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Collection

Naomi Long Madgett and the Lotus Press Papers, 1937-2004 (majority within 1970-2003)

14 boxes and one oversize box (approximately 16 linear feet) — Photographs in box 14 and scattered throughout the collection (see contents list). — Visual material in box 13. — Audio material in box 13. — Books by Naomi Long Magdett and Lotus Press, and books from Madgett's personal library, have been catalogued separately. Some chapbooks appear in the General Correspondence series, where such material were enclosed with a letter to Madgett. See the Writings and Author Files series for materials from the production of some Lotus Press books.

Naomi Long Madgett is a prominent poet, educator, and editor, recognized for her significant contribution to African-American letters. Since 1972 she has run, single-handedly, Lotus Press, which publishes poetry by African-Americans and others. The collection documents Madgett's career and the operation of Lotus Press, through correspondence, manuscripts (both by Madgett and by authors published by Lotus Press), ephemera, audiovisual material, and photographs.

The Naomi Long Madgett Papers document the prominent career of Ms. Madgett as a poet and a teacher, and her operation of Lotus Press, which Madgett has run single-handedly for more than 30 years. Thus, the collection makes a good source of insight both into Madgett's own writing and aesthetic sensibility, and into the cultures of lyric poetry and African-American letters in the latter decades of the 20th Century. The bulk of the material covers the 1980s, the 1990s, and the first few years of the 21st century, with Madgett's activities in the 1970s being fairly well represented as well. From the correspondence collected here a vivid picture emerges of Madgett's relationships with some of the authors whose work she published--such as James Emanuel and Gayl Jones--as well as with other authors, such as Gwendolyn Brooks. In addition, correspondence and ephemera evidence the growth of Madgett's own reputation, documenting her many professional activities, awards, and honors over the years. While manuscripts by Madgett herself do not comprise a large part of the collection, the fortunes of one of her most famous poems, "Midway," are documented in detail, and an unpublished autobiography ( Pilgrim Journey) provides an extensive synthesis by the author of her own influences and career (a section of which has been published by Gale's Contemporary Authors' Autobiography Series). Finally, the collection provides a close look at the daily operation, from its inception, of a small literary press.

The Naomi Long Madgett papers have been arranged into nine series: Personal, Writings, General Correspondence, Workshops and Events, Author Files, Business Records, Ephemera, Photographs, and Audiovisual. Books published by Lotus Press, as well as other books and periodicals from Madgett's library, have been catalogued individually and are shelved by call number in the Special Collections Library. Within the collection, however, much material is available from the production of certain Lotus Press books; see below Writings and Author Files.

Folder

Personal

The Personal series (0.5 linear feet) encapsulates material offering an insight into Madgett's personal history (not otherwise well documented in the collection), as well as material of special significance or rarity, or of particular use in gaining an overview of Madgett's life and career. Together with the Writings series, this series provides a glimpse into Madgett's childhood and adolescence. Comprising this material are correspondence, ephemera, interviews, photocopies (both of published material and manuscript documents), and several detailed statements that Madgett herself composed on various subjects (some of which are embedded in correspondence whose presence might be obscured if placed in the General Correspondence series). The largest subseries under the Personal series is the Biographical, which contains information about Madgett's family (primarily her father, grandfather, and brother), biographical and autobiographical summaries, interviews conducted with Madgett, and formal statements about Madgett by other writers.

The Journal Entries subseries includes a small sample of photocopied pages from Madgett's manuscript diaries from both her years at college (1944-1945) and the early 1960s. (The diaries from the early 1940s reside in the collection of Madgett's papers at Fisk University.) This materials is of a personal and narrative nature; photocopies of poems from her journals can be found in the Writings series.

In the Early Years subseries are school yearbooks, a literary magazine, and news clippings from Madgett's childhood and adolescence (1937-1945).

The Professional Activity subseries documents significant moments in Madgett's career as an educator and literary figure, covers activities not otherwise documented in the collection (see the Workshops and Events series), and includes a few recent annual summaries of Madgett's publications and public appearances.

Topical Files contain ephemera and other material on people and subjects in which Madgett had a special interest or to which she had a significant connection, including Gwendolyn Brooks, Langston Hughes, and Boone House (a circle of Detroit-area writers who gathered for informal workshops in the 1960s).

The final subseries in the Personal series, Citations and Awards, contains certificates given Madgett by various organizations in recognition of her achievements as a poet and editor. More detailed information about Madgett's many honors can be found in the Workshops and Events series.