarcerated at the penitentiary and appears to have run a boarding house, and provided rooms for several women that Newman was helping transition back into freedom. She wrote, "...if a Decent Girl comes here I have rooms where she can be private and by her self and if a girl comes and wants to go on the row and lead a sporting life I have rooms for her to[o]" (Apr. 13, 1897). Her letters provide details about some of the women, their interpersonal dynamics, and their lives post-incarceration. In one she mentioned "Black Ida," suggesting there may have been African American inmates (Sept. 15, 1895). She also referenced two African American men inquiring after Fay, a recently released woman who periodically stayed with her, and hinted at racial tensions (Apr. 13, 1897). Subsequently she discussed firing her African American cook for being romantically involved with some of the girls, and disparaged Black Americans "as they don't count. There Friendship don't count for nothing. I make my own living and do as near right as I can and I don't care what other People says" (Apr. 17, 1897). Smith hinted at some tension between her and the prison warden, declaring, "I don't know what the Warden has against me Miss Nannie and I don't care either. I am Free now and never intend to get in trouble again" (May 4, 1897). She reiterated the feeling in her next letter, "I don't care anything about that Warden or his oppinon [sic]. I am not coming back to the Pen, so he can not have the pleasure of having any say over me. I intend to do as near write [sic] as I know how and don't care for any ones opinion" (May 9, 1897).

Other letters appear to have been written by women who had completed their sentences. They note their new residences, work, or social attitudes they were facing. Sadie L., for example, relocated to Lyndon, Kentucky, and wrote of her travel by railroad, the heavy demands of her new job, and her lonesomeness. She shared that a fellow female traveler speculated that she looked forlorn because "You love a man and he either is not worthy or he has proven false" (Sept. 27, 1895). One written by Fay Love, referenced by Ellen Smith as one of her boarders, discusses conflict with a man who financed a trip to visit Newman, but she ran out of money in Denver. "Someone sent him word that I was in Denver running all over town so he came after me." She noted that she was working "for Banker Plummer's Wife she knows you" ([18]97).

By 1906, Nannie Newman was living in San Francisco, California, and correspondence to her begins to mention her work with beauty products. People inquired how her business was faring (July 4, 1907), were purchasing or commenting on her beauty products (Sept. 9, 1907; Oct. 14, 1907; May 15, 1913; May 8, 1914; Dec. 28, 1917), and were providing advice and support when her business seemed to be slow or struggling (Feb. 1, 1908; Mar. 22, 1908). H. J. McGhan warned that Newman's "sorrowful appearance" following her daughter's death "has a tendency to drive your customers from you," and mused that the location of Newman's shop was not advantageous to business (Nov. 27, 1906). Correspondence also includes suggestions of others involved in the trade, as indicated by various cosmetics letterheads such as "Fanny Briggs Carr Face Preparations" (Sept. 13, 1906) and "Viavi Co. Manufacturing Pharmaceutical Preparations" (Feb. 20, 1908). Several letters written to Newman by Jennie and Nanie Youngblood reference taking beauty courses, cosmetic recipes, and parlors (Apr. 24, 1911; Dec. 18, 1911; Mar. 12, 1912; Jan. 6, 1913). Jennie Youngblood's letter of April 24, 1911, also references passing near Cañon City, Colorado, and seeing the penitentiary, suggesting Newman's ongoing interest in the institution, as well as a description of visiting a Mormon Tabernacle and discussing polygamy with a female Mormon.

Correspondence also reflects on the life and work of Nannie S. Newman's son-in-law, Jack S. Palmer, particularly after 1910. Letters reference his work in the oil industry, his health and travels, and commentary on his relationship with his siblings and Newman. Several indicate a strained relationship (July 21, 1911; July 12, 1912; Mar. 14, 1914). Newman also corresponded regularly with other members of the Palmer family, who provided details on life in Titusville, Pennsylvania, work in oil fields, and various travels in Alaska, California, and elsewhere.

Later correspondence predominantly relates to Thomas Leon Mitchell, who had married into the Palmer family through his wife, Virginia Palmer Davies. Two letters appear to have been written by Tom early in his life from Pleasantville, Pennsylvania (Mar. 22, 1905; [ca. 1905?]), and nine pieces written between 1915 and 1922 relate to his training and service in the United States Navy, as well as military acquaintances in the Panama Canal Zone. These include several letters describing World War I naval operations in the Caribbean, in particular while he was stationed in Martinique and Charlotte Amalie, St. Thomas, in 1918. From the 1920s to 1950s, correspondence primarily relates to the Mitchell family's travels, in particular to Western Canada, Hawaii, Fiji, and Tahiti.

The Documents Series includes receipts and bills, disbound account book pages, deeds and titles, certificates, medical reports and forms, and more. The bills and receipts provide details about Nannie and Ida's lives in Colorado and California, detailing their spending on fabric and sewing goods, room rent, furniture, piano lessons, and more. The disbound account book pages are undated, but they include details of client details relating to dressmaking for "Cripple Creek Ladies," suggesting they relate to Nannie Newman's seamstress work in Colorado in the 1890s. Several items pertain to Jack S. and Ida Palmer, such as an abstract of title to a lode in the Cripple Creek Mining District (1902), deeds and inventories of furniture, certificates for Jack Palmer's standing in the Titusville Council, and the sale of his interest in a patent to his sister Virginia Altamont Davies (1909). Two items relate to health matters, including an Institut Venu Carnis refund guarantee "for the development of the bust" and a typed Iritis Report.

The Writings Series consists of fourteen undated manuscript copies of poems or song lyrics; a manuscript "Endless Prayer Chain" to be copied and sent to nine people to ensure the writer receives "some great joy;" and a seven-page, unsigned manuscript memoir detailing experiences at a camp at the Balfour Mines in Colorado. The memoir describes the town, religious services, efforts to build a church, and reflections on gold and nature. The writer mused that there was "not a single woman in that first meeting… and I have been trying to figure out whether man when turned loose and put back almost into the wild, is such a bad animal after all – or whether the most of us rough fellows were not thinking of some good woman somewhere else."

The Address Book is a blank notebook distributed circa 1894 as advertising by Knight & Atmore of Denver, Colorado, specializing in "Artistic Tailoring, Superb Clothing, Exquisite Furnishings." While unsigned and undated, it was likely kept by Nannie S. Newman or Ida C. Palmer in the mid-1890s. It contains various addresses of men, women, and businesses primarily in Denver, Colorado, but with a number of Ohio, Illinois, Kentucky, and other states. At least one address, that of Maggie Larillard (elsewhere spelled Loullard) in Detroit, Michigan, is of a formerly incarcerated woman.

The Diary was kept by Jack S. Palmer in 1903 while he was living in Cripple Creek, Colorado. It is a pre-printed pocket diary distributed by Gross' Buffet of St. Louis, Missouri. Entries detail correspondence, travel, hours worked and other business information, and finances. Content relating to his personal life includes mentions of Ida Palmer's health and travel, social events, births and deaths. Several mentions of "Muddie" (Nannie S. Newman), primarily indicate her arrivals and departure. In addition to brief diary entries, the volume includes various notes and memoranda, including many addresses and other contact information. Printed maps of Cuba, the United States, and the "East Coast of China and Philippine Is." are present.

The Memoranda Book is a pocket-sized blank book that is undated but appears to have been kept by Jack S. Palmer. It contains notes about names, addresses, financial details, and matters seemingly related to business. Several entries refer to a Palmer camp stool. The Wallet is made of leather, embossed with a floral design and inscribed on the inside " J. S. Palmer Cañon City Colo."

The Printed Items Series includes various newspaper and magazine clippings, printed postcards, greeting cards, announcements, and advertising ephemera. Several items relate to Nannie S. Newman's business operations, including an advertising broadside for Miss S. N. Herold, of Denver, Colorado, suggesting she may have begun her cosmetic work in Colorado. It advertises "Facial Massage. The New Art. Beauty Developed and Preserved. Keeps the Face Youthful, Plump and Rosy. Only Successful Treatment Known for Wrinkles." One of her business cards from San Francisco is present for her business in "Facial Massage and Face Treatments, Shampooing and Scalp Treatments." Five bottle labels for Newman Face Bleach, Newman Egg Shampoo, and Zymocide Hair Tonic and Dandruff Remedy indicate the types of products Newman was selling.

The Photographs Series consists of twelve cabinet card photographic studio portraits of unidentified men, women, and families; four card photographs of various sizes of unidentified men, women, and children; two real photo postcards of a building exterior and a man with his young son; a 1932 handmade Christmas card featuring three photos of a home interior; and thirteen snapshots of men, women, and groups of people, several depict a cattle ranch and the only identified figure is Minnie L. Mitchell who is shown standing with one leg and crutches. Several photos include a pencil inscription of "Newman?" on the verso suggesting they may be of Nannie S. Newman, but further research is required. This series also contains an empty Photomaton envelope from Ocean Park Pier, California.

The Miscellaneous Series includes fifteen mailing addresses written or printed on various scraps of paper, ephemera, and notes ranging in date from 1895 to 1980. The notes include definitions of card game hands; an idea for an "instant cocktail" in a gelatin capsule (May 1, 1980); travel directions; and culinary and medicinal recipes. Ephemeral items include gift and luggage tags and a library card holder.

Nicholas Delbanco (1942-), came to the University of Michigan in 1985, from Bennington College and Skidmore College, and has served as Director of the MFA Program in Creative Writing and as Robert Frost Collegiate Professor of English Language and Literature.He has also served both as Director and Chair of the Avery Hopwood and Jule Hopwood Awards Program. He has published over twenty-four books (novels, short stories, non-fiction, and textbooks), as well as many essays, reviews, and articles, and edited selected works of his friends and mentors, John Gardner and Bernard Malamud. The Nicholas Delbanco Papers includes correspondence, manuscripts, personal materials, professional records, and clippings. The correspondence is a rich collection of personal and professional letters exchanged over many years with fellow authors, publishers, and literary agents. Several manuscripts in various stages are also included.

The Nicholas Delbanco Papers were acquired by the Special Collections Library, University of Michigan, in September, 2006. Five boxes were added in November, 2009. The papers span over 40 years and include a particularly rich collection of correspondence with nearly 800 authors, educators, family members, and friends. Well known authors include, among others, John Updike, John Gardner, Joyce Carol Oates, Annie Dillard, and Raymond Carver. The correspondence traces the growth of friendships and professional relationships over many years. Other materials demonstrate the development and publication of Delbanco's manuscripts, articles, commentaries, speeches, and other writings as well as his professional careers at Bennington College and the University of Michigan. Delbanco's dedication to his students and the advancement of literature are demonstrated in his professional records, the depth of comments offered on student writings, and his active participation in associations and workshops. Personal materials include correspondence with family members, educational records, photographs, and journals from his early years.

The Nicholas Delbanco Papers are divided into six series: Name and Topical, Writings, Personal, Professional, Computer Disks, and Clippings. Books and serial publications have been separated from the collection to be catalogued individually.

The Name and Topical series contains 10 linear feet, Boxes 1-10, of mainly correspondence with fellow authors, academians, literary agents, and publishers. Topics relevant to the collection, such as university and organizational correspondence or special events are also included. Relevant photographs, clippings, ephemera, manuscripts are generally kept with related names and topics although there may be overlap in the Writings Series, especially when Delbanco and his fellow authors reviewed each other's work. The series is arranged alphabetically, and chronologically within. Incoming and outgoing correspondence are not separated. Each name or topic is given a folder as long as there are at least three letters of correspondence or if the person is of significant status. Names or topics that do not meet these minimum requirements are filed by letter in the alphabet, but are not arranged alphabetically nor chronologically within. The correspondence within these folders spans the years of the collection. There are also several folders that have unidentified correspondence in them because signatures are illegible or incomplete. Identified but undated material are generally placed in the back of related folders.

The largest segments of this series include correspondence with Frederick Busch, John Updike, Jon Manchip White, Andrea Barrett, Alan Cheuse, Richard Elman, Jim Landis, and publishers such as Brandt & Brandt, Warner Books, and Paul R. Reynolds, Inc. Although Jim Landis represented William Morrow as Delbanco's editor, the importance of his friendship with Delbanco appears greater than the business relationship; because of the depth of this friendship, the correspondence is arranged under Landis' name. Correspondence with John Gardner includes correspondence before Gardner's death and then with Gardner's family after his death in 1988, after which Delbanco was assigned to be his literary executor. Other notable correspondents include, among many others, Carly Simon, Joan Didion, Annie Dillard, George Garrett, and Wallace Stegner. Any photographs of correspondents or photographs of Delbanco by the correspondents that were originally with letters remain with those letters. Delbanco initially formed many of these friendships and professional relationships in college, graduate school, as a professor at Bennington College, and through writing workshops and conferences at Yaddo, Bennington, and Bread Loaf.

The Writings series is approximately 29 linear feet, Boxes 11-40, and encompasses many but not all of Delbanco's published writings. The series contains six subseries: Fiction, Short Stories, Nonfiction, Editorial Works, Other, and Writings by Others. Titles are arranged chronologically within the Fiction, Short Stories, Nonfiction,and Editorial Works subseries. Each title may contain a variety of formats which are noted – manuscripts, corrigendas, page proofs, typescripts, mock ups, galleys, penultimates, and unbound signatures, etc. These are arranged chronologically and often are titled as such by Delbanco in his notes. Correspondence that relates directly with manuscript materials that were originally with these manuscript materials, remains in this series, while there may be complementary information in Name & Topical.

The bulk of the material in the Fiction subseries, approximately 14 linear feet, is from The Martlet's Tale, News, Fathering, Small Rain, What Remains, and The Vagabonds. It is evident in the collection that some manuscripts were written under a variety of titles before the final decision was made as to the what the published title would be. Every attempt has been made to distinguish and attach these to the final product. One example is Fathering, which was written during the creative process under titles such as "Plague Year", "Times Fool", and "Leave Taking", before settling on the final title.

The Short Stories subseries contains approximately 1 linear foot of materials, Box 25, tracing development of About My Table and four folders, mainly reviews, on The Writer's Trade, and Other Stories. Individual short stories may be found in the Other subseries.

The Nonfiction subseries, Boxes 26-35 with additional materials in oversize Boxes 45-48 and 50, contains material primarily from Beaux Arts Trio, and two textbooks, The Sincerest Form: Writing Fiction by Imitation, and Literature: Craft and Voice. The Beaux Arts Trio was inspired by Delbanco's father-in law, Bernard Greenhouse, a cellist for the original trio.

The Sincerest Form: Writing Fiction by Imitation, a teaching textbook, was a project undertaken with students from Delbanco's English 417 and Strategies in Prose classes. Materials for this textbook include student critiques, opinions, and exercises for the purpose of learning the basics of writing fiction through imitation, "to encourage the students to develop a much more careful and critical eye when reading" (Instructor's Manual, Box 31), and at an advanced level, "to develop what they learn in class into serious critical essays" (Instructor's Manual, Box 31). Student papers, their releases for usage, and Delbanco's comments in response to their writings are included with these materials.

Literature: Craft and Voice is a three volume textbook written in collaboration with Alan Cheuse, covering works of fiction, poetry, and drama by various masters and commentaries on them. The textbook includes "nonfiction accounts of the process of composition (memoirs by playwrights, letters by poets, essays by short story writers, etc.) in which the authors discuss the problems posed and artistic challenges met." (Prospectus, 2003, Box 33).

The Editorial Works subseries contains approximately 1 linear foot, Box 35, of materials for which Delbanco served as editor. These include works by John Gardner, a colleague at Bennington College, who was killed in a motorcycle accident in 1982, at the age of 55. Delbanco was a great admirer and good friend of Gardner and his family. There are only a few materials relating to Stillness and Shadows, but there is overlapping information and also correspondence in Name and Topical (Gardner, John), reflecting Delbanco's and Gardner's relationship and the trust held by Gardner's family for Delbanco's handling of Gardner's unfinished manuscripts.

In materials relating to Talking Horse: Bernard Malamud on Life and Work, which was a collaboration with Alan Cheuse, there are correspondence, drafts, and an introduction by Delbanco regarding published and unpublished prose by Bernard Malamud. Malamud was Delbanco's mentor at Bennington College; other materials demonstrating Delbanco's and Malamud's relationship are contained in Name & Topical.

The Other subseries, approximately 4 linear feet, Boxes 35-39 and oversize Box 50, contains a variety of materials such as essays, short stories, commentaries for a WUOM radio program with Alan Cheuse, early writings from the late 1950s and early 1960s, articles for various magazines and newspapers such as Travel Holiday and Harper's, reviews on Delbanco's writings, reviews by Delbanco, and unidentified writings. Autobiographical and biographical materials are also located here as well as interviews with, Kurt Delbanco, Bernard Greenhouse, and Amy Tan. This subseries contains some materials for which it is undetermined whether publication occurred.

The Manuscripts by Others subseries, 1 linear foot of materials, in Box 40, contains writings by Robert Boyers, an article by Thomas and Andrew Delbanco (brothers of Nicholas), Jim Landis (friend and editor at William Morrow), and Stewart O'Nan, fellow author. These writings were submitted to Delbanco for his professional review; the reviews are included here.

The Personal series encompasses 1.5 linear feet of a variety of materials, Boxes 40-41, that pertain to Delbanco's childhood, education, and family. There is correspondence with his brothers, mother, father, uncle, and grandmother; also, marriage telegrams, birthday cards, and get well cards addressing his hospital stay and surgical procedure due to heart problems in 2003. Materials collected while at Fieldston, Harvard University, and Columbia University include correspondence, yearbooks, publications, ephemera, and writings. There are limited marriage, financial, and selective service records. Fifteen folders contain photographs of family, friends, travel, and professional portraits. A diary and handwritten journals contain notes and writings dated 1958 through 1966, with some undated material also. In oversize Box 50, inside Sketchbook #2, is a story written and signed by Delbanco as a very young child.

The Professional series contains 3.5 linear feet of material, Boxes 42-45, divided into subseries: Bennington College, Skidmore College, University of Michigan, Associations and Workshops, and Ephemera.

The Bennington College and Skidmore College subseries' include mainly class notes, professional correspondence relating to his academic positions, clippings, and thoughtful, detailed reviews of student work by Delbanco.

The University of Michigan subseries includes class notes, professional correspondence relating to Delbanco's academic status, clippings, lecture notes, certificates of awards and honorary degrees, and over 40 folders containing Delbanco's commentaries on student works, both at undergraduate and graduate levels. Comments on students' works provided by Delbanco are referred to as "comments"; year end evaluations of classes by students are referred to as "class evaluations". Some students are Hopwood Awards winners. There is commentary in this subseries between Delbanco and Elizabeth Kostova regarding her work for the MFA Program and debut novel, The Historian, which won an award for best Novel in Progress through the Hopwood Awards Program, and went on to be purchased for 2 million dollars by Little Brown and Company in 2004.(See Fiction, Comments, 2002.) Also included are speeches and correspondence regarding the Hopwood Awards Program.

The Associations and Workshops subseries contains correspondence, applications, meeting and agenda documents, ephemera, judging and recommendations notes and documents, and fellowship and grant awards information. Bennington Summer Writing Workshops (with photographs), Bread Loaf Writer's Conferences, Pen/Faulkner, the National Book Foundation, the Woodrow Wilson National Fellowship Foundation, and the NY Writers Institute are highlighted.

The Ephemera subseries contains flyers and pamphlets that relate to Delbanco's appearances, readings, and publications. There are also catalogues of trade publications and in oversize Box 50, 6 posters.

The Computer Disks series contains unidentified 3.5" and 5.25" floppy disks.

The Clippings series is arranged by decade and contains articles and reviews written about and by Delbanco from the New York Times, Chicago Tribune, Ann Arbor News, etc. Reviews and articles can be found with related subjects as well throughout the collection in related files.

Bacteriologist with the laboratories of the Michigan Department of Health, 1920-1951, and resident lecturer in epidemiology at the School of Public Health of the University of Michigan. Files relate to her discovery and testing of a vaccine for whooping-cough; files concerning activities with the American Public Health Association and the Michigan Public Health Association; consultant's files relating to her work with vaccination programs in foreign countries under the auspices of the World Health Organization; correspondence, course and research materials; and photographs related to her career; also papers of her father, Milton Kendrick, a Free Methodist clergyman.

The Pearl L. Kendrick papers date from 1888 to 1979 and measure seven linear feet. The papers are arranged in nine series: Personal, Correspondence, Correspondence--Foreign, Michigan Department of Health, University of Michigan, Consultant Files, Professional Associations, Speeches and Articles, and Visual Materials. The collection is strongest in its documentation of the national and international network of public health practitioners, physicians, and scientists who corresponded with each other about their studies of various diseases and their prevention, in particular whooping cough. This voluminous correspondence reflects Kendrick's reputation as one of the world's foremost experts on pertussis. The collection is relatively weak in its documentation of Kendrick's work as an instructor at the University of Michigan.

St. Joseph, Berrien County, Michigan family. Papers of family members, primarily correspondence of Ann G. Loomis Preston with her father, Jonathan Loomis, and with her sons Wallace and Fowler, sailors in the Union navy during the Civil War; typescript of excerpt of Civil War diary of Wallace Preston; paper, 1978, of Harriet N. Preston based upon family Civil War experiences; photographs, clippings and miscellanea concerning family and St. Joseph, Michigan.

In 1972, a bundle of over forty Preston family letters, dating mainly from 1850 to 1870, were discovered in the attic of the family home in St. Joseph. Over the next few years, Harriet N. Preston, wife of Arthur G. Preston, Jr. (grandson of Wallace Preston), took an interest in these letters and the Preston family history. Mrs. Preston arranged the letters, compiled typed transcripts, and authored several papers based on the letters.

The Preston family papers document Great Lakes shipping in the nineteenth century, the Union Navy during the Civil War, and daily life in St. Joseph, Michigan during the latter half of the nineteenth century. The collection has been divided into five series: Correspondence; Legal Documents; Newspaper Clippings, Scrapbook and Miscellaneous Materials; Family Histories; and Photographs.