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Graflex Sees the War contains a series of 19 mounted gelatin silver prints taken by Allied military photographers in the European and Pacific theaters during World War II.

Graflex Sees the War contains a series of 19 mounted gelatin silver prints taken by Allied military photographers in the European and Pacific theaters during World War II. This collection consists of 19 gelatin silver prints from the fourth edition of the series in their original shipping container (43 x 53.5 cm). The mailing label on the reinforced cardboard container is addressed to the manager of the Rio Theater in Hammond, Indiana. The majority of the photographs depict scenes from the Pacific theater, yet there are images from France as well. All photographs appear to have been taken in 1944. Credit for most photographs is limited to the service branch that provided them, but three items credit individual photographers by name: Cpl. Angus Robertson, Sgt. Ferman H. Dixon, and Sgt. R. B. Opper. Every credit line also includes the phrase "Graflex-made."

Titles, photo credits, and descriptions of images in order of appearance are as follows: "Two Down, Beachhead to Go, Saipan" (U.S. Coast Guard) -- soldiers under fire advancing along a beach; "Shells Away--Guam" (U.S. Navy) -- battleship firing toward shore; "Plane to Pack Train--Burma" (U.S. Army Signal Corps) -- soldiers walking with mule train, transport planes on runway in background; "U.S.-equipped Free French Troops" (U.S. Army Signal Corps) -- soldiers firing from rocky ridge; "Mam'selle 'Welcomes' Nazi Prisoner" (U.S. Navy) -- woman kicking man in city street as crowd looks on; "Hide and Seek with Death, Saipan" (U.S. Marine Corps by Cpl. Angus Robertson) -- soldiers crouching behind tank; "Biak Bound" (U.S. Coast Guard) -- deck of transport ship with convoy in background; "Victory Symbols--Past and Present" (U.S. Army Signal Corps) -- French village square showing World War I monument and advancing American tank; "105mm Howitzers In Action, Guam" (U.S. Marine Corps) -- soldiers and artillery in tropical landscape; "Channel Transfer of Invasion Wounded" (U.S. Coast Guard) -- wounded soldiers (likely injured during the invasion of Saipan) on stretchers on boat deck; "Flame, Camera, Action--Guam" (U.S. Marine Corps) -- soldiers patrolling in battle-scarred jungle; "Alligators Attacking Peleliu" (U.S. Navy) -- fleet of amphibious landing craft; "House to House Fighting--St. Malo" (U.S. Army Signal Corps) -- American soldiers under fire in French village street; "Earmarked for Guam" (U.S. Navy) - ship deck lined with large artillery shells; "Beachhead Altar, Saipan (U.S. Marine Corps by Sgt. Ferman H. Dixon) -- priest in front of makeshift altar on hood of wrecked tank; "Pause for Prayer" (U.S. Army Signal Corps) -- soldiers with rifles sitting in cathedral; civilians praying at altar; "War is H---" (U.S. Coast Guard) -- four sailors showing haircuts that spell out "H-E-L-L"; "Thar She Blows, Saipan" (U.S. Marine Corps by Sgt. R. B. Opper) -- artillery shell exploding close behind two soldiers on battlefield.

This collection contains letters that Lieutenant Herbert Brigdon Syrett wrote to his mother while serving with the United States Army during World War II, as well as a scrapbook about Syrett's military experiences. Syrett, a member of the 102nd Medical Battalion, described his training in the United States and Hawaii and his experiences in the Pacific Theater.

This collection contains around 580 letters that Lieutenant Herbert Brigdon Syrett ("Brig") wrote to his mother while serving with the United States Army during World War II, as well as a scrapbook (around 60 pages) about his military experiences.

The Correspondence series contains Syrett's letters to his mother from January 6, 1943-December 11, 1945; and 13 letters from Syrett to Howard and Miriam Cusack, January 10, 1944-August 23, 1945. He first described daily life and training exercises at Camp Joseph T. Robinson, Arkansas. In April 1943, he was transferred to Camp Barkeley, Texas, where he participated in an officers' training program and recorded details about his daily schedule and courses. By August 1943, he had graduated and had joined the 102nd Medical Battalion for training at Camp Grant, Illinois, filling his correspondence with descriptions of the scenery and his travels. In December 1943, Syrett reported his safe arrival in Hawaii and his unit's preparations for campaigns in the jungles of the Pacific Theater. While in Hawaii, Syrett became a member of the Outrigger Canoe Club on Waikiki Beach, and he also wrote about his training, military life, officer duties, and leave periods in Honolulu.

After May 1944, Syrett wrote from Saipan, where he participated in active combat during the Allied invasion. He recounted some of his experiences during the battle, such as living in a foxhole and witnessing bombing raids. After the battle, he commented on native life, the impact of the fighting, and insects. Syrett also reported his increasing religious faith and mentioned his religious activities, particularly after his first experiences in active combat. On December 3, 1944, he wrote about non-United States citizens who had joined the country's military forces. In April 1945, Syrett was transferred to Okinawa, Japan, and he compared the United States Army and United States Navy during his voyage. Throughout the summer of 1945, he anticipated the end of the war and wrote about the power of the atomic bomb, while expressing his hope that the war would end soon. After the Japanese surrender, he served in Okinawa, Muramatsu, and Niigata, Japan, which he described. An avid souvenir hunter, Syrett discussed his acquisitions throughout his military service. He also responded to news from home, provided information about other servicemen with whom he corresponded, and discussed the military's encouragement of V-mail services. An undated photograph of an unidentified soldier is housed at the end of the series.

Syrett occasionally enclosed items such as dried flowers, magazine articles, and newspaper clippings in his letters. In his correspondence with the Cusacks, Syrett occasionally sent snapshot photographs of himself, fellow soldiers, destroyed buildings, and scenery (November 24, 1944, 3 photos; January 25, 1945, 6 photos; March 1, 1945, 7 photos). He often wrote on stationery depicting the logos of the United States Army, United States Navy, Camp Joseph T. Robinson, Camp Barkeley, and Camp Grant, as well as stationery with scenes from Camp Barkeley and Hawaii. In 1945, Syrett sometimes composed letters on paper he took from Japanese soldiers. Some letters are V-mail letters, including pre-printed Easter and Mother's Day greetings.

The Scrapbook (around 60 pages) is comprised primarily of newspaper clippings and ephemera from Syrett's World War II service. The items are arranged roughly chronologically. He also collected newsletters, programs, and tickets during his time in the United States, as well as currency during his time abroad. Official documents such as Syrett's draft cards, military orders, and vaccine records are also present. Newspaper clippings relate to the 27th Army Division, jungle training exercises in Hawaii, the Battle of Saipan, the Battle of Okinawa, and the Pacific Theater. Christmas cards are also pasted into the volume.