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Collection

Jewett-Lee family papers, 1850-1900 (majority within 1850-1853)

30 items

The Jewett-Lee collection centers around Azubah Miller Jewett and her daughter Mary (Mollie) Jewett Lee, early settlers to the Saginaw Valley of Michigan.

Most of the Jewett-Lee collection centers around Azubah Miller Jewett and her daughter Mary (Mollie) Jewett Lee. Three letters from Azubah to her daughter were written in the 1850s; they contain family news and information about friends. Azubah wrote her reminiscences in 1888, about a year before she died, describing her early days in Michigan. The other letters are primarily to and from Mollie Jewett, and include a courtship correspondence with her future husband, Newton Lee. Most of these letters were written while she was away from Saginaw City visiting her father's family in New York in the summer and fall of 1853. The collection also includes three speeches, two for delivery on holidays to the people of Saginaw (1858 and 1861) and one addressed to a literary society. There are a couple newspapers and newspaper clippings as well.

The most important document in the Jewett-Lee collection is the reminiscences of Azubah Jewett. She wrote this manuscript upon the request of her brother Judge Albert Miller of Bay City, who asked her to record some of her memories of pioneer life. The document begins:

"Very many things have occorred in the fifty-seven years that I have been in Michigan that would be worthy of note but I hardly feel competant for the task; Suffice it to say that the present inhabitants would think it quite impossible to endure the privations and sacrifices that a few of the first have pass'd through; and in almost every instance without a word of complaint."

Azubah Jewett went on to outline her experiences as one of the first pioneers of the Saginaw Valley. She saw the first settlers arrive and establish industries, including lumbering. She witnessed the first steam boats in the area, the first roads and street cars, and the population explosion that occurred as the next wave of settlers arrived in the Saginaw Valley. The eighty-three year old closed her account with these words, "My bodily health is good, and unless this article indicates contrary, my mental faculties are unimpared, and I enjoy life as much at present as at any period on my existence." She died one year later.

There is a short series of courtship letters between Dr. Newton D. Lee and Molly Jewett while she was in New York. Lee fantasized a future life together: "when I would get tired of the office, I could go to you & be always greeted with a lovely smile & a sweet kiss, then you would sit down beside me and put both your hands in mine & lean your head upon my bosom as your support in this life, then look up in my face & talk to me. . ." (1853 August 7). These winning words won Molly's heart, and the two were married in November.

One letter stands apart from the main collection because it was written by a woman named Delia, who had no connection to the Jewett family except that she knew and possibly courted Dr. Lee before his marriage to Mollie. Delia's words provide insight into the social risks and responsibilities that women had to face when contemplating engaging in a courtship. Lee had apparently visited and written her, and expressed an interest in pursuing his suit. Delia's letter diplomatically expressed a certain amount of skepticism about the sincerity of Dr. Lee's gestures. While she would accept a sincere offer, she would not risk the injury and humiliation that might come from accepting an insincere offer: "It is still more gratifying to meet a worthy friend, prove him such and then feel that I share his thoughts and friendship, but as frankly confess, that a mere avowal of such a friendship is no convincing evidence to me that it exists" (1850 February 7).

The most chilling letter in the collection is from Mollie's friend Louisa. The tear-stained letter reported that a mutual friend of theirs had died of consumption. Susan Harris had been part of their group of six girls all the same age. Lousia, keeping vigil at Susan's bed side when she passed, wrote "I scarcely left that lifeless form until it was returned to mother earth helped to robe her for burial and dressed her hair for the last time which for so many weeks had been my care fearing to trust anyone else" (1853 October 16).

The three public address manuscripts are of unclear authorship. One is a Fourth of July speech that makes indirect but sustained references to the conflict between the North and the South, and the second is an address to citizens who have answered the call to defend the Union flag. The last is an address to the ladies and gentlemen of a literary society on the occasion of the last of the society's meetings.

Collection

Michigan family photograph album, [ca. 1870-1890]

1 volume

The Michigan family photograph album contains cabinet cards and cartes-de-visite with portraits of various unidentified men, women, and children taken largely in Howell and Pontiac, Michigan, in the late 19th century.

The Michigan family photograph album (26cm x 20cm) contains 25 cabinet cards and 10 cartes-de-visite with portraits of unidentified men, women, and children taken in Howell and Pontiac, Michigan, in the late 19th century. The album's padded red velvet cover has the title "Album" on an artist's palette. Subjects were photographed individually, in pairs, and, on a few occasions, as families, with as many as four people appearing in one image. Two boys were accompanied by dogs. Some subjects appear in more than one picture, apparently at different ages.

Collection

Michigan School photograph album, [ca. 1885]

1 volume

The Michigan School photograph album contains studio portraits of unidentified men, women, and children taken mostly in Central and Southeast Michigan in the late 19th century, as well as two pictures of school buildings, at least one of which is from the campus of Michigan Agricultural College. The album contents are possibly a mixture of students and professors of M.A.C. plus family and friends of the unknown compiler.

The Michigan School photograph album (27cm x 21cm) contains 54 studio portraits of unidentified men, women, and children taken in Michigan cities such as Albion, Ann Arbor, Jackson, and Lansing in the late 19th century. The photographs are comprised of 40 cabinet cards and similarly sized card photographs, 11 cartes-de-visite, and 3 tintypes. Four pages from a different album (containing seven photographs) are laid into the volume, as is a photograph of an infant. Most of the images are individual portraits of adult men and women. Two images by a Lansing Michigan photographer are of school buildings, one identified as Michigan Agricultural College. A floral design is printed directly onto each page, and one cabinet card is designed to look as though the print is peeling off of the mount. A pink ribbon with the letters "Q," "L," and "S" attached to it is laid into the album. The volume's padded covers are wrapped in red cloth with a floral design imprinted on the front. A hard surface with the title "Album" is attached to the front cover.

Collection

Milbourne family portrait album, [1860s-1880s]

1 volume

The Milbourne family portrait album contains photographs of members of the Milbourne family and other individuals, most of whom were related to the compiler. The volume includes cartes-de-visite, tintypes, and small prints mounted on thin cards.

The Milbourne family portrait album (11cm x 8cm) contains photographs of members of the Milbourne family and other individuals, most of whom were related to the compiler. The volume includes 5 cartes-de-visite, 5 carte-de-visite-sized tintypes, and 2 small prints (about 3cm x 3.5cm) mounted on thin cards (7cm x 6cm). Two of the tintypes, each cut into an oval, are loose in the volume, as are the two smaller card photographs. Many of the subjects are identified by manuscript captions as members of the Milbourne family and relatives of the album's owner; captions are also present for items that are no longer extant. With the exception of one picture of an infant, the portraits show men and women of various ages photographed individually and, in one instance, as a couple. One aunt is shown propped up on a pillow, and a Union soldier is identified as "General Sheridan." The album has a worn black leather cover.