Collections

This collection is made up of correspondence, documents, photographs, printed items, and genealogical papers related to Joseph LaVille Young, who served in the Virginia Militia, United States Army, and United States Navy from the 1890s to the end of World War I. Most of the materials pertain to Young's military career, particularly during the Spanish-American War and World War I.

This collection (1 linear foot) is made up of approximately 200 letters and documents, 15 photographs, 30 printed items, and genealogical papers related to Joseph LaVille Young, who served in the Virginia Militia, United States Army, and United States Navy from the 1890s to the end of World War I. The bulk of the collection is comprised of a partially disassembled scrapbook; the loose items from the scrapbook have been arranged into series of correspondence and documents, photographs, printed items, and genealogical materials.

The majority of the Correspondence and Documents relate to Young's service in the Spanish-American War and World War I. They include commissions, orders, memorandums, and financial records. One small group of items pertains to Theodore Roosevelt's efforts to raise volunteer troops during World War I, including a signed letter from Roosevelt to Young, who had wanted to raise a Virginia regiment (May 25, 1917). Joseph LaVille kept a small memorandum book while stationed in France from January to February 1918. Most of the notes concern his expenses and other financial affairs, and he also copied information about converting English measures to metric units.

Additional manuscripts include some personal letters that Young wrote to his sister Linda while in France during World War I and a small number of documents related to the military service of Joseph LaVille Young, Sr. The later letters and documents concern Young's desire to return to the military during World War II, his real estate career, and the genealogy of the Pritchard family.

The Photographs include group portraits of the "Richmond Light Infantry Blues" during their Spanish-American War service in Cuba, and studio and informal portraits of Joseph LaVille Young as a young man, a Spanish-American War soldier, a member of the United States Navy, and an older man. One image shows Young posing in front of the family home in Portsmouth, Virginia, and another shows an unidentified man flexing his biceps and upper back muscles.

The Printed Items series is made up of 9 picture postcards, featuring scenes from multiple French towns; newspaper clippings, including obituaries for the elder Joseph LaVille Young and other family members; advertisements for real estate in Richmond, Virginia; and a pamphlet titled La Langue Anglaise sans Màître (1915).

The Genealogical Papers series includes histories, tables, and notes related to the Hollowell, Bacon, Hunter, Pettit, Godfrey, Swift, James, and Pritchard families. Included is a family tree showing Joseph LaVille Young's ancestors and a binder containing information on heraldic crests.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division. The photographs are individually numbered and the typed explanations occasionally include commentary on the careers of pictured marines.

The V-Mail Process collection is made up of 8 photographs and accompanying typed explanations, created in April 1944, which demonstrate the process of creating V-mail for the United States Marine Corps 2nd Division.

Eight 8"x10" black-and-white photographs illustrate steps in the V-mail creation process, from initial composition to delivery. Eight 1-page, typed documents explain each step and occasionally identify the members of the Marine Corps 2nd Division depicted in the images, variously noting names, ranks, hometowns, and service histories. The explanatory text also provides numerical figures associated with the Marine Corps mail service, including an estimate of total pieces handled daily (image 2D-37), the number of letters on each roll of film and number photographed per hour (image 2D-39), the rate at which an operator prints and cuts images (image 2D-40), and the number of V-mail letters that could fit in one mailbag (image 2D-43). Sergeant J. L. Burns took the first photograph, and Sergeant Andy Knight took the remaining 7; each image is also attributed to Warrant Officer J.F. Leopold, Photo Officer, 2nd Marine Division.

This collection is made up of letters by Bernard Baruch and Mark Sullivan regarding United States foreign policy, financial policy, national politics, and personal matters.

This collection is made up of 60 letters between Bernard M. Baruch and Mark Sullivan, a testimony and several pamphlets by Baruch, and a signed, dedicated portrait photograph of Baruch. The majority of the collection consists of Baruch's letters to Sullivan. The correspondence addresses United States politics, beginning in the early 1920s with foreign policy, farm policy, and the long term outcomes of the Paris Peace Conference. Later letters contain Baruch's critiques of U.S. fiscal policy, foreign policy, and military preparedness, as well as general thoughts about the U.S. economy and the political environment following the Wilson administration.

Baruch and Sullivan discussed their writings and other works, offering critiques, recommendations, and congratulations. They discussed Sullivan's journalism and historic works, and Baruch's political career and treatment in the media. In one letter, Baruch gave a narrative account of his early education in South Carolina (January 21, 1927). The letters also contain discussions of more personal matters, holiday greetings, and invitations for Sullivan to vacation at the Hobcaw House. At various points in the correspondence Baruch expressed his perception of anti-Semitism in U.S. politics and education. The collection includes one photograph portrait of Bernard M. Baruch, signed and dedicated to Duane Norman Diedrich. See the Detailed Box and Folder Listing for more information.

Brothers John P. Starbuck and Morgan Starbuck wrote 29 letters to their parents and sister in Nyack, New York, while serving in the American Expeditionary Forces in France and Germany following World War I. They discussed their health, daily activities, travel, and training.

Brothers John P. and Morgan Starbuck wrote 29 letters to their parents and sister in Nyack, New York, while serving in the American Expeditionary Forces in France and Germany following World War I. They discussed their health, daily activities, travels, and training.

John P. Starbuck wrote 20 letters home from March 6, 1919-June 23, 1919. He was stationed in Koblenz, Rhens, and Güls, Germany, where he described his army work, commented on German citizens, and reported news about his brother. He occasionally discussed the possibility and benefits of taking a vocational business course, and he was admitted to the 4th Corps Advanced Vocational School in Bad Neuenahr, Germany, in April 1919. While at the school, he copied his daily schedule, which included lectures, drill, and athletics. In May, Starbuck's regiment went to Malicorne-sur-Sarthe, France, where they awaited departure for home. Among other subjects, he mentioned his fellow soldiers' propensity for spending their money on "French booze."

Morgan Starbuck wrote 9 letters to his family from March [15], 1919-April 12, 1919. His early letters primarily concern his health and recovery from an influenza infection. His later letters pertain to his experiences in France while awaiting departure for the United States. In one letter, he shared his expectation that soldiers returning home would cause an increase in marriages.

This collection is made up of letters that Private First Class Edgar Denton of La Grande, Oregon, wrote to his friends Frank and Murdle Smith while serving with the United States Army during World War II. Denton discussed his enthusiasm for rifle and machine gun training and concern for his wife and children.

This collection is made up of 4 letters that Private First Class Edgar Denton wrote to his friends Frank and Murdle Smith of Summerville, Oregon, while serving with the United States Army during World War II. He wrote his first two letters from Camp Hood, Texas, and Fort George G. Meade, Maryland, while training for combat and awaiting deployment to Europe. He discussed his enthusiasm for rifle and machine gun training, commented on his correspondence with his wife Peggy, and requested news of mutual acquaintances in Oregon. Writing from Europe in late 1944 and early 1945, Denton expressed his belief that the war would soon end and referred to his hospitalization in England after suffering wounds in the hip and back.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

The Kan Nakamura journal translations include one manuscript and one typed translations of a journal kept by a young Japanese officer during the Second World War while serving with one of the regiments stationed on Guadalcanal. The two translations contain over 120 minor, factual, and meaningful variations.

Kan Nakamura's journal exposes the mind of a young Japanese officer during the Second World War, serving with one of the highly disciplined, but outmanned regiments stationed on Guadalcanal. A young officer, apparently fresh out of a military academy, Nakamura is a sympathetic figure, motivated but sensitive, a man who yearns for home, fears combat, but who guts out the worst conditions of hunger, disease, death, and threat from the air.

Although the journal entries are brief and often perfunctory, and although he took part in little actual combat on Guadalcanal, Nakamura's journal is a valuable record of the first major land battle in the Pacific involving American forces as seen from the Japanese perspective. It is particularly useful for revealing the emotional and mental preparation of a typical Japanese junior officer and provides revealing glimpses of day-to-day service during the worst period of the Battle of Guadalcanal, as well as the hardships experienced by the entrenched forces.

The typescript translation (23 pages) from the original Japanese was purportedly made in April, 1943, shortly after the American victory at Guadalcanal. It was presumably translated by American intelligence agents interested in information on Japanese troop movements, strength, or strategy, but it contains no information about Nakamura's fate.

The manuscript translation (57 pages) title page states "Diary of / Kan Makamura [sic.] / Probational Officer / of / Sano Gronze Shoji / Butai Takizawa Butai / Matsungo Tai / September 19, 1942 / to / January 8, 1943". At the back of the manuscript volume is a 1-page word list in English and "Morovo" [Marovo] followed by the name M. K. Raina, Seventh Day Adventist Mission, Batuna, Marovo Lagoon, British Solomon Islands.

The two translations contain over 120 minor (i.e. I am very happy vs. I feel very happy), factual (i.e. This makes 16 persons from my platoon vs. This makes 6 persons we lost from my platoon), and meaningful variations (I took a look vs. I took a bath), plus frequent alternate spellings of places and names. In addition, the typescript notes days of the week and the manuscript does not; the manuscript notes weather conditions after each date and the typescript does not until September 24, 1942.

The Myron E. Moore papers pertain to Moore's experiences in the United States, Iran, and India while serving in the United States Army's 7th Postal Regiment during World War II.

The Myron E. Moore papers pertain to Moore's experiences in the United States, Iran, and India while serving in the United States Army's 7th Postal Regiment during World War II. He began writing letters home to his mother, Sadie R. Moore, while in training with the 524th Postal Unit at Fort Jackson, South Carolina, in the late summer of 1942. He underwent intense preparation for chemical warfare and other general combat duties and confirmed rumors of conflicts between northern and southern soldiers, though he reported that attitudes on his own base were generally amicable (September 2, 1942). In October 1942, Moore joined the 7th Postal Regiment at Camp Blanding, Florida, where he informed his parents of his unit's preparations to travel overseas.

In early 1943, Moore's unit deployed to Iran, where he assisted in routing military mail. Throughout his service, he discussed the relaxed attitude within his unit and shared details about his leisure activities and the army's mail operations. Though he looked forward to his return to the United States, Moore took comfort in opening frequent packages from home and listening to the music of Glenn Miller. By January 1945, the unit had been transferred to India, and Moore spent much of 1945 at Camp Lee, Virginia, and Camp Edwards, Massachusetts. He was discharged in November or December 1945. In addition to Moore's letters home, the collection has a printed patriotic message from Franklin D. Roosevelt to army troops preparing to head overseas.

The Edward H. Lockwood papers contain letters documenting Lockwood's service with the Y.M.C.A. in Guangdong Province, China during the years of the Sino-Japanese conflict and Second World War.

The Edward H. Lockwood papers contains 23 letters, 19 of which were addressed to his friend Joe Kidd, a teacher and headmaster at Saint Luke's prep school in Wilton, Conn., and two each to his family and T.T. Poon, a Chinese official of the Y.M.C.A. Though few in number, these letters provide outstanding documentation of one man's service with the Y.M.C.A. during the years of the Sino-Japanese conflict and Second World War, and of the hardships inflicted on the Chinese civilian populations during the war.

Lockwood was highly educated and his letters are both impassioned and informative, though not always very long. His descriptions of Shaoguan during the war are particularly interesting, providing not only an American's impressions of the Chinese, but fine descriptions of the destruction, the refugees, and of Chinese efforts to keep their higher education system intact, even in exile. His occasionally blasé, occasionally anxious response to life beneath the bombs is intriguing and, at times, almost amusing.

The pre-1940 correspondence is particularly marked by a sense of frustration over American dithering in the face of Japanese aggression. Having twice lost all of his possessions when forced to flee before the Japanese, and having been witness to the devastation of war, Lockwood's feelings are easily understandable, though his particular mix of political perspectives is peculiar, to say the least. While excoriating the implicit racism of American foreign policy in Asia, for example, Lockwood offered only mild opposition to European fascism. While he was repelled by British imperialism, his feelings seem to have been largely attributable to an antipathy for their "antiquated," elitist social system, more than for its effects on the colonized nations.

Lockwood's personal life is not particularly well documented in this correspondence, however some information on his relationship with his eldest son, Richard (Dick), can be deduced. Several of Lockwood's letters to Joe Kidd include mention of his opinions on Dick's life choices, or give his opinions on Dick's growth into manhood, his career directions (or lack thereof), and his pacifism. That Lockwood was often separated from his wife and children is evident: while there seems to have been genuine affection in the family, work with the Y.M.C.A. seems to have been Lockwood's first priority. Finally, Lockwood's first letter to T.T. Poon contains his reflections on his quarter century of service with the Y.M.C.A. in China and just as interesting, his ideas on how he had been changed by China.