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Anonymous photographs of various locations around Ann Arbor, Mich., particularly the University of Michigan campus.

Photographs of football game action taken from the Ferry Field stands; a photograph of an Ann Arbor street following a winter storm in 1906; photos of University of Michigan buildings; and photo of students sitting at counter of Elmer Stofflet's restaurant on State Street.

The Jerome, Arizona mining photographs consist of 56 photographs (including 33 real photograph postcards) related to mining operations, anti-labor vigilantism, and Arizona scenery.

Most of these images appear to have been taken by an anonymous photographer who referred to himself as "Bob" and who may have been associated with a Philadelphia-based contracting firm, Charles A. Sims & Co., that was hired by the United Verde Mine. Many of the photographs have handwritten captions and bear evidence of having previously been mounted in a scrapbook; many captions have been rendered partially illegible after being affected during the removal process. The captions directly refer to details within the photographs, particularly related to mining operations.

A total of 33 real photo postcards are present, including 14 locally produced images by The Fotoplace and Areldson Studio. Several real photo postcards bear correspondence, and "Bob" appears to have sent some of these images to a woman named "Kitty."

Items of particular interest include at least two photographs depicting J. E. O'Rourke (the superintendent of the United Verde Mine); multiple views of Jerome, Arizona, including street and bird’s-eye views; multiple views of mining facilities and encampments; three images of Native Americans (likely Yavapai); two views of the Montezuma Castle cliff dwellings; a view of stalactites taken from the inside of a cavern; and eight images documenting the expulsion of I.W.W. strikers in Jerome in July 1917 by local citizens who were organized into a vigilance committee. Also present are at least five images taken near present-day Tonto Basin, Arizona, north of the Theodore Roosevelt Dam, which may be associated with another project on which the Charles A. Sims & Co. firm was contracted. While the dam itself does not appear in any of these images, the photographer wrote that the area depicted was to be inundated. Since the dam was constructed by the U.S. Reclamation Service between 1903 and 1911, these images are likely older than those taken in Jerome.

For a complete list of the collection’s contents, see the Detailed Box and Folder Listing section below.

This collection is made up of typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War, including his time as a prisoner of war. He wrote letters home while serving in Kentucky, Tennessee, and Georgia, and during his imprisonment in Libby Prison and other Confederate prisoner-of-war camps.

This volume (177 pages) contains typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War. The collection includes an introduction by Mead's youngest daughter.

Pages 1-148 largely consist of letters that Mead wrote to his parents and sister during his military service. He described camp life, marches, and scenery in Kentucky, Tennessee, and Georgia (particularly in and around Lexington, where the regiment was stationed for much of the winter of 1862-1863). He mentioned Lexington's African American population, his African-American servant in Nashville (shared with his tent mates), promotions and officer elections within his company and regiment, executions of deserters, and a skirmish with Confederate forces. From October 1863 to November 1864, he wrote from Libby Prison and other Confederate prisoner-of-war camps. Mead discussed his health and his possible release or exchange. By the time he resumed his correspondence in March 1865, he had returned to the regiment. He remained with the unit until at least May 1865.

A small number of letters by other writers include an early order by J. W. Trueman authorizing Mead to raise a company for a regiment of lancers (October 3, 1861) and several written to the Mead family during the war. E. S. Woodman, an acquaintance, and other soldiers provided news about Lewis C. Mead's capture and imprisonment in October 1864. Postwar correspondence includes family letters and a letter from H. S. Dean to Lewis C. Mead regarding a visit to the Chickamauga battlefield by Michigan veterans (October 25, 1893).

The letters are followed by Mead's ca. 1886 reminiscences of his Civil War service, including his experiences during the Battle of Chickamauga and his subsequent imprisonment (pp. 149-164); a speech by Mead about the 22nd Michigan Infantry Regiment's Civil War service (pp. 165-172); and additional reminiscences written after a 50th anniversary visit to the Chickamauga battlefield, Chattanooga, Tennessee, and other locations related to Mead's wartime experiences (pp. 173-177).

The volume contains a photocopy of a newspaper obituary for Lewis C. Mead, published in The Daily Press. Photocopied photographs include Lewis C. Mead around the time of his enlistment and as an older adult; "Johnny Clem," a 12-year-old soldier who was embedded with Mead's regiment (pictured in uniform holding a gun); James Arthur Gallery wearing Mead's dress uniform; and Owen Carlisle Frost in a World War I-era army uniform.

A typescript copy of a letter by William Hayden Smith regarding his experiences with the 1st Michigan Infantry Regiment around the time of Robert E. Lee's surrender at Appomattox is pasted into the volume's back cover (April 9, 1865).

The Pennsylvania, Virginia, and Washington D.C. photograph album contains 44 photographs of Pennsylvania, Euclid (Ohio), George Washington's Mount Vernon Estate, and Washington D.C. from 1898 to 1933.

The Pennsylvania, Virginia, and Washington D.C. photograph album contains 44 photographs of Pennsylvania, Euclid (Ohio), George Washington's Mount Vernon Estate, and Washington D.C from 1898 to 1933. Some of the photographs have handwritten or typed notations on the back often identifying location and/or date. The first half of the album shows scenes of a "Decoration Day" Parade in 1918 and the Pennsylvania countryside. There are two images on page 17 of Euclid Beach (Ohio) crowded with beachgoers. The next series of images show various views of George Washington's Mount Vernon Estate and its grounds. The last few pages of the album contain images of Washington D.C. Specific sites include the Thomas Jefferson Building (Library of Congress), United States Capitol, and Union Station. Three photographs were found housed behind mounted photographs and are now loose. These can be found on pages 17, 18, and 22.

The album is 13 x 19.5 cm with black cloth covers.

This collection contains letters, legal documents, receipts, and printed images related to mayors of Philadelphia, Pennsylvania, from 1705-1976. The content pertains to Philadelphia commerce and politics, as well as to mayors' personal affairs.

This collection contains 52 individual letters, legal documents, receipts, and printed images related to 25 mayors of Philadelphia, Pennsylvania. The content pertains to Philadelphia commerce and politics, as well as to mayors' personal affairs.

• Four 18th-century documents, bearing the Philadelphia city seal and ordering the sheriff to assemble 24-person juries. Joseph Willcox (March 13, 1705), Nathan Stanbury (December 18, 1706), Richard Hill (June 17, 1715), and Thomas Lawrence (December 18, 1764)
• A letter from John Inskeep to the Common Council, discussing administrative issues and forwarding "a copy of a letter…from Thomas Howell at New York containing propositions to furnish the Corporation of this city with three engines of a peculiar kind which he imported from England for the Corporation of New York" (December 4, 1800)
• A partially printed order to apprehend Francis Barrett for being "an idle drunk or vagrant following no legal visible means for a support," signed by Robert Wharton (November 16, 1815)
• A letter to Joseph Watson from Benneville Keim, president of the Farmer's Bank of Reading, regarding counterfeiting issues (May 16, 1827)
• A letter from John M. Scott respecting his fire insurance policy and investments (July 11, 1827)
• A letter of recommendation for "William Magill, late proprietor and Editor of the 'Daily Keystone,' for a Situation in the Customs. He has been an efficient co. laborer in the Democratic ranks, battled faithfully and long to maintain the continued supremacy of the Party, and is in our opinion highly entitled to a position commensurate with his services and merits," signed by Richard Vaux and others (November 1846)
• Appointment of Addison B. Burk as Philadelphia's official delegate to the 1911 National Rivers and Harbors Congress, by John E. Reyburn (November 10, 1911)
• 11 partially printed receipts from the Department of Receiver of Taxes for "city and school taxes" paid by Margaret B. Stewart, George F. Caldwell, and Elsie M. Caldwell (1919-1929)
• Brief notes from 20th-century mayors responding to requests for autographs

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930. The photographs vary in size and a few include handwritten notations on the front or back. These notations mention first names (Art, Uncle Ed, and Allan) and the address of one of the frequently appearing houses, 624 E Guenther St, San Antonio, Texas. The images show a family over a period of approximately a decade, featuring Allan throughout his childhood. Allan can be seen with multiple dogs, cats, and chickens, swimming, in a baseball uniform, and with his family. One photo is of particular interest; Allan, as a toddler, is holding a rifle and is standing with two men in baseball uniforms and military gear at a military encampment. Also noteworthy, a small portion of the photographs have a "Fox Tone Picture," stamp on the back. Some photographs are loose throughout the album and others are housed in folders between pages.

The album is 18.5 x 14 cm with black cloth covers.