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This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

This collection is made up of correspondence and legal documents pertaining to Martha Bradstreet of northern New York State. Much of the material pertains to Bradstreet's efforts to recover titles to her inherited land along the Mohawk River. The collection also contains materials related to Samuel Bradstreet and a group of Civil War letters from Silas E. Crandall to Phoebe Bradstreet.

This collection is made up of correspondence and legal documents pertaining to Martha Bradstreet of northern New York State. Much of the material pertains to Bradstreet's efforts to recover titles to her inherited land along the Mohawk River. The collection also contains materials related to Samuel Bradstreet and a group of Civil War letters from Silas E. Crandall to Phoebe Bradstreet.

The Martha Bradstreet Papers are divided into subseries of Martha Bradstreet Correspondence (126 items) and Martha Bradstreet Documents (25 items). The correspondence, including letters by and to Martha Bradstreet, largely pertains to her legal and financial affairs. Many items concern disputes over the land she inherited in upstate New York. Bradstreet's personal correspondence includes letters that she received from her children while traveling and letters to her children and others about their personal activities, such as her daughter Sarah's return to an abusive husband (November 26, 1840). Bradstreet's children wrote to one another about their personal lives, their mother's legal difficulties, and finances. The series' legal documents concern Bradstreet's New York property disputes, the will of Elizabeth Livius, and a civil suit between Elizabeth C. Bennett and Washington Garlock. A map of Mary Bradstreet's land along the Mohawk River is housed in the Map Division.

The Samuel Bradstreet Correspondence (138 items), dated 1800-1866, reflects the contentious relationship between Martha Bradstreet, her brother Samuel, and her husband, Matthew Codd, particularly with regard to real property and inheritance. The series includes several items written by Samuel's sons and grandsons.

The S. E. Crandall and Phoebe Bradstreet Correspondence (12 items) largely consists of letters that S. E. Crandall sent to Phoebe Bradstreet, whom he addressed as "Mother," while serving in the 17th Army Corps during the Civil War. He discussed his experiences in and around Atlanta, Georgia. He also sent letters before and after his military service about his life in Minnesota and about possible conflicts with the Sioux Indians (June 6, 1863).

The Photograph is a large portrait of a woman, mounted in a card frame.

This collection consists of the incoming correspondence of Catherine M. Barker of Guilford, Connecticut, who received letters from family members and acquaintances during the mid-19th century. Her sister Mary wrote of her search for work in New Haven, Connecticut, and other correspondents commented on their social lives in Connecticut and New York.

This collection consists of 34 incoming letters addressed to Catherine M. Barker of Guilford, Connecticut, who received correspondence from female family members and acquaintances during the mid-19th century. Her sister, Mary A. Barker, wrote the first 8 letters while seeking work in New Haven, Connecticut, between 1856 and 1863. She occasionally discussed her experiences as a laborer in a garment factory and provided news of her social life. She described the boarding house where she lived and a visit to a performance hall, where she saw a show by French acrobat Charles Blondin (March 23, 1861). At the outbreak of the Civil War, Mary mentioned the local scramble for news, and lamented that war seemed to be the sole topic of conversation.

The letters Catherine received after 1869 originated from multiple acquaintances, primarily female, who discussed their social lives in Connecticut and New York. Emma Scranton (later Leete) wrote 6 letters to Catherine, commenting on a visit to P. T. Barnum's circus (January 8, 1873), urging Catherine not to marry her beau, Edgar (undated), and offering updates on her social life. Other correspondents planned upcoming visits with Catherine, and one friend, Ruthie, described her shock upon hearing that a friend's wife had left him.

The Dolph family carte-de-visite album contains formal studio portraits, many taken by the Dolph Brothers of Erie, Pennsylvania, around the 1860s-1870s. The photographs show both men and women, and two are artistically posed scenes.

The Dolph family carte-de-visite album (16cm x 13cm) contains formal studio portraits, many taken by the Dolph Brothers of Erie, Pennsylvania, around the 1860s-1870s. This album may have been compiled from loose photos acquired at an estate sale by collector and donor Frederick P. Currier. The photographs, comprised of 42 albumen print cartes-de-visite and 5 tintypes, mostly depict men and women, though a few include children. Some items are hand-colored. Many of the subjects are identified by name, and several are labeled on the back "Dolph home," possibly by the collector and donor. Dolph family members include Albert W. Dolph in a military officer's uniform, Mr. and Mrs. J.H. Dolph, and James or Joseph Dolph. A photograph of two men in close conversation, one with a straw hat, pipe and large book in his lap, the other in a top hat and cane, may be of the Dolph brothers themselves; a man beside a mirror that shows his reflection may be a portrait of Jas. Dolph. Also of note is a double portrait of unidentified albino twins. The album's brown leather cover has a geometric design in relief and is closed with two metal clasps.

The Fiske carte-de-visite album contains formal studio portraits of various men and women, most of whom are unidentified. The photographs were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut.

The Fiske carte-de-visite album (13cm x 9cm) contains 9 cartes-de-visite and 3 tintypes, all of which are formal studio portraits of men, women, and a young boy. With the exceptions of a young boy named "Ralph," a woman identified as a daughter of [Sereno] Scranton, and Reverend Samuel A. Fisk, a Civil War officer pictured in his uniform, the subjects are anonymous. Some of the pictures were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut. The album, which may have belonged to Albert Mentandon of "Geneva," has a cloth cover with a floral pattern stamped in gold.

The Hayner family carte-de-visite album contains carte-de-visite and tintype studio portraits taken in Troy, New York, around the 1860s-1870s. The photographs include pictures of many members of the Hayner family and various other families, and some individuals are pictured more than once.

The Hayner family carte-de-visite album (14cm x 21cm), which belonged to Martin H. Hayner, contains 94 carte-de-visite and tintype photographs taken in Troy, New York, around the 1860s-1870s, as well as one lithograph of a young woman and young man. The brown leather cover has a floral design stamped in gold; a floral design is engraved into the sides of the pages. The studio portraits, comprised of 65 cartes-de-visite and 29 tintypes, are mostly pictures of grown men and women of various ages, including members of the Hayner family, Christian clergy, and members of various other families; some were photographed as couples. Smaller groups of items show infants and young children. Nearly all of the individuals pictured are identified, and one carte-de-visite is a photograph of Abraham Lincoln. Some of the tintypes are hand colored. A list of individuals pictured is housed with the album.

This photograph album contains portraits of direct descendants of Elijah Hubbell and Hannah Fields of Danbury, Connecticut, as well as members of associated families, including the Van Allen family of Janesville, Wisconsin, and the Lynes family of Otsego County, New York.

This album (16cm x 12cm) contains 36 carte-de-visite and two tintype portraits of members of the Hubbell family, Van Allen family, Lynes family, and others. The Hubbell and Lynes families lived in northern and central New York, and the Van Allen family lived in Janesville, Wisconsin. Formal studio portraits show men, women, and children of various ages, and some individuals are pictured more than once. Most of the photographs are labeled, and labels exist for some items that are no longer present. The covers are bound in green cloth, with a decorative design in relief.

This photograph album contains carte-de-visite and tintype portraits of unidentified individuals taken primarily in Ionia and Clinton Counties, Michigan, in the mid- to late 19th century.

This photograph album (15cm x 12cm) contains 27 carte-de-visite and 15 tintype portraits of unidentified individuals taken in the mid- to late 19th century. Only one subject, Mr. J. C. Sessions, is identified. The studio portraits mostly show adult men and women of various ages, sometimes photographed in couples and, on two occasions, with children. A few portraits of individual children are included, including two of a young boy who was also photographed at a later date. The album has a green cover with a raised geometric design; a metal clasp that was once affixed to the volume is no longer extant.

This collection contains 20 letters, 1 document, and 1 essay fragment related to members of the extended Jackman family, who lived in Massachusetts, Vermont, Illinois, Minnesota, and Washington during the late 19th century. The material, which includes many letters by women, concerns topics such as religion, family life and news, the Civil War, family history, and education.

This collection contains 20 letters, 1 copied document, and 1 essay fragment related to members of the extended Jackman family, who lived in Massachusetts, Vermont, Illinois, Minnesota, and Washington during the late 19th century. The material, which includes many letters by women, concerns topics such as religion, family life and news, the Civil War, family history, and education. Most correspondents wrote only 1 or 2 letters.

The first item is a letter David McDonald wrote about Indiana University School of Law in 1848, addressed to an unidentified recipient. A notarized document dated April 4, 1851, provides genealogical information about the family of Elijah and Eunice Hall, and most remaining items are letters written to and received by their daughter Mary Ann and her descendants. The letters concern a variety of topics related to daily life throughout the latter half of the 19th century, including educational experiences (Ada's letter of February 14, 1858, from Moline, Illinois, for example) and the problems associated with earning a living in Illinois and Indiana (Mary A. Jackman's letter of July 10, 1859, for example). Some correspondents discussed religion, such as their spiritual beliefs and skepticism about Universalist teachings (January 5, 1862). During the war, one person wrote about an acquaintance who had briefly served in the Union Army, and Mary A. Merriman shared her opinion that the Civil War was a chastisement of the nation for "pride and naughtiness of heart" (June 5, 1863).

Later letters include mentions of Elijah Hall's War of 1812 service and its detrimental effects on him, and William Grupe's Civil War service. One letter concerns an unidentified woman's life in San Francisco, California, in 1878, and 6 late items reflect the Grupe family's life in Dayton, Washington. Among the latter are a letter about social life at the Washington State Normal School in 1900, and an undated essay fragment entitled "When a Western Girl Comes East" (4 pages) about regional differences and misconceptions between the residents of the Pacific Coast and the state of New York.

The Kellogg family photograph album contains formal carte-de-visite and tintype portraits of men, women, and children taken mostly in Morenci, Michigan, and Wauseon, Ohio, around the mid-1860s.

The Kellogg family photograph album (14cm x 21cm) contains formal studio portraits of men, women, and children taken mostly in Morenci, Michigan, and Wauseon, Ohio, around the mid-1860s. The photographs, comprised of 41 cartes-de-visite and 4 tintypes, show men, women, and children, sometimes photographed in pairs or groups. Some photographers are identified, such as "traveling artist" W. H. Cunningham. Mary McKenzie Stranahan presented the album to Mrs. Reba Kellogg, her daughter, in Wauseon, Ohio, on June 5, 1865. The brown leather cover has a tooled geometric design, and the title "Album" is stamped in gold on the spine.