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Lawyer, Member of Michigan Supreme Court, 1842-1846, Democratic Governor of Michigan, 1846-1847, and holder of numerous other public offices; papers include correspondence and other papers documenting his career in public service.

The Alpheus Felch papers details the active life of this nineteenth century Michigan public servant. Not only are public issues discussed in the correspondence files but the researcher will also gain an understanding of some of the personal problems associated with public service. The collection also includes several files of other family members.

Correspondence and daguerreotype portraits of Orrin E. Bell and his wife, Emily L. Brownell Bell, residents of Oxford (Oakland County), Michigan.

Letters, 1853-1855, of Orrin E. Bell, surgeon in the British Navy, written to Emily L. Brownell (later Mrs. Orrin E. Bell) describing his experiences in Australia, Brazil, Panama, and California; letters of Emily Brownell recounting her daily life in Franklin, Michigan; miscellaneous newspaper clippings, poetry, marriage license, and photographs. Daguerreotype portraits of Orrin E. Bell and his wife, Emily L. Brownell Bell.

Family of Delos A. Blodgett, his son John W. Blodgett, and his grandson John W. Blodgett, Jr., residents of Grand Rapids, Michigan and owners of a series of logging companies active in Michigan, Mississippi, California, Oregon, and Vancouver Island. Correspondence, journals, cash books, ledgers, and maps of family businesses, including the Blodgett Company, Wright-Blodgett Company, Michigan-California Lumber Company, Michigan Timber Company, Hill-Davis Company, and Tidewater Timber Company; also personal correspondence and photographs.

The collection, although still largely unprocessed, has been grouped into different kinds of records. These include correspondence, business records, maps, and photographs.

Papers of the Douglass family and the Nellis family of Newaygo County, Michigan. Courtship letters of Joseph and Matilda Douglass, also of their daughter Belle and William Anderson; letters of Joseph Douglass and George Nellis about their cavalry service during the Civil War; letters of relatives and friends who emigrated to Iowa, Dakota Territory, Colorado, and California.

In general the letters are filled with "mundane" family news: births, sicknesses, deaths, marriages, visitors, crops/business, money/debts, school, and chores. Sickness and death receive the largest single share of attention, including references to medical care and doctors. There are scattered, but illuminating accounts by youngsters of their schooling, including several letters ca. 1890-1894 by teenager Vera Barton in Big Rapids. As a whole the collection is a good source for discovering the role and attitudes of "average" American women in the late 19th century. The majority of letters are written by women and often to their sisters, daughters, or mothers.

The folder labeled "1862-1865, Joseph and Matilda" follows their courtship during Joseph's service in Company A of the 6th Michigan Cavalry during the Civil War. The "1862-1868, Family" folder includes more wartime letters from Joseph and letters from Matilda's brother, George (who served in Company A of the 10th Michigan Cavalry), and Matilda's father, Andrew (who fought Indians in Dakota territory). The descriptions of military service tend to be brief and laconic, though there are interesting references to hospital life and the brotherhood of Michigan volunteers.

As noted in the contents list, other folders include correspondence concerning the divorce of Lida Nellis Burshaw from her husband John, Lida's death, and the raising of the Burshaw children by the Nellis-Douglass family. The correspondence of Joseph and Matilda's daughter Belle (Belinda) through her late teens and early adulthood, including her courtship with her husband Will Anderson, form an interesting part of the collection. Joseph Douglass died March 2,1894. Many of the letters after that date shed light on Matilda's widowhood.

When deciphering the penmanship in this collection, it is necessary to be aware that many of the correspondents were poorly educated, so that spelling is extremely erratic. Also, the legibility of the copies varies greatly, due to the yellowed paper and faded ink of many of the originals.

Professor of economics at the University of Michigan, director of the Center for Research on Conflict Resolution, fellow of the Center for Advanced Study in the Behavioral Sciences, and participant in the Society of Friends, the National Council of Churches Department of the Church and Economic Life, and peace and disarmament groups. Correspondence, notes, writings, photographs, recordings, and topical files; also materials concerning his wife, Elise Boulding, and his parents, William and Elizabeth Boulding.

The Boulding papers, consisting of approximately 46 linear feet, fall into the following series and sub-series.

1. Correspondence (boxes 1-10)
2. Miscellaneous clippings and printed materials (box 10)
3. Lecture and reading notes (boxes 11-13)
4. Published and unpublished writings (boxes 14-18)
5. Family and personal files (boxes 19-22)
   • Elise Boulding (boxes 19-21)
6. Topical files:
   • Economics (boxes 23-24)
   • Social Sciences (boxes 25-30)
     • California Water Resources Study, 1958-1959 (boxes 24-26)
   • Religion (boxes 30-31)
     • National Council of Churches of Christ, Department of the Church and Economic Life (boxes 30-31)
   • Peace, Conflict Resolution and Disarmament (boxes 32-38)
     • Center for Research on Conflict Resolution (boxes 32-34)
   • University of Michigan (boxes 39-42)
   • Travel (box 42)
   • Foundations (box 42)
7. Speaking Engagements (box 43)
8. Financial Records (boxes 44-45)
9. Sound recordings (box 46)
10. Photographs (box 47)

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

The McCreery and Fenton families were prominent Genesee county, Michigan residents some of whose members distinguished themselves in local and state government, as soldiers during the Civil War, and in the United States diplomatic service. Papers include diaries, correspondence and other material relating to the Civil War, local and state politics and aspects of diplomatic service in Central and South America.

The McCreery-Fenton family collection documents the individual careers of family members who served their community and their nation in a variety of roles. Through correspondence, diaries and other materials, the researcher will find information pertaining to the Civil War, to the history of Flint and Fenton in Genesee County, Michigan, and to facets of America's diplomatic relations with some of the countries of Central and South America. Arranged by name of the three principal family members represented in the collection - William M. Fenton, William B. McCreery, and Fenton R. McCreery, the papers also include series of general family materials, business records, and photographs.

Ann Arbor, Michigan and Chicago, Illinois family. Correspondence of Elihu B. Pond, editor of Michigan Argus, his sons, Chicago architects, Irving Kane and Allen Bartlit Pond, founders of firm of Pond & Pond, and other family members; include materials concerning family affairs, architectural projects, Jane Addams and the work of Hull House, European travels, politics especially as relates to period of the Civil War and the election of 1896; also photographs, architectural drawings and other visual materials.

The Pond Family papers consist primarily of correspondence and other materials of architects, Irving Kane (1857-1939) and Allen Bartlit Pond (1858-1929) documenting family matters, European travels, their involvement in the civic and social life of Chicago, and professional activities. The collection has been divided into four subgroups: Allen B. Pond papers; Irving Kane Pond papers; papers of other family members and miscellaneous; and visual materials.

Correspondence comprises the bulk of both the Allen and Irving Pond subgroups. This correspondence consists almost exclusively of exchanges between the brothers when they were separated because of travel, and with their parents and sister. There is little correspondence with clients, professional associates, or others outside of the family. The letters, however, are often detailed and revealing of the thoughts and activities of the Pond brothers. In addition to the usual descriptions of landscapes and social events when traveling abroad, their letters contain many comparisons of European and American trends in architecture, housing, the development of cities. To their family and with each other, the brothers also wrote of their non-professional interests: Chicago politics, social settlements in the city, humanitarian causes, and their involvement with various literary groups. Of note in the Allen Pond papers are letters containing references to Jane Addams and her work at Hull House. There are also accounts they received from family about Jane Addams and her talks when visiting Ann Arbor. Letters concerning Jane Addams are dated Sept. 1896; Jan. 1898; Sept. 18, 1898; Jan. 22,1900; Mar. 1901; May 28,1901; June 15,1901; undated 1901; Apr. 21,1902; July 7,1902; Aug. 18,1902; Feb. 16, 1903; Jan. 12,1904; Jan. 23,1905; Feb. 1905; May 29,1907; Mar. 1908; and Apr. 1908.

Their sister, Mary Louise and their mother, Mary Barlow (Allen) Pond wrote weekly of family affairs and the social and cultural events of Ann Arbor. Both comment extensively on the ideas and activities of many of the leading intellectual and literary figures of the day - William James, John Dewey, Kipling, Wharton and Shaw - as well as on their daily interactions with Angells, Cooleys and other prominent Ann Arbor families. Unfortunately, there are few surviving letters from Allen and Irving to the family in Ann Arbor. Much of the information in the collection about their work is therefore by indirect reference only.

The T. E. Hecht California views photograph album contains approximately 234 copies of photographs of Californian scenery originally produced by various photographers between 1856 and 1875 that were reproduced and compiled by photographer Treu Ergeben Hecht between 1890 and 1900.

The T. E. Hecht California views photograph album contains approximately 234 copies of photographs of Californian scenery originally produced by various photographers between 1856 and 1875 that were reproduced and compiled by photographer Treu Ergeben Hecht between 1890 and 1900.

The album (32 x 20 cm) has a leather spine with "Photographs" gilt stamped on the front and marbled paper cover boards. Contents are organized into geographic sections and mainly consist of street scenes, architectural profiles, aerial views, and landscape photographs documenting aspects of several Californian cities including San Francisco, Sacramento, Stockton, San Jose, Santa Cruz, Grass Valley, Nevada City, Copperopolis, Sonora, Knight's Ferry, Lake Tahoe, Cisco, Benicia, Vallejo, and Mare Island. San Francisco-related content is the most prevalent material and includes views of the Express Building, Chinatown, Russian Hill, the Mission District, Woodward's Gardens, Portsmouth Square, Telegraph Hill, Union Square, San Francisco Bay, North Beach, Broadway Wharf, the Stock Exchange, Cliff House, Market Street Railway, the Palace Hotel, and more. This album purportedly once belonged to former mayor of San Francisco James "Sunny Jim" Rolph, Jr.

Many images include handwritten captions identifying places and buildings, and in some cases the original photographer is credited. Original negatives were mainly produced during the 1850s, 1860s, and 1870s. Photographers whose works have been reproduced include George R. Fardon, Lawrence & Houseworth (later Thomas Houseworth & Co.), Eadweard Muybridge, W. M. Stuart, and William J. Shew. Two photographic reproductions of non-photographic materials are also present including a print of San Francisco with several building vignettes as well as a document titled "Proposed Plan for Completing the County Jail." Of particular note are images of people and businesses in Chinatown, the aftermath of the 1868 Hayward earthquake, the airship Avitor Hermes, Jr. prior to takeoff during in 1869, numerous views showing businesses and storefronts (including the photography studios of Silas T. Selleck, Thomas Houseworth & Co., and W. M. Stuart), and pictures of missions across California.

Hamburg, Livingston County, and Ann Arbor, Michigan, family. Correspondence, newspaper clippings and photographs of the Lohmiller, Twichell, and Hollister families.

The papers of the Twichell family document three generations of the extended Twichell families. It includes extensive correspondence files, reminiscences of life on turn-of-the-century Michigan farm and of student life the University of Michigan, files relating to the family businesses including boardinghouses in Ann Arbor, and photographs of family members, towns in Michigan, and University of Michigan students. The collection has been arranged into the following series: Correspondence, Alphabetical Files, Photographs, and Sound Recordings.