Collections : [University of Michigan William L. Clements Library]

This volume is a 14-page diary of Zachariah Taylor Cooper of East Montville, Maine, which he kept between May 1 and June 26 of 1875, documenting his work as a beekeeper. He bought and sold bees, built and painted beehives, discussed bees working and swarming, drove sheep, and engaged in other farm work. On June 3, he mentioned that a freeze killed most of the bees in the area. The remainder of the volume contains around 65 pages of farm accounts by an earlier owner in or around Bridgewater and Canton, Massachusetts, 1836-1874. Accounts include entries for shoes, oxen, hay, cattle, potatoes, wheat/grain, apples, sugar, molasses, butter, milk, and labor.

This volume is a 14-page diary of Zachary Taylor Cooper of East Montville, Maine, which he kept between May 1 and June 26 of 1875, documenting his work as a beekeeper. He bought and sold bees, built and painted beehives, discussed bees working and swarming, drove sheep, and engaged in other farm work. On June 3, he mentioned that a freeze killed most of the bees in the area. The remainder of the volume contains around 65 pages of farm accounts by an earlier owner in or around Bridgewater and Canton, Massachusetts, 1836-1874. Accounts include entries for shoes, oxen, hay, cattle, potatoes, wheat/grain, apples, sugar, molasses, butter, milk, and labor.

The York ship log contains daily entries chronicling the packet boat's journeys between the United States and Great Britain between 1825 and 1828.

The York ship log contains daily entries chronicling the packet boat's journeys between the United States and Great Britain between 1825 and 1828. The first entry, dated March 19, 1825, marks the beginning of the ship's regular service between New York City and London, under the command of William Baker. Approximately 50 pages cover the boat's travels along this route, with daily entries recording wind direction, weather conditions, and notable events on board. On July 4, 1825, the author wrote about a celebration in honor of Independence Day, when the merchant ship fired a salute. The entries he made in port often relate to the loading of cargo or passengers. In January 1826, the York received a new captain, Nash de Cost, and began sailing between New York City and Liverpool; the remainder of the volume covers the ship's journeys along this route. The author's remarks focused on seamanship, weather, and activities in port, though several entries from October 1826 reflect the difficulty of keeping the sailors onboard; some were reported to be "on shore without liberty" throughout the period. The last entry, on June 24, 1828, noted that the York was moored at Prince's Dock in Liverpool, ready to embark for the Atlantic crossing. The final 2 pages of the volume include accounts of provisions for the ship for the year 1828.

The Yacht Vergana photograph album contains approximately 190 photographs related to the lifestyle and friends of a New York-based yacht owner.

The Yacht Vergana photograph album contains approximately 190 photographs related to the lifestyle and friends of a New York-based yacht owner. The album (18 x 26 cm) is fully bound in brown leather. Images of interest include views taken in and around Long Island Sound, including the torpedo boat Ericsson at the Greenport dock; shell races at Poughkeepsie, with spectators aboard the steamboat Chester W. Chapin; Luna Park on Coney Island; various sailing and steam vessels on Long Island Sound; Prospect Park in Brooklyn; the racing yacht Flint's Arrow; a group of nurses from the Flower Free Hospital on a shipboard outing; buildings in Greenport; Sir Thomas Lipton's yacht, Erin; cadets at West Point; the steamboat Orient and her crew; the yacht Vergana; Long Island Railroad snow plows; and an automobile race at the Riverhead Fair (according to laid-in caption). Other photographs include beach scenes, fishing boats, family and friends onboard the Vergana and other vessels, and unidentified street views possibly taken on Long Island. A number of photographs include manuscript captions.

The World War I surgeon's photograph album, Base Hospital 29, contains approximately 90 photographs and 4 ephemeral items documenting a U.S. Army surgeon's training in the United States and service overseas during World War I.

The World War I surgeon's photograph album, Base Hospital 29, contains approximately 90 photographs and 4 ephemeral items documenting a U.S. Army surgeon's training in the United States and service overseas during World War I. The album (18 x 29 cm) was possibly compiled by Lieutenant H. O. Wernicke. Nine photographs show military personnel and barracks at the Medical Officer Training Center at Fort Riley, Kansas, in 1918. Following a voyage to Liverpool on July 6 1918 aboard the RMS Empress of Russia, subsequent photographs depict Base Hospital 29 in Tottenham, London, including medical staff, facilities, wards, an operating theater, and casualties. One photograph shows medical staff and patients singing from songbooks while a nurse plays the piano and a patient sits up in bed playing the violin. A possible transfer to France is indicated by 6 postcard views of a town and hospital with the caption, "Base Hospital 9 at Chateauroux."

Ephemeral items include a seating chart for the Candlewick Ward Club dinner held Monday, July 29 1918 attended by U.S. service members as well as a fold-out schematic of the RMS Olympic.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The World's Columbian Exposition photograph album contains approximately 284 images related to the World's Columbian Exposition of 1893 held in Chicago, Illinois.

The album (29 x 40 cm) has black cloth and leather covers bound by two metal rods. The original covers were replaced in March 2012 by conservator James W. Craven. Most of the album's 70 pages contain 4 photographs per page. Images include photographs of exteriors and interiors of various exhibition buildings, large crowds of people, numerous sculptures and statues, various historic and modern marine vessels, and bird's-eye views of the fair complex. Also of note are several photographs showing attendees in wheelchairs, images of various ethnic group exhibit buildings (including the Japanese Bazaar, Persian Palace, Irish Village, Oahomey Village of Benin, Egyptian Temple of Luksor, Alaskan Indian Village, and NY Iroquois Exhibit), and a group portrait of women sculptors including Helen F. Mears and Jean Pond Miner.

The Woman's Hunting and Camping photograph album contains pictures taken during a camping trip in upstate New York and exterior views of homes and municipal buildings in western Massachusetts. Many of the camping pictures feature women.

The Woman's Hunting and Camping photograph album (34cm x 25cm) contains 68 photographs taken in upstate New York and western Massachusetts around the turn of the 20th century. The green cloth cover has the words "Colgate & Co's Toilet Soaps and Perfumery" on the front in thin gold letters. Most of the photographs, which are pasted three to a page, have brief captions.

The first group of photographs pertains to a camping trip around Lewey Lake, Mason Lake, and Indian Lake in northern New York, including many views of woodland scenery and pictures of male and female campers. People are shown carrying and paddling in canoes, relaxing and posing around log cabins and campsites, and riding in open horse-drawn carts. The album includes two portraits of a woman dressed in a hunting outfit posing with a rifle and a portrait of a baby taken on his or her first birthday. One group of pictures concerns a logging camp and loggers. The final pages contain photographs of homes and other buildings in Hatfield, Northampton, Amherst, and Hadley, Massachusetts, including the compiler's girlhood home, a mill, the Northampton library, and the municipal halls of Northampton and Amherst. People can be seen relaxing in front of some of the dwellings.

An unnamed woman kept this diary, documenting her sojourn to Cuba from October 1854 to April 1855. She traveled with members of her family, including "Uncle M" (likely Montgomery Livingston), Margaret (possibly Margaret M. Tillotson), Mary, and a servant Bridget. Staying primarily in Havana and Güines, the writer described Cuban vegetation, religious and social practices of white and Black residents, cuisine and dress, military and political figures, enslaved laborers and hired servants, sugar, tobacco, and coffee plantations, and other international travelers.

An unnamed woman kept this diary, documenting her sojourn to Cuba from October 1854 to April 1855 with members of her family, including "Uncle M" (likely Montgomery Livingston), Margaret (possibly Margaret M. Tillotson), Mary, and a servant Bridget. Staying primarily in Havana and Güines, the writer described Cuban vegetation, religious and social practices of white and Black residents, cuisine and dress, military and political figures, enslaved laborers and hired servants, sugar, tobacco, and coffee plantations, and other international travelers.

The party travelled from New York aboard the steamboat Black Warrior, captained by James D. Bulloch, in October 1854. The diarist described their voyage, other passengers, and their arrival in Cuba. Because the captain and vessel had been embroiled in an international conflict earlier in the year, Cuban authorities scrutinized the Black Warrior upon their arrival in Havana. While staying at a boarding house in Havana, the writer described the city, food, merchants, residents and their fashion, and the presence of enslaved people.

Upon leaving the city, they took up residence in Güines. Frequently exploring the area by horseback, the writer detailed local vegetation, produce, and crops, while also noting the social and religious life of the community. She commented occasionally on books she was reading, and she wrote of the people she encountered, such as local vendors, enslaved people, other Americans, or the poor (see November 28, 1854). She provided commentary on practices like smoking, culinary dishes, music, and balls. Marginal figures are also remarked upon, including an American woman living under the protection of the Jesuits who was being pursued by her ex-husband seeking custody of their children (see December 1, 1854; December 6, 1854; December 18, 1854).

The writer regularly remarked on enslaved and free people of color and their activities, including their participation in Mass and religious holidays, such as Epiphany / El Dia de los Reyes (January 6, 1855). She noted their presence at balls, their relationships with their children, work as vendors, and labor on plantations and in the town. She visited a number of plantations and wrote of their crops, buildings, operations, and enslaved laborers. Several times, she noted violence against enslaved people, including evidence of beatings and punishments (December 1, 1854; December 2, 1854; December 16, 1854; January 22, 1855). On another occasion, she witnessed a two-year-old boy sold separately from his mother, and wrote about their distress (March 13, 1855). The writer also made at least two references to Chinese laborers (October 31, 1854, and November 25, 1854). The family hired several servants during their stay in Cuba, and the writer periodically remarked on their displeasure with them and their dismissal.

The diarist commented on military troops and government officials in the region. Several entries pertain to the "Lopez Expedition" and its aftermath, referring to American-backed efforts by Narcisco López to liberate Cuba from Spanish rule several years earlier (October 16, 1854; November 19, 1854; December 19, 1854). She wrote about orders by José Gutiérrez de la Concha to inquire into residents' "character" and take up any of ill repute (seemingly targeting Black populations), and attendant police presence (November 25, 1854; December 3, 1854; December 4, 1854; December 11, 1854; December 13, 1854; January 23, 1855; March 1, 1855). She noted the uniforms of the "gens d'armes" and their participation in Mass. The diary includes occasional remarks about the local jail.

The family made occasional trips to Havana for shopping and made a brief visit to Matanzas in February 1855, where they met with the American consul who was working to protect American sailors (February 7, 1855). The diary ends on April 15, 1855, as the family prepared to depart for Havana to return to the United States.

The Wisconsin and Minnesota friendship photograph album contains approximately 245 photographs documenting a friend group of young women.

The Wisconsin and Minnesota friendship photograph album contains approximately 245 photographs documenting a friend group of young women.

The album (18 x 29.5 cm) has black cloth covers and black paper pages. Contents generally progress chronologically starting from the 1910s while the friend group appears to be in college before documenting their lives once they get married and start having families. Numerous images have witty captions, likely referencing inside jokes. Photographs primarily consist of individual and group portraits showing the women partaking in various activities including striking comical poses together, attending costume and fraternity parties, holding picnics, and going on various other adventures. Also present are views of the University of Wisconsin-Stout in Menominee, Wisconsin, Hamline University in Saint Paul, Minnesota, and Loring Park in Minneapolis, Minnesota. Halfway through the album begins to document members of the friend group getting married and starting families of their own, with photographs mainly depicting young children, homes, and group vacations including a trip to Salt Lake City, Utah. The last few pages also include images of a World War I-era soldier and nurses with facemasks (possibly indicating involvement with treating Spanish influenza victims).

Photographs showing instances of blackface and other racially insensitive costumes are present.

This collection contains 21 individually bound sermons and religious lectures delivered primarily in Winchester, Connecticut, in the early 1800s. The sermons cover a variety of religious topics, and include several lectures from a series based on the Westminster Shorter Catechism.

This collection contains 21 individually bound sermons and religious lectures delivered primarily in Winchester, Connecticut, in the early 1800s. The sermons cover a variety of religious topics, and include several lectures from a series based on the Westminster Shorter Catechism. The pastor utilized shorthand abbreviations for common words.

At the top of some sermons, the author recorded dates on which the sermons were delivered and the location at which they were delivered when not at Winchester (often in towns across northwestern Connecticut). The earliest sermon was delivered at "Preston" on August 1, 1791, and is numbered 236. Sermon topics, based on verses copied from the King James Version of the Bible, included the doctrines of salvation and repentance, Christian life, and the author's 35th anniversary with his congregation ("Sickbed Reflections," January 31, 1843).

Four additional sermons form part of a series of "Catechetical Lectures," delivered between November 23, 1811 (lecture I) and April 16, 1819 (lecture XV). The first considers the history of the Westminster Shorter Catechism, and the others touch upon individual questions taken from the document. Additionally, the collection includes part of a notebook containing notes on sermons given by various speakers between April 20, 1832, and April 21, 1833.

This manuscript is a 141-page biography of William W. Winters (1826-1895), a one-time medical student from Ohio, cabinetmaker, daguerreotypist, and Methodist Minister, among other professions. The biography and subsequent pasted-in documents draw heavily from Winters's own diary entries and trace the events of his life from 1826 to 1853, including his divorce from his wife, who he accused of adultery.

This manuscript is a 141-page biography of William W. Winters (1826-1895), a one-time medical student from Ohio, cabinetmaker, daguerreotypist, and Methodist Minister, among other professions. The biography and subsequent pasted-in documents draw heavily from Winters's own diary entries and trace the events of his life from 1826 to 1853.

Written largely from a third-person perspective, Winters's biography stylistically embodies nineteenth-century artistic and literary Romanticism. Here, a younger Winters is characterized as "schivalrous and full of gallant deeds in matters of Cupid, came off first best." Likewise, Winters is cast as "our hero" within the narrative. A later portion of the volume continues Winters's history, but from a first-person perspective, using "extracts [taken from] his journal in his own language."

Winters's employment experiences include tanning, cabinetmaking, operating a drug store, taking daguerreotypes, and serving in appointments as a deacon and then a reverend in the Methodist church. Descriptions of these occupations are conveyed with varying detail. Also noted are his experiences as a student, first at Oberlin College and, later, at Norwalk Seminary. Winters's courtship and marriage to Philenda Howard, as well as his divorce from her in 1853 on grounds of adultery, is richly detailed.

Laid into the front of the volume is a "Methodist Episcopal Church Quarterly Ticket" and the end of the journal is pasted in a fragment of Winters's 1844 wax-sealed appointment as a church deacon, and 12 fragments of a manuscript, four of which are photocopies.

Among many notable topics of interest are:

• Mormonism (pp. 12-13)
• Body snatching (pp. 66-67)
• Work as a daguerreotypist—Springfield, Ohio (p. 123)
• Divorce—Springfield, Ohio (pp. 131-32)
• Ordination as a Methodist deacon (pp. 88-91)

This student notebook contains Latin-language treatises on logic, metaphysics, and related subjects, composed around 1720. The book also includes a few pages of sermon notes, an example of a Porphyrian Tree, and additional notes by later owners.

The bulk of this volume is comprised of Latin-language treatises about logic, metaphysics, and related concepts, written or copied around 1720. Each section is broken into multiple chapters, some with appendices. The volume also includes small groups of shorter writings in Latin and an example of the Porphyrian Tree. The Latin writings are infrequently interrupted by additional entries, such as a few pages of English-language notes from an August 1761 sermon based on a verse from 2nd Corinthians. Notations throughout the volume refer to William Potts, Georgius M. Conchie, George Potts, and William McCauly (with several variations on the spelling of the surname).

The William Eighinger ledger contains two sections: a ledger kept by a Baltimore shipping merchant between 1798 and 1801 and math problems and copied compositions compiled by George Eighinger in 1850. The accounts pertain to the shipment of goods between North America, the Caribbean, and Germany, and the copied material includes a narrative told from the point of view of a slave.

This volume contains 2 sections: a ledger kept by a Baltimore shipping merchant between 1798 and 1801 (about 105 pages) and math problems and copied compositions compiled by George Eighinger in 1850 (5 pages).

The financial records intermittently cover the period from October 1, 1798, to June 24, 1801, on pages numbered 47-144 and 188-211; some pages have been torn from the book. The accounts concern the affairs of a Baltimore shipping merchant who imported linens and other items from Europe while exporting coffee, tobacco, sugar, and other goods to Bremen, Hamburg, and other German ports. Each entry reflects a transaction with a merchant, and the ledger often records the names of the ships carrying the cargo, as well as inventories, prices, the names of shipmasters, and consignment agents' marks. The ledger occasionally includes costs of storage or insurance. On December 31, 1799, the bookkeeper recorded "postage of 1798 & 1799" (pp. 131-133). Cartoonish drawings illustrate a few pages throughout the accounts (e.g. pages 93 and 239).

The pages numbered 235-239 contain arithmetic problems, copied prose, and cartoons by George Eighinger, who received the book from Nash G. Camp on March 4, 1850. The pages, which are labeled "Compound Subtraction" and "Compound Addition," include a narrative told from the point of view of a slave (p. 235).

The William Bull and Sarah Wells Pageant photograph album contains 33 photographs of an elaborate outdoor pageant of the story of William Bull and Sarah Wells, two early settlers of Orange County, N.Y.

The William Bull and Sarah Wells Pageant photograph album (19 x 26 cm) contains 33 photographs of an elaborate outdoor pageant of the story of William Bull and Sarah Wells, two early settlers of Orange County, N.Y. It features locals dressed up as settlers and Indians and a house of logs constructed on site. Images of the reenactment also include the courtship and wedding of Bull and Wells, a wedding dance, and the making of plans to build a stone house. This pageant may be part of a family reunion, an ongoing Independence Day ritual, but also includes thanksgiving scenes of a meal shared by Indians and settlers. Prominently featured in one photograph are William Bull V and VII, descendants of William Bull and Sarah Wells.

The album has an unmarked black cloth cover and is housed in a gray wrapper with blue cloth binding.

This collection is made up of typescripts of letters that William A. Carter sent to his wife Mary from July 1857 to January 1859. Carter described his journey from Kansas to southwest Wyoming throughout 1857 and later discussed his life at Fort Bridger, where he became a prosperous sutler. Many of the letters refer to Native American tribes and to ongoing conflicts between Mormons and United States troops.

This collection (71 pages) is made up of typescripts of letters that William A. Carter sent to his wife Mary from July 28, 1857, to January 23, 1859. From September 1857 to January 1858, Carter wrote about his journey from Atchison, Kansas, to Camp Scott and Fort Bridger, Wyoming, describing the changing landscape and aspects of daily life as part of a traveling wagon train. He referred to Native American tribes such as the Pawnee, Cheyenne, Snake, and Sioux, sharing news of reported attacks on other wagon trains and mentioning a friendly encounter with a group of Sioux. Carter and his companions also feared attacks by groups of Mormons and he commented on the ongoing conflicts between Utah Mormons and U.S. troops. After reaching Fort Laramie in October 1857, the party sometimes travelled alongside U.S. forces under the command of Philip St. George Cooke; during this time, Carter relayed reports of heavy fortifications around Salt Lake City.

In early 1858, Carter wrote several letters from Camp Scott in southwest Wyoming, joining U.S. troops in their winter camp. There, he pursued a mercantile career; his letters from this period sometimes refer to the large sums of money that could be earned by transporting freight between the Utah Territory and "the States" back east. By mid-1858, Carter had settled at Fort Bridger, where he was officially appointed sutler in June 1858; he later became postmaster as well. At Fort Bridger, Carter shared news of the Utah War, reported on his finances, and discussed his plans to build a store; on one occasion, he discussed a visit to Salt Lake City. He increasingly referred to his unhappiness about being separated from his wife and children and eventually announced his intention to bring them to Wyoming. By January 1859, he anticipated a reunion with his family.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

This collection is an undated 53-page manuscript, containing portions of the English translation of a work of organ music theory and practical application by German organist and instructor Wilhelm Schneider. The manuscript's first page corresponds to page 87 of Schneider's Practical Organ School . . . to which is added a complete Treatise on Harmony and thorough Bass. Translated and Adapted to the wants of Young Organists (Boston: Oliver Ditson & Company, 1851). Afterward, the manuscript follows a different organization from the printed work—chapter one of the manuscript corresponds, for example, to chapter two of the published version. A comparative analysis has not been completed, though a cursory review suggests that the manuscript has textual and possibly other variations from the published version.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts. The album (26.5 x 32 cm) is fully bound in leather with gilt lettering "Kodak" on the front cover. Most of the locations depicted are represented in one or two photographs with the exception of Yellowstone (approximately 20 images) and the Grand Canyon (approximately 12 images). Other photographs show trains and train tracks, with two photographs of train station gardens in Sacramento and Ypsilanti, Michigan. Non-western locations and objects depicted include the Hudson, Niagara, and Mohawk Rivers, Niagara Falls, Minnehaha Falls, and Stone Arch Bridge in Minneapolis. In general people appear to be incidental to the scenery, save for two photographs showing posed groups; one in front of a topiary maze, and another in a grove of giant trees. Most photographs have numbers and captions derived from labeled negatives.

The "Western Trip" photograph album contains pictures of people, natural scenery, and cities in Colorado, Arizona, New Mexico, California, Oregon, and Washington. The album includes photographs of the traveling party, popular tourist destinations, and residents of Santa Fe, New Mexico.

This album (17cm x 25cm), entitled "Western Trip-Summer-1899," contains 95 photographs of people and scenery in several western states. Each page contains two photographs housed in 8cm x 8cm windows; all items have captions, usually providing the location of the photograph. The title "Photographs" is printed in gold on the album's faded green cloth cover.

The photographer took three photographs of railroad stations, railroad tracks, and the prairie in Nebraska and Kansas before reaching Colorado. A photograph on the first page, identified as Lincoln, Nebraska, is likely mislabeled. A manuscript caption on the back of this photograph identifies the location as Omaha, Nebraska. In Colorado, where the photographer visited Manitou Springs, several canyons, Pikes Peak, and the Garden of the Gods. Several photographs are views of mountain passes and similar Colorado scenery some of which were taken from the front of a horse drawn carriage. The photographs from New Mexico include street-level views of Las Vegas and Santa Fe, as well as informal portraits of a woman and a child in front of a pueblo, a woman ("Belle of Santa Fe"), and a boy ("Dude of Santa Fe"). In Arizona, the traveler visited cliff dwellings, canyons, and the Grand Canyon; some images show the horse-drawn carriage the party took from Flagstaff to the Grand Canyon, and others show tourists (including the compiler) on horses. The caption of one photograph implies that a railroad car on the Atchison, Topeka and Santa Fe Railway had caught fire, though no fire or smoke is apparent.

After visiting the Southwest, the traveler continued to California, where he or she collected several photographs of the Pacific Ocean as seen from Santa Catalina Island, California. These are followed by a group of pictures from Yosemite National Park, including views of mountains, waterfalls, lakes, and forests, and a picture of Mount Shasta. The final items feature the Hotel Portland in Portland, Oregon; Umatilla House in The Dalles, Oregon ("Where Measles Flourish"); the Columbia River and riverside scenery; Tacoma, Washington; Seattle, Washington; and the shore of Lake Washington.

The Western travel and mid-Michigan photograph albums (2 volumes, each 23 x 36 cm) contain a total of 417 photographs primarily pertaining to travel in the western U.S. and the mid-Michigan region, likely taken by a member of the Charlesworth/Abraham family of Flint, Michigan.

Volume I: Western photographs include views of Yellowstone, the Yosemite Valley, cliff dwellings with pictorgraphs, a petrified forest, hiking across a glacier, buildings of the Panama-Pacific Exposition, the Saltair resort in Utah, cliff dwellings, the California coast, a bull fight, Native Americans selling pottery on the street, California houses, and a concert band dressed in kilts. Also included are single views of a city waterfront, possibly St. Paul, Minn., Milwaukee grain docks, and the Minnesota State Capitol. Album contains 232 images. Photographs lack captions.

Volume II: Mid-Michigan photographs show chiefly outdoor activities and rural scenery, including house and barns, country roads, hunting and fishing trips, boating, swimming, hunting dogs and game birds, a circus parade in downtown Flint, farm animals and cow-milking, and picnics. Nine photographs show a collection of bird amulets and carved relics, some belonging to the Silas Collins collection at the Flint Public Library. Also shown are burnt-out ruins of the Michigan School for the Deaf and postal carriers in Flint with sleds and wagons piled high with Christmas packages. Several photographs feature automobiles, including an overturned auto in the street being contemplated by a young man in swimming costume with handwritten caption, "Berston killed;" automobiles stuck in potholes and rescued by horse-teams; filled with hunting dogs; and a Buick Model C burnt out and restored. Michigan locations include: Flint, Prescott, Stiles Lake, Long Lake, Houghton Lake, Rifle River, Ortonville, and Skinner Lake. Identified individuals include: W.B. Ormsbee, A.G. Abraham, Herb Mitchell, Howard Casler, E. Rockafellow, Luella Charlesworth, John Brewer, Emma Abraham, Ernest Oldfield, M.B. Shirk, William Somerville, Hattie Barker, George Dell, Gert Fellows, Glenn Jones, Edgar Ries, John Ries, George Havers, John Wildanger, George Havers, Clyde Baldwin, George Frye, Edgar Rice, Chancey Straber, Elsie Caverly, Clarence Caverly, Leo & Mrs. Boomhower, Bud & Mrs. Evans, Ed Brown, Llloyd & Mrs. Algoe, Alice Charlesworth, Anna Charlesworth, George Holmes. Album contains 185 images. Most photographs include manuscript captions on verso.

Albums housed in three-part wraps with blue cloth spines.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used; approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

This volume (198 pages) contains 184 pages showing various branding marks used by horse and cattle dealers throughout the western United States in the late 19th century, as well as 15 pages of accounts recording purchases of cattle in December 1899 and January 1900. The 184 pages of brands are divided into several sections based on the types of identifying marks used, and approximately 1,480 brands are represented. The notebook is accompanied by a 35-page pamphlet entitled "Cattle Brands of Texas," published in the mid-20th century.

The brand book, once owned by a livestock buyer, contains both graphic and textual descriptions of brands used by livestock breeders throughout the Great Plains and western United States. The vast majority of brands are for cattle. Each page has 8 images of cattle or horses stamped in purple ink, with hand-drawn brands placed on the images. Animals' ears are represented by a stamped infinity symbol. Some dealers used variations, which are recorded in red ink. Each livestock stamp is accompanied by the dealer's name, cattle range, and primary city. Suppliers originated from Colorado, "Dakota," Illinois, Kansas, Minnesota, Missouri, Montana, Nebraska, New Mexico, Texas, and Wyoming. A newspaper clipping showing 7 branded cows of the Warren Live Stock Company of Cheyenne, Wyoming, and their ranges, is pasted on page 23. The brands (pp. 2-185) are followed by 15 pages of accounts recording purchases of cattle made primarily from F. H., W. H., & M. B. Gill Brothers of Greeley, Colorado, in December 1899 and January 1900 (pp. 186-201). Each account includes a stamped image of a cow with a brand, the supplier, and the price, each spread across two pages. A total price appears at the bottom of every two pages.

The Western Brand book is accompanied by a short pamphlet entitled Cattle Brands of Texas, published by the First National Bank in Dallas around the mid-1950s. A forward by Wayne Gard introduces the history of cattle branding within the state. The book contains historical notes for numerous brands that decorated the bank's executive dining room.

This album contains photographs of local residents, buildings, and natural scenery taken in the Congo region of Africa, around 1887. Africans and white missionaries posed singly and in groups. Landscape views, village scenes, images of vegetation and rock formations also appear.

This album (43cm x 32, 61 pages) contains 269 photographs of local residents, buildings, and natural scenery, possibly at an American Baptist mission in the Congo region, circa 1887. Three to eight items are pasted onto each page, and captions are written directly into the album where photographs are missing. The three-quarter-bound volume's covers are black and gray.

The photographs are roughly organized by topic. Pages 1-23 are comprised of individual and group portraits of Africans and of white missionaries. Many are identified by name. Of particular interest are posed ethnographic photographic studies of native men, women, and children shown in traditional African and western dress. Many if not most images appear to have been staged by the photographer. Among those may be of native inhabitants appearing as manacled slaves or prisoners; a mock execution, people with primitive weapons; mock combat with bow, spear, and shield; the wearing of ceremonial masks, families with children, and a young man with a large snake around his neck. "Mr. Clark" is identified in group photos as is "Dr. Flemming," a black woman, who is occasionally pictured with the missionaries. "Mr. Lewis" appears with a camera and tripod and may be the photographer for this album. "Mr. Roger Casement," future British consul to Portuguese West Africa and Irish Nationalist, is identified in one photograph and appears in at least one other. A set of four photographs depicts two African boys using a camera obscura on a stand to produce drawings of each other. The images on pages 23-31 include village scenes, rustic buildings including a church, post office, and photographer's booth. A man posed with the decapitated head of a hippopotamus appears on page 23.

Pages 32-48 concentrate on details of trees, fruits, and other vegetation, and pages 49-60 pertain to rock formations and rivers. These items include views of rocks with unidentified carved inscriptions, of caves, and of sailing and steam ships in a harbor. A small river steamer, theHenry Reed , a canoe, and a shipwreck are also pictured. The final item, located on page 61, is a photograph of William Shakespeare's supposed birthplace in Stratford-upon-Avon, England.