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This collection consists of one folder. With the exception of one manuscript dated 1948, and some undated materials, the contents date from 1979 to 1983. All the items in the collection are letters sent to Goodfriend, or written materials collected by her. None of her own writing is included. There are two postcards and a letter from Molly Steimer to Audrey Goodfriend, and a letter from Proudhon Carbo reporting Steimer's death, all sent from Mexico; the letter from Steimer discusses Goodfriend's separation with David Koven. The 1948 manuscript is a carbon copy of a memorial message for "Comrade Pece" written by Jules Scarceriaux. A photocopy of an unsigned memorial for Dora Stoller Keyser, and some miscellaneous flyers and writings round out the collection.

Materials collected by Helen Blair Lamar and subsequently donated to the Blair Society for Genealogical Research and pertaining to the Austin Blair family of Michigan and related family lines, the Hanks family and the North family. The collection, arranged by family name and then by individual, includes original with some typed transcripts of family letters, diaries, legal documents, poetry, personal items, and visual materials.

Helen Blair Lamar kept the papers of the Blair, Hanks and North families for many years. After her death they were given to the Blair Society for Genealogical Research, which in turn donated them to the Bentley Historical Library. This collection exemplifies the slightly random character of family papers accumulated over several generations. There is a wide variety of material on a large number of individuals. In an attempt to keep things as clear as possible, the majority of the papers--manuscript, typescript and printed--have been arranged by FAMILY GROUPS which are subdivided by Personal Name and arranged by generation. This is followed by a small second series of miscellaneous PRINTED MATERIALS. A substantial third series of VISUAL MATERIALS includes Scrapbooks, Photographs, Daguerreotypes and Ambrotypes, Tintypes and Glass Plate Negatives.

Assistant to George Washington Carver at Tuskegee Institute, later a Detroit, Michigan, businessman. Correspondence and other papers of G. W. Carver relating primarily to experiments with soil improvement and the discovery of new applications for the peanut and other Southern agricultural products; newspaper clippings and memos relating to Curtis' campaign for Congress in 1958 and his work with Carver; and photographs.

The Curtis collection has two parts: papers of George Washington Carver that Curtis collected while in Carver's employ; and papers of Curtis mainly relating to his business activities with A.W. Curtis Laboratories of Detroit, Michigan, and also his unsuccessful campaign for Congress in 1958. The Carver papers are of the most significance, relating to Carver's experiments with soil improvement and his discovery of new applications for the peanut and other agricultural products of the South.

Artificial collection of miscellaneous materials related to Michigan automobiles, car companies, trucks, racing, racecars, motorcycles, advertising, etc.

The collection includes miscellaneous materials from vertical files, advertising materials, black and white photographs, catalogs, manuals, newspaper clippings (copies), and other materials documenting car companies, trucks, racing, racecars, motorcycles, and the general history of automobiles.

Professor of Public Health at the University of Michigan from 1961 to 1988, noted for research in the field of quality assessment of public health and service. Papers contain biographical material, correspondence, and material related to his research and professional activities, including studies for the Community Health Association of Detroit, Michigan and background on various publications.

The papers of Avedis Donabedian document his career as professor at the University of Michigan School of Public Health and in the medical research field from 1946 to 1997. The papers are divided into three series: Correspondence, Research and Professional Activities, and Biographical.

Winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes, a creative writing scholarship program at the University of Michigan. The manuscripts, dated 1931-2019, are bound in volumes according to the corresponding competition category, and accompanied by an author index.

1931-2019 winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes competition (also known as the Hopwood Awards). The manuscripts are bound in volumes according to the competition category for each year (e.g., "Undergraduate Short Fiction," "Drama," "Summer Awards," etc.) The collection is accompanied by an author card index. Cards within the index are arranged in alphabetical order by last name and include information about the manuscript title, competition category, competition year, the number of the volume that contains the manuscript, and the awarded prize amount.

Resident of Philadelphia, Pennsylvania. Consists of color slides of the 1950 fire that destroyed the University of Michigan's Old Haven Hall.

The collection consists of color slides of the 1950 fire that destroyed the University of Michigan's Old Haven Hall.

Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

Established by students in 1896, the University of Michigan Band had its first salaried director in 1915. The William Revelli era (1935-1971) brought the Band to prominence as the marching, concert, and symphony bands toured and performed extensively, including a tour of Eastern Europe and the Soviet Union by the Symphony band in 1961, the Jazz Band's 1965 tour of Latin American, and the Symphony Band 2011 tour of China. Records include scrapbooks of band activities (including photographs); bound volumes ("Blue Books"), 1936-present, containing band formations, newsletters, and announcements of band activities, also topical files relating to band tours and concerts. The Marching Band is best documented, although concert band, symphony band, and related ensembles are represented.

The University of Michigan Band records are divided into eight series: Tours and Concerts, Yearbooks, Photographs and Posters, Audio-Visual Material, Band Books ("Blue Books"), Scrapbooks, Publications, and Director's Records. The majority of the records consist of bound volumes of band formations, announcements, and publications, and oversized scrapbooks of band activities. Additional material includes topical files documenting tours and performances. The bulk of the documentation pertains to the Marching Band.