Collections : [University of Michigan William L. Clements Library]

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This collection contains correspondence and other materials related to Richard and William Fulcher, natives of Norfolk County, England, who moved to St. Joseph County, Michigan, in 1835. The brothers received around 100 letters from their friends and family in England, who provided them with family and local news, discussed the effects of transatlantic separation, and commented on political events, such as the American Civil War. Photographs, an extract from a will, and bank checks are also included.

This collection contains correspondence and other material related to Richard and William Fulcher, natives of Norfolk County, England, who moved to St. Joseph County, Michigan, in 1835. The brothers received around 100 letters from their friends and family in England, who provided them with family and local news, discussed the effects of transatlantic separation, and commented on political events, such as the American Civil War. The collection also includes an extract from Thomas Fulcher's will, Richard Fulcher's bank checks (9 items), 9 photographs of the Fulcher family and other subjects, and a newspaper clipping.

The Correspondence series (100 items) is primarily comprised of William and Richard Fulcher's incoming correspondence, which they received after emigrating from England to Michigan in 1835. Friends and family members wrote about their lives in Old Buckenham and Hingham, England, and commented on topics such as their social lives, family health, crops, and local news. Many letters, particularly the earlier items, mention the effects of separation. Thomas Fulcher, curate and vicar for the Old Buckenham Parish Church, and Sophy Moxon, the Fulcher brothers' niece, wrote around 33 letters to William and Richard. Richard's wife Esther also corresponded with her English and American relatives. Later items are occasionally addressed to Ada Fulcher, Richard and Esther's daughter. During the Civil War, Thomas Fulcher and other correspondents commented on political and military developments in the United States. Postwar letters contain some description of travel around England and Wales. The final letters in the collection include several that mention family deaths; a letter dated July 10, 1888, for example, contains a newspaper obituary for Thomas Fulcher and a lock of his hair.

The Extract from Thomas Fulcher's Will (3 pages), dated 1888, concerns his farm and payments to several of his relatives, including Esther Fulcher, Richard's widow.

The Checks series is comprised of 9 printed bank checks drawn on the First National Bank of Three Rivers. Each is signed by Richard Fulcher.

The 9 Photographs are modern reproductions and enlargements of 19th and early 20th century images that depict numerous members of the Fulcher family, including Oriel Fulcher's daughters, Sophia (or Sophy) Moxon, Esther Bridgman Fulcher, Thomas Fulcher, Eliza Fulcher, Bessie Fulcher, and Richard Fulcher. One item depicts the Old Buckenham Parish Church.

A Newspaper Clipping from the Three Rivers Commercial shows 2 photographs of Richard Fulcher's home in Three Rivers, Michigan.

This collection is made up of letters that Selina Sherwood Funnell ("Lena") received from friends in Binghamton, New York, while attending the State Normal and Training School at Oswego, New York, in the late 1860s.

This collection (23 items) is primarily made up of letters that Selina Sherwood Funnell ("Lena") received from friends in Binghamton, New York, while attending the State Normal and Training School at Oswego, New York, in the late 1860s. A brother and three friends wrote 5 letters from Binghamton, New York, between March 1866 and March 1867. They often discussed topics related to education, such as examinations and local schools, and shared news of mutual acquaintances. William W. Rope wrote 11 letters to Funnell from August 18, 1869, to January 24, 1871, primarily concerning his life in Binghamton and his romantic feelings for Lena. Some of his letters mention aspects of her life as a schoolteacher in Fort Wayne, Indiana, and he occasionally commented on his work in the lumber industry. Between January and February 1871, Lena responded to his letters with 4 of her own about her life in Fort Wayne and her upcoming return to New York. Lena also received personal letters from friends named Jennie C. Whitney (ca. 1883) and Julie (undated). The collection also includes 2 name cards addressed to Lena in Oswego, New York.

This album contains gem tintype photographs of men and women of various ages, including young adults and children. One tintype shows a dog sitting on a chair.

This album (8.5cm x 8.5cm) contains 69 tinted gem tintype photographs of men and women of various ages, plus an image of a dog sitting on a chair. Each tintype is placed four to a page, in oval windows about 2.2cm high and 1.7cm across. A few of the people pictured wore accessories such as scarves and hats, and the men, who outnumber the women, appear with facial hair in numerous styles. The album's red leather cover has a raised geometric design on the front and back and previously included a metal clasp.

The Geneseo, Illinois family photograph album (28 x 21 cm) contains 32 formal studio portraits of men, women, and children taken in Geneseo, Illinois and Davenport, Iowa from the 1870s to 1890s.

The Geneseo, Illinois family photograph album is a 34 page card album (28 x 21 cm) containing 32 formal studio portraits of men, women, and children taken in Geneseo, Illinois and Davenport, Iowa from the 1870s to 1890s. There are 27 cabinet cards, 3 cartes de visite and 2 tin types. An envelope in the front contains two loose photographs. There are three graduation portraits of young women, indicated by the presence of their diplomas. Of note is a photograph of a man wearing a Knights Templar uniform.

This collection contains correspondence, poetry, financial records, and other items related to the medical career of George A. Taber, a homeopathic physician who attended and taught at the University of Michigan and practiced in New York and Virginia in the late 19th century.

This collection (0.25 linear feet) contains correspondence, financial records, patient visiting records, poetry, and other items related to the medical career of George A. Taber, a homeopathic physician, who attended and taught at the University of Michigan and practiced in New York and Virginia in the late 19th century.

The Correspondence series (36 items) contains 33 letters to George A. Taber, as well as 3 personal and professional letters written by Taber. Taber's grandfather, Gamaliel Taber, provided family news from New Bedford, Massachusetts, and occasionally discussed his work as a coffin maker. Many letters pertain to Taber's assistant professorship at the University of Michigan Homeopathic Medical School, to Taber's private practices, and to 19th-century homeopathic medicine. One correspondent commented on an article that Taber had contributed to a medical journal, and another wrote a case report on a patient treated with picric acid. Samuel A. Jones discussed clinical cases in Ann Arbor, Michigan, developments at the university's medical school, and the economics of medical practice. George A. Taber also wrote 2 brief personal letters to his future wife, Caroline L. Crowell, and 1 draft letter to a professional acquaintance.

The Letter Book (approximately 85 pages) includes personal and professional letters that George A. Taber wrote from March 1875-December 1895, in which he discussed his experiences in Ann Arbor, Michigan, and his private practices in New York and Virginia.

The collection's 3 Account and Cash Books belonged to George A. Taber and pertain to his medical practices and to his personal finances. Taber kept Patient Visiting Records in 2 volumes, each of which contains printed reference information for homeopathic physicians. Taber's manuscript notes record the names of his patients, dates and types of patients' visits, fees charged, and remedies prescribed.

The Poetry series (8 items) consists of brief verses, including a poem about South Carolina around the time of secession. Samuel A. Jones wrote a poem entitled "The Yankee," and George A. Taber dedicated one poem to Carrie L. Crowell.

Four Pamphlets concerning homeopathy and physicians are housed in the Book Division.

The Ephemera series contains 3 items: a photographic identity card for George A. Taber, a blank invoice from "Drs. Jones & Taber" with manuscript notes on the back, and a card with statistics comparing the use of allopathy and homeopathy at an almshouse in Denver, Colorado.

This collection contains correspondence and other items related to the family of George H. and Mary Spooner of Petersham, Massachusetts, and Clifton, Illinois. George and Mary Spooner corresponded with one another and with many family members between the 1840s and early 1880s. The collection includes a small number of printed materials, poems, writings, and ephemeral items.

This collection (83 items) contains correspondence and other items related to the family of George H. and Mary Spooner of Petersham, Massachusetts, and Clifton, Illinois.

The Correspondence series (67 items) largely consists of letters that George and Mary Spooner received from friends and family members in the mid-19th century, particularly in the 1850s. Their correspondents primarily wrote from locations in Massachusetts, such as Petersham, Worcester, and Deerfield. The writers often provided news of family members and acquaintances, and some discussed social events such as Fourth of July celebrations.

One group of letters, dated in the 1840s, pertains to J. Benjamin Howe, a relative of the Spooner family. Mary and George Spooner exchanged love letters during periods of separation, and George wrote a letter to his grandfather about his life and work in Boston in September 1851. Letters dated after 1858 occasionally pertain to politics and to the Civil War, including a letter from Mary's brother Thomas, who discussed the Lincoln-Douglas debates and expressed his opinions about racial purity (September 22, 1858).

Mary Angela Spooner wrote to George and Mary Spooner about life in Petersham, Massachusetts, during the Civil War, mentioning local casualties and sharing news of J. Benjamin [Howe], a member of the 53rd Massachusetts Infantry Regiment. George Spooner corresponded with his wife about business affairs and life in "Pekin" during the war years. Postwar items include letters to an unidentified recipient in Clifton, Illinois, and a small number of additional personal letters to George and Mary Spooner. In December 1874, a man named "Fletch" wrote two letters about his experiences at Harvard.

The Writings, Sketch, and Genealogy series (11 items) includes an undated essay entitled "Chronicles of Clifton," poems, a pencil sketch, and genealogical notes. From 1842-1843, J. Benjamin Howe copied or wrote 4 poems, including lines addressed to a pet dog, songs about love, and one titled "The Army Overcoat." Additional poetry includes a similar work about military clothing, unsigned lines in a different hand, and a copy of a poem entitled "Brig Transcript." The series also contains a pencil sketch of the unidentified artist's former residence (November 5, 1848) and four pages of genealogical notes.

The Printed Items and Ephemera series (5 items) consists of a newspaper clipping, two calling cards, an invitation addressed to George and Mary Spooner, and the word "Bible" sewn on plastic canvas (with half or tent stitches).