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The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915.

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915. The collection is mainly composed of 10 x 15 cm silver platinum, platinotype, and gelatin silver prints as well as 15 x 20.5 cm cyanotypes. A couple of manuscript notes are also present. Much of the focus is on eastern Massachusetts, centering on Wheeler’s hometown of Worcester. Photographs show residential architecture from the 17th century, unidentified colonial homes, and contemporary architecture from Wheeler's day and age. Many of the historical structures documented here were in danger of vanishing during Wheeler's lifetime, and many have long since been destroyed. Other photographs show natural landscapes, noteworthy trees, country roads, parks, public and educational buildings, farms, monuments, bridges, milestones, and gravestones as well as images of famous paintings, engravings, and lithographs. Also included are a small number of images related to Washington, D.C., Maine, and New Hampshire. Wheeler likely took the vast majority of these photographs, though there are several instances where he credited the original sources of certain images. The collection materials were removed from the original album volumes they were stored in and have been rehoused in three 3-ring binder albums and three flat boxes. Most photographs also have original reference numbers that were used by Wheeler to organize the collection.

In addition to this finding aid, the Clements Library has created the Henry M. Wheeler Photoprint Collection Inventory. This inventory lists items according to volume/box location and includes references to specific page/mat numbers, image descriptions (most of which are derived from captions originally inscribed by Wheeler on photograph versos), and photographic formats.

The Thomas Morton New English Canaan or New Canaan manuscript is Samuel Gardner Drake's 1830 transcription of Thomas Morton's book, New English Canaan or New Canaan (2nd edition: Amsterdam, 1637). The work describes Native Americans and New World flora and fauna, and satirizes the Massachusetts Bay colonists.

The Thomas Morton New Canaan manuscript is a copy of the 1637 Amsterdam edition of Morton's major work, New Canaan. Antiquarian Samuel Gardner Drake made the transcription in 1830, from John Quincy Adams' printed copy. In addition to a full transcription of all three volumes of the work, Gardner included Adams' and his own sources for further reading on Morton, as well as "Notes by the transcriber," in which he recounted his request to Adams to borrow the work and laid out his reasons for making a copy (p. ii).

Each of the three "volumes" that make up Morton's work addresses a different subject. The first contains information collected by Morton on Native Americans, including a description of a recent deadly plague (p. 23), child-rearing customs (p. 31-32), and lengthy accounts of Native Americans' home, and religious and agricultural practices. Morton was a fairly sympathetic, if at times confused, observer, and found a great deal to praise. In the second volume, Morton focused on the natural features of the New World, and cataloged and commented on a range of trees, herbs, animals, and minerals. He expressed great admiration for the wilderness, calling the New World "a Country so infinitely blest" (p. 92). The third volume satirizes the austerity of the Puritans and criticizes them for the massacre of members of the Massachusett tribe at Wessagusset (p. 111). It also incorporates several poems by Morton.