Collections : [University of Michigan William L. Clements Library]

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Start Over You searched for: Repository University of Michigan William L. Clements Library Remove constraint Repository: University of Michigan William L. Clements Library Level Collection Remove constraint Level: Collection Subjects World War, 1914-1918--France. Remove constraint Subjects: World War, 1914-1918--France. Date range Unknown Remove constraint Date range: Unknown
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Collection

Grace D. Banker collection, 1918

4 items

The Grace D. Banker collection contains letters, photographs, and newspaper clippings written by or relating to Grace D. Banker, a telephone operator who served during World War I as part of the U.S. Army Signal Corps in Europe with the American Expeditionary Forces.

Banker sent two letters to Georgette Poulard, an American immigrant of French origin. On April 8, 1918, in French, Grace Banker informed her friend that she did not see any submarines on the voyage to France, described her appreciation for the French countryside, and gardens, and assured her that she did not carry a revolver as she was not in danger. On September 10, 1918, Banker wrote about the news of her father's death, the picturesque quality of her surroundings, and her current lodgings in a French home. Accompanying the letters are three empty envelopes addressed to Poulard, one containing a newspaper clipping about Banker's decoration and some plant material in a small envelope labelled "My Four and Five and six/leaf clovers/Georgette/Poulard."

The collection includes a silver gelatin portrait photograph of Grace Banker in uniform, mounted in a separated trifold photo mat. A contemporary newspaper clipping, "First Passaic Girl to join the Army," includes a newsprint reproduction of the portrait; it is pasted on the damaged mat.

Collection

Harry L. Langnecker letters, 1918

36 items

This collection is made up of 36 letters that Harry L. Langnecker wrote to his wife while serving at the U.S. Naval Base Hospital No. 2 in France during World War I. He commented on his work at a spa, internal politics within his unit, and other aspects of his daily life.

This collection is made up of 36 letters that Harry L. Langnecker wrote to his wife while serving at the U.S. Naval Base Hospital No. 2 in France during World War I. He commented on his work at a spa, internal politics within his unit, and other aspects of his daily life.

Thirty-five of Langnecker's letters (dated March 28, 1918, to October 22, 1918), bear numbers between 7 and 55, apparently comprising part of a series. He wrote most frequently about his duties, which included overseeing a spa and performing surgical operations; he often provided anecdotes about his relationships and interactions with co-workers. Several letters pertain to Langnecker's relationship with his wife, and he discouraged her from attempting to join him in France (July 21, 1918). Langnecker mentioned visits to "Castle Brahau." Though he focused on life at the hospital, he shared his negative opinions of Belgian citizens (April 6, 1918) and nurses (August 31, 1918), and he discussed the potential consequences of women remaining in the workforce after the war (September 23, 1918). Two of Langnecker's letters have enclosures: a newspaper clipping with a photograph of William Sowden Sims and an advertisement. Langnecker drew a diagram of his bedroom in his letter of October 16, 1918.

Collection

Joyce Kilmer "Trees" collection, 1913-[after 1922]

5 items

This collection is made up of 4 items related to poet Joyce Kilmer and his poem "Trees," including its first printed appearance, a holograph manuscript of the poem, a partial musical setting by Oscar Rasbach, and a real photograph postcard portrait of Kilmer in uniform.

This collection is made up of 5 items related to Joyce Kilmer and his poem "Trees." Items include a holograph manuscript of the poem; an original copy of the magazine Poetry: A Magazine of Verse, in which the poem was first published; a partial manuscript musical setting of the poem signed by its composer, Oscar Rasbach, who set it to music in 1922; and a real photo postcard portrait of Kilmer. See the Detailed Box and Folder Listing for more information about each item.