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The collection includes business and personal correspondence, production materials, scripts, photographs, motion picture, and sound recordings related to Richard Wilson and Orson Welles's work in radio, theater, and film from the 1930s to the 1950s. Also included are materials related to each man's later solo careers and personal life.

The Richard Wilson-Orson Welles Papers document many aspects of the two men's creative collaboration in radio, theater, and film for the Mercury Theater and Mercury Productions. Material related to several moments in Welles's post-Mercury Productions solo work and life form part of the collection. Richard Wilson's post-Mercury Productions work is also represented. The collection includes business and personal correspondence, production materials, scripts, photographs, and audio and motion picture recordings.

Materials relating to classic films such as Citizen Kane , The Magnificent Ambersons , The Lady From Shanghai, and Macbeth are included in the collection. The original filming and 1980s-1990s reconstruction, led by Richard Wilson, of the suddenly-terminated Welles film, It's All True (1942) is particularly well-documented.

The Wilson-Welles collection has been divided into seven series: Orson Welles; Richard Wilson; Mercury Theatre/Mercury Productions; Sound; Motion Pictures; Realia; and Bill Krohn: It's All True (1993).

The three primary series: Orson Welles, Richard Wilson, and Mercury Theatre/Mercury Productions have been largely organized by production type (e.g. Theater, Radio, and Film) and then chronologically by project. Completed films, theatrical productions, and radio broadcasts are dated according to their first public showing or general release date. Unfinished or unreleased projects are dated according to the year in which most of the work on the project took place.

Correspondence and business papers for each project are located together under the project name. An important exception to this organizational scheme was necessitated by the fact that Welles frequently worked on several projects simultaneously and a single letter or memo may address several projects. Sets of memos and correspondence are filed with the project to which they are most closely related. Notable examples of overlapping projects and sets of memoranda that address at least two films are Macbeth and Othello (much of the information related to Othello is actually in correspondence in the Macbeth files), and The Magnificent Ambersons and It's All True (much of the information related to The Magnificent Ambersons is contained within the It's All True files).

The Richard Wilson and Orson Welles series also contains material related to both men's families and personal lives.

This collection contains material related to Robert Bontine Cunninghame Graham, born in London of Spanish descent. At 16, he moved to Argentina to live with relatives and traveled widely in South America, Mexico, and Texas, marrying Chilean poet Gabriela de la Balmondiere. He returned to England to manage his family's estate in 1884 and spent the rest of his career as a follower of William Morris's socialist philosophy and supporting nationalist movements in Scotland and Ireland. He is particularly known for his historical, fiction, and travel writing. He is reportedly a model for characters in George Bernard Shaw's Captain Brassbound's Conversion and Arms and the Man. This small collection is in three series: Correspondence, Manuscript, and Printed Material.

The Robert Bontine Cunninghame Graham Papers consist of correspondence, a critical manuscript, several photographs, and newspaper clippings. The collection is arranged in three series: Correspondence, Manuscript, and Printed Material.

The Correspondence series consists of letters to and from Cunninghame Graham, and several letters relating to George Matthew Adams' collection of Graham material.

The Manuscript series consists of a single manuscript by David Garnett entitled "An Appreciation of Robert Bontine Cunninghame Graham."

The Printed Material series consists of one folder of clippings and miscellany relating to Cunninghame Graham.

One photograph of Robert Cunninghame Graham several of Gabriela Cuninghame Grahame can be found in the William Henry Hudson Papers.

In addition to this finding aid, the Special Collections Library holds a more extensive inventory of the papers.

The papers contain extensive correspondence and numerous photographs of noted American poet, Robert Frost and members of his family. Also included is a collection of privately printed chapbooks and Christmas cards which contain poems by Frost.

The research value of this collection resides in the correspondence and the photographs. It appears that the letters at some point may have been consulted by various Frost biographers, but their depths may not have been fully plumbed. The photographs offer a candid glimpse into several generations of Frosts, but also include a number of posed studio portraits. The collection as a whole complements the Robert Frost papers already housed in the Special Collections Library, as well as those at the Bentley Historical Library.

This collection contains drafts, typescripts, and manuscript material related to Cowden's unfinished book, The Creative Process in Writing. Chapter subjects include Dickens, Keats, Meredith, E.B. Browning, Thoroeau, Whitman, Conrad, Carlyle, and Swinburne. More material related to Cowden can be found in the Special Collections Research Center's Hopwood Award Records and in the Bentley Historical Library's Roy William Cowden papers: 1924-1960.

This collection contains generally undated material related to Cowden's unfinished book, The Creative Process in Writing. For material related to Cowden's career as a faculty member in the Department of English at the University of Michigan, please see the Roy William Cowden papers: 1924-1960 at the Bentley Historical Library and the Hopwood Award Records at the SCRC.

The Small Southeast Asia Collections contains photographs, postcards, and papers depicting the people and locations within several countries in the Southeast Asian region. Materials predominately focus on the Philippines with some featuring Thailand, Singapore, Vietnam, and Burma (Myanmar) circa 1890s-1945.

Contains a grouping of six separately accessioned collections depicting people and locations in the Philippines, Thailand, Singapore, Vietnam, and Burma (Myanmar). Strengths of the collection include photographs and other visual materials that depict different communities living throughout the Philippines and other locations during the early half of the twentieth century. Some of the collection's items were created from the perspectives of foreign travelers and missionaries to the region that may describe people and places using outdated terminology. The majority of content is written in English, although captions in the Siam and Cochin China photo ablum are mostly in French.

Correspondence of Fabijanovic and his wife, writings, photos, newspaper clippings, and an obituary of Fabijanovic from Freedom relate to his philosophical and anarchist thought, a bakery and confectionery workers' union, the publication and distribution of his papers, his travels, and personal matters. Among the correspondents are Louis Adamic, John B. Barnhill, Norman Beard, natural pathologist Otto Brunner, Karl Dopf, Enrique Flores Magon, Wilhelm Fox, Charlotte Francke-Pellon, Emma Goldman, Rudolf Grossman, Max Metzkow, Max Nettlau, Carl Nold, Nicholas Petanovic, Charles L. Robinson, Rudolf Rocker, Stefan Zweig, and family members. The papers are in English, French, German, Hungarian, and Serbo-Croatian.

The papers comprise correspondence, manuscripts, and photographs, and relate to philosophical and anarchist thought, union activities (Bakery and Confectionery Workers), his travels, publication and distribution of his papers, social comment and personal matters. There are several series of transcribed correspondence with added commentary, intended for publication; also of correspondence with and about Rudolf Grossman, who defaulted on a publishing agreement. There is a group of papers on general subjects written as night school assignments. A few letters are addressed to his wife. The materials are in English, German, Hungarian, and Serbo-Croatian.

Among the correspondents are Louis Adamic, John B. Barnhill, Norman Beard, natural pathologist Otto Brunner, Karl Dopf, Enrique Flores Magon, Wilhelm Fox, Charlotte Francke-Pellon, Emma Goldman, Rudolf Grossman, Max Metzkow, Max Nettlau, Carl Nold, Nicholas Petanovic, Charles L. Robinson, Rudolf Rocker, Stefan Zweig, and family members.

The collection is organized in two series: Papers and Photographs. The Papers series consists of Williams's reminiscences of his experiences as a military officer in the Philippine Constabulary stationed in the mountain district of North Central Luzon, particularly his essay Spear and Bolo Interlude (68 [i.e., 72] p., typescript with holograph corrections); of his employment by the Standard-Vacuum Oil Company of New York in the South China Division, including an essay and a report describing the Japanese invasion of Hong Kong in 1941 and his subsequent six-month imprisonment at the internment camp on Stanley Peninsula; and of a childhood friendship with a black man, accused, tried, convicted, and hung for the murder of a white policeman in Booneville, Missouri. The Papers also include documents (diploma, commission papers, passport, etc.), military memorabilia, newspaper clippings, and a large collection of photos, chiefly depicting military camps and native inhabitants of Luzon. The second half of the collection is comprised of Williams's photographs, all have been digitized with links available in this finding aid.

The collection consists of Williams's reminiscences of his experiences as a military officer in the Philippine Constabulary stationed in the mountain district of North Central Luzon, particularly his essay Spear and bolo interlude (68 [i.e., 72] p., typescript with holograph corrections); of his employment by the Standard-Vacuum Oil Company of New York in the South China Division, including an essay and a report describing the Japanese invasion of Hong Kong in 1941 and his subsequent six-month imprisonment at the internment camp on Stanley Peninsula; and of a childhood friendship with a black man, accused, tried, convicted, and hung for the murder of a white policeman in Booneville, Missouri. The Papers also include documents (diploma, commission papers, passport, etc.), military memorabilia, newspaper clippings, and a large collection of photos, chiefly depicting military camps and native inhabitants of Luzon. The second half of the collection is comprised of Williams's photographs, almost entirely of his time in the Philippines. Subjects are most often people, mostly posing for the photograph; some more candid photographs; some are of landscapes and scenery. All have been digitized with links available in this finding aid.

The Transportation History Subject Files Collection has been separated into ten subject areas: Aeronautics, Biography, Railroads, Roads, Road Transit, Tourism, Urban Transit, Water, Water Transit, and General. These categories correspond with those used in the Print Collection, and folder headings have been coordinated as much as possible. For an explanation of the series headings, please refer to the finding aid for the small print collection. An exception is the biography series which is unique to the vertical file. It contains biographical information about persons involved with the history of transportation.

The Collection contains broadsides, timetables and advertisements separated from the small and medium print collections, as well as ticket stubs, travel brochures, menus, and souvenir booklets. Steamship deck plans are also found in the subject file collection.

The Tate Personal and Professional Papers document Vernon Tate's personal interests and activities along with many aspects of his professional career as a historian, librarian, and archivist between 1929 and 1989. Dr. Tate's papers contain correspondence, speeches, articles, meeting minutes, annual reports, newsletters, conference proceedings, press releases, dissertation research materials, and photographic and microphotographic research notes.

In December 1982, Dr. Vernon Tate donated a large collection of manuscripts and publications documenting the history of microphotography and his own career as a historian, archivist, librarian, and microfilm pioneer to The University of Michigan Libraries. This donation provided the impetus for the creation of the Power Collection for the Study of Scholarly Communication and Information Transfer in the Special Collections Library. The Power Collection is named in honor of Dr. Tate's long-time friend, Eugene B. Power, the founder of the micropublishing firm University Microfilms, Inc.

Dr. Tate's donations to the Power Collection contain over 140 linear feet of manuscripts, including his own personal and professional papers, an extensive collection of records of the National Microfilm Association (NMA), and the Microfilm Pioneers Collection which contains the papers of several of Dr. Tate's colleagues concerning microphotography and the activities of NMA. In addition, Dr. Tate donated an extensive collection of serials and monographs relating primarily to the fields of photography, microphotography, and archives.

The Tate Personal and Professional Papers document Vernon Tate's personal interests and activities along with many aspects of his professional career between 1929 and 1989. This group does not, however, include files from his work as Executive Secretary of the National Microfilm Association. Those materials can be found in the National Microfilm Association Records in this repository.

Dr. Tate's papers contain correspondence, speeches, articles, meeting minutes, annual reports, newsletters, conference proceedings, press releases, dissertation research materials, and photographic and microphotographic research notes. In addition, the collection contains log books (diaries), which contain his thoughts and notes on his personal and professional activities, although the log books will not be available for research until October 1, 2009.

Scattered materials concern Tate's activities between 1929 and 1935 as a student, researcher,and microfilmer for the Library of Congress. Included is correspondence, extensive research materials on the port of San Blas (his dissertation topic), and articles on maritime history and photography.

Large portions of several series concern the years between 1935 and 1946 during which Tate headed the photographic archives and research division of the National Archives and then served in the Navy during World War II. Almost two-thirds of the correspondence series and nearly half of Tate's speeches and writings date from this period. Besides these materials, the files contain inter-office memoranda, literature and notes on microphotography, and notes on his own experiments. Since Tate was the seventh professional staff member hired by the National Archives after its founding in 1935, the files include materials on the early development of the agency and the beginnings of the photographic laboratory and microfilm operation.

By the mid-1930's Tate was already one of the recognized authorities in the rapidly developing field of microphotography. In addition to his work at the National Archives, the files concern such topics as his work as editor of the Journal of Documentary Reproduction, 1938-1942; the early history of the American Documentation Institute and the Federation Internationale de Documentation; and his involvement in the work of the Microcard Committee. A small amount of correspondence concerns the establishment and early history of the National Microfilm Association, 1944-1946, before Tate became an officer.

The amount of material declines significantly for the years after 1946. Materials relating to his work as Director of Libraries at the Massachusetts Institute of Technology and subsequently as Librarian and Archivist at the U.S. Naval Academy appear, but they are smaller in quantity and less complete than the materials on earlier years. Although the Tate Papers do not concern his work as an officer of the National Microfilm Association, they do document many professional activities not connected with NMA. Included is material on his various library and archival positions and his involvement with such organizations as the American Documentation Institute and the Federation Internationale de Documentation.

In addition to documenting many of Tate's professional activities, his papers concern family matters and personal interests. The correspondence series includes a small sequence of family letters exchanged between Tate and his wife, parents, and other relatives. The personal interests series contains information on his hobbies and interests, especially in naval history and other nautical matters, but also in such areas as antiques, art, books and printing, history, and libraries.

This collection is comprised of letters addressed to Ward Allan Howe (1900-1977), a New York Times travel writer, between the dates of 1936 and 1960. These letters have been saved for their noteworthy signatures. All of the letters are addressed to Howe except where noted. Acquired with 6,900 positive photographs, 4,289 color transparenices, and approximately 22,00 negatives. (The aforementioned visual material is housed separately as the Ward Allan Howe Photos.)

This collection contains two series of materials (1. letters to W. A. Howe; 2. various documents related to W. A. Howe) that were created between 1922 and 1972. The first series includes letters from Lucius Morris Beebe, Arthur Brisbane, James C Hagerty, Alfred Mossman Landon, and Elwyn Brooks White. The second series includes an article, crendentials, resumes, membership cards,