Collections : [University of Michigan William L. Clements Library]

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Collection

Al Parker Collection, 1850s-1926

1 box containing 3 envelopes of photographs, sheet music, and clippings, and 1 scrapbook volume

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

Collection

Hopkins family papers, ca. 1800-1932

4 linear feet

The Hopkins family papers contain wide variety of materials relating to the Hopkins family of Vermont and California. A few of the wide variety of topics covered include the Episcopal Church, student life at the University of Vermont, the 1849 Gold Rush and 19th-century life in California, the San Francisco Earthquake of 1906, art, and music.

The Hopkins Family papers document the activities of several generations of the Hopkins family of Vermont and California, whose members included prominent 19th century artists, musicians, religious figures, and writers. Among its notable figures are John Henry Hopkins (1792-1868), the first Episcopal bishop of Vermont; John Henry Hopkins, Jr., best known for writing the song "We Three Kings"; and Caspar Hopkins, a writer, early explorer of southern Oregon, and miner and entrepreneur during the California Gold Rush. Perhaps the most extraordinary aspect of the Hopkins family was the wide extent of their collective talents and experiences. As a result, their collection touches on numerous historical subjects, including the Episcopal Church, the insurance business in California, shipping, Vermont in the 19th century, California during and after the Gold Rush, gothic architecture, classical and religious music, education, and family life during the 19th century. Spanning 1800 to 1932, and comprising four linear feet of material, the collection contains a huge variety of material, including correspondence, documents, printed matter, drawings, manuscript and printed music, photographs, broadsides, pamphlets, monographs, periodicals, and maps.

The Correspondence series contains approximately 400 incoming and outgoing letters, spanning 1824 to 1932, with the bulk concentrated in the years between 1830 and 1890. Caspar Hopkins contributed the largest number of letters to the collection, writing approximately 25%; followed by his brother, John, Jr., (15%); his mother, Melusina (10%); his wife, Almira (5%), and his father, John, Sr., (5%). Caspar wrote frequent letters to his wife and family, and they document many stages of his life, such as his 1849 voyage to California via Mexico and his participation in the Gold Rush as a speculator and businessman, his exploration of the Umpqua River in southern Oregon in the early 1850s, and his career as president of the California Insurance Company in the 1860s through the 1880s. His Gold Rush letters in particular contain incisive comments on the miners he encountered and on their way of life. On October 14, 1850, he wrote a letter to "Friend Clarke," describing frontier conditions, the attitudes of settlers, and the habits of Native Americans in the Klamath River Valley. Many letters also discuss religious and intellectual matters, two areas of interest for Caspar.

Bishop John H. Hopkins' letters span 1831-1866 and contain a great deal of advice to Caspar, as well as his thoughts on religious matters, the Civil War, family affairs, and many other topics. In a few early letters written to Caspar when he was a young man, John described his views on the raising of children and gave advice on being successful (December 11, 1850); he lamented Caspar's lack of interest in the ministry as a career (February 20, 1851). Other letters by the bishop touch on the satisfaction of worship (August 17, 1854), contain pro-South speculation as to the causes of the Civil War (May 28, 1861), and mention his upcoming golden wedding anniversary with Melusina (March 10, 1865). In a letter of August 10, 1866, John addressed Caspar's growing skepticism toward organized religion, urging him to return to the church "to which you and your dear family rightfully belong," despite its "earthly" defects. John Henry Hopkins, Jr., wrote several dozen letters, primarily concerning his experience as a member of the clergy, touching often on pedagogical subjects which ranged from arguments on why Lincoln was a bad president to theological discourses, some even written in Latin. On February 25, 1844, he wrote a particularly good description of student life at the University of Vermont, and bemoaned the "inveterate practice of loafing into each other's rooms in study hours" and "lolling on each other's beds." The Hopkins women are also well-represented among the letter-writers. Melusina Mueller Hopkins, the wife of Bishop Hopkins, wrote numerous letters to Caspar, which include biographical information about Caspar's siblings and father, as well as other family news. Others female writers include Amelia Muller (Melusina's sister), and Caspar's sisters Caroline Hopkins Canfield and Matilda Hopkins Camp.

The Bishop Hopkins' Sermons and Pastoral Letters series contains ten manuscript sermons (including one fragment), two printed sermons, and two printed pastoral letters. The manuscript items note the various dates on which Hopkins read them before his congregation; he frequently performed them multiple times between 1824 and 1862. The printed sermons and pastoral letters all date to the period of 1850-1855. They touch on numerous religious and scriptural themes and shed light on the Episcopal Church in Vermont and Hopkins' own views on morality, the meaning of life, and the role of the church. Many additional items written by Hopkins are housed in the Book Division, and listed under "Additional Descriptive Data."

The Caspar Hopkins' Writings and Documents series contains one linear foot of material, dating from Hopkins' college years (1845-1847) to the end of his life in the 1890s. Containing both manuscript and printed items, it includes four subseries. The General Writings subseries consists of 24 items, including essays that Hopkins wrote for classes at the University of Vermont, several plays, and articles that he wrote on topics as diverse as divorce law, happiness, American government, and the insurance agency. The second subseries, Berkeley Club Writings, contains 16 manuscript essays that Hopkins wrote between 1873 and 1889 for presentation to the social and intellectual organization, the Berkeley Club. They pertain to such topic as evolution, agnosticism, religion in public schools, and marriage and divorce. The Autobiography subseries consists of three copies of Hopkins' self-published biography, written in 1889, which provides biographical information and insightful commentary on himself and various other members of the Hopkins family. The final subseries, Documents, includes three documents relating to Caspar Hopkins dated between 1873 and 1893: a publishing contract, a printed petition, and a will.

The Printed Matter and Clippings series contains miscellaneous printed items related to or collected by members of the Hopkins family, dating ca. 1850 to ca. 1940. The series comprises printed playbills and concert programs, newspaper articles relating to members of the family, and other printed material. It also includes an undated phrenology chart for Caspar Hopkins. Two printed broadsides in this series are housed in the Graphics Division. For more information, see "Separated Materials" under "Additional Descriptive Data."

The Genealogy series contains manuscript and printed information on various lines of the Hopkins family, gathered primarily in the early 20th-century.

The Music series includes manuscript and printed music played or written by various members of the Hopkins family. Among the many items of interest are a volume of music written by Bishop John Hopkins; a set of scores written and copied by Caspar Hopkins while in California, 1861-1865; and two ca. 1800 books of German songs belonging to the sisters of Melusina Mueller, Charlotte and Theresa.

The Art series contains the drawings, sketches, watercolors, and hand-colored botanical paintings produced by Bishop John Hopkins, his mother (Elizabeth Fitzackerly), and his children. Included are six volumes of drawings and watercolors by the bishop, which depict scenes he encountered while traveling in upstate New York in 1825, gothic churches, landscapes, and human hands. Of particular note are nineteen large plates from Hopkins' 1834 Vermont Flower Book, nine of which his children hand-painted, as well as a letter from William Bayard Hopkins, laid into the volume, describing their habit of working together around the dining room table. Also of interest are botanical paintings by Hopkins' mother, Elizabeth Fitzackerly, dating to the late 18th- or early 19th-century.

The Photographs and Maps series includes approximately 50 photographs of various members of the Hopkins family, including John Hopkins, Sr.; Melusina Hopkins; Caspar Hopkins; John Henry Hopkins; Jr.; Frances (Hopkins) Hinckley; William Bayard Hopkins; and various family groups, landmarks, and homes. Formats include cartes de visite, cabinet cards, tintypes, and a glass plate positive. Also present are two large views of San Francisco shortly after the destruction of the 1906 San Francisco earthquake. The collection also includes three maps, housed in the Map Division. They include an 1849 sketch of San Francisco by Caspar Hopkins; a map of Penobscot County, Maine (ca. 1900); and one of the Union Pacific Railroad and its rail connections (1872). For more information, see "Separated Materials" under "Additional Descriptive Data."

Collection

J. F. Beyer sketchbook and scrapbook, 1837-1895

1 volume

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

Collection

Laidley family papers, 1838-1886 (majority within 1838-1861)

392 items

The Laidley family papers consist of letters written by members of the Laidley family regarding family news, politics, and life in the military. The collection also contains fiction written by William Sydney Laidley, a travel journal, legal documents, photographs, and genealogical materials.

The Laidley family papers are comprised of letters, a travel diary, miscellaneous documents, creative writing, genealogical materials, business cards, newspaper clippings, and photographs.

Correspondence: The bulk of the letters are from Theodore T.S. Laidley to his father, John Osborne Laidley, between 1838 and 1861. The collection also contains letters from Theodore to his brother William Sydney Laidley, and letters from various friends and family members, including Amacetta Laidley and George W. Summers, to John Osborne Laidley.

Theodore's early letters describe his life at the United States Military Academy at West Point. After graduating from West Point, Theodore spent time at the Watervliet Arsenal near Troy, New York. He wrote to his father monthly about military life, his enjoyment of New York State, and his health. Theodore took an interest in politics, and was very much concerned about bills, policies, and appointments that he felt were detrimental to the future of the army.

Letters from Theodore contain news about his family, his wife's family, and their health. He also wrote to his father with advice about his siblings. Fewer letters exist from the other Laidley children, and Theodore refers to them being infrequent correspondents. Amacetta did write her father from Washington, recounting politicians and writers she had met. Amacetta's husband, George W. Summers, wrote to John Osborne Laidley about legal matters and his future in politics. Laidley's friends and children wrote frequently about faith and church matters. Following John Osborne Laidley's death in 1863, the bulk of the letters are from Theodore Laidley to his brother, William Sydney Laidley.

Diary: The travel diary is the record of an unidentified family member's journey from Charleston, West Virginia, to Cincinnati, Ohio, in 1879. It contains several pencil drawings including sketches of bridges, a ship, the Chesapeake Bay, and a chandelier.

Documents: The miscellaneous documents consist of receipts, a bill of sale, and a deed.

Creative Writing: The creative writing series contains two poems and a short novel of the Civil War written by William Sydney Laidley.

Personal and Genealogical Materials: The personal and genealogical materials consist of Thomas Laidley's report cards, including some from West Point, a large family tree, information about individual family members, and records of births, deaths, and marriages.

Business Cards: The business card series is made up of the business cards of Theodore Laidley and William Sydney Laidley. William Sydney Laidley's business card features a pencil drawing of an infant on the reverse.

Newspaper Clippings: The collection includes two newspaper clippings. The first is a report of the sinking of the steamer Sultan and the death of Sarah Laidley Poage. The second is a report of a trip to Europe by a member of the Laidley family.

Photographs: The photographs series is composed of three photographs, including two of William Sydney Laidley and one of an unidentified member of the Laidley family.

Collection

Rewards of Merit Collection, ca. 1800-1900s (majority within 1830-1900)

approximately 800 items

The Rewards of merit collection consists of approximately 800 hand-illustrated and printed rewards of merit originating in the United States during the 19th and early 20th centuries.

The Rewards of merit collection consists of approximately 800 hand-illustrated and printed rewards of merit originating in the United States during the 19th and early 20th centuries.

The collection includes rewards of merit decorated with ink, watercolor, and fraktur art as well as lithographic and chromolithographic rewards. The bulk of materials are dated between 1830 and 1900.

Series I of the collecton contains approximately 200 rewards of merit that are primarily grouped around specific students and teachers. Also present is a group 100 examples of early 19th century rewards acquired from dealer Alfred P. Malpa Ephemera.

Series I groupings:
  • 1.1: Early 19th century rewards of merit, 100 items
  • 1.2: Abbott, Carrie M. (student), 3 items
  • 1.3: Adams, Priscilla (teacher), 4 items
  • 1.4: Corbette, Edith (student), 4 items
  • 1.5: Garretson family (students) and Smiley family (teachers), 13 items
  • 1.6: Jones family (students), 6 items
  • 1.7: Roberts, Charlie (student), 13 items
  • 1.8: Shackford, Mabel (student) and Riley, Mary L. (teacher), 3 items
  • 1.9: Sturtevant, Florence (student) and Lamb, Clara (teacher), 8 items
  • 1.10: Thompson, Susan A. (student), 3 items
  • 1.11: Thurley, Gertie (student), 4 items
  • 1.12: Thurston family (students & teacher), 5 items

Series II contains approximately 600 19th century rewards of merit. Materials are organized roughly by size and include "small" and "large" groupings. Also present are two instructional cards for a rewards of merit system and blank uncut printed rewards of merit sheets.

Series II groupings:
  • 2.1: Small miscellaneous rewards of merit
  • 2.2: Large miscellaneous rewards of merit
  • 2.3: Uncut rewards of merit

Also of note is a cylindrically-shaped paper reward of merit that is housed in its own separate box.

Other students and teachers represented in the collection include the following: O. C. E. Baker, Minnie Bates, Edgar Blanchard, Sarah Bods, Hiram Bradley, Lydia P. Burnham, Sallie Burnham, Eliza W. Burrage, Amelia Burt, Joseph Busk, Frances M. Caulkins, Anna Chamberlain, Eddie Clock, William Duncan, Annie Earle, Della L. Farwell, Leva Ferro, Frances F. Fitch, Abraham E. Fox, Clarissa French, Lillie Gerz, Aletta Green, Isaac Goodchild, Henry S. Gouver, Celia Griswold, L. Hasbrouck, Jane Hayden, Joseph Heaton, Flora Hemmings, George Hibbs, Janell M. Hopkins, Frank Houghton, Katie Houghton, Lydia C. Huntington, Chelsey Hutching, Ellen K. Kanchett, Sidney Keith, Lucy Kendall, Henry Kimball, Edith Konter, Lizzie Kraybill, Euphema J. Lament, Grace Laverny, Walter Leonard, Della Lewis, Bertha Lockwood, Bessie C. Lord, Lilly McDonnell, Maggie S. Mitchell, Lizzie Morse, Llewallyn Moulton, Jennie C. Perry, Hallie A. Purinton, Amanda Reed, John Reed, Mary E. Richardson, Eva H. Roberts, Abbie F. Rupell, W. H. Rutherford, Andy Salisbury, Adolphus Sayre, Ella Sherman, Mary E. Shipman, Emogene F. Spakin, Sophia Strong, Edward Van Soligen, Lizzie P. Whillemore, Cira B. Whitney, Emma Yeaton, Georgie Young, and James Young.

Educational institutions represented include Belknap School, Bennington (Vt.) Graded School District, D.C. Academy, Excelsior School System, Hartford Centre School, Kingston Grammar School, Marblehead Academy, Miss Sanders' Seminary, Mrs. Cranch's Academy, Pollsville Institute, and "Town School No. 12."

Collection

Robert M. Vogel Collection of Historic Images of Engineering & Industry, ca. 1850s-2004 (majority within ca. 1850s-1900)

approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, 15 pieces of realia

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

Particularly well-represented topics within the Vogel collection include images of different types of civil infrastructure such as bridges, canals, roads, dams, and tunnels as well as images showing construction projects, various types of machinery, modes of transportation (such as railroads, steamboats, automobiles, etc.), agricultural pursuits, natural resource extraction (including oil drilling, quarrying, mining, and lumbering), textile operations, electrical and hydraulic power generation, manufacturing, metal working, machine shops, and various industrial factory scenes. Many images of important and iconic structures are included such as the Brooklyn Bridge, Panama Canal, Hoosac Tunnel, and SS Great Eastern. Other represented topics include general architectural views, scenes of disasters/accidents, and portraits of notable individuals (such as Thomas Edison, Isambard Kingdom Brunel, and Robert Stephenson). While predominately United States-focused, the materials are international in scope overall and especially include many images of industrial sites and civil infrastructure in Great Britain. The order of the collection's original arrangement has largely been kept intact.

Examples of items of particular interest include salt prints possibly taken by civil engineer Montgomery C. Meigs documenting the construction of the U.S. Capitol and Washington Aqueduct in Washington, D.C.; a series of portraits of early Baldwin Locomotive Works locomotives; images documenting the SS Great Eastern and USS Niagara steamships; a group of 4 colored stereoviews on glass produced by Frederick Langenheim showing the Niagara Falls Suspension Bridge ca. 1850s; images related to specific railroads including the Baltimore & Ohio Railroad, Mauch Chunk, Mount Washington Cog Railway, and New York City elevated railroad; and half-frame proof prints of stereographs produced by Underwood & Underwood as well as H. C. White & Co.

The following list represents the general subject categories found across the Vogel collection along with relevant box and folder numbers:

Agriculture & foodstuffs
  • Box 07.2
  • Box 14.1
  • Box 14.2
  • Box 14.3
  • Box 31.2
  • Box 52
  • Box 56
  • Folder 2.10
  • Folder 3.08

Bridges--Cantilever
  • Box 06.2
  • Box 06.3
  • Folder 1.08
  • Folder 2.15

Bridges--General
  • Box 01.1
  • Box 03.3
  • Box 06.3
  • Box 07.1
  • Box 28.2
  • Box 28.3
  • Box 46.2
  • Box 57
  • Box 58
  • Box 59
  • Box 61
  • Box 63.10
  • Folder 1.04
  • Folder 2.04
  • Folder 2.09
  • Folder 2.14
  • Folder 2.15
  • Folder 2.16
  • Folder 3.08

Bridges--Girder & tubular
  • Box 06.1
  • Box 06.2
  • Folder 2.06

Bridges--Masonry
  • Box 03.1
  • Box 03.2
  • Folder 2.17
  • Folder 3.08

Bridges--Metal
  • Box 03.3
  • Box 04.1
  • Box 04.2
  • Box 04.3
  • Box 05.3
  • Box 05.4
  • Box 06.1
  • Folder 3.08

Bridges--Moveable
  • Box 05.1

Bridges--Suspension
  • Box 01.1
  • Box 01.2
  • Box 01.3
  • Box 02.1
  • Box 02.2
  • Box 28.3
  • Box 43.2
  • Folder 3.02
  • Folder 3.08
  • Folder 3.10

Bridges--Timber
  • Box 02.3
  • Box 05.2
  • Box 06.1
  • Box 49.1
  • Box 49.2

Canals
  • Box 09.1
  • Box 09.2
  • Box 36.1
  • Box 36.2
  • Box 39.1

Construction
  • Box 08.2
  • Box 08.3
  • Box 18.4
  • Box 28.1
  • Box 28.3
  • Box 46.1
  • Box 53.2
  • Box 58
  • Box 61
  • Box 63.08
  • Box 63.11
  • Folder 1.03
  • Folder 2.16
  • Folder 2.17

Disasters
  • Box 06.3
  • Box 17.3
  • Box 20.1
  • Box 24.3
  • Box 25.1
  • Box 28.1
  • Box 41.1
  • Box 54
  • Box 57
  • Folder 1.07
  • Folder 2.16

Explosives
  • Box 11.2
  • Box 45.2

Industry--General
  • Box 27.1
  • Box 27.2
  • Box 27.3
  • Box 39.2
  • Box 46.1
  • Box 46.2
  • Box 56
  • Box 57
  • Box 58
  • Box 59
  • Box 63.02
  • Box 63.03
  • Box 64.1
  • Folder 1.05
  • Folder 1.11
  • Folder 1.13
  • Folder 2.04
  • Folder 2.11
  • Folder 2.17
  • Folder 3.08

Machinery
  • Box 07.2
  • Box 07.3
  • Box 08.1
  • Box 08.2
  • Box 28.1
  • Box 28.2
  • Box 43.2
  • Box 46.3
  • Box 52
  • Box 54
  • Box 56
  • Box 57
  • Box 59
  • Box 63.04
  • Box 64.2
  • Box 64.4
  • Folder 1.09
  • Folder 2.05
  • Folder 2.10
  • Folder 2.12
  • Folder 2.17
  • Folder 3.08

Manufacturing
  • Box 07.1
  • Box 07.2
  • Box 13.2
  • Box 13.3
  • Box 14.1
  • Box 27.2
  • Box 27.3
  • Box 31.2
  • Box 32
  • Box 33.1
  • Box 33.2
  • Box 34
  • Box 35
  • Box 36.1
  • Box 37
  • Box 39.2
  • Box 40
  • Box 41.2
  • Box 42
  • Box 43.1
  • Box 43.2
  • Box 46.2
  • Box 53.1
  • Box 53.2
  • Box 60.1
  • Box 61
  • Box 63.01
  • Box 63.03
  • Box 64.1
  • Box 64.3
  • Folder 1.03
  • Folder 1.07
  • Folder 2.05
  • Folder 2.06
  • Folder 2.11
  • Folder 2.15
  • Folder 3.03
  • Folder 3.08
  • Folder 3.09
  • Folder 3.12

Miscellaneous
  • Box 15.1
  • Box 43.2
  • Box 44
  • Box 55.1
  • Box 55.2
  • Box 60.1
  • Box 60.2
  • Box 62
  • Folder 1.01
  • Folder 1.02
  • Folder 1.12
  • Folder 3.07

Natural resources--Fossil fuels
  • Box 11.2
  • Box 11.3
  • Box 12.1
  • Box 12.2
  • Box 13.2
  • Box 23.1
  • Box 61
  • Folder 2.05

Natural resources--General
  • Box 11.2
  • Box 12.2
  • Box 14.2
  • Box 63.07

Natural resources--Lumber
  • Box 12.2
  • Box 12.3
  • Box 12.4
  • Box 13.1
  • Box 13.2
  • Box 37
  • Box 46.2
  • Box 57
  • Box 58

Natural resources--Metals
  • Box 21.3
  • Box 22.1
  • Box 22.2
  • Box 22.3
  • Box 28.1
  • Box 39.2
  • Box 61
  • Folder 2.14
  • Folder 2.15
  • Folder 3.08

Natural resources--Mining
  • Box 23.1
  • Box 23.2
  • Box 23.3
  • Box 24.1
  • Box 24.2
  • Box 40
  • Box 41.2
  • Box 50.1
  • Box 50.2
  • Box 51
  • Box 52
  • Box 55.1
  • Box 55.2
  • Box 61
  • Folder 1.03
  • Folder 2.02
  • Folder 2.05
  • Folder 2.14
  • Folder 3.02
  • Folder 3.10

Natural resources--Quarrying
  • Box 29.1
  • Box 29.2
  • Box 30
  • Box 46.1
  • Box 57
  • Folder 1.07

Natural resources--Textiles
  • Box 24.3
  • Box 25.1
  • Box 25.2
  • Box 25.3
  • Box 26.1
  • Box 26.2
  • Box 26.3
  • Box 27.1
  • Box 27.3
  • Box 37
  • Box 38
  • Box 39.2
  • Box 40
  • Box 41.1
  • Box 42
  • Box 46.3
  • Box 64.1
  • Folder 3.06

Natural resources--Water supply
  • Box 10.3
  • Box 11.1
  • Box 11.2
  • Box 41.2
  • Folder 3.05
  • Folder 3.12

Personalities
  • Box 01.1
  • Box 10.3
  • Box 28.3
  • Box 39.1
  • Box 46.3
  • Box 56
  • Box 64.2
  • Box 64.3
  • Folder 2.15
  • Folder 3.06
  • Folder 3.07

Power--Electricity
  • Box 08.1
  • Box 28.1
  • Box 46.3
  • Box 64.2

Power--Hydraulic
  • Box 09.3
  • Box 10.1
  • Box 10.2
  • Box 10.3

Transportation--Aerial
  • Box 39.1

Transportation--Automobiles
  • Box 34
  • Box 42
  • Box 56
  • Box 63.07
  • Folder 2.16

Transportation--General
  • Box 15.1
  • Box 28.2
  • Box 31.2
  • Box 33.2
  • Box 36.2
  • Box 54
  • Box 58
  • Box 64.3
  • Folder 2.16
  • Folder 3.04

Transportation--Marine
  • Box 19.1
  • Box 19.2
  • Box 19.3
  • Box 20.1
  • Box 20.2
  • Box 20.3
  • Box 21.1
  • Box 21.2
  • Box 21.3
  • Box 28.2
  • Box 45.2
  • Box 46.3
  • Box 57
  • Box 59
  • Box 63.09
  • Folder 2.08
  • Folder 2.11
  • Folder 2.14
  • Folder 3.05
  • Folder 3.07
  • Folder 3.08

Transportation--Railroads
  • Box 15.1
  • Box 15.2
  • Box 15.3
  • Box 16.1
  • Box 16.2
  • Box 16.3
  • Box 16.4
  • Box 17.1
  • Box 17.2
  • Box 17.3
  • Box 18.1
  • Box 18.2
  • Box 18.3
  • Box 18.4
  • Box 28.1
  • Box 28.2
  • Box 31.1
  • Box 35
  • Box 46.2
  • Box 47
  • Box 48.1
  • Box 48.2
  • Box 49.1
  • Box 56
  • Box 57
  • Box 58
  • Box 59
  • Box 61
  • Box 63.05
  • Box 63.06
  • Folder 1.06
  • Folder 1.10
  • Folder 2.01
  • Folder 2.03
  • Folder 2.04
  • Folder 2.06
  • Folder 2.07
  • Folder 2.10
  • Folder 2.13
  • Folder 2.16
  • Folder 3.04
  • Folder 3.07
  • Folder 3.10
  • Folder 3.11
  • Folder 3.12

Tunnels
  • Box 28.2
  • Box 43.1
  • Box 43.2
  • Box 45.1
  • Box 45.2
  • Folder 2.06

Views--General
  • Box 08.1
  • Box 08.2
  • Box 25.1
  • Box 28.3
  • Box 39.1
  • Box 39.2
  • Box 46.3
  • Box 53.2
  • Box 56
  • Box 57
  • Box 59
  • Box 64.2
  • Box 64.4
  • Folder 1.04
  • Folder 2.04
  • Folder 2.15
  • Folder 2.16

While the Vogel collection general subject categories are generally comprehensive there are still numerous instances of items that could feasibly belong to multiple categories other than the group they are classified under. For instance, there are disaster images found in several groupings other than "Disasters," while bridge construction images can be found in all of the various "Bridges" categories as well as within the "Construction" category. For more detailed descriptions of specific materials, see the box and folder listing in the Contents section below.

Collection

Thomas Silver scrapbook, 1856-1882

1 volume

The Thomas Silver scrapbook contains newspaper clippings, drawings, correspondence, and ephemera related to Silver's steam engine governor, which he patented on July 3, 1855.

The Thomas Silver scrapbook (9.5" x 11.25") contains newspaper clippings, drawings, correspondence, and ephemera related to Silver's steam engine governor, which he patented on July 3, 1855. Early clippings pertain to Silver's other inventions, but the majority of material concerns his steam engine governor. Among the clippings are articles about marine engineering and about competing inventors' designs. Some articles discuss marine disasters and, as a result, call for the implementation of improved equipment. Silver also collected incoming letters, advertisements, and other ephemera items associated with his engine governor. Though Silver was based in Philadelphia, many items originated from France and Great Britain, where his inventions were more widely used than in the United States. Some articles and other items are illustrated with diagrams of steam engine governors, and one ink sketch depicts a boat carrying an oversize engine. Two issues of The Patent Bulletin, both dated 1871, are laid into the volume.

Collection

Weld-Grimké family photograph album, ca. 1860-1880

1 volume

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

Other individuals that have been tentatively identified include:
  • Theodore Dwight Weld (page 1, page 20)
  • William Hamilton (page 4)
  • Sarah Weld Hamilton (page 5)
  • Angelina G. Hamilton (page 6)
  • William Hamilton Jr. (page 7)
  • Llewellyn Haskell (page 9)
  • Llewellyn Thomas Haskell (page 12)
  • Louis Olcott Haskell (page 13)
  • Elizabeth "Lizzie" Cram (page 21)
  • William James Rolfe (page 22)
  • Theodore Weld Parmele (page 27, page 34)
  • Elizabeth Smith Miller (page 28)
  • Ann Carroll Fitzhugh (page 29)
  • George Walker Weld (page 30)
  • Gerrit Smith Miller (page 35)
  • Ruth C. Bodwell (page 36)
  • Rena Louise Twiss (page 45)

The album also contains commercial cartes de visite of public figures and artwork:
  • A photograph of a painting of the Empress Eugenie. (page 33)
  • A portrait of Rebecca an escaped slave from New Orleans. (page 38)
  • A photograph of a painting of Beatrice Cenci. (loose item on page 41)
  • A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
  • A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.