Search

This collection is made up of 24 letters that Amis A. Madry wrote to his brother while serving in the United States Army at Camp Pike, Arkansas, during World War I. Madry commented on African American soldiers, influenza, and aspects of military life.

This collection is made up of 24 letters that Amis A. Madry wrote to his brother while serving in the United States Army at Camp Pike, Arkansas, during World War I. Madry commented on African American soldiers, influenza, and various aspects of military life.

Madry regularly corresponded with his brother throughout his military service, beginning just after his induction and ending shortly before his discharge. He wrote about daily life at the camp and provided some of his opinions on military life. Madry encouraged his brother to attempt to avoid army service, and discussed the possibility of his brother receiving an operation for an unspecified ailment. In some of his early letters, he mentioned his distaste for other enlisted men, whom he called "Rubes," and for African American soldiers. He shared anecdotes about an encounter with a "Yankee sergeant" who treated African Americans the same as white soldiers, and about interactions between white enlisted men and African American officers. In mid-1918, Madry's duties included training African American and white soldiers in drill exercises, as Camp Pike became a replacement center for troops headed overseas. During the fall of 1918, Madry's unit was quarantined after an outbreak of influenza; he later reported that several men from his unit had died during the epidemic. Madry occasionally wrote about his siblings, the draft, and war news. By December 1918, he anticipated his upcoming discharge from the military.

This collection is made up of 12 letters that Private Aulder M. Watt received and 1 letter that he wrote while serving with Company H of the 10th Regiment, Illinois National Guard, at Camp Lincoln, Illinois, in 1917. Olive Stone, his fiancée, wrote 11 of the letters from her home in Clinton, Illinois, about their separation, and an aunt composed 1 letter concerning family news. Watt's letter to Olive pertains to his wages and recent labor strikes.

This collection is made up of 12 letters that Private Aulder M. Watt received and 1 letter that he wrote while serving with Company H of the 10th Regiment, Illinois National Guard, at Camp Lincoln, Illinois, in 1917. Olive Stone, his fiancée, wrote 11 of the letters from her home in Clinton, Illinois, about their separation, and an aunt composed 1 letter concerning family news. Watt's letter to Olive pertains to his wages and recent labor strikes.

Olive's often lengthy letters focus on local news, her love for Aulder, and her loneliness. She discussed the possibility of meeting him, either while visiting the Illinois State Fair or when he returned home on furlough. She occasionally reacted to news of his life in the military camp, and expressed her fear that he would be injured in the line of duty. Aulder received 1 letter from an unidentified aunt (September 28, 1917), and wrote 1 letter to his fiancée, in which he discussed recent labor strikes and his upcoming payment schedule.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and about several aspects of military life.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and on several aspects of military life.

In each of his letters, "Herb" encouraged his mother not to worry about him, and he took pride in his work with the military and in his continuing advancement through the ranks; he was expecting a commission as lieutenant. He also mentioned some of his regiment's duties, which included laying pipes for newly constructed buildings at Camp Hancock and building temporary bridges for other units on bivouac assignments. Herb described other aspects of camp life, such as the comings and goings of other soldiers and his leisure activities, which included trips to nearby Augusta and football games. In two of his letters, he discussed the reorganization of the army's cavalry and artillery units, and in one letter, he mentioned English and French guest officers' instruction in trench warfare (November 11, 1917).

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

The Louis Miller WWI exhibit materials collection is comprised of visual materials and realia displayed in an exhibit to mark the centennial of the Armistice in the autumn of 2018. The bulk of the materials pertain to the American Expeditionary Forces in the First World War.

The Louis Miller WWI exhibit materials collection contains visual materials and realia displayed in an exhibit to mark the centennial of the Armistice in the autumn of 2018. The bulk of the materials pertain to the American Expeditionary Forces in the First World War.

The largest part of the collection is postcards and ephemera belonging to Ole Reppe, a Wisconsin soldier who served in the 32nd Division. There are fifty-six postcards, four typewritten pages, and one ticket stub. The postcards date from 1917-1919, and follow Reppe's service in the Wisconsin National Guard and American Expeditionary Forces.

Eight postcards show scenes from Camp Douglas, Wisconsin. Two of these have inscriptions written by Reppe from August 1917 that describe the images. Two more date from 1920, with messages from his future wife Clara, and his mother. Both of these are written in Norwegian. Two postcards depict Janesville, Wisconsin.

Thirteen postcards show military training at an unidentified location. Six postcards date from Reppe's time in Texas in 1917, including a real photo postcard of an unidentified couple with a handwritten caption by Reppe that reveals he found this photograph on the street. This seems to reveal that unlike other WWI soldiers who took home postcards from France as souvenirs, Reppe was already collector before going overseas.

Five postcards date from Reppe's time in France, including one real photo postcard of German soldiers and women. Reppe notes that he found two of these postcards on the battlefield in October 1918, and German soldiers originally owned them. The remaining twenty-two postcards contain images of Koblenz (Coblenz), presumably purchased by Reppe while in the Army of Occupation in 1919.

Four typewritten military documents are in the collection, and date from August 27, 1917 to May 23, 1919. Two of these are leave passes, one is a list of men on guard duty, and one is a memorandum about sanitation at Camp Douglas. These items were all mounted on scrapbook paper, and it appears that Reppe kept these and some of his postcards in a now disbound scrapbook.

There is also a train ticket from 1917 from Stanley, Wisconsin to Chippewa Falls, Wisconsin.

Also included in the collection is a British Lusitania Medal from 1916, with its original box and a paper fragment providing context to the medal. The sinking of the Lusitania by a German U-boat on May 7, 1915, caused the deaths of 1,198 passengers and crew, including 128 Americans. Although Germany protested it had every right to treat the Lusitania as an enemy vessel, the incident led to outrage in the United States and Britain. The medal in the collection is a British copy of a German medal made by the artist Karl Goetz after the incident. Though Goetz had intended his medal as a satire of British outrage over the Lusitania, the British disseminated over 300,000 translated copies of Goetz's work for English-speaking audiences. In spite of the misleading British description of the medal, the damage done by this piece of propaganda led to German authorities confiscating all known copies of the original medal. The German policy of unrestricted submarine warfare, which ended in September 1915 in response to American outrage over the Lusitania, started back up in early 1917 and became a major factor in America's entry into the war.

A 2018 restrike of Kerr Eby's "A Southern Unit" print from the original copper plate is also present. Canadian-American artist Kerr Eby created this powerful image representing the downtrodden state of African-American soldiers in France. Eby's service in the AEF turned him into an ardent pacifist. When America again entered a global conflict in 1941, Eby served in the combat artists program, mainly in the Pacific. He died in 1946 at his home in Norwalk, Connecticut, from a tropical disease contracted while covering the Second World War.

The collection has a photograph of Rosa Heidler Lorenz at the grave of her son Joseph Lorenz, at Suresnes, France, on May 18, 1930. In 1929, after a decade of political debate, President Calvin Coolidge signed a bill allocating five million dollars to subsidize pilgrimages to Europe for the mothers of deceased American soldiers buried overseas. In all, some 6,000 women chose to take the two-week trip to visit their sons' graves. These trips are known as the Gold Star Mothers Pilgrimages, and took place between 1930-1933. In a sad echo of the discrimination African-American soldiers faced more than a decade earlier, African-American mothers were segregated from their white counterparts during their pilgrimages. A significant number of mothers who went overseas were foreign-born and included many Germans. Rosa Heidler Lorenz was one such German immigrant. Her son, Private First Class Joseph Lorenz, was wounded in late July while fighting with the 42nd Division before dying of his wounds at a base hospital on November 21, 1918. In late May 1930, newspapers across the country published this moving image of Lorenz weeping at the grave of her son.

The collection contains a wooden clog painted with an American and French flag, with the inscription, "Souvenir de France." These clogs were a popular type of souvenir that soldiers often sent home to their families. Also included is a printed piece of sheet music from 1917 for the song "Hail! Hail! The Gang's All Here" and a copy of the printed exhibit bulletin from 2018.

This collection consists of 17 letters Marinus Heyboer wrote to his brother Harry while training with the United States Army's 308th Field Artillery Regiment and 310th Field Hospital at Camp Dix, New Jersey, between February and April 1918. Heyboer discussed his training exercises, food, and other aspects of military life, in addition to responding to news of Harry's wife and young child.

This collection consists of 17 letters Marinus Heyboer wrote to his brother Harry while training with the United States Army's 308th Field Artillery Regiment and 310th Field Hospital at Camp Dix, New Jersey, between February and April 1918. Heyboer discussed his training exercises, food, and other aspects of military life, in addition to responding to news of Harry's wife and young child.

Marinus composed 7 dated letters at Camp Dix between February 23, 1918, and late April 1918, as well as 10 undated letters covering the period between his arrival at Camp Dix and his departure for Europe. After initially joining Battery B of the 308th Field Artillery Regiment, Heyboer began medical training with the 310th Field Hospital. He told Harry about several training exercises, such as drilling, attending lectures, practicing with field guns, and experiencing gas in the "gas chambers." He also commented on his experiences with horses, which included cleaning up after the animals and witnessing a fatal accident. Heyboer frequently responded to news of his parents and inquired about Harry's wife and baby, Marie and Harry Jr. In one letter, he described two African American regiments that were also training at Camp Dix (March 16, 1918).

This collection is comprised of 15 letters Noah F. Perry sent to Mary Jane Wade of Buntyn, Tennessee (now part of Memphis), while he served with a United States Army band unit at Camp Jackson (now Fort Jackson), South Carolina, between February and June 1918. Perry discussed several aspects of military life, such as his relationships with other soldiers, the possibility of being sent to France, and his experiences while in training.

This collection is comprised of 15 letters Noah F. Perry sent to Mary Jane Wade of Buntyn, Tennessee, while he served with a United States Army band unit at Camp Jackson (now Fort Jackson), South Carolina, between February and June 1918. Perry discussed his relationships with other soldiers, the possibility of being sent to France, and his experiences while in training, among other topics.

Perry wrote 6 letters in February 1918 and 8 between May and June 1918, as well as 1 undated letter. All are addressed to Mary Jane Wade, whom Perry regarded as a close friend. Perry wrote about Camp Jackson and about several facets of military life, such as fluctuations in the camp's population as men transferred between regiments and between military installations. Several letters provide Perry's opinions on fellow soldiers and officers, as well as his views on an African American regiment that entered the camp in late February. He often mentioned his frequent visits to nearby Columbia, South Carolina, where he often attended the theater and occasionally performed with his band unit. Other letters discuss training exercises, such as Perry's experiences with gas and machine guns. Though Perry did not provide the number of his regiment, he mentioned the 316th, 317th, and 318th Infantry Regiments, and in one letter provided his negative opinion of National Guard units (February 10, 1918).