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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Albert Wilder papers primarily consist of Wilder's letters home to his sister, Sarah, and brother-in-law, William, while he served in the Civil War. Wilder enlisted in the 39th Massachusetts Infantry in 1862 at the age of 21 and died after being wounded near Spotsylvania, Pennsylvania, 1864.

The Albert Wilder Civil War letters are written almost entirely to his sister, Sarah, and her husband, William, whose last name may have been Flaisdell. One letter, written from the hospital following his wounding, is addressed to his mother, and the final letter in the collection, written a week before his death, is badly tattered, showing how much it was fondled, read and reread, as a relic from the late Albert. Because his regiment saw so little military action for so long, the war news which Albert encloses in his letters is almost entirely second hand; he had little to report first-hand. There are no letters at all for three months after Mine Run, suggesting that the collection may be incomplete.

A constant theme of the early letters is advice to friends back home as to whether or not they should come to the war. He advises his married brother-in-law to stay at home, because there are enough single men to fight the war. He discusses the shoe trade back home in Massachusetts, and politics in the home state, with some information on camp life and the common soldiers' perspective on the leaders of the war. His letters to William are more substantive on the whole; those to Sarah are little more than one-liners in answer to her letters.

Two letters in the collection were written by James R. French to his parents. Men from the French family were in the 39th Massachusetts, but James was not among them. His letters are semi-literate, but illustrate well the quality of life found in the lower (rural?) class: he writes that morale in the regiment is low "sens we found out we ar fitine for nigers" and admonishes his parents to keep the money he sends to them: "I dont want that wife of mine if I must carle her wife to have a sent of it."

The letters in this collection are from Alice Colden Wadsworth to her son and his family, who were early settlers to Michigan.

Most of the letters in this collection are from Alice Colden Wadsworth to John and Maria, and although it is far from a complete run of correspondence, these letters give a fair picture of both the anxious mother and the young frontier family. Alice kept hoping her sons would return to the east, fantasizing that once William became an attorney, he would "go into partnership with some friend in the city, and come and live with us." When she heard that John had sold his farm, she "almost wished that you would purchase a situation in Durham, that we might enjoy the happiness of living near each other. . . . Then I could often see my own little Alice Colden and teach her to love me." Years later she admitted that her sons had succeeded better than the young men who stayed in New York, but still lamented, "oh, my dear son, you fixed your habitation too far away!"

Although her son William wrote frequently, and gave Alice news of his brothers' family, months would go by before she would hear from John and Maria directly. The young people were probably too busy establishing themselves in the new settlement to write home very often, and even if they succeeded in scratching out a letter, the mail service was undoubtedly undependable. In addition to farming and raising a family, John and Maria were actively involved in the growing community in Monroe. By 1838, John was holding "many respectable offices" as a Whig, and in 1843, his mother congratulated him for "pleading the cause of Temperance, and forming Societies," and was delighted that in "every work of piety and benevolence, your dear Maria participates and enjoys." In a letter to Maria, John gave a lengthy description of how almost the entire Whig ticket, including himself, lost in the local elections of 1840: "I say never mind, because this child is not yet dead & they cannot kill me yet, I am resolved to be something or nothing -- & next year I will try them again, perhaps as Senator to the State Legislature." Although he was never a Senator, he did get elected Supervisor of Raisinville in 1843. Still an ardent Whig, he wrote despairingly to his father-in-law about the 1844 national election; "Henry Clay defeated by one James K. Polk -- let the nation weep."

The modest financial, political, and social success enjoyed by the Wadsworths was severely overshadowed by the deaths of two of their children. Their second child, Joseph, probably died in 1840. In a letter to Maria, who was back in Durham visiting her family, John lamented their loss, comforting himself and his wife with the words, "Our Joseph is, or may, be seen running about, & pratling the praises of the lamb -- Our dear children are not our own, they are bought with a price, and that price is the blood of the Lamb & the purchaser God, they are committed to us for safe keeping, let us discharge our trust, as becomes those who are to give an account." Two years later their daughter Alice died while Maria was confined after the birth of another child. The New York relatives send a letter full of heartfelt sympathy and assurances. Susan, for instance, wrote, "Grievous as is this trial may it be blessed to each one of us, and our beloved Alice be made the means in God's hands of drawing each one of us nearer to himself." The last letter in the collection is to Maria from her son John, busy studying for college, intimating that at least one child made it through the precarious years to young adulthood.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

The collection consists of six penmanship and cypher books kept by William L. Shimer, Susanna M. Shimer, and Nathan M. Shimer of Bethlehem, Pennsylvania, in the 1840s and 1850s and one alphabet card with lower-case and upper-case letters. The blank books include illustrated covers and several have calligraphic titles for their sections. Four of them are dated and range from 1846 to 1853. The cypher books include exercises for arithmetic, fractions, accounting, and weights and measures, with many examples relating to practical issues like farming, business, and estates. Penmanship exercises include the copying of moral proverbs, common business abbreviations, strings of letters, and phrases. Two of the penmanship books are associated with writing systems: George J. Becker's The American System of Penmanship, and Bayson, Dunton and Scribner's National System of Penmanship.

The collection consists of seven penmanship and cypher books kept by William L. Shimer, Susanna M. Shimer, and Nathan M. Shimer of Bethlehem, Pennsylvania, in the 1840s and 1850s and one alphabet card with lower-case and upper-case letters. The blank books include illustrated covers and several have calligraphic titles for their sections. Five of them are dated and range from 1846 to 1853. The cypher books include exercises for arithmetic, fractions, practical geometry, accounting, and weights and measures, with many examples relating to practical issues like farming, business, and estates. Penmanship exercises include the copying of moral proverbs, common business abbreviations, strings of letters, and phrases. Two of the penmanship books are associated with writing systems: George J. Becker's The American System of Penmanship, and Bayson, Dunton and Scribner's National System of Penmanship.

• Uriah Hunt & Son, Booksellers, Philadelphia
• Leary's Cheap Book Store, Philadelphia
• Brower, Hayes & Co., Booksellers and Stationers, Philadelphia
• Henry J. Oerter's Cheap Book & Stationery Store, Bethlehem
• Crosby & Ainsworth, Publishers, Boston

The cover of William L. Shimer's 1848 exercise book includes an inscription "L. Shimer, Co. A 10 reg. Militia Pa." William L. Shimer's 1850-1852 cypher book includes notations that he was attending the Gen. Taylor school and was being instructed by A. Stout, as well as geometrical drawings, calligraphic headings, and a pen-and-ink drawing of an eagle's head holding a banner that reads, "Let teh Stars and Stripes proudly float over you."

The Seymour papers contain materials relating primarily to the Civil War service of Col. Isaac G. Seymour (6th Louisiana Infantry) and his son, William J., both residents of New Orleans.

The Seymour papers contain materials relating primarily to the Civil War service of Col. Isaac G. Seymour (6th Louisiana Infantry) and his son, William J., both residents of New Orleans. The most important items in the collection are the two journals kept by William Seymour describing his experiences in the defense of New Orleans, 1862, and as Assistant Adjutant General in the 1st Louisiana Brigade, Army of Northern Virginia. The first of these "journals" was begun by Col. Isaac Seymour as a manuscript drill manual for his regiment (55 pp.), but it appears to have been taken up by William following Isaac's death. This volume is arranged in four sections and includes a record of William Seymour's experiences from March, 1862 through May, 1864. The second volume is organized in a similar manner, but covers the period from April, 1863 through October, 1864, terminating in the middle of a description of the Battle of Cedar Creek. Both of William's "journals" are post-war memoirs drawn extensively from original diaries and notes, with some polishing and embellishment.

William Seymour's "journals" contain outstanding descriptions of life in the Confederate Army and are one of the premier sources for the Confederate side of the Battle of Forts Jackson and St. Philip. His journals also contain very important accounts for Chancellorsville, 2nd Winchester, Gettysburg (Cemetery Hill), Mine Run, the Wilderness and Spotsylvania (the Bloody Angle), but almost as important are the descriptions of camp life, and the morale and emotions of the troops. Seymour is an observant, critical, and knowledgeable writer who was placed in a position where he had access to information on fairly high level command decisions. Yet while his journal is focused on the military aspects of the war, he includes a number of brief personal sketches of officers and soldiers, and vignettes of life in the army, ranging from accounts of Union soldiers bolstered in their courage by whiskey, to the courage of an officer's wife stopping a deserter and the Knights of the Golden Circle surfacing in Pennsylvania during the Confederate invasion.

The remainder of the collection includes three Civil War-date letters relating to Isaac Seymour, one written from Camp Bienville near Manassas, Va. (1861 September 2), one from the Shenandoah River (1862 May 2), and the third a letter relaying news of Seymour's death at Gaines Mills. The letter of May 1862 is a powerful, despairing one, and includes Isaac Seymour's thoughts on the Confederate loss of New Orleans and severe criticism for Jefferson Davis, a "man of small caliber, with mind perhaps enough, but without those qualities which go to make up the great and good man." At this moment, Seymour reported that he was disappointed in the quality of his officers, and regretted that he had not resigned his commission upon his son's enlistment, and further, he felt that the Confederacy was being held together only tenuously, due solely to the "the righteousness of our cause, and the innate, deep rooted mendicable hatred to the Yankee race." The remainder of the correspondence consists primarily of documents, but includes an interesting Seminole War letter of Isaac to Eulalia Whitlock and a letter from "Sister Régis" to Isaac, as editor of the New Orleans Bulletin, begging the aid of the press on behalf of the Female Orphan Asylum.

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

• Woman doing laundry/ holding washtub
• A person on horseback
• A building [bearing a similarity to John Setley's storefront]
• Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
• Male performer or dandy
• Red and blue block text, "UNION"
• Ships in the shape of a horse, with men holding spears and shields
• Hunter aiming a gun at a stag
• Hunters shooting at elephants
• American sailing ships
• People and anthropomorphic creatures
• Man fleeing from dark-skinned persons armed with spears and other weapons
• Shipwrecks
• A lifeboat
• A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
• Sidewheel steamboat
• One page of caricatures, anthropomorphic beings, women, witches, and devils
• Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
• Self-portrait and building
• Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
• Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.

The Ellen Rice journal contains the daily thoughts of a deeply religious woman devoted to her sisters and family, while she worked in her sister's household.

This intelligent, articulate young woman wrote in her journal every evening, recording far more than the day's events. Although she did note newsworthy items at the local and national level, she rarely gives the reader much of a clue what she had been doing all day long. The brief moments when she allowed herself to complain about her situation make it clear she worked long days attending to the needs of her nieces and nephews, and that she was responsible for most of the family's sewing. She chose not to dwell on drudgery. Instead, she celebrated her love of God, of Nature, and of her relatives, particularly her sister Susan.

Ellen felt close to God when she was close to Nature. In springtime, living in Boston made her "feel confined in a cage and long to soar away to my native element and live in the temple of Nature" (1:32). She believed that "no one can cultivate and watch the growth of Flowers, without feeling their hearts expand and fill with thoughts of God which exerts a beneficial influence upon the character. One ray of religious love sheds a light upon the character which no sunbeam can outshine" (2:11). She was occasionally critical of the preachers who did not deliver the word of God as purely as nature did. After one sermon, she accused the preacher of not having a "deep mind," and she chastised another for using "coarse and common" comparisons and expressions, even though his ideas were good (2:21, 1:53).

Ellen continuously returned to the concept of nature as a sublime channel to God:

"What pent up feelings it awakens to roam again o'er the hills among the trees, rocks and flowers. I look upon these as not merely inanimate objects, for there seems to be a connecting link between them and our spirits a something which awakens all the fine feelings and emotions of the heart and makes us keenly sensitive to the wisdom and Goodness of God and his love and mercy to us" (1:46).

In addition to connecting spiritually with God through nature, she was attuned to spiritual connections with people, through their letters. When reading "line after line traced by the loved one's hand, the image rises before me and I hear the spirit breathing the words I read" (1:17).

She felt divided between her home with Mary and her home with her parents, but there was one steady attraction that always made her old home in Wayland more appealing -- her sister Susan lived there. "My heart whose every chord vibrates to her own, yearns to be near her and enjoy the happiness which true sisterly love only can know," she frequently declared (2:3). After expressing her excitement that Susan would soon visit her, she added, "surely it is natural that I should rejoice at the thought of meeting a Sister whose love is pure and strong and in whom I find an echo for every thought and wish" (2:39).

Tension arose when her brother-in-law refused to let her go visit Susan, even though she could easily have been spared from his house for a few days: "I think he cares but little for me or my feelings, but I will not entertain unkind feelings towards him for Mary's sake" (1:38). Even though her relationship with William was cool, she resolved that if her sister died, she would willingly "give up all my youthful hopes and pleasures and devote my life to them, for I love them too well ever to trust them to the care of another" (1:30).

There were men in her life, or wanting to be in it, but she did not really respond to them. She visited and corresponded with Jared, and initially argued that men and women ought to able to have as close friendships as women were allowed to have. "I know it is not customary but that does not prove that it is wrong," she wrote, and insisted that she "can see no reason why those of different sex cannot be friends as well as those of the same" (1:20). A few weeks later, however, she decided to break off the correspondence "for several reasons," but her true feelings for him remained obscured. After they moved to Lexington, Mr. Thayer, a traveling daguerreotypist, fell for her, and startled her with his frank declarations. She told him she did not feel she could be any more than a "common acquaintance" of his, although she was "extremely sorry to disappoint his anticipations" (2:22). He eventually left town, after urging her to reconsider, and presenting her with her likeness in a beautiful case. The third suitor, Mr. Gammell, announced that he wanted her for his "chosen companion," but she remained unmoved (2:49). The cares of her sister's household overwhelmed her, and soon after she succumbed completely.