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In the 1850s, Anna Cora Ritchie, a writer and actress, became involved in the Mount Vernon Ladies' Association, whose mission was (and is) to preserve the home of George Washington. This collection includes incoming correspondence related to fundraising activities for the Association and letters from friends in her theatrical and literary circles.

The Anna Cora Ritchie collection includes incoming correspondence regarding the Mount Vernon Ladies' Association, theatre life, and other matters. Twenty letters are addressed to Anna Cora Ritchie, and two to William Foushee Ritchie.

Personal letters to Anna Cora include correspondence from writers, artists, and others involved in the theatrical world. James O. Sargent, younger brother of Epes Sargent, wrote to her regarding a search for a Mr. Johnson. She received two copies of a letter from J. Guido Methua, a German artist and husband of the actress Marie Scheller-Methua, reporting that he had begun to paint since she left the theatre. Other correspondents included Katharine Sedgwick, an American novelist, Mary Virginia Hawes Terhune (pen name Marion Harland), another writer, and Caroline M. Richings, an opera singer. The letters cover current affairs, her writings, and other personal topics.

Several of the letters discuss the activities of the Mount Vernon Ladies' Association (MVLA), particularly regarding various fundraising efforts on behalf of the organization. Four of the letters are from fellow members of the MVLA, Louisa Ingersoll Greenough, Susan Pellet, Judith Rives, and Mattie L. Hedrick. A letter from E.S. (possibly Epes Sargent, Anna Cora's literary advisor) mentioned that he had visited Mt. Vernon twice and was very pleased with the MVLA efforts. Andrew H. H. Dawson, who spoke on behalf of the MVLA, William H. Bruce, and C. F. Bartholomew also wrote to Anna Cora regarding the MVLA.

William Foushee Ritchie received two letters, one from James Lyons, a Richmond lawyer, and another from Robert H. Gray regarding an address written for the MVLA and a lengthy discussion of party politics.

This collection is made up of 6 letters that John Howard Payne wrote in 1832 (1 item) and 1850 (5 items), including a letter of introduction and letters to English actress "M. A. Tyrrell." In 5 letters to Tyrrell, Payne discussed his desire to make her acquaintance; her recent financial difficulties in Buffalo, New York; and his possible reappointment as consul to Tunis.

This collection is made up of 6 letters that John Howard Payne wrote in 1832 (1 item) and 1850 (5 items). The first item introduces Maryland native Richard Lloyd to Colonel George P. Morris at West Point, New York ([1832]). Payne opened his correspondence with actress M. A. Tyrrell (alternately spelled "Tyrell" and "Tyrrel") with 2 unsigned letters, in which he discussed his admiration of her and his desire to make her acquaintance. He requested that she indicate her desire to meet him with a small gesture during her next public outing (January 12, 1850, and January 17, 1850). His following 3 letters, written from May 2, 1850-September 5, 1850, pertain to Washington, D.C., social affairs; the city's Adelphi Theatre; Payne's acquaintance with a woman named Rosa Jacques; a salary dispute regarding Tyrrell's time in Buffalo; and Payne's possible reappointment as consul to Tunis. His letter of July 29, 1850, refers to the Adelphi Theatre's "engagement of Jim Crow." Payne composed the text of a public acknowledgement of thanks from Tyrrell to those who had supported her during her difficulties in Buffalo (September 5, 1850).